Audio Podcast Alliance

375 – Live From SoundDay LA_Stranger Things

Fri, 21 Aug 2026 00:00:00 +0000

The sound team from Stranger Things, Season 5, joined SoundDay LA to discuss how the series has changed since it's beginning and the massive undertaking they took on to complete the series' final season. Supervising Sound Editor Craig Henighan divulges an super interesting and creative story about what makes up the Mind Flayers massive vocal screams. Music Editors Lena Glikson and David Klotz breakdown, in detail, a specific scene to show how the music evolved over a full year of tackling it. Re-recording Mixers Will FIles and Mark Paterson discuss their approach to huge action sequences that have to play on anything, from full up home theatres to iPads. Big Thanks to SoundDay LA's sponsors: Remoto Playback (https://remotopro.io/) , ASG (https://www.asgllc.com/) & Sound Ideas (https://sound-ideas.com/) ______ SPONSORS: If summer has your next project heating up, Sound Ideas is making it easier to build up the library you’ll need. During the Sound Ideas Mid Year Sale, you can save 50% on all proprietary items. From impacts and ambiences to vehicles, animals, machinery, production elements, and specialty effects, you can stock up on professional sounds before the next deadline hits. Get ahead of the edit with sounds ready for the scenes, transitions, textures, and surprises still to come. Shop the 50% off, Mid Year Sale now at https://sound-ideas.com/ ______ Make sure you are up to date with everything Tonebenders is doing, from upcoming events to the latest episodes by signing up for the once-a-month Tonebenders email newsletter: https://tonebenderspodcast.com/join-our-email-list/ Episode Notes: https://tonebenderspodcast.com/375-live-from-soundday-la-stranger-things/ Podcast Homepage: https://tonebenderspodcast.com/ This episode is hosted by Timothy Muirhead

374 - Live From SoundDay LA: Spider-Noir

Wed, 19 Aug 2026 00:00:00 +0000

The sound team from Spider-Noir join Tim on stage as part of SoundDay LA to discuss their Emmy nominated work on this unique sounding series. Supervising Sound Editors Ethan Beigel and Andy Sisul, Re-Recording Mixer/Sound Designer Ryan Collins and Location Sound Mixer Matthew Sanchez share behind the scenes stories from both on-set and in postproduction. Including how Nicholas Cage was mic'ed up under the Spider mask, the enormous amount of original recordings they did for sound design and getting loop group to perform in old-timey "noir" accents. Big Thanks to SoundDay LA's sponsors: Remoto Playback (https://remotopro.io/) , ASG (https://www.asgllc.com/) & Sound Ideas (https://sound-ideas.com/) ______ SPONSORS: If summer has your next project heating up, Sound Ideas is making it easier to build up the library you’ll need. During the Sound Ideas Mid Year Sale, you can save 50% on all proprietary items. From impacts and ambiences to vehicles, animals, machinery, production elements, and specialty effects, you can stock up on professional sounds before the next deadline hits. Get ahead of the edit with sounds ready for the scenes, transitions, textures, and surprises still to come. Shop the 50% off, Mid Year Sale now at https://sound-ideas.com/ ______ Make sure you are up to date with everything Tonebenders is doing, from upcoming events to the latest episodes by signing up for the once-a-month Tonebenders email newsletter: https://tonebenderspodcast.com/join-our-email-list/ Episode Notes: https://tonebenderspodcast.com/374-live-from-soundday-la-spider-noir/ Podcast Homepage: https://tonebenderspodcast.com/ This episode is hosted by Timothy Muirhead

301 - How Spider-Noir Was Shot Twice... at Once

Mon, 17 Aug 2026 07:01:00 +0000

Showrunner Oren Uziel and director of photography Darran Tiernan join us to discuss how Prime Video’s “Spider-Noir” was designed, shot, and finished for two distinct visual versions at once: “Authentic Black & White” and “True-Hue Full Color.” They break down the creative and technical challenges of building both looks simultaneously, from old-school noir influences to modern custom LUTs, as well as the enormous collaboration required across the camera, lighting, production design, costumes, makeup, and visual effects departments.

"Nothing was brought to set that hadn't been looked at already through both LUTs... It's measure twice, cut once. This was prep twice, shoot once."

—Oren Uziel, Executive Producer and Showrunner, “Spider-Noir”

Be sure to check out “Spider-Noir,” now streaming on Prime Video, in both black & white and color, in Dolby Vision® and Dolby Atmos®.

Please subscribe to Dolby Creator Talks wherever you get your podcasts, now available as a video podcast on YouTube and Spotify!

Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

373 – Live From SoundDay LA_ Widow’s Bay, Pluribus & Shrinking

Sat, 15 Aug 2026 00:00:00 +0000

The first panel of SoundDay LA was a wonderful talk with some of AppleTV's Emmy nominated sound teams. Including Larry Benjamin, Tim Hoogenakker, Matt Yocum and Sang Kim from Window's Bay. Anna Wilborn and Alex Jongbloed from Shrinking. As well as Phillip Palmer from Pluribus (Larry and Tim mixed Pluribus too). As a group they discuss finding the voice of a show, capturing the dialog on set in difficult situations, how foley can be an emotional catalyst and lots more. Big Thanks to SoundDay LA's sponsors: Remoto Playback (https://remotopro.io/), ASG (https://www.asgllc.com/) & Sound Ideas (https://sound-ideas.com/) ____ For full details on how you can take part in this year's Tonebenders Listener Field Recording Stories, go to ____ For full details on how you can take part in this year's Tonebenders Listener Field Recording Stories, go to https://tonebenderspodcast.com/field-recording-story-submissions/ ______ SPONSORS: If summer has your next project heating up, Sound Ideas is making it easier to build up the library you’ll need. During the Sound Ideas Mid Year Sale, you can save 50% on all proprietary items. From impacts and ambiences to vehicles, animals, machinery, production elements, and specialty effects, you can stock up on professional sounds before the next deadline hits. Get ahead of the edit with sounds ready for the scenes, transitions, textures, and surprises still to come. Shop the 50% off, Mid Year Sale now at https://sound-ideas.com/ ______ Make sure you are up to date with everything Tonebenders is doing, from upcoming events to the latest episodes by signing up for the once-a-month Tonebenders email newsletter: https://tonebenderspodcast.com/join-our-email-list/ Episode Notes: https://tonebenderspodcast.com/373-live-from-soundday-la-widows-bay-pluribus-shrinking/ Podcast Homepage: https://tonebenderspodcast.com/

The Sound of Spider-Noir

Colemanfilm Media Group — Wed, 12 Aug 2026 15:44:26 +0000

The sound of Spider-Noir blends gritty period character with immersive mixing. Re-recording Mixer/Sound Designer Ryan Collins and Re-recording Mixer Nick Offord explore vintage dialogue treatments, atmospheric transitions, distinctive web effects, and inventive sonic details—including a unique sound for Spider-Sense—to create a fresh sonic identity for this new take on Spider-Man.

The team also created a unique sonic identity for Spider-Man’s web powers, deliberately moving away from the familiar sound of previous Spider-Man films. Ben Reilly’s suppressed abilities inspired a drier, more cobweb-like sound incorporating textures reminiscent of bone creaks, while old magnetic film stock was manipulated to create the distinctive trailing sound of the web.

Electricity was another opportunity for experimentation, combining synthetic sounds with organic details to give the power surges weight and scale while maintaining the show’s period character. Even small sounds were carefully crafted, including a skincare wand recording that became the foundation for subtle electrical movements.

It’s a fascinating look at how Collins, Offord, and the wider sound team used experimentation, collaboration, and immersive mixing to give Spider-Noir a sonic identity all its own—all within the intense challenge of a five-day final mix.

Saros with Loïc Couthier, Lewis Everest, Lewis Barn, Fabio Liutina, Pete Reed and Juuso Tolonen

Wed, 12 Aug 2026 13:00:00 +0000

For this episode, we got to meet some of the fantastic folks from Sony Interactive Entertainment who helped shape the amazing audio from Housemarque's latest game, Saros.

Loïc Couthier, Lewis Everest, Lewis Barn, Fabio Liutina, Pete Reed and Juuso Tolonen all sat down with us to chat about the work they've put into making this cosmic-nightmare-bullet-hell such a wonder to listen to. We dive into their approach at designing sounds for UI, weapons, enemies, environments and bosses through a set of pillars that aimed to keep things cohesive, how they made use of Sony's DualSense controllers features to the fullest, their use of 3D audio technology, and so much more.

The team was extremely generous when it comes to sharing the nitty-gritty details on their workflow and the likes, so perhaps this is one of our most in-the-weeds episode so far!

Hope you enjoy!

372 - The Bear & Beef S2

Wed, 12 Aug 2026 00:00:00 +0000

Emmy nominated re-recording mixers Andy Lange & Penny Harold (Beef), join Steve “Major” Giammaria (The Bear) in conversation about life on the mix stage for high end shows. All three discuss how they approached the mixes for the most recent season of both series. They compare and contrast what a day looks like while working through an episode, their techniques for getting in and out of music heavy scenes smoothly, what their reverb chains look like and lots more. ____ For full details on how you can take part in this year's Tonebenders Listener Field Recording Stories, go to https://tonebenderspodcast.com/field-recording-story-submissions/ ______ SPONSORS: If summer has your next project heating up, Sound Ideas is making it easier to build up the library you’ll need. During the Sound Ideas Mid Year Sale, you can save 50% on all proprietary items. From impacts and ambiences to vehicles, animals, machinery, production elements, and specialty effects, you can stock up on professional sounds before the next deadline hits. Get ahead of the edit with sounds ready for the scenes, transitions, textures, and surprises still to come. Shop the 50% off, Mid Year Sale now at https://sound-ideas.com/ ______ Make sure you are up to date with everything Tonebenders is doing, from upcoming events to the latest episodes by signing up for the once-a-month Tonebenders email newsletter: https://tonebenderspodcast.com/join-our-email-list/ Episode Notes: https://tonebenderspodcast.com/372-the-bear-beef-s2/ Podcast Homepage: https://tonebenderspodcast.com/ This episode is hosted by Timothy Muirhead

300 - The Groundbreaking, Immersive Sound of Mexodus

Tue, 11 Aug 2026 07:01:00 +0000

The Audible Original® adaptation of “Mexodus” brings the acclaimed Off-Broadway musical into a new immersive audio experience in Dolby Atmos®. Created and performed by Brian Quijada and Nygel D. Robinson, “Mexodus” is a live-looped, two-person musical set in the 1850s, telling the powerful story of the Underground Railroad that led south, following enslaved people who sought freedom across the Rio Grande into Mexico. Quijada and Robinson join sound designer Mikhail “Misha” Fiksel to discuss both the live stage production and the Audible Original adaptation, and how they used music, sound design, foley, live performance, and an immersive audio mix to bring this story to life, in two radically creative ways.

“My obsession with this [immersive audio] medium is that it's [for] an audience of one. For most people, it's an intimate experience between their ears. So literally the sound is kind of actually inside them. But using spatial dynamics, you can place the audience at different kind of perspectives, different vantage points… It's no longer a realistic experience, but much more [a] sort of impressionistic and psychological experience for the audience.”

—Mikhail “Misha” Fiksel, Sound Designer, “Mexodus”

Be sure to check out The Audible Original adaptation of “Mexodus,” now available on the Audible app in stunning Dolby Atmos.

“Mexodus” tour dates and ticketing information can be found here.

Please subscribe to Dolby Creator Talks wherever you get your podcasts, now available as a video podcast on YouTube and Spotify!

Many, many thanks to YOU, our audience, for being with us for 300 episodes! We can’t wait to bring you our next 300.

Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

In Conversation, Ep.19 | Mathew Price, CAS with Joshua Anderson CAS

Mon, 10 Aug 2026 19:41:00 +0000

Emmy award-winning production sound mixer, Mathew Price CAS, joins Joshua Anderson CAS, to recount his beginnings in the New York independent film and documentary worlds, as well as his acclaimed work on “The Sopranos” and “The Marvelous Mrs. Maisel.” Over 11 seasons on those two ground-breaking series, Matthew earned three CAS awards and numerous CAS and Television Academy nominations. This episode was recorded in New York. Run Time 00:54

Sage Bahn - Respawn

Mon, 10 Aug 2026 19:20:00 +0000

We take a look at Sage's journey through not one but two internship opportunties all while attending school - from Insomniac to Respawn.

Colbert & Fallon: Mixing Music for Late Night TV

Mon, 10 Aug 2026 10:00:00 +0000

Mixing music for Late Night television means working fast, putting artists at ease, and delivering polished mixes under immense pressure. In this episode, the Music Mixers of The Late Show with Stephen Colbert and The Tonight Show Starring Jimmy Fallon swap stories from decades behind the console. They reveal performances that went sideways, why backing tracks can actually make their jobs harder, and what it’s like mixing everyone from Cynthia Erivo to Paul McCartney. Featuring Harvey Goldberg and Lawrence Manchester.

Twenty Thousand Hertz is produced by ⁠⁠Defacto Sound⁠⁠.

Watch Dallas' on-set videos with Harvey (The Late Show) and Lawrence (The Tonight Show).

Follow Dallas on ⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠, ⁠⁠Facebook⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠.

Support the show and get ad-free episodes at ⁠⁠⁠⁠⁠⁠⁠⁠⁠20k.org/plus⁠⁠⁠⁠⁠⁠⁠⁠⁠.

If you know what this week's mystery sound is, tell us at ⁠⁠⁠⁠⁠⁠⁠⁠⁠mystery.20k.org⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Get three months of free payroll with Gusto at gusto.com/20k.

Visit ⁠⁠⁠⁠⁠⁠quo.com/20k⁠⁠⁠⁠⁠⁠ for 20% of your first 6 months of business phone software.

371 – Murderbot

Mon, 10 Aug 2026 00:00:00 +0000

Recent Emmy nominees Danielle McBride and Tyler Whitham join the podcast to discuss their roles as supervising sound editors on the sci-fi comedy Murderbot. Building the sonic world of a brand new sci-fi series is just about every sound person's dream gig. What does a giant two headed monster centipede sound like? What about spaceships with futuristic propulsion systems? These are some of the puzzles that needed to be solved for Murderbot. Plus the dialog had creative challenges as well, with lots of interior dialog, robot processing and comms that each needed their own signature sounds. ____ For full details on how you can take part in this year's Tonebenders Listener Field Recording Stories, go to https://tonebenderspodcast.com/field-recording-story-submissions/ ______ SPONSORS: If summer has your next project heating up, Sound Ideas is making it easier to build up the library you’ll need. During the Sound Ideas Mid Year Sale, you can save 50% on all proprietary items. From impacts and ambiences to vehicles, animals, machinery, production elements, and specialty effects, you can stock up on professional sounds before the next deadline hits. Get ahead of the edit with sounds ready for the scenes, transitions, textures, and surprises still to come. Shop the 50% off, Mid Year Sale now at https://sound-ideas.com/ ______ Make sure you are up to date with everything Tonebenders is doing, from upcoming events to the latest episodes by signing up for the once-a-month Tonebenders email newsletter: https://tonebenderspodcast.com/join-our-email-list/ Episode Notes: https://tonebenderspodcast.com/371-murderbot/ Podcast Homepage: https://tonebenderspodcast.com/ This episode is hosted by Timothy Muirhead

370 - Alien Earth

Sat, 08 Aug 2026 00:00:00 +0000

Alien: Earth expands on the sonic universe of the Alien franchise, with terrifying new creatures and technology. Supervising Sound Editor Lee Gilmore and Sound Designers Justin Davey & Nolan McNaughton, join the podcast to tell us about how they tackled the cavalcade of audio challenges this series threw at them. The classic Xenomorph is more menacing, 4 new Aliens needed vocals and movement sounds. plus lots more. ______ Los Angeles listeners, you can still sign up to the waitlist for SoundDay LA, on August 9th: https://luma.com/58xnoz87 ____ For full details on how you can take part in this year's Tonebenders Listener Field Recording Stories, go to https://tonebenderspodcast.com/field-recording-story-submissions/ ______ SPONSORS: If summer has your next project heating up, Sound Ideas is making it easier to build up the library you’ll need. During the Sound Ideas Mid Year Sale, you can save 50% on all proprietary items. From impacts and ambiences to vehicles, animals, machinery, production elements, and specialty effects, you can stock up on professional sounds before the next deadline hits. Get ahead of the edit with sounds ready for the scenes, transitions, textures, and surprises still to come. Shop the 50% off, Mid Year Sale now at https://sound-ideas.com/ _____ Big thanks to SoundDay LA’s event sponsor Remoto Playback. Pitch-perfect remote review sessions without a monthly subscription. Go to https://remotopro.io/ to learn more. ______ Make sure you are up to date with everything Tonebenders is doing, from upcoming events to the latest episodes by signing up for the once-a-month Tonebenders email newsletter: https://tonebenderspodcast.com/join-our-email-list/ Episode Notes: https://tonebenderspodcast.com/370-alien-earth/ Podcast Homepage: https://tonebenderspodcast.com/ This episode is hosted by Timothy Muirhead

Catherine Wood: Los Angeles-based engineer, producer, and studio owner

Thu, 06 Aug 2026 13:26:00 +0000

Catherine Wood is the owner if Los Angeles studio Planetwood, and has an amazing body of work as a producer and engineer. She has also worked on a variety of TV and film projects, and numerous commercials (which you may recognize). Catherine also focuses on giving back to the industry and speaks with us about all the service positions she holds.

Hosted by: Rebecca Wilson

Executive Producers: Karrie Keyes, Beckie Campbell, and Susan Kost

Edited by: Marina Baglivo (with updates by Rachel Suffian)

Music by: Jess Fenton (https://www.jessfenton.com/)

Admin by: Kanika Khanna

The SoundGirls Podcast is presented by soundgirls.org

299 - Creator Lee Sung Jin and the Emmy-Nominated Team Behind Beef Season 2

Thu, 06 Aug 2026 07:01:00 +0000

Season two of Netflix’s anthology series “Beef” received 16 Emmy Award® nominations, including recognition for its bold cinematography and meticulously crafted sound. In this conversation, creator, showrunner, writer, director, and executive producer Lee Sung Jin — who also goes by Sonny Lee — joins members of his creative team to discuss how they gave the second season its own distinct identity while still retaining the DNA of the show.

“The dialogue is kind of musical in a way. We are chasing these rises and falls to land a joke or a dramatic moment. And we all collectively feel it. And so that's what's great is that I think most teams would be like, ‘Sonny, you're crazy. You don't need to spend any more hours on this.’ But they're like, ‘Ugh, you know what? We know what you mean and it can be a little bit better.’ … I think whether in the mix, or with James [Laxton] in color [grading], what I love about this team is that we want it to be perfect. And it's really hard to do that on TV time and TV resources.”

—Lee Sung Jin, Creator, Showrunner, Writer, Director, and Executive Producer, “Beef”

Joining Lee Sung Jin for this conversation about “Beef” season 2:

- James Laxton, ASC – Director of Photography

- Christopher Gomez, MPSE – Supervising Sound Editor

- Penny Harold, CAS – Re-recording Mixer

- Andy Lange, CAS – Re-recording Mixer

Be sure to check out “Beef,” now streaming on Netflix in Dolby Vision® and Dolby Atmos®.

Please subscribe to Dolby Creator Talks wherever you get your podcasts.

You can also check out the video for this episode on YouTube.

Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

298 - The Music of Spider-Man: Brand New Day, with Composer Michael Giacchino

Tue, 04 Aug 2026 07:01:00 +0000

Academy Award®-winning composer Michael Giacchino returns to Dolby Creator Talks for his fifth appearance, this time to discuss his latest score for “Spider-Man: Brand New Day.” In this conversation, Giacchino explores how he approached Peter Parker’s new emotional reality: One where the character is alone, isolated, and carrying difficult memories no one else shares, by reshaping familiar musical themes, excavating pieces out of the melody, and introducing a dark, synth palette beneath the orchestra. He also reflects on his working relationship with director Destin Daniel Cretton, recording an 85-piece orchestra at Abbey Road, and finding the right balance between the spectacle befitting a Spider-Man movie, and the loneliness at the heart of this new chapter for the beloved superhero.

"For me, musically, it was... 'do we abandon the theme that we had for three movies and just go with something brand new? So it felt like he’s in a wholly new place?' That was my first thought. But the more I tried to do that, I kept thinking, 'well, no, maybe it's not so much about inventing anything new, but it's about taking away from what we already have.' So if I have a full melody written out, what notes can I pull out of that melody, that would represent the pieces of his life that have now gone away?"

—Michael Giacchino, Composer, “Spider-Man: Brand New Day”

Be sure to check out “Spider-Man: Brand New Day,” now playing in theaters in Dolby Vision® and Dolby Atmos® where available.

Please subscribe to Dolby Creator Talks wherever you get your podcasts.

You can also check out the video for this episode on YouTube.

Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

369 - RuPaul's Drag Race

Tue, 04 Aug 2026 00:00:00 +0000

Re-recording mixers Erik Valenzuela & Sal Ojeda join Tonebenders to talk about their wild schedule during audio post on RuPaul's Drag Race. Between them they have combined to work on over 330 episodes of Drag Race, making them experts on reality TV postproduction workflows. Dialog often presents the largest challenges and they have to use every tool they can get their hands on to make the final show sound smooth and clean. We also dig deep into the Rusical (a Rupaul Musical) episodes and the many challenges they present. Los Angeles listeners, make sure you sign up now for SoundDay LA on August 9th https://luma.com/58xnoz87 ____ For full details on how you can take part in this year's Tonebenders Listener Field Recording Stories, go to https://tonebenderspodcast.com/field-recording-story-submissions/ ______ SPONSORS: If summer has your next project heating up, Sound Ideas is making it easier to build up the library you’ll need. During the Sound Ideas Mid Year Sale, you can save 50% on all proprietary items. From impacts and ambiences to vehicles, animals, machinery, production elements, and specialty effects, you can stock up on professional sounds before the next deadline hits. Get ahead of the edit with sounds ready for the scenes, transitions, textures, and surprises still to come. Shop the 50% off, Mid Year Sale now at https://sound-ideas.com/ _____ Big thanks to SoundDay LA’s event sponsor Remoto Playback. Pitch-perfect remote review sessions without a monthly subscription. Go to remotopro.io to learn more ______ Make sure you are up to date with everything Tonebenders is doing, from upcoming events to the latest episodes by signing up for the once-a-month Tonebenders email newsletter: https://tonebenderspodcast.com/join-our-email-list/ Episode Notes: https://tonebenderspodcast.com/369-rupauls-drag-race/ Podcast Homepage: https://tonebenderspodcast.com/ This episode is hosted by Timothy Muirhead

368 - Backrooms

Thu, 30 Jul 2026 00:00:00 +0000

Backrooms was a massive blockbuster this spring and the sounds in the film are a big reason why. The team was presented with some real sonic puzzles to solve, including the unique set where it was shot, creating sound design from the camera's perspective and sonically leading an extremely tense opening scene with no music or sustained dialog. Plus they discuss working with the film's director, Kane Parsons, who voiced some of the creature sounds himself and was one of the composers on Backrooms. Los Angeles listeners, make sure you sign up now for SoundDay LA on August 9th https://luma.com/58xnoz87 ______ SPONSORS: If summer has your next project heating up, Sound Ideas is making it easier to build up the library you’ll need. During the Sound Ideas Mid Year Sale, you can save 50% on all proprietary items. From impacts and ambiences to vehicles, animals, machinery, production elements, and specialty effects, you can stock up on professional sounds before the next deadline hits. Get ahead of the edit with sounds ready for the scenes, transitions, textures, and surprises still to come. Shop the 50% off, Mid Year Sale now at https://sound-ideas.com/ ______ Make sure you are up to date with everything Tonebenders is doing, from upcoming events to the latest episodes by signing up for the once-a-month Tonebenders email newsletter: https://tonebenderspodcast.com/join-our-email-list/ Episode Notes: https://tonebenderspodcast.com/368-backrooms/ Podcast Homepage: https://tonebenderspodcast.com/  This episode is hosted by Timothy Muirhead

Listener Stories 2026 (Bronze): AI Music & Coral Crackles

Mon, 27 Jul 2026 10:00:00 +0000

Twenty Thousand Hertz proudly presents the first five selections from our 2026 Listener Story competition. From AI-generated music, to the hidden crackle of coral reefs, to historic birdsong recordings, these bite-sized stories are crafted with curiosity and care.

Twenty Thousand Hertz is produced by ⁠⁠Defacto Sound⁠⁠.

Subscribe on ⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to see our video series.

Support the show and get ad-free episodes at ⁠⁠⁠⁠⁠⁠⁠⁠⁠20k.org/plus⁠⁠⁠⁠⁠⁠⁠⁠⁠.

If you know what this week's mystery sound is, tell us at ⁠⁠⁠⁠⁠⁠⁠⁠⁠mystery.20k.org⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Listener Links:

Hear Maria Ordovas Montanez's work on the Out There podcast.
Follow Rob Porter's Songbirding podcast.
Follow Victor Sanchez's work with DC Producciones.

Try NetSuite Next for free at netsuite.ai/20k.

Shopify: Own your customer relationships. Own your revenue. Start with a free trial at shopify.com/20k

Visit ⁠⁠⁠⁠⁠⁠quo.com/20k⁠⁠⁠⁠⁠⁠ for 20% of your first 6 months of business phone software.

The Sounds of PLANETENVERTEIDIGUNGSKANONENKOMMANDANT with Torbjørn Svendsen

Mon, 27 Jul 2026 07:00:00 +0000

My guest this time is Torbjørn Svendsen, a freelance sound designer from Norway. You might have already seen him on Youtube as I briefly held an interview at Gamescom last year:

https://www.youtube.com/watch?v=5QdXOQYjrKU

So today we catch up about his work on the wonderfully named video game Planetenverteidigungskanonenkommandant and whatever else I come up with!

Support this Podcast

If you've enjoyed this episode please consider buying merch or supporting directly via Patreon or Ko-fi where you gain early access to episodes in lossless format and can submit questions for guests:

https://field-and-foley-shop.fourthwall.com/

https://www.patreon.com/fieldandfoley

https://ko-fi.com/fieldandfoley

Thank you for listening!

367 - I Love Boosters (Plus a big announcement!)

Fri, 24 Jul 2026 00:00:00 +0000

Supervising Sound Editor Andre Fenley and Re-recording Mixer Kent Sparling join Tonebenders to talk about working with Director Boots Riley on his latest film, I Love Boosters. They discuss how the challenge of creating sound to match the heights reached by the vibrant and arresting visuals in this film, where the line is on how comedic the sounds should be, designing demon voice processing and lots more. Plus a big announcement of Tonebenders biggest live event ever! Get ready for SoundDay LA on August 9th. Go to https://luma.com/58xnoz87 for full details and to claim your seat. ______ SPONSORS: If summer has your next project heating up, Sound Ideas is making it easier to build up the library you’ll need. During the Sound Ideas Mid Year Sale, you can save 50% on all proprietary items. From impacts and ambiences to vehicles, animals, machinery, production elements, and specialty effects, you can stock up on professional sounds before the next deadline hits. Get ahead of the edit with sounds ready for the scenes, transitions, textures, and surprises still to come. Shop the 50% off, Mid Year Sale now at https://sound-ideas.com/ _______ Listeners in NYC check out this screening of American Pachuco: The Legend of Lius Valdez on July 24th at 6:40pm, featuring Supervising Sound Editor Peter Albretchsen in attendance for a Q&A. Get Tickets at https://my.filmforum.org/american-pachuco/51540 _______ Make sure you are up to date with everything Tonebenders is doing, from upcoming events to the latest episodes by signing up for the once-a-month Tonebenders email newsletter: https://tonebenderspodcast.com/join-our-email-list/ Episode Notes: https://tonebenderspodcast.com/367-i-love-boosters/ Podcast Homepage: https://tonebenderspodcast.com/ This episode is hosted by Timothy Muirhead

Aila Scott: New York-based audio engineer and sound designer

Thu, 23 Jul 2026 13:32:00 +0000

Aila Scott is an NYC based audio engineer and sound designer who has been in the industry for nearly a decade. Originally based in New Orleans, her career has spanned from film production and game sound design to music festivals, and this variety and resistance to an "average" day is what has kept her going in the world of sound. She is excited to speak to the experiences of trans women in the audio industry.

Hosted by: Katie Maifeld and Brianna Cofield

Executive Producers: Karrie Keyes, Beckie Campbell, and Susan Kost

Edited by: Rachel Wright

Music by: Jess Fenton (https://www.jessfenton.com/)

Admin by: Kanika Khanna

The SoundGirls Podcast is presented by soundgirls.org

Ep73 - Widow's Bay - Sound team

Sun, 19 Jul 2026 14:49:45 +0000

Martyn Harries AMPS is in conversation with the sound team of the Apple TV series Widow's Bay. Re-Recording Mixers Larry Benjamin and Tim Hoogenakker, Supervising Sound Editor Matt Yocum and Production Sound Mixer Kevin S. Parker talk about creating the quirky sound of Widow's bay, share tales from the set and divulge the best piece of advice they were given starting out on their careers.

Jazz Composition, Game Audio, & Working at Valve with Tim Larkin

Wed, 15 Jul 2026 15:07:00 +0000

#95: My guest today is Tim Larkin, who's based out of Spokane Washington.

Tim has been playing trumpet and piano since a young age, and has performed with artists like James Brown, Ella Fitzgerald, Sheila E, and many others. Tim has also worked in game audio for over 30 years, including 21 years at Valve Software working on titles like Left 4 Dead 1 and 2, Half Life 2: Episode One and Two, Portal 1 and 2, Artifact, Dota 2, Riven, and Myst V, and many others.

In this interview, we dive into how Tim got his first game audio job from calling the company Broderbund in the phonebook yellow pages, how he transitioned from being a gigging trumpet player into a video game composer and sound designer, how up and coming composers/sound designers can stand out in a wildly competitive field, the release of his recent jazz album Setting Standards, and so much more.

Find Tim Here:

Spotify: https://open.spotify.com/artist/0PwyYNaSPbVH2toKPEOpNM

Instagram: https://www.instagram.com/larkin.tim/

LinkedIn: https://www.linkedin.com/in/tim-larkin-696961/

Facebook: https://www.facebook.com/tlarkin1/

Lego Batman: Legacy of the Dark Knight with Raffaele Presciutti

Wed, 15 Jul 2026 13:00:00 +0000

This next one is surely going to put a smile on your face! We met with Raffaele Presciutti from TT Games to chat about the work that's been put into bringing Lego Batman: Legacy of the Dark Knight to life!

Our conversation explores the many intricacies of designing the sonic experience of a Lego game set in the world of Batman. From defining the tone, level of realism, and slapstick of the aesthetics, all the way through the technicalities of bringing Gotham City's open-world to life, we cover a lot of ground here! We also talk about vehicle sounds, the role of music, and a whole lot more! Time to turn on the Bat-Signal!

Hope you enjoy!

366 – 2026 Sound Effects Field Recording Roundtable Pt 2

Tue, 14 Jul 2026 00:00:00 +0000

This episode jumps back in into my interview with John Fasal, Charlie Campagna and Eric Potter. 3 of the world’s top field recordists, working in films and games. They discuss the never ending list of new gear out there and how they approach what gear they use, plus their favourite non traditional types of microphones and when they use them. We also announce the details on how you can take part in this year’s Tonebenders Listener Field Recording Stories. Go to https://tonebenderspodcast.com/field-recording-story-submissions/ to get all the details. Go back and here part one of this talk in Eps 365. ______ SPONSORS: If summer has your next project heating up, Sound Ideas is making it easier to build up the library you’ll need. During the Sound Ideas Mid Year Sale, you can save 50% on all proprietary items. From impacts and ambiences to vehicles, animals, machinery, production elements, and specialty effects, you can stock up on professional sounds before the next deadline hits. Get ahead of the edit with sounds ready for the scenes, transitions, textures, and surprises still to come. Shop the 50% off, Mid Year Sale now at https://sound-ideas.com/ ________ If you are interested in field recording, you should know about the O-Mini P48 and the brand new O-Mini PIP miniature omni-directional electret microphones. Each one is hand made by Chris Trevino, a practicing field recordist, and a really engaged member of the sound community. He puts a lot of work into making and testing each mic to ensure they live up to his high standards. They are ultra-sonic capable, which makes manipulating your recordings with them a lot of fun. They are also extremely affordable. At $150us for the P48 & $130 for the PIP, they offer a lot of value for a stereo matched pair. Find out more at https://www.chrisatrevino.com/store * Please note that the Plug-In Power O-Minis are currently our of stock and will be available again in August '26. ________ Make sure you are up to date with everything Tonebenders is doing, from upcoming events to the latest episodes by signing up for the once-a-month Tonebenders email newsletter: https://tonebenderspodcast.com/join-our-email-list/ Episode Notes: https://tonebenderspodcast.com/366-2026-sound-effects-field-recording-roundtable-pt-2/ Podcast Homepage: https://tonebenderspodcast.com/ This episode is hosted by Timothy Muirhead

Eurovision Song Contest: Inside the Gimmicks & Glamour

Mon, 13 Jul 2026 10:00:00 +0000

For millions of people, Eurovision is a cultural institution, and one of the biggest live television events on Earth. But for many Americans, it remains a complete mystery. In this episode, producer Andrew Anderson takes Dallas and Grace on a joyful crash course through the history, music, controversies, and glorious absurdity of the Eurovision Song Contest. Along the way, they discover which music superstars got their start in Eurovision, how receiving “nul points” can ruin or launch a career, and what this competition reveals about Europe itself. Featuring “Doctor Eurovision” Paul Jordan.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Ashleigh Davies: UK-based audio engineer, sound designer, and re-recording mixer

Thu, 09 Jul 2026 13:37:00 +0000

Ashleigh is an experienced audio engineer, sound designer, and re-recording mixer, based in the UK, with a demonstrated history of working in the creative media production industries. She is highly skilled in audio post-production and mix engineering for film and television with numerous credits including BAFTA & Palme d’Or nominated films. Ashleigh has previously worked with the Pinewood Studios Creative Audio team and Avid Technology, she is currently working for Solid State Logic as Head of Educational Programmes and Services developing and implementing the SSL Certified Training Partner Program to provide schools with the tools they need to help students build critical skills, expand their networks, and gain a competitive edge in the job market.

Hosted by: Lora Thompson

Executive Producers: Karrie Keyes, Beckie Campbell, and Susan Kost

Edited by: Isis Delph

Music by: Jess Fenton (https://www.jessfenton.com/)

Admin by: Kanika Khanna

The SoundGirls Podcast is presented by soundgirls.org

297 - The Grammy-Winning Immersive Music of Justin Gray’s Immersed

Tue, 07 Jul 2026 07:01:00 +0000

Justin Gray’s Grammy®-winning album Immersed was composed, recorded, produced, mixed, and mastered all with Dolby Atmos® in mind, from the very beginning. In this conversation, guest host Ben Givarz is joined by Gray, co-producer Drew Jurecka, immersive mastering engineer Michael Romanowski, and Dolby’s Greg “Stryke” Chin to discuss how the team crafted a captivating musical experience featuring 38 artists from around the world, where every performance, microphone placement, production choice, and mix decision was designed to put the listener at the center of the music. Together, they explore how Immersed reimagines what an album can be when space is treated not as an afterthought, but as a core part of the composition itself.

“Space is a really, really powerful storytelling tool and a powerful production tool. And so when I sat down to write the music, I definitely set out with this thing: I want to make a project where I write the music from the start, produce it for immersive audio.”

—Justin Gray, Composer, Immersive Mix Engineer, and Producer, Immersed

Be sure to check out Immersed, available in Dolby Atmos on enabled streaming music services such as Apple Music and Amazon Music.

Stay connected with our guests on Instagram:

Listen to other classic and contemporary artists mixed in Dolby Atmos on enabled streaming music services.

Interested in creating content in Dolby Atmos? Check out our FREE resources to give you a jump start!

- Dolby Atmos Music Accelerator: https://www.dolby.com/creator-lab/music-accelerator/

- Dolby Atmos Essentials Course: https://learning.dolby.com/

- Dolby Atmos Music Support: https://professional.dolby.com/music/Professional-resources/

Please subscribe to Dolby Creator Talks wherever you get your podcasts.

You can also check out the video for this episode on YouTube.

Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

365 – 2026 Sound Effects Field Recording Round Table Pt 1

Tue, 07 Jul 2026 00:00:00 +0000

John Fasal, Charlie Campagna and Eric Potter are 3 of the world's top field recordists, working in films and games. We previously brought these three legends together in eps 315, and everyone decided it was time for a follow up chat. This time we focus mainly on the craft of recording weapons, including finding a good place to record them, developing your "voice" as a recordist and how the industry has changed in recent years. Big thanks to Formosa Hollywood for hosting us in their beautiful Stage 2. We also announce the details on how you can take part in this year's Tonebenders Listener Field Recording Stories. Go to https://tonebenderspodcast.com/field-recording-story-submissions/ to get all the details. Part 2 of this talk will come out in one week. ______ SPONSORS: If summer has your next project heating up, Sound Ideas is making it easier to build up the library you’ll need. During the Sound Ideas Mid Year Sale, you can save 50% on all proprietary items. From impacts and ambiences to vehicles, animals, machinery, production elements, and specialty effects, you can stock up on professional sounds before the next deadline hits. Get ahead of the edit with sounds ready for the scenes, transitions, textures, and surprises still to come. Shop the 50% off, Mid Year Sale now at https://sound-ideas.com/ ________ If you are interested in field recording, you should know about the O-Mini P48 and the brand new O-Mini PIP miniature omni-directional electret microphones. Each one is hand made by Chris Trevino, a practicing field recordist, and a really engaged member of the sound community. He puts a lot of work into making and testing each mic to ensure they live up to his high standards. They are ultra-sonic capable, which makes manipulating your recordings with them a lot of fun. They are also extremely affordable. At $150us for the P48 & $130 for the PIP, they offer a lot of value for a stereo matched pair. Find out more at www.chrisatrevino.com/store * Please note that the Plug-In Power O-Minis are currently our of stock and will be available again in August '26. ________ Make sure you are up to date with everything Tonebenders is doing, from upcoming events to the latest episodes by signing up for the once-a-month Tonebenders email newsletter: https://tonebenderspodcast.com/join-our-email-list/ Episode Notes: https://tonebenderspodcast.com/365-2026-sound-effects-field-recording-roundtable-pt-1/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead

364 - Disclosure Day with Gary Rydstrom

Thu, 02 Jul 2026 00:00:00 +0000

Gary Rydstrom sits down with Tim for a fun talk about his work on director Steven Spielberg's latest film, Disclosure Day. Gary's enthusiasm for the craft is evident as he discusses some of his favourite techniques, including building in small sections of silence during action sequences, removing ambient sounds to manipulate the audience, and how Spielberg films often begin with sound montages before music or picture even arrive. Disclosure Day has a stand out sequence involving the main character speaking an alien language consisting of clicks. From script to the final version, Gary takes us through his role in the evolution of this language coming to life. _____SPONSORS: Get up to 60% off Sound Ideas proprietary libraries right now. Sound Ideas hasn’t offered a sale like this before, so if you’re building out your sound effects library for upcoming projects, this is a great time to take another look at what they have to offer. The more you spend, the more you save: with discounts of 30%, 50%, or 60% depending on your order total. Pick up the libraries you’ve had on your wish list, or add something new before the next project needs it. Stock up now at https://sound-ideas.com/ ________ Tonebenders’ host, Tim Muirhead, will be hosting and moderating a FREE screening of Independence Day to mark the films 30th anniversary. In attendance will be some of the original sound crew that worked on it. This will take place in Toronto, on July 6th, starting at 6pm at the Hot Docs Theatre. After the screening I will talk with the film’s Supervising Sound Editor Val Kuklowski, Foley Artist Andy Malcom and Sound Effects Editor Mark Lanza about their work on this groundbreaking film. Go to: https://www.eventbrite.ca/e/vff-mpse-present-independence-day-30th-anniversary-screening-live-qa-tickets-1984406081007?aff=erellivmlt and use the code “VFFTonebenders” to claim your free seats and entrance to the post screening party where there will be complimentary bites and refreshments. _________Attention, sound designers! The community run Field Recording Slack Channel’s Mechanical Malfunctions Crowdsource is open from now through July 17th. All you have to do is Submit one original recording, of some kind of mechanical malfunction, to participate. Everyone who enters, will automatically get a full sound library featuring everyone’s submissions. This is a great way to add a treasure trove of unique sounds to your arsenal. Plus More Additional prizes will be awarded, including a Radius Mini Alto wind shield, a pair of LOM Uši Pro microphones, plug-ins from Audio Kids, tons of free sound libraries and more prizes still to be announced. Get full details on how to join in at https://docs.google.com/document/d/10PT_KQ2O-M7_0CpXTmjIfZzdUPd4mJUiUp2SzoaCI8g/edit?tab=t.0 _________ Make sure you are up to date with everything Tonebenders is doing, from upcoming events to the latest episodes by signing up for the once-a-month Tonebenders email newsletter: https://tonebenderspodcast.com/join-our-email-list/ _______ Episode Notes: https://tonebenderspodcast.com/364-disclosure-day-with-gary-rydstrom/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead

Israel Hernandez - Arrival

Wed, 01 Jul 2026 18:56:00 +0000

Episode sixteen showcases Israel's journey to interactive sound design through school and internships.

296 - The Music of Supergirl, with Composer Claudia Sarne

Tue, 30 Jun 2026 07:01:00 +0000

Composer Claudia Sarne joins guest host Jon Burlingame to discuss her bold, hybrid score for “Supergirl,” and how she blended orchestra, choir, synths, and experimental textures to match this more complicated, emotionally wounded version of the iconic DC character. Sarne also breaks down how she built Supergirl’s theme gradually across the film, letting it emerge piece by piece as Kara steps into her heroic identity.

“[Director] Craig [Gillespie] did not want the theme to play properly until she had emerged into the suit and walked into the character fully. We hinted at it earlier on when she's still in the trench coat, and in her first fight sequence — which is this bus sequence with the Sklarians. The first thing that I wrote on this was on that Sklarian bus sequence where she's floating in space. It's sort of lonely piano, and it opens out, and you almost get to a theme, but you don't quite. It just hints at something. When I had that… just a tiny architecture of something, I took that and made it into the theme. That kind of was the genesis of what happened in the whole film and with the music. I took that as the seed and expanded from there.”

—Claudia Sarne, Composer, “Supergirl”

Be sure to check out “Supergirl,” now playing in theaters, in Dolby Vision® and Dolby Atmos® where available.

Please subscribe to Dolby Creator Talks wherever you get your podcasts.

You can also check out the video for this episode on YouTube.

Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Amy Soulfire: producer, musician and sound engineer from New Zealand

Fri, 26 Jun 2026 00:15:03 +0000

Amy Soulfire is a multi-facted audio engineer, musician, and producer based in the south island of New Zealand. She shares bits of all of her experiences with us (from live sound, to recording with children), and let us know what we can expect from her next!

Hosted by: Lora Thompson

Executive Producers: Karrie Keyes, Beckie Campbell, and Susan Kost

Edited by: Miesha Burley

Music by: Jess Fenton (https://www.jessfenton.com/)

Admin by: Kanika Khanna

The SoundGirls Podcast is presented by soundgirls.org

363 – This Is The Way_Carrying The Star Wars Sonic Legacy Forward

Wed, 24 Jun 2026 00:00:00 +0000

David Acord, Matthew Wood, Bonnie Wild and David Collins have had their ears on just about every high-level Star Wars project in the last decade or more. From films to games to series (both live action and animated) these four are the modern-day trail blazers of the sounds from that galaxy far, far away. We discuss the Star Wars Sound Effects library, how the iconic sounds of the franchise are evolving, and why The Mandalorian And Grogu was the most fun they have ever had on a Star Wars gig. _____SPONSORS: Get up to 60% off Sound Ideas proprietary libraries right now. Sound Ideas hasn’t offered a sale like this before, so if you’re building out your sound effects library for upcoming projects, this is a great time to take another look at what they have to offer. The more you spend, the more you save: with discounts of 30%, 50%, or 60% depending on your order total. Pick up the libraries you’ve had on your wish list, or add something new before the next project needs it. Stock up now at https://sound-ideas.com/ ________ Tonebenders’ host, Tim Muirhead, will be hosting and moderating a FREE screening of Independence Day to mark the films 30th anniversary. In attendance will be some of the original sound crew that worked on it. This will take place in Toronto, on July 6th, starting at 6pm at the Hot Docs Theatre. After the screening I will talk with the film’s Supervising Sound Editor Val Kuklowski, Foley Artist Andy Malcom and Sound Effects Editor Mark Lanza about their work on this groundbreaking film. Go to: https://www.eventbrite.ca/e/vff-mpse-present-independence-day-30th-anniversary-screening-live-qa-tickets-1984406081007?aff=erellivmlt and use the code “VFFTonebenders” to claim your free seats and entrance to the post screening party where there will be complimentary bites and refreshments. _________Attention, sound designers! The community run Field Recording Slack Channel’s Mechanical Malfunctions Crowdsource is open from now through July 17th. All you have to do is Submit one original recording, of some kind of mechanical malfunction, to participate. Everyone who enters, will automatically get a full sound library featuring everyone’s submissions. This is a great way to add a treasure trove of unique sounds to your arsenal. Plus More Additional prizes will be awarded, including a Radius Mini Alto wind shield, a pair of LOM Uši Pro microphones, plug-ins from Audio Kids, tons of free sound libraries and more prizes still to be announced. Get full details on how to join in at https://docs.google.com/document/d/10PT_KQ2O-M7_0CpXTmjIfZzdUPd4mJUiUp2SzoaCI8g/edit?tab=t.0 _________ Make sure you are up to date with everything Tonebenders is doing, from upcoming events to the latest episodes by signing up for the once-a-month Tonebenders email newsletter: https://tonebenderspodcast.com/join-our-email-list/ _______ Episode Notes: https://tonebenderspodcast.com/363-this-is-the-way-carrying-the-star-wars-sonic-legacy-forward/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead

Episode 128 Zack Settel (Walk Through Music)

Fri, 19 Jun 2026 14:25:05 +0000

In this episode of the Immersive Audio Podcast, Oliver Kadel and Monica Bolles are joined by musician, composer, creative technologist, and founder of Walk Through Music, Zack Settel from Montreal, Canada. We explore Zack's journey through IRCAM, La SAT, and McGill University's CIRMMT, and discuss his work in spatial audio spanning more than three decades. The conversation takes a deep dive into the topic of six degrees of freedom audio for music, examining both the creative and technical challenges of truly interactive listening experiences. For extended show notes and more information on this episode, go to www.immersiveaudiopodcast.com This episode was produced by Oliver Kadel, Monica Bolles and Emma Rees and included music by Rhythm Scott. How to access the content from our Immersive Audio Podcast Masterclass series? Head out to our page on Patreon - www.patreon.com/c/immersiveaudiopodcast. The sessions are designed to enhance your practical learning experience and are delivered by world-class experts. The livestream contains video demonstrations and spatial audio playback with live Q&A. Keep up to date with our upcoming events, announcements and industry news by subscribing to our newsletter. If you enjoy the podcast and would like to show your support, please consider becoming a Patreon. Not only are you supporting us, but you will also get special access to bonus content and much more. Find out more on our official Patreon page - www.patreon.com/immersiveaudiopodcast We want to hear from you! We value our community and would appreciate it if you would take our very quick survey and help us make the Immersive Audio Podcast even better: surveymonkey.co.uk/r/3Y9B2MJ Thank you! You can follow the podcast on X @IAudioPodcast for regular updates and content, or get in touch via podcast@1618digital.com immersiveaudiopodcast.com

295 - The Sound of Steven Spielberg’s Disclosure Day

Wed, 17 Jun 2026 18:00:00 +0000

*NOTE: This episode contains spoilers.

“Disclosure Day” is at once a conspiracy thriller, a first-contact story, and a wildly inventive showcase for cinematic sound. In this conversation, Gary Rydstrom, Brian Chumney, and Andy Nelson join us to discuss crafting the film’s immersive soundtrack, from its disorienting opening wrestling sequence, to Emily Blunt’s alien-clicking language, to John Williams’s score, and its many spectacular action sequences. But underneath the film’s mystery and spectacle, the sound team was guided by something much simpler and more human.

“We came to the one word direction, which was: ‘Empathy.’ So the movie, any time that we can have a sense of empathy… you can connect with people or disconnect, but feel internalized with other people's feelings. That's what [director Steven Spielberg] said early on.”

—Gary Rydstrom - Supervising Sound Editor, Sound Designer, Re-recording Mixer, “Disclosure Day”

Joining today’s conversation:

- Gary Rydstrom - Supervising Sound Editor, Sound Designer, Re-recording Mixer

- Brian Chumney - Supervising Sound Editor

- Andy Nelson - Re-recording Mixer

Be sure to check out “Disclosure Day,” now in theaters and Dolby Cinemas® in Dolby Vision® and Dolby Atmos®.

Please subscribe to Dolby Creator Talks wherever you get your podcasts.

You can also check out the video for this episode on YouTube.

Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

From Musician to AAA Game Audio with Chris Bolte

Wed, 17 Jun 2026 15:01:00 +0000

#94: My guest today is Chris Bolte, who is a technical sound designer and audio implementer based out of Massachusetts.

Chris has built a wide-ranging library of sound effects used by creatives all over the world, co-wrote the book Elevate Your Audio Production with REAPER, and is most known for his work on the hit game Ghost of Yotei, where he implemented and designed sound across tens of thousands of assets at Sucker Punch Productions.

In this interview, Chris talks about how he pivoted out of a music career in 2022 and decided to go all in on game audio, how he learned his game audio skills so quickly with zero prior experience, how he landed the job at Sucker Punch working on Ghost of Yotei, and so much more.

Find Chris here:

Website: https://bolttracks.com/

Portfolio: https://christopherbolte.com/

LinkedIn: https://www.linkedin.com/in/christopherbolte/

YouTube: https://www.youtube.com/christopherbolte

Bluesky: https://bsky.app/profile/bolttracks.bsky.social

Instagram: https://www.instagram.com/bolt.wav/

Get info on The Game Industry Professional, my flagship course that teaches you how to make a great living in game audio here: bit.ly/gameindustrypro

The Sound of Monarch: Legacy of Monsters

Colemanfilm Media Group — Wed, 17 Jun 2026 05:11:26 +0000

Go behind the scenes of Monarch: Legacy of Monsters with re-recording mixer and sound effects editor Shaughnessy Hare and re-recording mixer Brittany Ellis as they explore the art of building scale, emotion, and immersion through sound. From shaping the massive presence of Titans like Godzilla to crafting intimate, story-driven moments, they break down how sound design, mixing, and music work together to guide the audience’s experience.

362 - Wednesday with John Loranger

Tue, 16 Jun 2026 00:00:00 +0000

I recently got to visit supervising sound editor John Loranger, from Netflix's hit series Wednesday, at his studio in the Toronto area. We spent the afternoon talking about his work on this fantastical series and it's many audio challenges. These include creature vocal designs for the many different characters, finding comedy in the chaos, and discovering the right tone for this unique genre. We also touched on what it is like to work with legendary director Tim Burton and how important the entire audio post team is. _____SPONSORS: Sound Ideas works with partners across the media and creative industries to distribute professional sound libraries, and they’re always looking to grow their collection. If you’ve created your own sound effects library, or are currently developing one, Sound Ideas is interested in acquiring high-quality collections from creators - whether it’s a focused collection or a wide ranging release. They offer a trusted platform with global distribution, professional licensing, metadata support, and a team that understands the craft. If you have a sound effects library and are interested in selling it, Sound Ideas would like to hear from you. For more information, please reach out via: support@sound-ideas.com ________ Tonebenders’ host, Tim Muirhead, will be hosting and moderating a FREE screening of Independence Day to mark the films 30th anniversary. In attendance will be some of the original sound crew that worked on it. This will take place in Toronto, on July 6th, starting at 6pm at the Hot Docs Theatre. After the screening I will talk with the film’s Supervising Sound Editor Val Kuklowski, Foley Artist Andy Malcom and Sound Effects Editor Mark Lanza about their work on this groundbreaking film. Go to: www.eventbrite.ca/e/vff-mpse-prese…7?aff=erellivmlt and use the code VFFTonebenders to claim your free seats and entrance to the post screening party where there will be complimentary bites and refreshments. _________Attention, sound designers! The community run Field Recording Slack Channel’s Mechanical Malfunctions Crowdsource is open from now through July 17th. All you have to do is Submit one original recording, of some kind of mechanical malfunction, to participate. Everyone who enters, will automatically get a full sound library featuring everyone’s submissions. This is a great way to add a treasure trove of unique sounds to your arsenal. Plus More Additional prizes will be awarded, including a Radius Mini Alto wind shield, a pair of LOM Uši Pro microphones, plug-ins from Audio Kids, tons of free sound libraries and more prizes still to be announced. Get full details on how to join in at https://docs.google.com/document/d/10PT_KQ2O-M7_0CpXTmjIfZzdUPd4mJUiUp2SzoaCI8g/edit?tab=t.0 _________ Make sure you are up to date with everything Tonebenders is doing, from upcoming events to the latest episodes by signing up for the once-a-month Tonebenders email newsletter: https://tonebenderspodcast.com/join-our-email-list/ _______ Episode Notes: https://tonebenderspodcast.com/362-wednesday-with-john-loranger/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead

Ep72 - The 32-bit Pipeline Panel MPTS 2026

Mon, 15 Jun 2026 10:44:49 +0000

A special "Round-Table" discussion from MPTS 2026 chaired by Richard Thomas with Howard Bargroff, Kate Davis, Yves-Marie Omnes and Chris Munro

Ep71 - Sound Design Panel MPTS 2026

Mon, 15 Jun 2026 10:38:15 +0000

A special "Round-Table" discussion from MPTS 2026 chaired by Kate Davis AMPS Vice Chair with Heather Andrews, Ben Barker and Dan Pugsley discussing their process and all things sound design in film, TV and games.

John Williams: A Composer’s Legacy

Mon, 15 Jun 2026 10:00:00 +0000

In our last episode, we followed composer John Williams from his childhood to his 1970s run with Steven Spielberg and George Lucas. Now, we pick up the story as John enters an era of seemingly impossible success… from Raiders of the Lost Ark to Home Alone, Jurassic Park, Schindler’s List, and beyond. In this episode, we explore how John revived the grand orchestral score, conquered the classical music world, and crafted melodies that millions of people can instantly recognize. Along the way, journalist Tim Greiving reveals the habits, quirks, and creative brilliance of this living legend.

Twenty Thousand Hertz is produced by ⁠⁠⁠Defacto Sound⁠⁠⁠.

Support the show and get ad-free episodes at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠20k.org/plus⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Subscribe on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to see our video series.

If you know what this week's mystery sound is, tell us at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠mystery.20k.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Follow Dallas on ⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠Facebook⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠.

Find out how you can get the iPhone 17 Pro at no cost with an eligible trade in at ⁠⁠att.com/iphone⁠⁠, or by visiting an AT&T store.

Visit ⁠⁠⁠⁠⁠⁠⁠quo.com/20k⁠⁠⁠⁠⁠⁠⁠ for 20% of your first 6 months of business phone software.

Learn more about your ad choices. Visit megaphone.fm/adchoices

294 - The Magic of Harry Potter: The Full-Cast Audio Editions in Dolby Atmos

Thu, 11 Jun 2026 22:30:00 +0000

The team behind Pottermore Publishing and Audible’s “Harry Potter: The Full-Cast Audio Editions” joins guest host Richard Addis to discuss one of the most ambitious audiobook productions ever attempted. Featuring more than 200 actors, original music, detailed sound design, and fully immersive Dolby Atmos® mixes, the series brings all seven books to life in a new way — while staying true to the text, the characters, and the world fans know so well. *NOTE: This interview may contain spoilers from the Harry Potter series.

Joining today’s conversation:

- Ann Scantlebury - Head of Audio Development, Pottermore Publishing

- Chris Jones - Senior Director of Production, Audible

- Lawrence Kendrick - Co-creative Director, Sound Designer and Composer, String and Tins

- Rob Baker - Head of Engineering, Forever Audio

“We can take people on the Hogwarts Express. They can go through the doors into the Great Hall. They can hear the footsteps echoing. They can be there and they can have it all playing out around them. To us, that was incredibly appealing. It was always about creating something that felt very real to the listener, really putting them in the heart of the action.”

—Ann Scantlebury, Head of Audio Development, Pottermore Publishing

Be sure to check out all seven of “Harry Potter: The Full-Cast Audio Editions,” now available on Audible in Dolby Atmos.

Please subscribe to Dolby Creator Talks wherever you get your podcasts.

You can also check out the video for this episode on YouTube.

Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Amy Wright: educator, audio engineer, and musician from Melbourne

Thu, 11 Jun 2026 13:10:00 +0000

Amy Wright has been around all things audio ever since she helped her sound engineer dad as a 6 year-old. From there she moved onto mixing bands on her own, and then started working in corporate AV at the Melbourne Convention Center. She has since moved into teaching at the Australian Institute of Music, using her tech, music, and production background to help empower the next generation of technicians.

Hosted by: Lora Thompson

Executive Producers: Karrie Keyes, Beckie Campbell, and Susan Kost

Edited by: Keena Kabir

Music by: Jess Fenton (https://www.jessfenton.com/)

Admin by: Kanika Khanna

The SoundGirls Podcast is presented by soundgirls.org

361 - Sound Immersion In Television

Tue, 09 Jun 2026 00:55:46 +0000

We brought together members from the sound teams of some of our favourite recent streaming projects, so they could share their workflows and triumphs. Vinny Alfano worked on both Dexter: Resurrection and Emily In Paris, Ethan Beigel & Andy Sisul we co-supervising sound editors on the recent hit Spider-Noir, Christina Wen was on the faders for Love Story: John F. Kennedy Jr. & Carolyn Bessette and R. Hollis Smith wore many hats to complete to sound of Noah Kahan: Out of Body. Although these projects are all wildly different in content and genre, each presented their own unique obstacles. It is fun listening to a group of top level sound pros bounce ideas off each other for how they tackled all these challenges. This talk was produced in partnership with Impact24. ______SPONSORS: Sound Ideas works with partners across the media and creative industries to distribute professional sound libraries, and they’re always looking to grow their collection. If you’ve created your own sound effects library, or are currently developing one, Sound Ideas is interested in acquiring high-quality collections from creators - whether it’s a focused collection or a wide ranging release. They offer a trusted platform with global distribution, professional licensing, metadata support, and a team that understands the craft. If you have a sound effects library and are interested in selling it, Sound Ideas would like to hear from you. For more information, please reach out via: support@sound-ideas.com ________ Tonebenders’ host, Tim Muirhead, will be hosting and moderating a FREE screening of Independence Day to mark the films 30th anniversary. In attendance will be some of the original sound crew that worked on it. This will take place in Toronto, on July 6th, starting at 6pm at the Hot Docs Theatre. After the screening I will talk with the film’s Supervising Sound Editor Val Kuklowski, Foley Artist Andy Malcom and Sound Effects Editor Mark Lanza about their work on this groundbreaking film. Go to: https://www.eventbrite.ca/e/vff-mpse-present-independence-day-30th-anniversary-screening-live-qa-tickets-1984406081007?aff=erellivmlt and use the code VFFTonebenders to claim your free seats and entrance to the post screening party where there will be complimentary bites and refreshments. _________ Make sure you are up to date with everything Tonebenders is doing, from upcoming events to the latest episodes by signing up for the once-a-month Tonebenders email newsletter: https://tonebenderspodcast.com/join-our-email-list/ _______ Episode Notes: https://tonebenderspodcast.com/361-sound-immersion-in-television/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead

293 - The Voice and Sound of Star Wars: Maul - Shadow Lord

Thu, 04 Jun 2026 07:01:00 +0000

Sam Witwer — the voice of Maul himself! — joins us alongside supervising director and executive producer Brad Rau and supervising sound editor, sound designer, and re-recording mixer David W. Collins to discuss the voice, sound, and cinematic scale of “Star Wars: Maul - Shadow Lord.” Together, they explore how the series deepens one of Star Wars’ most iconic villains, from Witwer’s layered vocal performance and Maul’s emotional complexity to the show’s bold sound design and Dolby Atmos® mix. Collins also reflects on carrying forward the sonic legacy of Skywalker Sound, while staying open to the strange, unexpected discoveries that have always helped make Star Wars sound like Star Wars.

“Sounds can come to you at the most random times. It really is that random encounter with something that sounds funny that ends up being the gold. When I was doing recording for the next season, there's stuff that I recorded and whether I use it or not, I'm still not sure, but I'm building a library constantly by finding stuff that sounds really interesting around the house. I told this story once where I was at my daughter's game and I thought the smack of an aluminum bat would be a great element inside a laser blast, because it has that wonderful tink and echo that you could put a real low end thud in the front of that and it would be this weird thing you could process. I've done that... I just try and keep my ears open and try and learn from Ben Bird or anyone at Skywalker that has told similar stories, because it's usually the happy accidents that cause something unexpected, which Star Wars is all about.”

—David W. Collins, Supervising Sound Editor, Sound Designer, and Re-Recording Mixer, “Star Wars: Maul - Shadow Lord”

Please subscribe to Dolby Creator Talks wherever you get your podcasts.

You can also check out the video for this episode on YouTube.

Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Clovis Blain - Larian Studios

Tue, 02 Jun 2026 20:13:00 +0000

After a four year hiatus, Season 4 returns with Clovis talking about his journey to Larian Studios. Gain+3 Wisdom upon listening!

292 - The Epic Sound of the Stranger Things Finale

Tue, 02 Jun 2026 07:01:00 +0000

The sound of “Stranger Things” has always been huge, cinematic, and unmistakably its own — and the series finale takes that signature style to its most epic scale yet. In this conversation, supervising sound editor Craig Henighan, re-recording mixer Mark Paterson, and dialogue and ADR supervisor Ryan Cole join us to discuss bringing the final chapter to life, from the sonic DNA first established in season one, to the massive battles and emotional moments that define the end of the series. They also break down how the team balanced all of that scale and intensity without losing clarity, dynamics, or the emotional release that makes all “that chaos" work.

“The tricky bit is to kind of embrace a lot of that chaos. It’s usually like some Demogorgon screaming and just everything’s all going on at once. But the key to it is that that chaos ends and you feel that release. That’s kind of what makes the audience feel safe. So it’s a tricky balance to work out, ‘how clean do we go in, in terms of mixing here, to hear everything else?’ We always work through that with the [Duffer Brothers], as well.”

—Mark Paterson, Re-recording Mixer, “Stranger Things” season 5

Be sure to check out “Stranger Things,” now streaming on Netflix, in Dolby Vision® and Dolby Atmos®.

Please subscribe to Dolby Creator Talks wherever you get your podcasts.

You can also check out the video for this episode on YouTube.

Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

360 - Nope With Johnnie Burn Re-Podcast Plus Bonus Tuner Mini-interview

Tue, 02 Jun 2026 00:00:00 +0000

When Johnnie Burn first came on Tonebenders in 2022, to talk about his sound work on director Jordan Peele's hit film Nope, it was immediately clear that he was going to be one of our favourite guests. He has since been on many more times, but this first interview is a classic. He discusses designing the film's ominous winds, the "voice" of Jean Jacket and lots more. As a bonus this episode also features a mini-interview with Johnnie about his latest film, Tuner. ______SPONSORS: Sound Ideas works with partners across the media and creative industries to distribute professional sound libraries, and they’re always looking to grow their collection. If you’ve created your own sound effects library, or are currently developing one, Sound Ideas is interested in acquiring high-quality collections from creators - whether it’s a focused collection or a wide ranging release. They offer a trusted platform with global distribution, professional licensing, metadata support, and a team that understands the craft. If you have a sound effects library and are interested in selling it, Sound Ideas would like to hear from you. For more information, please reach out via: support@sound-ideas.com ________ If you are interested in field recording, you should know about the O-Mini P48 and the brand new O-Mini PIP miniature omni-directional electret microphones. Each one is hand made by Chris Trevino, a practicing field recordist, and a really engaged member of the sound community. He puts a lot of work into making and testing each mic to ensure they live up to his high standards. They are ultra-sonic capable, which makes manipulating your recordings with them a lot of fun. They are also extremely affordable. At $150us for the P48 & $130 for the PIP, they offer a lot of value for a stereo matched pair. Find out more at https://www.chrisatrevino.com/store ________ Tonebenders’ host, Tim Muirhead, will be hosting and moderating a FREE screening of Independence Day to mark the films 30th anniversary. In attendance will be some of the original sound crew that worked on it. This will take place in Toronto, on July 6th, starting at 6pm at the Hot Docs Theatre. After the screening I will talk with the film’s Supervising Sound Editor Val Kuklowski, Foley Artist Andy Malcom and Sound Effects Editor Mark Lanza about their work on this groundbreaking film. Go to https://www.eventbrite.ca/e/vff-mpse-present-independence-day-30th-anniversary-screening-live-qa-tickets-1984406081007?aff=erellivmlt and use the code VFFTonebenders to claim your free seats and entrance to the post screening party where there will be complimentary bites and refreshments. _________ Make sure you are up to date with everything Tonebenders is doing, from upcoming events to the latest episodes by signing up for the once-a-month Tonebenders email newsletter: https://tonebenderspodcast.com/join-our-email-list/ Episode Notes: https://tonebenderspodcast.com/360-nope-with-johnnie-burn-re-podcast-plus-bonus-tuner-mini-interview/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead and Mark Kilborn