Tanglewood 2025 [1] – Debussy, Ravel: Seong-Jin Cho (piano), Boston Symphony Orchestra / Andris Nelsons (conductor). Koussevitzky Music Shed, Lenox, 12.7.2025. (ES-S) Debussy – Prélude à l’après-midi d’un faune; La mer Ravel –...
One of the highlights of this season has fallen victim to a baffling Venezuela travel ban. Gustavo Dudamel can no longer bring his Simón Bolivar Symphony Orchestra in August. That now means that Dudamel will spend only a single week at...
BERLIN – Ample government subsidies have allowed German companies to take risks, and that spirit has been bolstered by the enthusiasm of a young, hip audience quite different from the older crowd that shows up for more traditional fare....
The National Restaurant Assn. said its members pay an average of $4,500 per year to license music, or 0.5% of the average U.S. small restaurant’s total annual sales. “This may not seem like a large amount, but for an industry that runs...
The venue is stepping up the enforcement of its dress code this summer, reminding patrons via signs in the foyer to dress “in keeping with the decorum of the theater.” The underdressed will not be allowed inside, according to its policy,...
Aspen Music Festival 2025 [2]: Harris Hall, Aspen, Colorado. (HS) Edgar Meyer is one of the Aspen Music Festival regulars who occupy a short list of ‘miss this performance and it’s your loss’. He has played here brilliantly when...
It’s not great: Subscriptions are down 36 percent. But “complicating things for a number of NSO supporters … is the energy surrounding the orchestra itself, which remains infectiously high, ascendant and alive with promise, especially...
Musicians dealing not only with tiny streaming payments but now software-created “musicians” that steal even that limited option say they need some legal support. – CBC
Barbican, London Asmik Grigorian heads one of the finest casts you could hope to hear, and every flicker of detail and colour in Strauss’s score hits home, as Antonio Pappano’s first season with the LSO climaxes in remarkable style A...
“Rising fees for performers, a punishing U.S. exchange rate, reduced consumer spending and higher insurance charges have combined to pose existential threats to Canadian non-profit music festivals.” But Winnipeg is hopping. – CBC
It’s not pretty. Yet organizers persist. Why? “When you’re in the same room as the artist, when you feel the music move through your body, when you see the emotion on their face and hear their story — that creates a bond. … It...
Thomas Dausgaard’s recent, mostly idiotic series on BIS of large symphonic works played by chamber forces almost made me forget what a talented and dynamic conductor he really is. This terrific performance of the Cooke edition of...
Just what we’ve been waiting for! Another Mahler cycle! Yay! Or rather, Oy! Hearing this perfectly decent reading of the Seventh prompts several thoughts. No, it’s not “necessary”, but I can’t help but...
Kletzki made some fine Mahler recordings for EMI (Symphony No. […] To access this content you must login to your Insider account , or purchase a subscription for $5 monthly, or $49 annually.
Abbado’s best Mahler recordings were his earliest, made in Chicago, […] To access this content you must login to your Insider account , or purchase a subscription for $5 monthly, or $49 annually.
Bernard Haitink once gave an interview in Gramophone Magazine where […] To access this content you must login to your Insider account , or purchase a subscription for $5 monthly, or $49 annually.
This is a sad review to have to write. There was a time when a new recording of Mahler’s “Resurrection” Symphony was an event, something to be celebrated. Not now. Gergiev is, at best, a patchy Mahler conductor, but he...
From Wikipedia On 15 November 1905, the Australian born Percy Grainger (1882-1961) gave a remarkable recital at the Bechstein Hall, Wigmore Street London. At the time, Grainger was establishing himself as a pianist and composer in...
Festival d’Aix-en-Provence [2] – Mozart, Don Giovanni: Soloists, Estonian Philharmonic Chamber Choir, Bavarian Radio Symphony Orchestra / Sir Simon Rattle (conductor). Grand Théâtre de Provence, Aix-en-Provence, 8.7.2025. (MB) If I...
Fauré: Joshua Bell, Irène Duval (violin), Steven Isserlis (cello), Jeremy Denk (piano), Blythe Teh Engstroem (viola). 92nd Street Y, New York, 9.7.2025. (ES-S) Fauré – Violin Sonata No.1 in A major, Op.13; Piano Trio in D minor,...
‘Summers at Severance’ 2025 [1]: Randall Goosby (violin), Cleveland Orchestra / Marie Jacquot (conductor). Mandel Concert Hall at Severance Music Center, Cleveland, 10.7.2025. (MSJ) Mozart – Overture to Don Giovanni, K.527; Violin...
Kings Place, London Bridgerton star Adjoa Andoh’s outstanding delivery of poetry from the 2018 anthology was interspersed with excellent, yet slightly overshadowed, performances from baritone James Newby and pianist Joseph Middleton P...
“I’ll always have my guitar, my inseparable companion,” said the 83-year-old. “But my relationship with it will be more open, freer. It’s simpler when you don’t have as many commitments. I’ll have much more time to, eventually, get back...
Peter Maxwell Davies's 1973 work Stone Litany is a setting of several Norse runic inscriptions that are found on the walls of the great Neolithic tomb of Maes Howe, in the Orkney Islands. The runes amount to young guys' boastful...
Wagner, Tannhäuser: Soloists, Chorus, Ballet and Orchestra of Sofia Opera and Ballet / Constantin Trinks (conductor). National Opera and Ballet, Sofia, 5.7.2025. (GT) In his introduction to this Tannhäuser, Plamen Kartaloff reflected...
Various – ‘Summer Evenings’: Gilles Vonsattel, Evren Ozel (piano), Julian Rhee (violin), Dmitri Atapine (cello). Alice Tully Hall, New York, 8.7.2025. (ES-S) Mozart – Sonata in F major for Violin and Piano, K.376 Beethoven – Trio in...
Phil Spector had famously created a figurative wall of sound by layering instruments and orchestral sweeps. But the Dead’s wall was essentially a behemoth sound system, a hulking electrical mess of amps, speakers, wires—like the...
PERSPECTIVE – As you get older, the departures of people who played significant roles in your work and imagination become more numerous and saddening. Certainly Schifrin's passing on June 26 affected me this way – and more than I...
Des Moines Metro Opera performs in a house with only 476 seats, yet it has a track record of successfully staging such large-scale works as Wagner’s Flying Dutchman, Strauss’s Elektra and Britten’s Peter Grimes. Audiences are thrilled...
Steven Osborne (Hyperion) His grasp of Schubert’s scale and ebullience means this is among the finest recordings of one of the composer’s final sonatas Steven Osborne’s third album of Schubert for Hyperion is the first to include one of...
The 62-year-old Briton — currently music director of the Tokyo Symphony and Geneva’s Orchestre de la Suisse Romande and formerly at the helm of the Bamberg Symphony, the orchestra and opera company in Lucerne, and Paris’s Ensemble...
Synergy Vocals/Van Sweden/ Colin Currie Group (Nonesuch) The consistent harmonics of Traveler’s Prayer are an unfamiliar side to the US composer’s output while the exuberant Jacob’s Ladder brings back his familiar propulsive figures...
Switzerland’s Orchestre Tout Puissant Marcel Duchamp (OTPMD) and Providence, Rhode Island’s dakoudakou are two groups that could absolutely perform for a seated audience; these are bands that, by design, are not necessarily looking to...
SAFFRON OPERA GROUP PRESENTS DER FLIEGENDE HOLLÄNDER INTERNATIONALLY ACCLAIMED CAST IN WAGNER’S TEMPESTUOUS TALE OF DOOMED LOVE SUNDAY SEPTEMBER 14, 2025, at 2.30pm ‘Saffron Opera is on top form… a brilliant account’ Seen and Heard...