Some time ago I reviewed Leslie Ting’s CD set What Brings You In; noting that it was music “that was composed for performance as part of an art installation or a site specific performance or as therapy rather than a …...
It’s always interesting when a top notch baritone (especially a native German speaker) and a first rate concert pianist get together to do Schubert’s Winterreise, which is, I suppose, the pinnacle of the Lieder repertory. ...
Regular readers will know that I’ve seen my fair share of shows by Opera Revue but pretty much always in a bar or pub and as the band always says “The more you drink, the better we sound”. Thus it … Continue...
So LIBLAB is back and the pick of the fruits of the latest version form Tapestry Briefs: Under Where? currently playing at the Nancy and Ed Jackman Performance Centre. There are eleven sketches involving four composers, three...
Opera Atelier opened a run of Mozart’s The Magic Flute (in English) at the Elgin on Wednesday evening. It’s basically the 1991 production (tweaked in 2013) and features a rather spectacular Queen of the Night. Full review...
I don’t think I’ve been as frustrated by a video recording of an opera since I watched the 2007 recording of Unsuk Chin’s Alice in Wonderland. This time the culprit is a recording of the 2024 production of...
The latest short animation from the Canadian Art Song Project is extremely quirky and about as steeped in a certain kind of Canadian nostalgia as one could possibly get. It’s called The Piece Atop His Pate and appears to be...
Mariane Clément’s production of Offenbach’s Les contes d’Hoffmann recorded at the 2024 Salzburg Festival is not the sort of production that one dismisses as pointless and/or ill conceived but it is complex and difficult...
There’s a lot to like in the COC’s revival of Robert Carsen’s production of Gluck’s Orfeo ed Euridice that opened at the Four Seasons Centre on Thursday evening. I don’t think Gluck gets much better. Full...