Audio Podcast Alliance http://feed.informer.com/digests/OX4JV89I4F/feeder Audio Podcast Alliance Respective post owners and feed distributors Sun, 27 Dec 2020 11:39:42 +0000 Feed Informer http://feed.informer.com/ 160 - The Trial of The Chicago https://soundcloud.com/tonebenders-podcast/160-the-trial-of-the-chicago Tonebenders Podcast urn:uuid:50dd4a97-33d3-452d-ec88-e5f6da72037a Thu, 25 Feb 2021 00:00:00 +0000 In this episode we talk about the sound work done on the latest Aaron Sorkin film The Trial of The Chicago 7. We are joined by Reneé Tondelli (supervising sound editor) & Michael Bobcock (re-recording mixer) as they tell us all the challenges they overcame to make this protest/courtroom drama come to life. From overcoming challenges of recording loop group and ADR in early lockdown conditions, to blending the sound of new scenes and original archive footage seamlessly this film presented endless challenges for the audio team. Tonebenders Podcast 00:26:53 no In this episode we talk about the sound work done… In this episode we talk about the sound work done on the latest Aaron Sorkin film The Trial of The Chicago 7. We are joined by Reneé Tondelli (supervising sound editor) & Michael Bobcock (re-recording mixer) as they tell us all the challenges they overcame to make this protest/courtroom drama come to life. From overcoming challenges of recording loop group and ADR in early lockdown conditions, to blending the sound of new scenes and original archive footage seamlessly this film presented endless challenges for the audio team. #116 | I'm Lovin' It https://www.20k.org/episodes/imlovinit Twenty Thousand Hertz urn:uuid:e6c46932-36bc-9571-f3d5-4cb5b477dc5b Wed, 24 Feb 2021 11:00:00 +0000 Since its introduction in 2003, the McDonald’s “I’m Lovin’ It” jingle has become one of the most recognizable melodies in the world. This is the story of how a catchy five-note jingle conquered the planet, from its humble beginnings at a German ad agency, to being sung by globally famous pop stars. Featuring interviews with "I'm Lovin' It" composers Tom Batoy and Franco Tortora of Mona Davis Beat. Follow the show on Twitter, Facebook, & Reddit. Subscribe to our Youtube channel here. Become a monthly contributor at 20k.org/donate. If you know what this week's mystery sound is, tell us at mystery.20k.org. Get a 4-week trial, free postage, and a digital scale at Stamps.com. Just click the microphone at the top right corner and type the promo code 20k. Hiring? Sign up at Indeed.com/Hertz and get a $75 credit to sponsor your first job post for better visibility, more applications and quicker hiring times. Episode transcript, music, and credits can be found here: https://www.20k.org/episodes/imlovinit Learn more about your ad choices. Visit megaphone.fm/adchoices <p>Since its introduction in 2003, the McDonald’s “I’m Lovin’ It” jingle has become one of the most recognizable melodies in the world. This is the story of how a catchy five-note jingle conquered the planet, from its humble beginnings at a German ad agency, to being sung by globally famous pop stars. Featuring interviews with "I'm Lovin' It" composers Tom Batoy and Franco Tortora of <a href="https://www.monadavis.com/">Mona Davis Beat</a>.</p><p><br></p><p>Follow the show on <a href="http://twitter.com/20korg">Twitter</a>, <a href="http://facebook.com/20korg">Facebook</a>, &amp; <a href="https://reddit.com/r/20k">Reddit</a>.</p><p>Subscribe to our Youtube channel <a href="https://www.youtube.com/channel/UCFu_7pxU3-CByq7bxjVuE4Q">here</a>.</p><p>Become a monthly contributor at <a href="http://20k.org/donate">20k.org/donate</a>.</p><p>If you know what this week's mystery sound is, tell us at <a href="http://mystery.20k.org/">mystery.20k.org</a>.</p><p>Get a 4-week trial, free postage, and a digital scale at <a href="https://stamps.com/">Stamps.com</a>. Just click the microphone at the top right corner and type the promo code 20k.</p><p>Hiring? Sign up at <a href="https://www.indeed.com/hertz">Indeed.com/Hertz</a> and get a $75 credit to sponsor your first job post for better visibility, more applications and quicker hiring times.</p><p>Episode transcript, music, and credits can be found here: <a href="https://www.20k.org/episodes/imlovinit">https://www.20k.org/episodes/imlovinit</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p> Dallas Taylor 1660 no Ba da ba ba ba. Since its introduction in 2003, the McDonald’s “I’m Lovin’ It” jingle has become one of the most recognizable melodies in the world. This is the story of how a catchy five-note jingle conquered the planet, from its humble beginnings at a German ad agency, to being sung by globally famous pop stars. Featuring interviews with "I'm Lovin' It" composers Tom Batoy and Franco Tortora of Mona Davis Beat. Follow the show on Twitter, Facebook, & Reddit. Subscribe to our Youtube channel here. Become a monthly contributor at 20k.org/donate. If you know what this week's mystery sound is, tell us at mystery.20k.org. Get a 4-week trial, free postage, and a digital scale at Stamps.com. Just click the microphone at the top right corner and type the promo code 20k. Hiring? Sign up at Indeed.com/Hertz and get a $75 credit to sponsor your first job post for better visibility, more applications and quicker hiring times. Episode transcript, music, and credits can be found here: https://www.20k.org/episodes/imlovinit Learn more about your ad choices. Visit megaphone.fm/adchoices Wild field recording adventures - with George Vlad (free SFX in the description!) - A Sound Effect Podcast EP 13 https://anchor.fm/asoundeffect/episodes/Wild-field-recording-adventures---with-George-Vlad-free-SFX-in-the-description----A-Sound-Effect-Podcast-EP-13-equifp The A Sound Effect Podcast urn:uuid:6dab26af-bfb4-1818-7606-c4bfc770c6a0 Wed, 24 Feb 2021 10:42:16 +0000 <p>Field recordist, adventurer &amp; independent sound effects creator George Vlad travels the world to record some truly incredible natural soundscapes. Hear stories from his wild adventures capturing sounds of deserts, jungles - and even a live, roaring volcano - in this in-depth interview. Bonus: Get 9 exclusive ambiences for free from George Vlad, at https://www.asoundeffect.com/gv</p> A Sound Effect 3445 No <p>Field recordist, adventurer &amp; independent sound effects creator George Vlad travels the world to record some truly incredible natural soundscapes. Hear stories from his wild adventures capturing sounds of deserts, jungles - and even a live, roaring volcano - in this in-depth interview. Bonus: Get 9 exclusive ambiences for free from George Vlad, at https://www.asoundeffect.com/gv</p> 160 - The Trial of The Chicago 7 https://soundcloud.com/tonebenders-podcast/160-the-trial-of-the-chicago Tonebenders Podcast urn:uuid:985d0789-a7c1-f5cf-65d5-4922f37aadf9 Wed, 24 Feb 2021 00:00:00 +0000 In this episode we talk about the sound work done on the latest Aaron Sorkin film The Trial of The Chicago 7. We are joined by Reneé Tondelli (supervising sound editor) & Michael Babcock (re-recording mixer) as they tell us all the challenges they overcame to make this protest/courtroom drama come to life. From overcoming challenges of recording loop group and ADR in early lockdown conditions, to blending the sound of new scenes and original archive footage seamlessly this film presented endless challenges for the audio team. Tonebenders Podcast 00:26:53 no In this episode we talk about the sound work done… In this episode we talk about the sound work done on the latest Aaron Sorkin film The Trial of The Chicago 7. We are joined by Reneé Tondelli (supervising sound editor) & Michael Babcock (re-recording mixer) as they tell us all the challenges they overcame to make this protest/courtroom drama come to life. From overcoming challenges of recording loop group and ADR in early lockdown conditions, to blending the sound of new scenes and original archive footage seamlessly this film presented endless challenges for the audio team. Karol Urban: Re-recording mixer for television & feature films https://soundgirlspod.podbean.com/e/karol-urban-re-recording-mixer-for-television-feature-films/ SoundGirls Podcast urn:uuid:0f98b398-bca1-06fe-0675-e3eee79f728d Tue, 23 Feb 2021 14:00:00 +0000 <p>Karol Urban CAS, MPSE, NATAS has served directors and producers as a re-recording mixer for television and feature films since 1999. Focusing principally on documentaries early in her career in Washington DC, she now lives in Los Angeles where she currently mixes for television and film. She describes her job as "playing mind games with sound." As a perpetual student of her craft, she enjoys exploring the power sound has to immersive the viewer in the narrative. She is also an involved member of her community having served on the Television Academy's Governor's Peer Group for Sound Mixing, organized events for The LA Sound Group, and served as a blue ribbon panel judge for the Motion Picture Sound Editors Golden Reels. Karol acted as content editor of the CAS Quarterly and served as a board member for the Cinema Audio Society before being elected as President of the organization in 2019. She enjoys educational outreach and has moderated panels for Mix's Sound for Film Event, various FYC campaigns, and AMPAS.</p> <p>Some of her recent credits include:  Stephen King’s The Stand,  Grey’s Anatomy, Single Parents, Big Sky, and Project Bluebook.</p> <p> </p> <p>This podcast was edited by Sara Stacey!</p> <p> </p> <p>Karol Urban CAS, MPSE, NATAS has served directors and producers as a re-recording mixer for television and feature films since 1999. Focusing principally on documentaries early in her career in Washington DC, she now lives in Los Angeles where she currently mixes for television and film. She describes her job as "playing mind games with sound." As a perpetual student of her craft, she enjoys exploring the power sound has to immersive the viewer in the narrative. She is also an involved member of her community having served on the Television Academy's Governor's Peer Group for Sound Mixing, organized events for The LA Sound Group, and served as a blue ribbon panel judge for the Motion Picture Sound Editors Golden Reels. Karol acted as content editor of the CAS Quarterly and served as a board member for the Cinema Audio Society before being elected as President of the organization in 2019. She enjoys educational outreach and has moderated panels for Mix's Sound for Film Event, various FYC campaigns, and AMPAS.</p> <p>Some of her recent credits include:  Stephen King’s The Stand,  Grey’s Anatomy, Single Parents, Big Sky, and Project Bluebook.</p> <p> </p> <p>This podcast was edited by Sara Stacey!</p> <p> </p> soundgirlspod No 37:25 yes Karol Urban CAS, MPSE, NATAS has served directors and producers as a re-recording mixer for television and feature films since 1999. Focusing principally on documentaries early in her career in Washington DC, she now lives in Los Angeles where she curren... Karol Urban CAS, MPSE, NATAS has served directors and producers as a re-recording mixer for television and feature films since 1999. Focusing principally on documentaries early in her career in Washington DC, she now lives in Los Angeles where she currently mixes for television and film. She describes her job as "playing mind games with sound." As a perpetual student of her craft, she enjoys exploring the power sound has to immersive the viewer in the narrative. She is also an involved member of her community having served on the Television Academy's Governor's Peer Group for Sound Mixing, organized events for The LA Sound Group, and served as a blue ribbon panel judge for the Motion Picture Sound Editors Golden Reels. Karol acted as content editor of the CAS Quarterly and served as a board member for the Cinema Audio Society before being elected as President of the organization in 2019. She enjoys educational outreach and has moderated panels for Mix's Sound for Film Event, various FYC campaigns, and AMPAS. Some of her recent credits include:  Stephen King’s The Stand,  Grey’s Anatomy, Single Parents, Big Sky, and Project Bluebook.   This podcast was edited by Sara Stacey! 088 Byron Meyer - Production Sound Mixer based out of Copenhagen, Denmark https://locationsoundpodcast.libsyn.com/088-byron-meyer-production-sound-mixer-based-out-of-copenhagen-denmark Location Sound Podcast urn:uuid:ec8fba29-a25e-67c7-39d7-04145f8f5a54 Tue, 23 Feb 2021 04:31:42 +0000 <p>Byron Meyer is a Production Sound Mixer originally from South Africa but is now based out of Copenhagen, Denmark. He uses a Sound Devices 6-Series mixer/recorder, Wisycom wireless, DPA 4060 lavs, DPA 4017b boom mic & DPA 4097 micro boom as a plant mic. Byron likes Tentacle Sync for time code and he uses a K-tek Stingray bag.</p> <p>Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.</p> <p>Byron Meyer is a Production Sound Mixer originally from South Africa but is now based out of Copenhagen, Denmark. He uses a Sound Devices 6-Series mixer/recorder, Wisycom wireless, DPA 4060 lavs, DPA 4017b boom mic & DPA 4097 micro boom as a plant mic. Byron likes Tentacle Sync for time code and he uses a K-tek Stingray bag.</p> <p>Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.</p> Michael Helms and Byron Meyer 49:56 clean copenhagen,denmark,sounddevices,tentaclesync,dpamics,byronmeyer,ktek Byron Meyer is a Production Sound Mixer originally from South Africa but is now based out of Copenhagen, Denmark. He uses a Sound Devices 6-Series mixer/recorder, Wisycom wireless, DPA 4060 lavs, DPA 4017b boom mic & DPA 4097 micro boom as a plant... Byron Meyer is a Production Sound Mixer originally from South Africa but is now based out of Copenhagen, Denmark. He uses a Sound Devices 6-Series mixer/recorder, Wisycom wireless, DPA 4060 lavs, DPA 4017b boom mic & DPA 4097 micro boom as a plant mic. Byron likes Tentacle Sync for time code and he uses a K-tek Stingray bag. The Sound of Nomadland http://www.soundworkscollection.com SoundWorks Collection urn:uuid:e6c3dd26-422a-6486-a3ba-bb3e5b19ca05 Mon, 22 Feb 2021 16:00:27 +0000 <p>We chat with Supervising sound editor Sergio Diaz and re-recording mixer Zach Seivers about Director Chloé Zhao's new film, Nomadland.</p> <p>Frances McDormand and director Chloé Zhao met a day before the 33rd Independent Spirit Awards in March 2018, and instantly wanted to do a film together. Filming for Nomadland took place over four months in fall 2018, with writer-director Zhao splitting time between set and pre-production for Eternals (2021). McDormand, Zhao, and other crew members lived out of vans over the course of production. David Strathairn, and real-life nomads Linda May, Charlene Swankie, and Bob Wells, also star.</p> <p>The sound design was very important to the film and was tailored to the very different specific landscapes Fern travels through. For this Zhao and her team worked with Mexican born Sergio Diaz, who has collaborated with renowned directors Alfonso Cuarón (Roma), Guillermo del Toro (Pan's Labyrinth, Hell Boy II: The Golden Army), and Alejandro González Iñarritu (21 Grams, Babel). For Nomadland he partnered with Los Angeles based Zach Seivers who also served as re-recording mixer. “We wanted to keep the sound design true to the soundscapes of the places where Fern finds herself, explains Zhao. “Very much like the music, we didn’t want to use “tricks” in sound design to tell the audiences how and what to feel. We wanted to be creative, experiential in our sound design, as well as true and honest.”</p> SoundWorks Collection 41:12 no We chat with Supervising sound editor Sergio Diaz and re-recording mixer Zach Seivers about Director Chloé Zhao's new film, Nomadland. We chat with Supervising sound editor Sergio Diaz and re-recording mixer Zach Seivers about Director Chloé Zhao's new film, Nomadland. Frances McDormand and director Chloé Zhao met a day before the 33rd Independent Spirit Awards in March 2018, and instantly wanted to do a film together. Filming for Nomadland took place over four months in fall 2018, with writer-director Zhao splitting time between set and pre-production for Eternals (2021). McDormand, Zhao, and other crew members lived out of vans over the course of production. David Strathairn, and real-life nomads Linda May, Charlene Swankie, and Bob Wells, also star. The sound design was very important to the film and was tailored to the very different specific landscapes Fern travels through. For this Zhao and her team worked with Mexican born Sergio Diaz, who has collaborated with renowned directors Alfonso Cuarón (Roma), Guillermo del Toro (Pan's Labyrinth, Hell Boy II: The Golden Army), and Alejandro González Iñarritu (21 Grams, Babel). For Nomadland he partnered with Los Angeles based Zach Seivers who also served as re-recording mixer. “We wanted to keep the sound design true to the soundscapes of the places where Fern finds herself, explains Zhao. “Very much like the music, we didn’t want to use “tricks” in sound design to tell the audiences how and what to feel. We wanted to be creative, experiential in our sound design, as well as true and honest.” News of the World with Composer James Newton Howard http://www.soundworkscollection.com SoundWorks Collection urn:uuid:55141574-73fe-6304-70be-aa39886a97f7 Fri, 19 Feb 2021 16:00:27 +0000 <p>In this episode we chat with Composer James Newton Howard about his recent collaboration with Director Paul Greengrass on his new film, News of the World.</p> <p>ABOUT THE FILM: <br />Five years after the end of the Civil War, Capt. Jefferson Kyle Kidd crosses paths with a 10-year-old girl taken by the Kiowa people. Forced to return to her aunt and uncle, Kidd agrees to escort the child across the harsh and unforgiving plains of Texas. However, the long journey soon turns into a fight for survival as the traveling companions encounter danger at every turn -- both human and natural.</p> <p>AUDIO PODCAST SUBSCRIBE: <br />https://linktr.ee/soundworkscollection</p> <p>MORE VIDEOS AND INDUSTRY NEWS: <br />https://www.SoundWorksCollection.com</p> SoundWorks Collection 46:56 no In this episode we chat with Composer James Newton Howard about his recent collaboration with Director Paul Greengrass on his new film, News of the World. In this episode we chat with Composer James Newton Howard about his recent collaboration with Director Paul Greengrass on his new film, News of the World. ABOUT THE FILM: Five years after the end of the Civil War, Capt. Jefferson Kyle Kidd crosses paths with a 10-year-old girl taken by the Kiowa people. Forced to return to her aunt and uncle, Kidd agrees to escort the child across the harsh and unforgiving plains of Texas. However, the long journey soon turns into a fight for survival as the traveling companions encounter danger at every turn -- both human and natural. AUDIO PODCAST SUBSCRIBE: https://linktr.ee/soundworkscollection MORE VIDEOS AND INDUSTRY NEWS: https://www.SoundWorksCollection.com Immersive Audio Podcast Episode 48 Andy Slator https://soundcloud.com/user-713907742/immersive-audio-podcast-episode-48-andy-slator Immersive Audio Podcast urn:uuid:139b0ad3-f0f5-1b49-d5c8-d20a76b19864 Fri, 19 Feb 2021 10:57:15 +0000 In this episode of the Immersive Audio Podcast, Oliver Kadel and Bjørn Jacobsen are joined by sound artist and disability advocate - Andy Slater from Chicago, US. Andy Slater is a Chicago based media artist and disability advocate. He is the founder of the Society of Visually Impaired Sound Artists and director of the Sound As Sight accessible field recording project. His current work features the sounds of antiquated assistive technology, field recordings, spatial audio design for virtual and augmented reality, video games, and films. He works with analogue and FM synthesis in his sound design process with a lean towards retro-futurism, Classic sci-fi and video game sound, and blurry analogue tape charm. Andy has a masters in Sound Arts and Industries from Northwestern University and holds a BFA from the School Of the Art Institute of Chicago.  In this episode, Andy shares his unique journey full of frustrating battles and success stories. You will hear excerpts of Andy’s conceptual artwork and find out about his mission of making the world of audio tech for blind and visually impaired people more accessible. This episode was produced by Oliver Kadel and Emma Rees and included music by Rhythm Scott. For extended show notes and more information on this episode go to https://www.1618digital.com/immersive-audio-podcast-episode-48-andy-slator/ If you enjoy the podcast and would like to show your support please consider becoming a Patreon. Not only are you supporting us, but you will also get special access to bonus content and much more. Find out more on our official Patreon page - www.patreon.com/immersiveaudiopodcast We thank you kindly in advance! We want to hear from you! We value our community and would appreciate it if you would take our very quick survey and help us make the Immersive Audio Podcast even better: surveymonkey.co.uk/r/3Y9B2MJ Thank you! You can follow the podcast on Twitter @IAudioPodcast for regular updates and content or get in touch via podcast@1618digital.com 1.618 Digital 01:03:48 no In this episode of the Immersive Audio Podcast, O… In this episode of the Immersive Audio Podcast, Oliver Kadel and Bjørn Jacobsen are joined by sound artist and disability advocate - Andy Slater from Chicago, US. Andy Slater is a Chicago based media artist and disability advocate. He is the founder of the Society of Visually Impaired Sound Artists and director of the Sound As Sight accessible field recording project. His current work features the sounds of antiquated assistive technology, field recordings, spatial audio design for virtual and augmented reality, video games, and films. He works with analogue and FM synthesis in his sound design process with a lean towards retro-futurism, Classic sci-fi and video game sound, and blurry analogue tape charm. Andy has a masters in Sound Arts and Industries from Northwestern University and holds a BFA from the School Of the Art Institute of Chicago.  In this episode, Andy shares his unique journey full of frustrating battles and success stories. You will hear excerpts of Andy’s conceptual artwork and find out about his mission of making the world of audio tech for blind and visually impaired people more accessible. This episode was produced by Oliver Kadel and Emma Rees and included music by Rhythm Scott. For extended show notes and more information on this episode go to https://www.1618digital.com/immersive-audio-podcast-episode-48-andy-slator/ If you enjoy the podcast and would like to show your support please consider becoming a Patreon. Not only are you supporting us, but you will also get special access to bonus content and much more. Find out more on our official Patreon page - www.patreon.com/immersiveaudiopodcast We thank you kindly in advance! We want to hear from you! We value our community and would appreciate it if you would take our very quick survey and help us make the Immersive Audio Podcast even better: surveymonkey.co.uk/r/3Y9B2MJ Thank you! You can follow the podcast on Twitter @IAudioPodcast for regular updates and content or get in touch via podcast@1618digital.com Immersive Audio Podcast Episode 48 Andy Slater https://soundcloud.com/user-713907742/immersive-audio-podcast-episode-48-andy-slator Immersive Audio Podcast urn:uuid:2cf6451d-8118-4f7d-d528-7551bcf2166f Fri, 19 Feb 2021 10:57:15 +0000 In this episode of the Immersive Audio Podcast, Oliver Kadel and Bjørn Jacobsen are joined by sound artist and disability advocate - Andy Slater from Chicago, US. Andy Slater is a Chicago based media artist and disability advocate. He is the founder of the Society of Visually Impaired Sound Artists and director of the Sound As Sight accessible field recording project. His current work features the sounds of antiquated assistive technology, field recordings, spatial audio design for virtual and augmented reality, video games, and films. He works with analogue and FM synthesis in his sound design process with a lean towards retro-futurism, Classic sci-fi and video game sound, and blurry analogue tape charm. Andy has a masters in Sound Arts and Industries from Northwestern University and holds a BFA from the School Of the Art Institute of Chicago.  In this episode, Andy shares his unique journey full of frustrating battles and success stories. You will hear excerpts of Andy’s conceptual artwork and find out about his mission of making the world of audio tech for blind and visually impaired people more accessible. This episode was produced by Oliver Kadel and Emma Rees and included music by Rhythm Scott. For extended show notes and more information on this episode go to https://www.1618digital.com/immersive-audio-podcast-episode-48-andy-slator/ If you enjoy the podcast and would like to show your support please consider becoming a Patreon. Not only are you supporting us, but you will also get special access to bonus content and much more. Find out more on our official Patreon page - www.patreon.com/immersiveaudiopodcast We thank you kindly in advance! We want to hear from you! We value our community and would appreciate it if you would take our very quick survey and help us make the Immersive Audio Podcast even better: surveymonkey.co.uk/r/3Y9B2MJ Thank you! You can follow the podcast on Twitter @IAudioPodcast for regular updates and content or get in touch via podcast@1618digital.com 1.618 Digital 01:03:48 no In this episode of the Immersive Audio Podcast, O… In this episode of the Immersive Audio Podcast, Oliver Kadel and Bjørn Jacobsen are joined by sound artist and disability advocate - Andy Slater from Chicago, US. Andy Slater is a Chicago based media artist and disability advocate. He is the founder of the Society of Visually Impaired Sound Artists and director of the Sound As Sight accessible field recording project. His current work features the sounds of antiquated assistive technology, field recordings, spatial audio design for virtual and augmented reality, video games, and films. He works with analogue and FM synthesis in his sound design process with a lean towards retro-futurism, Classic sci-fi and video game sound, and blurry analogue tape charm. Andy has a masters in Sound Arts and Industries from Northwestern University and holds a BFA from the School Of the Art Institute of Chicago.  In this episode, Andy shares his unique journey full of frustrating battles and success stories. You will hear excerpts of Andy’s conceptual artwork and find out about his mission of making the world of audio tech for blind and visually impaired people more accessible. This episode was produced by Oliver Kadel and Emma Rees and included music by Rhythm Scott. For extended show notes and more information on this episode go to https://www.1618digital.com/immersive-audio-podcast-episode-48-andy-slator/ If you enjoy the podcast and would like to show your support please consider becoming a Patreon. Not only are you supporting us, but you will also get special access to bonus content and much more. Find out more on our official Patreon page - www.patreon.com/immersiveaudiopodcast We thank you kindly in advance! We want to hear from you! We value our community and would appreciate it if you would take our very quick survey and help us make the Immersive Audio Podcast even better: surveymonkey.co.uk/r/3Y9B2MJ Thank you! You can follow the podcast on Twitter @IAudioPodcast for regular updates and content or get in touch via podcast@1618digital.com 159 - Nomadland with Sergio Diaz & Zach Seivers https://soundcloud.com/tonebenders-podcast/159-nomadland-with-sergio-diaz-zach-seivers Tonebenders Podcast urn:uuid:a0dc85ce-41df-1446-7991-69d084791b71 Fri, 19 Feb 2021 00:00:00 +0000 In this episode speak with Sergio Diaz (Supervising Sound Editor) & Zach Seivers (re-recording mixer) about their work on director Chloé Zhao's new film Nomadland. This film has very little dialog and music, so a lot of the sonic emotion of the film is built by the sound design and the very prominent ambiences used in the film. Tonebenders Podcast 00:19:31 no In this episode speak with Sergio Diaz (Supervisi… In this episode speak with Sergio Diaz (Supervising Sound Editor) & Zach Seivers (re-recording mixer) about their work on director Chloé Zhao's new film Nomadland. This film has very little dialog and music, so a lot of the sonic emotion of the film is built by the sound design and the very prominent ambiences used in the film. The Sound of The Invisible Man http://www.soundworkscollection.com SoundWorks Collection urn:uuid:1917946e-4ff9-0a92-39af-f5c3bb194d70 Thu, 18 Feb 2021 16:00:16 +0000 <p>We chat with Director Leigh Whannell about the sound and music of his new science fiction horror film, The Invisible Man starring Elisabeth Moss.</p> <p>Also featuring Composer Benjamin Wallfisch, Supervising Sound Editor & Re-recording Mixer Will Files and Supervising Sound Editor & Sound Designer Philip Hooker.</p> <p>AUDIO PODCAST SUBSCRIBE: <br />https://linktr.ee/soundworkscollection</p> <p>MORE VIDEOS AND NEWS: <br />https://www.SoundWorksCollection.com</p> SoundWorks Collection 59:28 no We chat with Director Leigh Whannell about the sound and music of his new science fiction horror film, The Invisible Man. We chat with Director Leigh Whannell about the sound and music of his new science fiction horror film, The Invisible Man starring Elisabeth Moss. Also featuring Composer Benjamin Wallfisch, Supervising Sound Editor & Re-recording Mixer Will Files and Supervising Sound Editor & Sound Designer Philip Hooker. AUDIO PODCAST SUBSCRIBE: https://linktr.ee/soundworkscollection MORE VIDEOS AND NEWS: https://www.SoundWorksCollection.com The Legend of Zelda: the Music https://www.soundtrackpodcast.com/ The Soundtrack Show urn:uuid:22d9bf3f-fabf-3406-1d20-7ec6a3bc7a89 Wed, 17 Feb 2021 22:31:10 +0000 The music to original NES title The Legend of Zelda is discussed. We break down the main overworld theme, talk about its impact, and share memories of the original Zelda experience. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com <p>The music to original NES title The Legend of Zelda is discussed. We break down the main overworld theme, talk about its impact, and share memories of the original Zelda experience.</p><p> </p> Learn more about your ad-choices at <a href="https://www.iheartpodcastnetwork.com">https://www.iheartpodcastnetwork.com</a> iHeartRadio 2732 The music to original NES title The Legend of Zelda is discussed. We break down the main overworld theme, talk about its impact, and share memories of the original Zelda experience. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com Ghost of Tsushima Audio Director, Rev. Dr Bradley Meyer (Sucker Punch Productions) https://anchor.fm/thesoundarchitect/episodes/Ghost-of-Tsushima-Audio-Director--Rev--Dr-Bradley-Meyer-Sucker-Punch-Productions-eqeaaa The Sound Architect Podcast (TSAP) urn:uuid:da6b1a7f-2978-06b3-8aaf-00b7c7895266 Wed, 17 Feb 2021 17:02:36 +0000 <p><strong>(TSAP S04E02)</strong></p> <p>In this episode, Sam is joined by <strong>Sucker Punch Productions</strong> Audio Director, <strong>Rev. Doctor Bradley Meyer </strong>to chat about the audio for Ghost of Tsushima.</p> <p>They discuss the soundscapes of the environments, the detail in the Foley, voiceover, dynamic systems, creating authentic sounds for the world of 13th Century Japan and so much more in this deep dive conversation!</p> <p><em>"The Rev. Dr. Bradley D Meyer is audio director at Sucker Punch Productions where he most recently helped bring Ghost of Tsushima to life. Brad has worked on most pieces of hardware from cellphones to consoles to PCs on franchises such as inFAMOUS, Spider-Man, Tony Hawk, Frogger, Dance Dance Revolution, Shrek, TMNT, and You Don’t Know Jack. Over the years, Brad has lectured extensively about game audio at conferences and universities, and was a contributing editor at designingsound.org. He is an ordained minister and a doctor of metaphysics and immortality, so he can talk about the constructs of our physical realm, or marry you to the adult human of your choosing."</em><br> <br> <strong>Big thanks to Callum Tennick for editing and mastering this episode.</strong></p> <p><strong>This episode and so much more at: </strong><a href="https://www.thesoundarchitect.co.uk/"><strong>www.thesoundarchitect.co.uk</strong></a></p> <p><strong>Twitter: </strong><a href="https://twitter.com/SoundDesignUK"><strong>@SoundDesignUK</strong></a></p> <p><strong>Facebook: </strong><a href="https://facebook.com/thesoundarchitect.co.uk"><strong>facebook.com/thesoundarchitect.co.uk</strong></a></p> <p><strong>Instagram: </strong><a href="https://instagram.com/thesoundarchitectofficial"><strong>thesoundarchitectofficial</strong></a></p> <p><strong>Stay up to date via our Monthly Newsletter as well: </strong><a href="https://www.thesoundarchitect.co.uk/newsletter"><strong>www.thesoundarchitect.co.uk/newsletter</strong></a></p> --- Send in a voice message: https://anchor.fm/thesoundarchitect/message Sam Hughes 4262 No <p><strong>(TSAP S04E02)</strong></p> <p>In this episode, Sam is joined by <strong>Sucker Punch Productions</strong> Audio Director, <strong>Rev. Doctor Bradley Meyer </strong>to chat about the audio for Ghost of Tsushima.</p> <p>They discuss the soundscapes of the environments, the detail in the Foley, voiceover, dynamic systems, creating authentic sounds for the world of 13th Century Japan and so much more in this deep dive conversation!</p> <p><em>"The Rev. Dr. Bradley D Meyer is audio director at Sucker Punch Productions where he most recently helped bring Ghost of Tsushima to life. Brad has worked on most pieces of hardware from cellphones to consoles to PCs on franchises such as inFAMOUS, Spider-Man, Tony Hawk, Frogger, Dance Dance Revolution, Shrek, TMNT, and You Don’t Know Jack. Over the years, Brad has lectured extensively about game audio at conferences and universities, and was a contributing editor at designingsound.org. He is an ordained minister and a doctor of metaphysics and immortality, so he can talk about the constructs of our physical realm, or marry you to the adult human of your choosing."</em><br> <br> <strong>Big thanks to Callum Tennick for editing and mastering this episode.</strong></p> <p><strong>This episode and so much more at: </strong><a href="https://www.thesoundarchitect.co.uk/"><strong>www.thesoundarchitect.co.uk</strong></a></p> <p><strong>Twitter: </strong><a href="https://twitter.com/SoundDesignUK"><strong>@SoundDesignUK</strong></a></p> <p><strong>Facebook: </strong><a href="https://facebook.com/thesoundarchitect.co.uk"><strong>facebook.com/thesoundarchitect.co.uk</strong></a></p> <p><strong>Instagram: </strong><a href="https://instagram.com/thesoundarchitectofficial"><strong>thesoundarchitectofficial</strong></a></p> <p><strong>Stay up to date via our Monthly Newsletter as well: </strong><a href="https://www.thesoundarchitect.co.uk/newsletter"><strong>www.thesoundarchitect.co.uk/newsletter</strong></a></p> --- Send in a voice message: https://anchor.fm/thesoundarchitect/message Michael Bangs: Allen & Heath USA Live Sound/Touring Manager https://soundgirlspod.podbean.com/e/michael-bangs-allen-heath-usa-live-soundtouring-manager/ SoundGirls Podcast urn:uuid:4437ff11-b3b2-628d-8781-690f87d76b8f Tue, 16 Feb 2021 14:00:00 +0000 <p>With over 20 years of concert production experience, Mike Bangs has spent most of his career as a Touring Monitor Engineer and Production Manager. On tour with acts such as Aerosmith, Eric Clapton, Katy Perry, Tom Petty, Kid Rock, Lynyrd Skynyrd and Nick Jonas, Bangs has developed extensive real-world experience and has mixed well over 1000 shows across the globe. As an early adopter of live digital mixing, Bangs provided training and support for engineers switching from analog to many of the first large format digital consoles starting in 2004. In 2011, he adopted Allen & Heath as his console of choice for consistent touring, leading to a close relationship with the manufacturer. At the end of 2015, Bangs was added to the team as the Allen & Heath USA Live Sound/Touring Manager to support the unique needs of touring professionals on the groundbreaking new dLive mix system. In addition to his role at A&H, Bangs works as Monitor Engineer for George Strait and as an industry educator.</p> <p>With over 20 years of concert production experience, Mike Bangs has spent most of his career as a Touring Monitor Engineer and Production Manager. On tour with acts such as Aerosmith, Eric Clapton, Katy Perry, Tom Petty, Kid Rock, Lynyrd Skynyrd and Nick Jonas, Bangs has developed extensive real-world experience and has mixed well over 1000 shows across the globe. As an early adopter of live digital mixing, Bangs provided training and support for engineers switching from analog to many of the first large format digital consoles starting in 2004. In 2011, he adopted Allen & Heath as his console of choice for consistent touring, leading to a close relationship with the manufacturer. At the end of 2015, Bangs was added to the team as the Allen & Heath USA Live Sound/Touring Manager to support the unique needs of touring professionals on the groundbreaking new dLive mix system. In addition to his role at A&H, Bangs works as Monitor Engineer for George Strait and as an industry educator.</p> soundgirlspod No 38:57 yes With over 20 years of concert production experience, Mike Bangs has spent most of his career as a Touring Monitor Engineer and Production Manager. On tour with acts such as Aerosmith, Eric Clapton, Katy Perry, Tom Petty, Kid Rock, Lynyrd Skynyrd and Nick... With over 20 years of concert production experience, Mike Bangs has spent most of his career as a Touring Monitor Engineer and Production Manager. On tour with acts such as Aerosmith, Eric Clapton, Katy Perry, Tom Petty, Kid Rock, Lynyrd Skynyrd and Nick Jonas, Bangs has developed extensive real-world experience and has mixed well over 1000 shows across the globe. As an early adopter of live digital mixing, Bangs provided training and support for engineers switching from analog to many of the first large format digital consoles starting in 2004. In 2011, he adopted Allen & Heath as his console of choice for consistent touring, leading to a close relationship with the manufacturer. At the end of 2015, Bangs was added to the team as the Allen & Heath USA Live Sound/Touring Manager to support the unique needs of touring professionals on the groundbreaking new dLive mix system. In addition to his role at A&H, Bangs works as Monitor Engineer for George Strait and as an industry educator. The Sound of The Trial of the Chicago 7 http://www.soundworkscollection.com SoundWorks Collection urn:uuid:336304db-97fd-47bf-c0ea-3f2bb884f310 Thu, 11 Feb 2021 04:00:05 +0000 <p>In this chat we explore Director Aaron Sorkin's new film, The Trial of the Chicago 7 with Supervising Sound Editor Renee Tondelli and Re-recording Mixer Julian Slater.</p> <p>The film is based on the infamous 1969 trial of seven defendants charged by the federal government with conspiracy and more, arising from the countercultural protests in Chicago at the 1968 Democratic National Convention. The trial transfixed the nation and sparked a conversation about mayhem intended to undermine the U.S. government.</p> <p>The film is now streaming on Netflix!</p> <p>SUBSCRIBE ON YOUTUBE: <br />http://bit.ly/SubscribeSoundWorksCollection</p> <p>AUDIO PODCAST SUBSCRIBE: <br />https://linktr.ee/soundworkscollection</p> <p>MORE VIDEOS AND NEWS: <br />https://www.SoundWorksCollection.com</p> SoundWorks Collection 53:03 no In this chat we explore Director Aaron Sorkin's new film, The Trial of the Chicago 7 with Supervising Sound Editor Renee Tondelli and Re-recording Mixer Julian Slater. In this chat we explore Director Aaron Sorkin's new film, The Trial of the Chicago 7 with Supervising Sound Editor Renee Tondelli and Re-recording Mixer Julian Slater. The film is based on the infamous 1969 trial of seven defendants charged by the federal government with conspiracy and more, arising from the countercultural protests in Chicago at the 1968 Democratic National Convention. The trial transfixed the nation and sparked a conversation about mayhem intended to undermine the U.S. government. The film is now streaming on Netflix! SUBSCRIBE ON YOUTUBE: http://bit.ly/SubscribeSoundWorksCollection AUDIO PODCAST SUBSCRIBE: https://linktr.ee/soundworkscollection MORE VIDEOS AND NEWS: https://www.SoundWorksCollection.com The Queen's Gambit: An Interview with Composer Carlos Rafael Rivera (Part II) https://www.soundtrackpodcast.com/ The Soundtrack Show urn:uuid:6a00d963-2740-0f70-3151-f297647d75ad Wed, 10 Feb 2021 20:04:19 +0000 In part II of our interview with Carlos Rafael Rivera, we discuss how he wrote around diagetic music and sound design. Themes for the main character are discussed, as well as parts of The Queen's Gambit that feel like a sports movie. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com <p>In part II of our interview with Carlos Rafael Rivera, we discuss how he wrote around diagetic music and sound design. Themes for the main character are discussed, as well as parts of The Queen's Gambit that feel like a sports movie.</p><p> </p> Learn more about your ad-choices at <a href="https://www.iheartpodcastnetwork.com">https://www.iheartpodcastnetwork.com</a> iHeartRadio 2398 In part II of our interview with Carlos Rafael Rivera, we discuss how he wrote around diagetic music and sound design. Themes for the main character are discussed, as well as parts of The Queen's Gambit that feel like a sports movie. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com 158 - Gilbert Lake on Mixing Wonder Woman 1984 https://soundcloud.com/tonebenders-podcast/158-gilbert-lake-on-mixing-wonder-woman-1984 Tonebenders Podcast urn:uuid:8e2a96ae-0e57-6287-761d-2a7ee8bf3a2b Wed, 10 Feb 2021 00:00:00 +0000 This episode we are joined by Gilbert Lake who was the SFX re-recording mixer on the recent Patty Jenkins film Wonder Woman 1984. Gilbert tells us how he got started with his mixing career in New Zealand only to end up back in his home town of London England, the type of sound effects the director expects for a Wonder Woman film and how to make a scene inside a swirling vortex work when the characters are whispering!? Tonebenders Podcast 00:28:03 no This episode we are joined by Gilbert Lake who wa… This episode we are joined by Gilbert Lake who was the SFX re-recording mixer on the recent Patty Jenkins film Wonder Woman 1984. Gilbert tells us how he got started with his mixing career in New Zealand only to end up back in his home town of London England, the type of sound effects the director expects for a Wonder Woman film and how to make a scene inside a swirling vortex work when the characters are whispering!? Audrey Martinovich: Recording Engineer and Co-Owner Audio for the Arts https://soundgirlspod.podbean.com/e/audrey-martinovich-recording-engineer-and-co-owner-audio-for-the-arts/ SoundGirls Podcast urn:uuid:4bfe93c4-f640-da06-a525-f5e970ddac48 Tue, 09 Feb 2021 14:00:00 +0000 <p> Audrey is the Co-owner of Audio for the Arts, Wisconsin-based recording studio specializing in acoustic music, Audrey Martinovich is a trusted engineer and producer for artists in the Midwest and beyond. She became the first female contributor to Pro Tools Expert in 2017, and a year later, was a finalist to receive the award for Breakthrough Studio Engineer from Pro Sound Europe. She has spoken and been on panels at Between the Waves Music Conferences, Empowering Women in Audio Clinics, and E-Women’s Network. Audrey is a Warm Audio artist, member of SoundGirls, AES, and a voting member of the Recording Academy. </p><p><a href='http://www.audioforthearts.com/'>www.audioforthearts.com</a></p> <p> Audrey is the Co-owner of Audio for the Arts, Wisconsin-based recording studio specializing in acoustic music, Audrey Martinovich is a trusted engineer and producer for artists in the Midwest and beyond. She became the first female contributor to Pro Tools Expert in 2017, and a year later, was a finalist to receive the award for Breakthrough Studio Engineer from Pro Sound Europe. She has spoken and been on panels at Between the Waves Music Conferences, Empowering Women in Audio Clinics, and E-Women’s Network. Audrey is a Warm Audio artist, member of SoundGirls, AES, and a voting member of the Recording Academy. </p><p><a href='http://www.audioforthearts.com/'>www.audioforthearts.com</a></p> soundgirlspod No 36:10 yes Audrey is the Co-owner of Audio for the Arts, Wisconsin-based recording studio specializing in acoustic music, Audrey Martinovich is a trusted engineer and producer for artists in the Midwest and beyond. She became the first female contributor to Pro To... Audrey is the Co-owner of Audio for the Arts, Wisconsin-based recording studio specializing in acoustic music, Audrey Martinovich is a trusted engineer and producer for artists in the Midwest and beyond. She became the first female contributor to Pro Tools Expert in 2017, and a year later, was a finalist to receive the award for Breakthrough Studio Engineer from Pro Sound Europe. She has spoken and been on panels at Between the Waves Music Conferences, Empowering Women in Audio Clinics, and E-Women’s Network. Audrey is a Warm Audio artist, member of SoundGirls, AES, and a voting member of the Recording Academy. www.audioforthearts.com The Sound of Tenet http://www.soundworkscollection.com SoundWorks Collection urn:uuid:19c208a9-8fcd-0868-74fb-a53188509e4a Mon, 08 Feb 2021 17:00:14 +0000 <p>We're excited to have Supervising Sound Editor and Sound Designer Richard King and Re-recording Mixer Gary Rizzo, who recently collaborated with Director Christopher Nolan on his latest science fiction action-thriller film TENET.</p> <p>Tenet was released in September of 2019 and was the first major Hollywood release since the coronavirus pandemic started and is now available on 4K Ultra HD, Blu-ray, DVD, and digital services.</p> <p>If you haven’t seen the film, you should definitely check it out as today’s discussion is going to cover many of the key plot points and exciting sound moments in the film!</p> <p>AUDIO PODCAST SUBSCRIBE: <br />https://linktr.ee/soundworkscollection​</p> <p>MORE VIDEOS AND INDUSTRY NEWS: <br />https://www.SoundWorksCollection.com</p> SoundWorks Collection 1:43:36 no We're excited to have Supervising Sound Editor and Sound Designer Richard King and Re-recording Mixer Gary Rizzo, who recently collaborated with Director Christopher Nolan on his latest science fiction action-thriller film TENET. We're excited to have Supervising Sound Editor and Sound Designer Richard King and Re-recording Mixer Gary Rizzo, who recently collaborated with Director Christopher Nolan on his latest science fiction action-thriller film TENET. Tenet was released in September of 2019 and was the first major Hollywood release since the coronavirus pandemic started and is now available on 4K Ultra HD, Blu-ray, DVD, and digital services. If you haven’t seen the film, you should definitely check it out as today’s discussion is going to cover many of the key plot points and exciting sound moments in the film! AUDIO PODCAST SUBSCRIBE: https://linktr.ee/soundworkscollection​ MORE VIDEOS AND INDUSTRY NEWS: https://www.SoundWorksCollection.com Location Sound Podcast https://michaelthesoundguy.com/?p=816 Location Sound Podcast urn:uuid:e55db1e2-bc08-b8a6-1f32-38ddb20c093d Sun, 07 Feb 2021 21:10:56 +0000 <p><!-- wp:heading {"textAlign":"left","level":3} --></p> <h3 class="has-text-align-left"><img class="wp-image-697" style= "width: 141px" src= "https://michaelthesoundguy.com/wp-content/uploads/2021/01/Location-Sound-Podcast-1400.jpg" alt="Location Sound Podcast" /> Current Episodes</h3> <p><!-- /wp:heading --></p> <p><!-- wp:paragraph --></p> <p><!-- /wp:paragraph --></p> <p></p> Current Episodes <p></p> <p></p> <p></p> Current Episodes 087 Juan Montoto Ugarte - Production Sound Mixer based out of Madrid, Spain https://michaelthesoundguy.com/?p=813 Location Sound Podcast urn:uuid:487343e4-2743-f121-369f-46d470cc3b5f Sun, 07 Feb 2021 02:41:28 +0000 <p><!-- wp:cgb/block-libsyn-podcasting-gutenberg --></p> <div class="wp-block-cgb-block-libsyn-podcasting-gutenberg"> <div class="libsyn-shortcode"></div> </div> <p><!-- /wp:cgb/block-libsyn-podcasting-gutenberg --></p> <p>Juan Montoto Ugarte is a Production Sound Mixer and Boom Op based out of Madrid, Spain. He’s worked on the feature film, Terminator: Dark Fate, King Arthur: Legend of the Sword, the Netflix series Money Heist, and Woody Allen’s Rifkin’s Festival. Juan uses the Zaxcom Nova mixer/recorder, Zaxcom wireless, Schoeps MiniCMIT shotgun mic & Sennheiser MKH-50, DPA 4061 & Sanken COS-11d lavs and Tentacle Sync time code boxes.</p> <p>Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.</p> <p></p> <p></p> <p>Juan Montoto Ugarte is a Production Sound Mixer and Boom Op based out of Madrid, Spain. He’s worked on the feature film, Terminator: Dark Fate, King Arthur: Legend of the Sword, the Netflix series Money Heist, and Woody Allen’s Rifkin’s Festival. Juan uses the Zaxcom Nova mixer/recorder, Zaxcom wireless, Schoeps MiniCMIT shotgun mic & Sennheiser MKH-50, DPA 4061 & Sanken COS-11d lavs and Tentacle Sync time code boxes.</p> <p>Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.</p> Michael Helms and Juan Montoto Ugarte 01:14:20 clean spain,madrid,tentaclesync,sennheisermkh50,zaxcomnova,juanmontotougarte,schoepsminicmit,dpa4061,sankencos11d Juan Montoto Ugarte is a Production Sound Mixer and Boom Op based out of Madrid, Spain. He’s worked on the feature film, Terminator: Dark Fate, King Arthur: Legend of the Sword, the Netflix series Money Heist, and Woody Allen’s Rifkin’s... Juan Montoto Ugarte is a Production Sound Mixer and Boom Op based out of Madrid, Spain. He’s worked on the feature film, Terminator: Dark Fate, King Arthur: Legend of the Sword, the Netflix series Money Heist, and Woody Allen’s Rifkin’s Festival. Juan uses the Zaxcom Nova mixer/recorder, Zaxcom wireless, Schoeps MiniCMIT shotgun mic & Sennheiser MKH-50, DPA 4061 & Sanken COS-11d lavs and Tentacle Sync time code boxes. Level 146: Jack Wall (Call of Duty: Black Ops Cold War) https://lwer.podbean.com/e/level-146-jack-wall-call-of-duty-black-ops-cold-war/ Level with Emily Reese urn:uuid:1b573824-8edf-dd67-c5a9-076824238542 Thu, 04 Feb 2021 22:54:59 +0000 <p>This episode features a chat with Jack Wall about his music for <a href='https://www.callofduty.com/blackopscoldwar'>Call of Duty Black Ops Cold War</a>. The score features live orchestra and live choir, which posed quite a challenge during the pandemic, but you wouldn’t know it because it all sounds great. The score is a bit of a family affair for Jack, with lyrics written by his wife, <a href='https://www.cindyshapiro.net/'>Cindy Shapiro</a>, and vocals by their daughter, Gracie. Jack also wrote lyrics for the soundtrack. It is always a pleasure to have Jack on Level and I thoroughly enjoyed listening to the music he wrote for Call of Duty Black Ops Cold War.</p> <p>This episode features a chat with Jack Wall about his music for <a href='https://www.callofduty.com/blackopscoldwar'>Call of Duty Black Ops Cold War</a>. The score features live orchestra and live choir, which posed quite a challenge during the pandemic, but you wouldn’t know it because it all sounds great. The score is a bit of a family affair for Jack, with lyrics written by his wife, <a href='https://www.cindyshapiro.net/'>Cindy Shapiro</a>, and vocals by their daughter, Gracie. Jack also wrote lyrics for the soundtrack. It is always a pleasure to have Jack on Level and I thoroughly enjoyed listening to the music he wrote for Call of Duty Black Ops Cold War.</p> Joon Media, Inc. No 37:11 yes This episode features a chat with Jack Wall about his music for Call of Duty Black Ops Cold War. The score features live orchestra and live choir, which posed quite a challenge during the pandemic, but you wouldn’t know it because it all sounds great. Th... This episode features a chat with Jack Wall about his music for Call of Duty Black Ops Cold War. The score features live orchestra and live choir, which posed quite a challenge during the pandemic, but you wouldn’t know it because it all sounds great. The score is a bit of a family affair for Jack, with lyrics written by his wife, Cindy Shapiro, and vocals by their daughter, Gracie. Jack also wrote lyrics for the soundtrack. It is always a pleasure to have Jack on Level and I thoroughly enjoyed listening to the music he wrote for Call of Duty Black Ops Cold War. Composer Christophe Beck and the Music of WandaVision http://www.soundworkscollection.com SoundWorks Collection urn:uuid:6891afe3-41fc-62e0-7806-bd481b948289 Thu, 04 Feb 2021 19:45:09 +0000 <p>We chat with Composer Christophe Beck about his return to the Marvel universe scoring original music for the new Disney+ series, WandaVision.</p> <p>Disney is releasing official WandaVision soundtracks the week after episodes air, including the incredibly catchy theme songs by Kristen Anderson-Lopez and Robert Lopez (who have previously done original music for Frozen, Avenue Q, and The Book of Mormon), and the original music by Christophe Beck.</p> <p>http://www.christophebeck.com</p> <p>WandaVision is an American television miniseries created by Jac Schaeffer for the streaming service Disney+, based on the Marvel Comics characters Wanda Maximoff / Scarlet Witch and Vision. Set in the Marvel Cinematic Universe (MCU), it shares continuity with the films of the franchise, and takes place after the events of the film Avengers: Endgame (2019). WandaVision was produced by Marvel Studios, with Schaeffer serving as head writer and Matt Shakman directing.</p> <p>AUDIO PODCAST SUBSCRIBE: <br />https://linktr.ee/soundworkscollection​​</p> <p>SUBSCRIBE ON YOUTUBE: <br />http://bit.ly/SubscribeSoundWorksCollection</p> <p>MORE VIDEOS AND INDUSTRY NEWS: <br />https://www.SoundWorksCollection.com</p> 41:53 no We chat with Composer Christophe Beck about his return to the Marvel universe scoring original music for the new Disney+ series, WandaVision. We chat with Composer Christophe Beck about his return to the Marvel universe scoring original music for the new Disney+ series, WandaVision. Disney is releasing official WandaVision soundtracks the week after episodes air, including the incredibly catchy theme songs by Kristen Anderson-Lopez and Robert Lopez (who have previously done original music for Frozen, Avenue Q, and The Book of Mormon), and the original music by Christophe Beck. http://www.christophebeck.com WandaVision is an American television miniseries created by Jac Schaeffer for the streaming service Disney+, based on the Marvel Comics characters Wanda Maximoff / Scarlet Witch and Vision. Set in the Marvel Cinematic Universe (MCU), it shares continuity with the films of the franchise, and takes place after the events of the film Avengers: Endgame (2019). WandaVision was produced by Marvel Studios, with Schaeffer serving as head writer and Matt Shakman directing. How Hitman 3's powerful sound was made, with the audio team at IO Interactive - A Sound Effect Podcast EP 12 https://anchor.fm/asoundeffect/episodes/How-Hitman-3s-powerful-sound-was-made--with-the-audio-team-at-IO-Interactive---A-Sound-Effect-Podcast-EP-12-epreqe The A Sound Effect Podcast urn:uuid:174ffb33-bca4-bf0e-f82d-0f7802e18266 Thu, 04 Feb 2021 09:31:42 +0000 <p>Hitman 3 - the latest entry in IO Interactive's popular stealth game franchise - has just been released to critical acclaim, and in this exclusive interview, the game audio team takes you behind its excellent sound. Featuring Jonas Breum Jensen, Gabriel Johannesson, and Ivo Sissolak. Interview by Christian Hagelskjaer, who also co-hosts the episode with Asbjoern Andersen.</p> A Sound Effect 3127 No <p>Hitman 3 - the latest entry in IO Interactive's popular stealth game franchise - has just been released to critical acclaim, and in this exclusive interview, the game audio team takes you behind its excellent sound. Featuring Jonas Breum Jensen, Gabriel Johannesson, and Ivo Sissolak. Interview by Christian Hagelskjaer, who also co-hosts the episode with Asbjoern Andersen.</p> The Queen's Gambit: An Interview with Composer Carlos Rafael Rivera (Part I) https://www.soundtrackpodcast.com/ The Soundtrack Show urn:uuid:bc595e4d-519d-8c90-3f66-43d5511d5cf4 Wed, 03 Feb 2021 22:15:27 +0000 We meet and celebrate Carlos Rafael Rivera, the composer for the hit Netflix series The Queen's Gambit. His musical background and career rise are discussed, as well as his overall approach to working with directors. His love for Randy Newman and film music is also covered, and we begin our in-depth discussion of The Queen's Gambit's wonderful score. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com <p>We meet and celebrate Carlos Rafael Rivera, the composer for the hit Netflix series The Queen's Gambit. His musical background and career rise are discussed, as well as his overall approach to working with directors. His love for Randy Newman and film music is also covered, and we begin our in-depth discussion of The Queen's Gambit's wonderful score.</p><p> </p> Learn more about your ad-choices at <a href="https://www.iheartpodcastnetwork.com">https://www.iheartpodcastnetwork.com</a> iHeartRadio 3065 We meet and celebrate Carlos Rafael Rivera, the composer for the hit Netflix series The Queen's Gambit. His musical background and career rise are discussed, as well as his overall approach to working with directors. His love for Randy Newman and film music is also covered, and we begin our in-depth discussion of The Queen's Gambit's wonderful score. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com HADES Special with Audio Director Darren Korb - Supergiant Games https://anchor.fm/thesoundarchitect/episodes/HADES-Special-with-Audio-Director-Darren-Korb---Supergiant-Games-epqugj The Sound Architect Podcast (TSAP) urn:uuid:58481e46-9369-506d-017c-855b64539ce1 Tue, 02 Feb 2021 17:07:04 +0000 <p>In our very first interview of Season 4, we're starting 2021 like a Zagreus out of hell, with Audio Director of Supergiant Games, Darren Korb about their recent hit game, HADES.<br> <br> Sam chats to Darren about his career so far, his 10+ years at Supergiant Games, the early access journey of HADES, creating all the audio, music as well as voicing the main character Zagreus (and Skelly!) and more! &nbsp;&nbsp;<br> <br> "Darren Korb is the Composer and Audio Director for Supergiant Games, whose award-winning scores for Bastion, Transistor, Pyre, and Hades have have received over one hundred million Spotify plays.”</p> <p><br> <strong>Big thanks to Callum Tennick for editing and mastering this episode.</strong></p> <p><strong>This episode and so much more at: </strong><a href="https://www.thesoundarchitect.co.uk/"><strong>www.thesoundarchitect.co.uk</strong></a></p> <p><strong>Twitter: </strong><a href="https://twitter.com/SoundDesignUK"><strong>@SoundDesignUK</strong></a></p> <p><strong>Facebook: </strong><a href="https://facebook.com/thesoundarchitect.co.uk"><strong>facebook.com/thesoundarchitect.co.uk</strong></a></p> <p><strong>Instagram: </strong><a href="https://instagram.com/thesoundarchitectofficial"><strong>thesoundarchitectofficial</strong></a></p> <p><strong>Stay up to date via our Monthly Newsletter as well: </strong><a href="https://www.thesoundarchitect.co.uk/newsletter"><strong>www.thesoundarchitect.co.uk/newsletter</strong></a></p> --- Send in a voice message: https://anchor.fm/thesoundarchitect/message Sam Hughes 2977 No <p>In our very first interview of Season 4, we're starting 2021 like a Zagreus out of hell, with Audio Director of Supergiant Games, Darren Korb about their recent hit game, HADES.<br> <br> Sam chats to Darren about his career so far, his 10+ years at Supergiant Games, the early access journey of HADES, creating all the audio, music as well as voicing the main character Zagreus (and Skelly!) and more! &nbsp;&nbsp;<br> <br> "Darren Korb is the Composer and Audio Director for Supergiant Games, whose award-winning scores for Bastion, Transistor, Pyre, and Hades have have received over one hundred million Spotify plays.”</p> <p><br> <strong>Big thanks to Callum Tennick for editing and mastering this episode.</strong></p> <p><strong>This episode and so much more at: </strong><a href="https://www.thesoundarchitect.co.uk/"><strong>www.thesoundarchitect.co.uk</strong></a></p> <p><strong>Twitter: </strong><a href="https://twitter.com/SoundDesignUK"><strong>@SoundDesignUK</strong></a></p> <p><strong>Facebook: </strong><a href="https://facebook.com/thesoundarchitect.co.uk"><strong>facebook.com/thesoundarchitect.co.uk</strong></a></p> <p><strong>Instagram: </strong><a href="https://instagram.com/thesoundarchitectofficial"><strong>thesoundarchitectofficial</strong></a></p> <p><strong>Stay up to date via our Monthly Newsletter as well: </strong><a href="https://www.thesoundarchitect.co.uk/newsletter"><strong>www.thesoundarchitect.co.uk/newsletter</strong></a></p> --- Send in a voice message: https://anchor.fm/thesoundarchitect/message Sundance Film Festival in the Time of COVID http://www.soundworkscollection.com SoundWorks Collection urn:uuid:fda53828-bdd2-5ec9-08cf-f23946ba1040 Tue, 02 Feb 2021 17:00:28 +0000 <p>Because of the ongoing COVID-19 pandemic, this year’s Sundance Film Festival will be entirely virtual. But what exactly does a virtual film festival look like? Glenn sits down with Keri Putnam, CEO of the Sundance Institute, Tabitha Jackson, the brand new director of the Sundance Film Festival, and Michelle Satter, director of the Sundance Labs, to answer all these questions and more. It’s a fascinating conversation about not just the challenges of hosting the Sundance Film Festival in 2021, but also the new opportunities this situation may have uncovered. Indeed, this year could become the road map for the future of The Institute, The Labs, and The Sundance Film Festival itself.</p> <p>“It was such a privilege to be trusted with this incredible thing that is the festival. And so I approached it like holding this precious metal. And I must not break it. I'm going to carry it with two hands. I must not break it. [Then] the pandemic hit. And it was clear that, oh, I've got to breawk it. I've got to break it into pieces so that we can rebuild something to meet the moment.” - Tabitha Jackson, Sundance Film Festival director</p> <p>Buy tickets to the 2021 Sundance Film Festival. <br />https://festival.sundance.org</p> <p>Please subscribe to Sound + Vision Lab: The Dolby Institute Podcast wherever you get your podcasts:</p> <p>linktr.ee/dolbyinstitute</p> <p>Learn more about the Dolby Institute and check out Dolby.com: <br />www.dolby.com/institute <br />www.dolby.com</p> SoundWorks Collection 56:49 no Because of the ongoing COVID-19 pandemic, this year’s Sundance Film Festival will be entirely virtual. But what exactly does a virtual film festival look like? Because of the ongoing COVID-19 pandemic, this year’s Sundance Film Festival will be entirely virtual. But what exactly does a virtual film festival look like? Glenn sits down with Keri Putnam, CEO of the Sundance Institute, Tabitha Jackson, the brand new director of the Sundance Film Festival, and Michelle Satter, director of the Sundance Labs, to answer all these questions and more. It’s a fascinating conversation about not just the challenges of hosting the Sundance Film Festival in 2021, but also the new opportunities this situation may have uncovered. Indeed, this year could become the road map for the future of The Institute, The Labs, and The Sundance Film Festival itself. “It was such a privilege to be trusted with this incredible thing that is the festival. And so I approached it like holding this precious metal. And I must not break it. I'm going to carry it with two hands. I must not break it. [Then] the pandemic hit. And it was clear that, oh, I've got to break it. I've got to break it into pieces so that we can rebuild something to meet the moment.” - Tabitha Jackson, Sundance Film Festival director Buy tickets to the 2021 Sundance Film Festival. https://festival.sundance.org Please subscribe to Sound + Vision Lab: The Dolby Institute Podcast wherever you get your podcasts: linktr.ee/dolbyinstitute Learn more about the Dolby Institute and check out Dolby.com: www.dolby.com/institute www.dolby.com Aron Michalski: Backline and stage manager on all 7 continents https://soundgirlspod.podbean.com/e/aron-michalski-backline-and-stage-manager-on-all-7-continents/ SoundGirls Podcast urn:uuid:3f297653-dd0a-afe8-027e-05c54636717e Tue, 02 Feb 2021 14:00:00 +0000 <p><a href='http://www.bittermancircle.com'>www.bittermancircle.com</a> </p> <p><a href='http://www.bittermancircle.com'>www.bittermancircle.com</a> </p> soundgirlspod No 42:37 yes www.bittermancircle.com  Backline and stage manager on all 7 continents 157 – Recording Wolves With Melissa Pons https://soundcloud.com/tonebenders-podcast/157-recording-wolves-with-melissa-pons Tonebenders Podcast urn:uuid:b4367aba-4a25-eb05-fc82-fad1d299f645 Tue, 02 Feb 2021 00:00:00 +0000 Melissa Pons is a field recordist and sound designer who recorded an amazing album of wolves and wildlife in Portugal at a sanctuary named Grupo Lobo. In this episode we discuss how she got started in sound, how the project came to be, what the edit was like, and the ecological value of wolves in nature. Tonebenders Podcast 00:58:25 no Melissa Pons is a field recordist and sound desig… Melissa Pons is a field recordist and sound designer who recorded an amazing album of wolves and wildlife in Portugal at a sanctuary named Grupo Lobo. In this episode we discuss how she got started in sound, how the project came to be, what the edit was like, and the ecological value of wolves in nature. Soundbytes Podcast - EP 43 - A-ha! Moments, NFL and Unionization https://thesoundbytespodcast.podbean.com/e/soundbytes-podcast-ep-43-a-ha-moments-nfl-and-unionization/ Soundbytes Podcast urn:uuid:410f6851-e0e8-3995-4b5a-58caeecb0bb6 Mon, 01 Feb 2021 17:03:52 +0000 <p>Hello! Welcome back to episode forty-three of our monthly podcast about games and game audio. It's 2021 and we're back for some more sound-based chats. This month we catch up about COVID, talk about the new Soundbytes Discord server, and discuss a wonderful selection of questions from our listeners. We had a lot of fun recording this episode and we hope you enjoy listening to it. </p> <p>Hosted by: Derek Brown - <a href='https://twitter.com/subwoofersub'>@subwoofersub</a>Barney Oram - <a href='https://twitter.com/BarneyOram1'>@BarneyOram1</a></p> <p dir="ltr">Follow Soundbytes on Twitter: <a href='https://twitter.com/soundbytes_p'>@soundbytes_p</a></p> <p dir="ltr">Join the Soundbytes Discord Server: <a href='https://discord.gg/fP7wAEKjBP'>https://discord.gg/fP7wAEKjBP</a></p> <p dir="ltr">Links to things we mentioned:</p> <p dir="ltr"><a href='https://www.asoundeffect.com/sound-library/western-black-powder-guns/'>Barney's New Gun Library</a></p> <p dir="ltr"><a href='https://twitter.com/SubwooferSub/status/1341898888047779841?s=20'>Derek's New Eurorack Case</a></p> <p dir="ltr"><a href='https://www.pushsquare.com/news/2021/01/the_last_of_us_2_surpasses_the_witcher_3_as_the_most_awarded_game_in_history'>'The Last of Us 2 Surpasses The Witcher 3 as the Most Awarded Game in History'</a></p> <p>Hello! Welcome back to episode forty-three of our monthly podcast about games and game audio. It's 2021 and we're back for some more sound-based chats. This month we catch up about COVID, talk about the new Soundbytes Discord server, and discuss a wonderful selection of questions from our listeners. We had a lot of fun recording this episode and we hope you enjoy listening to it. </p> <p>Hosted by: Derek Brown - <a href='https://twitter.com/subwoofersub'>@subwoofersub</a>Barney Oram - <a href='https://twitter.com/BarneyOram1'>@BarneyOram1</a></p> <p dir="ltr">Follow Soundbytes on Twitter: <a href='https://twitter.com/soundbytes_p'>@soundbytes_p</a></p> <p dir="ltr">Join the Soundbytes Discord Server: <a href='https://discord.gg/fP7wAEKjBP'>https://discord.gg/fP7wAEKjBP</a></p> <p dir="ltr">Links to things we mentioned:</p> <p dir="ltr"><a href='https://www.asoundeffect.com/sound-library/western-black-powder-guns/'>Barney's New Gun Library</a></p> <p dir="ltr"><a href='https://twitter.com/SubwooferSub/status/1341898888047779841?s=20'>Derek's New Eurorack Case</a></p> <p dir="ltr"><a href='https://www.pushsquare.com/news/2021/01/the_last_of_us_2_surpasses_the_witcher_3_as_the_most_awarded_game_in_history'><em>'The Last of Us 2 Surpasses The Witcher 3 as the Most Awarded Game in History'</em></a></p> Derek Brown and Barney Oram No 01:30:29 no Hello! Welcome back to episode forty-three of our monthly podcast about games and game audio. It's 2021 and we're back for some more sound-based chats. This month we catch up about COVID, talk about the new Soundbytes Discord server, and discuss a wonder... Hello! Welcome back to episode forty-three of our monthly podcast about games and game audio. It's 2021 and we're back for some more sound-based chats. This month we catch up about COVID, talk about the new Soundbytes Discord server, and discuss a wonderful selection of questions from our listeners. We had a lot of fun recording this episode and we hope you enjoy listening to it.  Hosted by: Derek Brown - @subwoofersubBarney Oram - @BarneyOram1 Follow Soundbytes on Twitter: @soundbytes_p Join the Soundbytes Discord Server: https://discord.gg/fP7wAEKjBP Links to things we mentioned: Barney's New Gun Library Derek's New Eurorack Case 'The Last of Us 2 Surpasses The Witcher 3 as the Most Awarded Game in History' Immersive Audio Podcast Episode 47 Asbjoern Andersen (A Sound Effect) https://soundcloud.com/user-713907742/immersive-audio-podcast-episode-47-asbjoern-andersen-a-sound-effect Immersive Audio Podcast urn:uuid:09bc8e05-7379-da6e-47bc-76cf9db97360 Fri, 29 Jan 2021 11:37:42 +0000 In this episode of the Immersive Audio Podcast, Oliver Kadel and Bjørn Jacobsen are joined by the founder of A Sound Effect -  Asbjoern Andersen from Copenhagen, Denmark. Asbjoern Andersen is the founder of A Sound Effect (asoundeffect.com), the world's largest site for independent sound effects, and is also the co-creator of Soundlister.com, featuring portfolios of thousands of audio professionals from around the world. Along with his team, he also runs the Audio Jobs newsletter and Audio Jobs groups on Facebook and LinkedIn. In this episode, Asbjoern tells us how he built the biggest independent sound effects marketplace in the world along with an entire ecosystem of practical resources for audio professionals. We also discuss MPEG-H Authoring Suite and the role of the sound designer in the AAA Game development set-up. This episode was produced by Oliver Kadel and Emma Rees with and included music by Rhythm Scott. For extended show notes and more information on this episode go to ???? If you enjoy the podcast and would like to show your support please consider becoming a Patreon. Not only are you supporting us, but you will also get special access to bonus content and much more. Find out more on our official Patreon page - https://www.patreon.com/immersiveaudiopodcast We thank you kindly in advance! We want to hear from you! We value our community and would appreciate it if you would take our very quick survey and help us make the Immersive Audio Podcast even better: surveymonkey.co.uk/r/3Y9B2MJ Thank you! You can follow the podcast on Twitter @IAudioPodcast for regular updates and content or get in touch via podcast@1618digital.com 1.618 Digital 00:45:42 no In this episode of the Immersive Audio Podcast, O… In this episode of the Immersive Audio Podcast, Oliver Kadel and Bjørn Jacobsen are joined by the founder of A Sound Effect -  Asbjoern Andersen from Copenhagen, Denmark. Asbjoern Andersen is the founder of A Sound Effect (asoundeffect.com), the world's largest site for independent sound effects, and is also the co-creator of Soundlister.com, featuring portfolios of thousands of audio professionals from around the world. Along with his team, he also runs the Audio Jobs newsletter and Audio Jobs groups on Facebook and LinkedIn. In this episode, Asbjoern tells us how he built the biggest independent sound effects marketplace in the world along with an entire ecosystem of practical resources for audio professionals. We also discuss MPEG-H Authoring Suite and the role of the sound designer in the AAA Game development set-up. This episode was produced by Oliver Kadel and Emma Rees with and included music by Rhythm Scott. For extended show notes and more information on this episode go to ???? If you enjoy the podcast and would like to show your support please consider becoming a Patreon. Not only are you supporting us, but you will also get special access to bonus content and much more. Find out more on our official Patreon page - https://www.patreon.com/immersiveaudiopodcast We thank you kindly in advance! We want to hear from you! We value our community and would appreciate it if you would take our very quick survey and help us make the Immersive Audio Podcast even better: surveymonkey.co.uk/r/3Y9B2MJ Thank you! You can follow the podcast on Twitter @IAudioPodcast for regular updates and content or get in touch via podcast@1618digital.com Very Important Announcement! http://www.soundworkscollection.com SoundWorks Collection urn:uuid:75e6b4d0-8abc-5b21-7f2c-de00c600c365 Thu, 28 Jan 2021 17:00:13 +0000 <p>The Dolby Institute Podcast is moving! And we have a brand new title:</p> <p>Sound + Vision Lab: The Dolby Institute Podcast</p> <p>Please subscribe to our new dedicated podcast feed, <a href="https://linktr.ee/dolbyinstitute">wherever you get your podcasts</a>. Our next episode will be our FINAL episode on the Soundworks feed, so please subscribe to this new feed straight away, as we have many exciting improvements coming in 2021.</p> <p>Learn more about the <a href="https://www.dolby.com/institute/">Dolby Institute</a> and check out <a href="https://www.dolby.com/">Dolby.com</a>. Connect with Dolby on <a href="https://www.instagram.com/dolbylabs/">Instagram</a>, <a href="https://twitter.com/Dolby">Twitter</a>, <a href="https://www.facebook.com/Dolby/">Facebook</a>, or <a href="https://www.linkedin.com/company/6229/">LinkedIn</a>. Movie buff? Follow Dolby Cinema on <a href="https://www.instagram.com/dolbycinema/?hl=en">Instagram</a>.</p> SoundWorks Collection 3:39 no The Dolby Institute Podcast is moving! And we have a brand new title: Sound + Vision Lab: The Dolby Institute Podcast The Dolby Institute Podcast is moving! And we have a brand new title: Sound + Vision Lab: The Dolby Institute Podcast Please subscribe to our new dedicated podcast feed, <a href="https://linktr.ee/dolbyinstitute">wherever you get your podcasts</a>. Our next episode will be our FINAL episode on the Soundworks feed, so please subscribe to this new feed straight away, as we have many exciting improvements coming in 2021. Learn more about the <a href="https://www.dolby.com/institute/">Dolby Institute</a> and check out <a href="https://www.dolby.com/">Dolby.com</a>. Connect with Dolby on <a href="https://www.instagram.com/dolbylabs/">Instagram</a>, <a href="https://twitter.com/Dolby">Twitter</a>, <a href="https://www.facebook.com/Dolby/">Facebook</a>, or <a href="https://www.linkedin.com/company/6229/">LinkedIn</a>. Movie buff? Follow Dolby Cinema on <a href="https://www.instagram.com/dolbycinema/?hl=en">Instagram</a>. 156 - Ren Klyce on Mank https://soundcloud.com/tonebenders-podcast/156-ren-klyce-on-mank Tonebenders Podcast urn:uuid:3bbb0bdd-b40f-fb67-ecbc-2c72c1eb02c7 Thu, 28 Jan 2021 00:00:00 +0000 We sit down with Ren Klyce to talk about his work as Supervising Sound Editor and Re-Recording Mixer on David Fincher's latest film Mank. We go done a rabbit hole on how he created the 'patina' over the entire soundtrack to make it feel like it was made in the depression era. It was no easy task.... Tonebenders Podcast 00:43:33 no We sit down with Ren Klyce to talk about his work… We sit down with Ren Klyce to talk about his work as Supervising Sound Editor and Re-Recording Mixer on David Fincher's latest film Mank. We go done a rabbit hole on how he created the 'patina' over the entire soundtrack to make it feel like it was made in the depression era. It was no easy task.... Cobra Kai Composing: An Interview with Zach Robinson and Leo Birenberg (Part II) https://www.soundtrackpodcast.com/ The Soundtrack Show urn:uuid:5d45b767-9bbf-2b39-8d04-b205d5c522b1 Wed, 27 Jan 2021 15:00:00 +0000 In part II of our interview with Zach Robinson and Leo Birenberg, we discuss the rock and metal influences in Cobra Kai's score. We also talk about their use of thematic material, musical humor, and the show's return to Okinawa. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com <p>In part II of our interview with Zach Robinson and Leo Birenberg, we discuss the rock and metal influences in Cobra Kai's score. We also talk about their use of thematic material, musical humor, and the show's return to Okinawa.</p><p> </p> Learn more about your ad-choices at <a href="https://www.iheartpodcastnetwork.com">https://www.iheartpodcastnetwork.com</a> iHeartRadio 2284 In part II of our interview with Zach Robinson and Leo Birenberg, we discuss the rock and metal influences in Cobra Kai's score. We also talk about their use of thematic material, musical humor, and the show's return to Okinawa. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com #115 | Sound 101 with Bill Nye https://www.20k.org/episodes/soundsciencerules Twenty Thousand Hertz urn:uuid:8fa9949a-bb4c-0887-0c86-47fba593ea1e Wed, 27 Jan 2021 11:00:00 +0000 What is sound, on a fundamental level? How did animals evolve to hear? And what happens when you go faster than sound itself? In this episode, we explore the physics of sound with the legendary Bill Nye. Follow the show on Twitter, Facebook, & Reddit. Subscribe to our Youtube channel here. Become a monthly contributor at 20k.org/donate. To get your 20K referral link and earn rewards, visit 20k.org/refer. If you know what this week's mystery sound is, tell us at mystery.20k.org. Subscribe to Science Rules! wherever you get your podcasts. Get a free one month trial of Headspace at headspace.com/hertz. Get a 4-week trial, free postage, and a digital scale at Stamps.com. Just click the microphone at the top right corner and type the promo code 20k. Episode transcript, music, and credits can be found here: https://www.20k.org/episodes/sound101 Learn more about your ad choices. Visit megaphone.fm/adchoices <p>What <em>is</em> sound, on a fundamental level? How did animals evolve to hear? And what happens when you go faster than sound itself? In this episode, we explore the physics of sound with the legendary <a href="https://billnye.com/">Bill Nye</a>.</p><p><br></p><p>Follow the show on <a href="http://twitter.com/20korg">Twitter</a>, <a href="http://facebook.com/20korg">Facebook</a>, &amp; <a href="https://reddit.com/r/20k">Reddit</a>.</p><p>Subscribe to our Youtube channel <a href="https://www.youtube.com/channel/UCFu_7pxU3-CByq7bxjVuE4Q">here</a>.</p><p>Become a monthly contributor at <a href="http://20k.org/donate">20k.org/donate</a>.</p><p>To get your 20K referral link and earn rewards, visit <a href="https://20k.org/refer">20k.org/refer</a>.</p><p>If you know what this week's mystery sound is, tell us at <a href="http://mystery.20k.org/">mystery.20k.org</a>.</p><p>Subscribe to <a href="https://www.stitcher.com/show/science-rules-with-bill-nye">Science Rules!</a> wherever you get your podcasts.</p><p>Get a free one month trial of Headspace at <a href="https://headspace.com/hertz">headspace.com/hertz</a>.</p><p>Get a 4-week trial, free postage, and a digital scale at <a href="https://stamps.com/">Stamps.com</a>. Just click the microphone at the top right corner and type the promo code 20k.</p><p>Episode transcript, music, and credits can be found here:<a href="%20https://www.20k.org/episodes/soundsciencerules"> </a><a href="sound101">https://www.20k.org/episodes/sound101</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p> Dallas Taylor 1605 no Listen up! It’s time to go back to basics on the physics of sound. What is sound, on a fundamental level? How did animals evolve to hear? And what happens when you go faster than sound itself? In this episode, we explore the physics of sound with the legendary Bill Nye. Follow the show on Twitter, Facebook, & Reddit. Subscribe to our Youtube channel here. Become a monthly contributor at 20k.org/donate. To get your 20K referral link and earn rewards, visit 20k.org/refer. If you know what this week's mystery sound is, tell us at mystery.20k.org. Subscribe to Science Rules! wherever you get your podcasts. Get a free one month trial of Headspace at headspace.com/hertz. Get a 4-week trial, free postage, and a digital scale at Stamps.com. Just click the microphone at the top right corner and type the promo code 20k. Episode transcript, music, and credits can be found here: https://www.20k.org/episodes/sound101 Learn more about your ad choices. Visit megaphone.fm/adchoices Amanda Davis: Audio Engineer, PM, Singer, & Musician https://soundgirlspod.podbean.com/e/amanda-davis-audio-engineer-pm-singer-musician/ SoundGirls Podcast urn:uuid:57ab8f23-aea6-014c-635d-3626afbe589e Tue, 26 Jan 2021 14:00:00 +0000 <p>AMANDA DAVIS is a woman of many talents. The Memphis-born, LA-based audio engineer, educator, production manager, singer and musician has learned the ropes from some of the music industry’s best and is using her skills and connections to empower women around the globe.</p><p>Amanda has mixed legendary artists Prince and Stevie Wonder and has mixed in some of the world’s most renowned venues and events: The White House; Madison Square Garden; Radio City Music Hall; The Hollywood Bowl; Coachella; The Grammys; The Oscars; Glastonbury Fest; Good Morning America; The Today Show; Montreux Jazz Festival; Saturday Night Live; BET Awards; and American Idol.</p><p> </p><p><a href='https://soundgirls.org/line-check-experience-sound-check-a-grammy-nominated-rb-pop-artist/'>Line Check! </a></p><p></p> <p>AMANDA DAVIS is a woman of many talents. The Memphis-born, LA-based audio engineer, educator, production manager, singer and musician has learned the ropes from some of the music industry’s best and is using her skills and connections to empower women around the globe.</p><p>Amanda has mixed legendary artists Prince and Stevie Wonder and has mixed in some of the world’s most renowned venues and events: The White House; Madison Square Garden; Radio City Music Hall; The Hollywood Bowl; Coachella; The Grammys; The Oscars; Glastonbury Fest; Good Morning America; The Today Show; Montreux Jazz Festival; Saturday Night Live; BET Awards; and American Idol.</p><p> </p><p><a href='https://soundgirls.org/line-check-experience-sound-check-a-grammy-nominated-rb-pop-artist/'>Line Check! </a></p><p></p> soundgirlspod No 35:50 yes AMANDA DAVIS is a woman of many talents. The Memphis-born, LA-based audio engineer, educator, production manager, singer and musician has learned the ropes from some of the music industry’s best and is using her skills and connections to empower women ar... AMANDA DAVIS is a woman of many talents. The Memphis-born, LA-based audio engineer, educator, production manager, singer and musician has learned the ropes from some of the music industry’s best and is using her skills and connections to empower women around the globe.Amanda has mixed legendary artists Prince and Stevie Wonder and has mixed in some of the world’s most renowned venues and events: The White House; Madison Square Garden; Radio City Music Hall; The Hollywood Bowl; Coachella; The Grammys; The Oscars; Glastonbury Fest; Good Morning America; The Today Show; Montreux Jazz Festival; Saturday Night Live; BET Awards; and American Idol. Line Check!  Creating Soul's Superb Sound - with Coya Elliott and Ren Klyce - A Sound Effect Podcast EP 11 https://anchor.fm/asoundeffect/episodes/Creating-Souls-Superb-Sound---with-Coya-Elliott-and-Ren-Klyce---A-Sound-Effect-Podcast-EP-11-epanc9 The A Sound Effect Podcast urn:uuid:c03f4f49-0d3e-857f-8f28-c367a795906e Mon, 25 Jan 2021 08:25:05 +0000 <p>Go behind Soul's superb sound in our brand new interview with supervising sound editor Coya Elliott, and re-recording mixer, sound designer and supervising sound editor Ren Klyce. Interview by Jennifer Walden, hosted by Asbjoern Andersen and Christian Hagelskjaer.</p> A Sound Effect 1619 No <p>Go behind Soul's superb sound in our brand new interview with supervising sound editor Coya Elliott, and re-recording mixer, sound designer and supervising sound editor Ren Klyce. Interview by Jennifer Walden, hosted by Asbjoern Andersen and Christian Hagelskjaer.</p> Immersive Audio Podcast Episode 46 Alan Sallabank (8dB Sound) https://soundcloud.com/user-713907742/immersive-audio-podcast-episode-46-alan-sallabank-8db-sound Immersive Audio Podcast urn:uuid:af57002b-73bb-9821-7b8a-38f0093902bb Fri, 22 Jan 2021 13:19:42 +0000 In this episode of the Immersive Audio Podcast, Oliver Kadel and Bjørn Jacobsen are joined by Dubbing Mixer and owner of 8dB Sound - Alan Sallabank from Bristol, UK.  Alan Sallabank is a sound engineer with over three decades of professional experience in post-production. From an early age, he has been fascinated by the power of sound to communicate a story, be it musically or spoken, factual or scripted. He has built his own equipment, designed and built mix rooms and foley/ADR facilities, and developed workflows. Whenever new equipment or software arrives, he is always looking at how it can be made to do more than it says on the tin. Since 2013 Alan has run and owned 8dB Sound - an independent post-production facility, now located near Bristol, UK. He specialises in immersive digital audio and remote workflow, but still has a very weak spot for classic seventies turntables. In this episode, Alan shares his experience on best practice for remote working and collaboration for audio as well as the evolution of immersive audio in traditional broadcast and TV media. This episode was produced by Oliver Kadel and Emma Rees with and included music by Rhythm Scott. For extended show notes and more information on this episode go to ?????? We want to hear from you! We value our community and would appreciate it if you would take our very quick survey and help us make the Immersive Audio Podcast even better: surveymonkey.co.uk/r/3Y9B2MJ Thank you! You can follow the podcast on Twitter @IAudioPodcast for regular updates and content or get in touch via podcast@1618digital.com 1.618 Digital 01:19:55 no In this episode of the Immersive Audio Podcast, O… In this episode of the Immersive Audio Podcast, Oliver Kadel and Bjørn Jacobsen are joined by Dubbing Mixer and owner of 8dB Sound - Alan Sallabank from Bristol, UK.  Alan Sallabank is a sound engineer with over three decades of professional experience in post-production. From an early age, he has been fascinated by the power of sound to communicate a story, be it musically or spoken, factual or scripted. He has built his own equipment, designed and built mix rooms and foley/ADR facilities, and developed workflows. Whenever new equipment or software arrives, he is always looking at how it can be made to do more than it says on the tin. Since 2013 Alan has run and owned 8dB Sound - an independent post-production facility, now located near Bristol, UK. He specialises in immersive digital audio and remote workflow, but still has a very weak spot for classic seventies turntables. In this episode, Alan shares his experience on best practice for remote working and collaboration for audio as well as the evolution of immersive audio in traditional broadcast and TV media. This episode was produced by Oliver Kadel and Emma Rees with and included music by Rhythm Scott. For extended show notes and more information on this episode go to ?????? We want to hear from you! We value our community and would appreciate it if you would take our very quick survey and help us make the Immersive Audio Podcast even better: surveymonkey.co.uk/r/3Y9B2MJ Thank you! You can follow the podcast on Twitter @IAudioPodcast for regular updates and content or get in touch via podcast@1618digital.com 155 - Steve Boeddeker On The Dissident plus Cory Rizos https://soundcloud.com/tonebenders-podcast/155-steve-boeddeker-on-the-dissident-plus-cory-rizos Tonebenders Podcast urn:uuid:e980ff8a-3a66-de16-74b9-7af336872762 Thu, 21 Jan 2021 00:00:00 +0000 In this episode we talk with Steve Boeddeker about the sound of the new documentary, The Dissident. He handled the entire sound edit and mix on this engrossing and complicated story that leans on sound heavily to make things clear. After that we visit with Cory Rizos, out of Montreal, and discuss his career in sound. Tonebenders Podcast 00:37:31 no In this episode we talk with Steve Boeddeker abou… In this episode we talk with Steve Boeddeker about the sound of the new documentary, The Dissident. He handled the entire sound edit and mix on this engrossing and complicated story that leans on sound heavily to make things clear. After that we visit with Cory Rizos, out of Montreal, and discuss his career in sound. Cobra Kai Composing: An Interview with Leo Birenberg and Zach Robinson (Part I) https://www.soundtrackpodcast.com/ The Soundtrack Show urn:uuid:44b7f15c-3006-c50a-12a7-bcba6a9a2019 Tue, 19 Jan 2021 22:35:00 +0000 We get a chance to sit down with Cobra Kai composers Zach Robinson and Leo Birenberg, as they discuss their music, their process, and their love of film scoring. The various musical styles of the Karate Kid franchise are discussed, as well as their own unique take on this hit TV series. Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers <p>We get a chance to sit down with Cobra Kai composers Zach Robinson and Leo Birenberg, as they discuss their music, their process, and their love of film scoring. The various musical styles of the Karate Kid franchise are discussed, as well as their own unique take on this hit TV series.</p><p> </p> Learn more about your ad-choices at <a href="https://news.iheart.com/podcast-advertisers">https://news.iheart.com/podcast-advertisers</a> iHeartRadio 2098 We get a chance to sit down with Cobra Kai composers Zach Robinson and Leo Birenberg, as they discuss their music, their process, and their love of film scoring. The various musical styles of the Karate Kid franchise are discussed, as well as their own unique take on this hit TV series. Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers Rachael Moser: Crew Chief and System Engineer https://soundgirlspod.podbean.com/e/rachael-moser-crew-chief-and-system-engineer/ SoundGirls Podcast urn:uuid:0e64a66c-6390-12bc-1d36-05d747140a82 Tue, 19 Jan 2021 14:00:00 +0000 <p>Rachael Moser is a Crew Chief/System Engineer for Clair Global. Born and raised in Indianapolis, Indiana, Rachael moved to Nashville, Tennessee in 2006 to attend Belmont University and pursue a career in audio.  Since starting at Clair Global in 2010, Rachael would turn her part-time job checking cables into a now over 10-year career with Clair. Rachael would continue to work in the shop for a few years, specializing in building wireless and comm systems, before making the transition to the Clair road staff in 2013. Rachael has continued to tour and work large scale events but still calls Nashville home.  She has worked with teams from Chris Stapleton, Sheryl Crow, Eric Church, Blake Shelton, Cam,</p><p>Keith Urban, Farm Aid festival and several CMT festivals. </p> <p>Rachael Moser is a Crew Chief/System Engineer for Clair Global. Born and raised in Indianapolis, Indiana, Rachael moved to Nashville, Tennessee in 2006 to attend Belmont University and pursue a career in audio.  Since starting at Clair Global in 2010, Rachael would turn her part-time job checking cables into a now over 10-year career with Clair. Rachael would continue to work in the shop for a few years, specializing in building wireless and comm systems, before making the transition to the Clair road staff in 2013. Rachael has continued to tour and work large scale events but still calls Nashville home.  She has worked with teams from Chris Stapleton, Sheryl Crow, Eric Church, Blake Shelton, Cam,</p><p>Keith Urban, Farm Aid festival and several CMT festivals. </p> soundgirlspod No 36:32 yes Rachael Moser is a Crew Chief/System Engineer for Clair Global. Born and raised in Indianapolis, Indiana, Rachael moved to Nashville, Tennessee in 2006 to attend Belmont University and pursue a career in audio.  Since starting at Clair Global in 2010, Ra... Rachael Moser is a Crew Chief/System Engineer for Clair Global. Born and raised in Indianapolis, Indiana, Rachael moved to Nashville, Tennessee in 2006 to attend Belmont University and pursue a career in audio.  Since starting at Clair Global in 2010, Rachael would turn her part-time job checking cables into a now over 10-year career with Clair. Rachael would continue to work in the shop for a few years, specializing in building wireless and comm systems, before making the transition to the Clair road staff in 2013. Rachael has continued to tour and work large scale events but still calls Nashville home.  She has worked with teams from Chris Stapleton, Sheryl Crow, Eric Church, Blake Shelton, Cam,Keith Urban, Farm Aid festival and several CMT festivals. 086 Jimmy Sieczka - Production Sound Mixer based out of Los Angeles, California https://michaelthesoundguy.com/?p=757 Location Sound Podcast urn:uuid:bca88c38-b198-7a8e-243a-576d982ed53f Tue, 19 Jan 2021 02:09:06 +0000 <p><!-- wp:cgb/block-libsyn-podcasting-gutenberg --></p> <div class="wp-block-cgb-block-libsyn-podcasting-gutenberg"> <div class="libsyn-shortcode"></div> </div> <p><!-- /wp:cgb/block-libsyn-podcasting-gutenberg --></p> <p>Jimmy Sieczka is a Production Sound Mixer based out of Los Angeles, California. He has travelled around the world working on projects such as Amazon’s The Pack hosted by Lindsey Vonn, Bravo’s Below Deck Mediterranean and Discovery’s Naked and Afraid XL. Jimmy’s a natural storyteller and he tells it like it is. He was also a previous guest on Episode 003 so check out that one too.</p> <p>Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.</p> <p></p> <p></p> <p>Jimmy Sieczka is a Production Sound Mixer based out of Los Angeles, California. He has travelled around the world working on projects such as Amazon’s The Pack hosted by Lindsey Vonn, Bravo’s Below Deck Mediterranean and Discovery’s Naked and Afraid XL. Jimmy’s a natural storyteller and he tells it like it is. He was also a previous guest on Episode 003 so check out that one too.</p> <p>Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.</p> Michael Helms and Jimmy Sieczka 40:11 clean california,losangeles,thepack,productionsoundmixer,belowdeckmediterranean,sounddevices833,jimmysieczka,ursastraps,nakedandafraidxl Jimmy Sieczka is a Production Sound Mixer based out of Los Angeles, California. He has travelled around the world working on projects such as Amazon’s The Pack hosted by Lindsey Vonn, Bravo’s Below Deck Mediterranean and Discovery’s Naked and... Jimmy Sieczka is a Production Sound Mixer based out of Los Angeles, California. He has travelled around the world working on projects such as Amazon’s The Pack hosted by Lindsey Vonn, Bravo’s Below Deck Mediterranean and Discovery’s Naked and Afraid XL. Jimmy’s a natural storyteller and he tells it like it is. He was also a previous guest on Episode 003 so check out that one too. 154 - Richard King talks Tenet https://soundcloud.com/tonebenders-podcast/154-richard-king-talks-tenet Tonebenders Podcast urn:uuid:b6d21189-1a85-6d1d-e7e4-d93e3d745312 Fri, 15 Jan 2021 00:00:00 +0000 In this episode Richard King joins us to talk about the ultra complicated sound for Christopher Nolan's film, Tenet. We talk about creating interesting sound design for scenes happening in reverse time, how to build big cinematic body punches and his thoughts on the controversy over the film's dialog mix. Tonebenders Podcast 00:32:40 no In this episode Richard King joins us to talk abo… In this episode Richard King joins us to talk about the ultra complicated sound for Christopher Nolan's film, Tenet. We talk about creating interesting sound design for scenes happening in reverse time, how to build big cinematic body punches and his thoughts on the controversy over the film's dialog mix. Level 145: Gordy Haab (Star Wars: Squadrons) https://lwer.podbean.com/e/level-145-gordy-haab-star-wars-squadrons/ Level with Emily Reese urn:uuid:c14b9575-febb-7a20-818d-d7b60734e692 Thu, 14 Jan 2021 22:29:20 +0000 <p>Gordy Haab's music in the Star Wars gaming universe is fantastic. His new addition is <a href='https://www.ea.com/games/starwars/squadrons'>Star Wars: Squadrons</a>, a space combat game that fulfills most Star Wars fans' dream of flying X-wings and TIE Fighters. The music is so great. Enjoy! Support Level with Emily Reese <a href='http://www.patreon.com/level'>on Patreon</a>.</p> <p>Gordy Haab's music in the Star Wars gaming universe is fantastic. His new addition is <a href='https://www.ea.com/games/starwars/squadrons'>Star Wars: Squadrons</a>, a space combat game that fulfills most Star Wars fans' dream of flying X-wings and TIE Fighters. The music is so great. Enjoy! Support Level with Emily Reese <a href='http://www.patreon.com/level'>on Patreon</a>.</p> Joon Media, Inc. No 38:30 yes Gordy Haab's music in the Star Wars gaming universe is fantastic. His new addition is Star Wars: Squadrons, a space combat game that fulfills most Star Wars fans' dream of flying X-wings and TIE Fighters. The music is so great. Enjoy! Support Level with ... Gordy Haab's music in the Star Wars gaming universe is fantastic. His new addition is Star Wars: Squadrons, a space combat game that fulfills most Star Wars fans' dream of flying X-wings and TIE Fighters. The music is so great. Enjoy! Support Level with Emily Reese on Patreon. The Karate Kid (1984): the Music (Part II) https://www.soundtrackpodcast.com/ The Soundtrack Show urn:uuid:ccf1dfef-f3fb-7796-e50c-c815dbedc81e Wed, 13 Jan 2021 15:00:00 +0000 In our second episode on the music of Karate Kid, we take a close look at the music of Mr. Miyagi, the pan flute music of Zamfir, and how it tells the story of Miyagi and Daniel's friendship. More songs are discussed, and we hear restored music in the movie's dramatic finale for the very first time. Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers <p>In our second episode on the music of Karate Kid, we take a close look at the music of Mr. Miyagi, the pan flute music of Zamfir, and how it tells the story of Miyagi and Daniel's friendship. More songs are discussed, and we hear restored music in the movie's dramatic finale for the very first time.</p><p> </p> Learn more about your ad-choices at <a href="https://news.iheart.com/podcast-advertisers">https://news.iheart.com/podcast-advertisers</a> iHeartRadio 2980 no In our second episode on the music of Karate Kid, we take a close look at the music of Mr. Miyagi, the pan flute music of Zamfir, and how it tells the story of Miyagi and Daniel's friendship. More songs are discussed, and we hear restored music in the movie's dramatic finale for the very first time. Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers #114 | Synesthesia https://www.20k.org/episodes/synesthesia Twenty Thousand Hertz urn:uuid:53281dda-4523-3a4d-02c1-a00ec523883e Wed, 13 Jan 2021 11:00:00 +0000 Synesthesia is a neurological condition where one sensory experience gets combined with another, meaning someone might hear sounds when eat, or see colors when they listen to music. So what exactly is synesthesia? And what’s it like to go through life with these unique sensory connections? Featuring the voices of neuroscientist Dr. Richard Cytowic and five people with synesthesia. Follow the show on Twitter, Facebook, & Reddit. Become a monthly contributor at 20k.org/donate. To get your 20K referral link and earn rewards, visit 20k.org/refer. If you know what this week's mystery sound is, tell us at mystery.20k.org. Get your first month of hair loss treatment for free at keeps.com/20k. Check out Dr. Richard Cytowic’s work at cytowic.net. Check out Joel Salinas' book Mirror Touch: A Memoir of Synesthesia and the Secret Life of the Brain. Episode transcript, music, and credits can be found here: https://www.20k.org/episodes/synesthesia Learn more about your ad choices. Visit megaphone.fm/adchoices <p>Synesthesia is a neurological condition where one sensory experience gets combined with another, meaning someone might hear sounds when eat, or see colors when they listen to music. So what exactly <em>is</em> synesthesia? And what’s it like to go through life with these unique sensory connections? Featuring the voices of neuroscientist <a href="https://cytowic.net/">Dr. Richard Cytowic</a> and five people with synesthesia.</p><p><br></p><p>Follow the show on <a href="http://twitter.com/20korg">Twitter</a>, <a href="http://facebook.com/20korg">Facebook</a>, &amp; <a href="https://reddit.com/r/20k">Reddit</a>.</p><p>Become a monthly contributor at <a href="http://20k.org/donate">20k.org/donate</a>.</p><p>To get your 20K referral link and earn rewards, visit <a href="https://20k.org/refer">20k.org/refer</a>.</p><p>If you know what this week's mystery sound is, tell us at <a href="http://mystery.20k.org/">mystery.20k.org</a>.</p><p>Get your first month of hair loss treatment for free at <a href="https://keeps.com/20k">keeps.com/20k</a>.</p><p>Check out Dr. Richard Cytowic’s work at <a href="https://cytowic.net/">cytowic.net</a>.</p><p>Check out Joel Salinas' book <a href="https://joelsalinasmd.com/book">Mirror Touch: A Memoir of Synesthesia and the Secret Life of the Brain.</a></p><p>Episode transcript, music, and credits can be found here: <a href="https://www.20k.org/episodes/synesthesia">https://www.20k.org/episodes/synesthesia</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p> Dallas Taylor 1805 no What’s it like to see sounds and taste names? Synesthesia is a neurological condition where one sensory experience gets combined with another, meaning someone might hear sounds when eat, or see colors when they listen to music. So what exactly is synesthesia? And what’s it like to go through life with these unique sensory connections? Featuring the voices of neuroscientist Dr. Richard Cytowic and five people with synesthesia. Follow the show on Twitter, Facebook, & Reddit. Become a monthly contributor at 20k.org/donate. To get your 20K referral link and earn rewards, visit 20k.org/refer. If you know what this week's mystery sound is, tell us at mystery.20k.org. Get your first month of hair loss treatment for free at keeps.com/20k. Check out Dr. Richard Cytowic’s work at cytowic.net. Check out Joel Salinas' book Mirror Touch: A Memoir of Synesthesia and the Secret Life of the Brain. Episode transcript, music, and credits can be found here: https://www.20k.org/episodes/synesthesia Learn more about your ad choices. Visit megaphone.fm/adchoices Composer Steven Price - Over the Moon and David Attenborough: A Life on Our Planet http://www.soundworkscollection.com SoundWorks Collection urn:uuid:7efd3a9f-d13f-5b13-b882-823d6c9932e9 Tue, 12 Jan 2021 22:28:31 +0000 <p>We chat with Composer Steven Price about the music of Netflix’s animated musical, Over the Moon and documentary feature, David Attenborough: A Life on Our Planet.</p> <p>Steven Price is an Academy Award winning film composer. His unique, story-driven approach to the craft of film scoring has seen him work on some of the most innovative productions of recent years. From Alfonso Cuaron’s GRAVITY to Edgar Wright’s BABY DRIVER, Steven’s individualistic scores seek to enhance the ideas and images of great filmmakers in truly bespoke ways.</p> <p>Price’s diverse music reflects the wide range of movie and television projects he has been involved with. Beginning his career in the late 1990s, Price contributed to productions such as The Lord of the Rings trilogy and Batman Begins, before making his scoring debut in 2011 with Joe Cornish’s inner-city horror comedy, ATTACK THE BLOCK. Recent years have seen him compose distinctive scores for Claire McCarthy’s reimagining of Hamlet, OPHELIA, David Ayer’s SUICIDE SQUAD, and the Paramount Animation WONDER PARK.</p> <p>From his incorporation of original WW2 tanks in the percussion of the Brad Pitt starring FURY to the wind instrument driven score created for Tom Harper’s THE AERONAUTS, the music created for each production seeks to give each story its unique voice, the result of an experimental and collaborative process.</p> <p>His work in the Natural History realm, working alongside Sir David Attenborough on THE HUNT, (for which Price won a Bafta), and the Netflix Original OUR PLANET, (nominated for two score Emmys), will continue in 2022 with a new live arena spectacular, OUR PLANET LIVE IN CONCERT, the premiere for which will be held at London’s O2 Arena in January 2022.</p> <p>Future projects include the Netflix Animation OVER THE MOON, directed by Glen Keane, autobiographical documentary, DAVID ATTENBOROUGH – A LIFE ON OUR PLANET, Gavin Rothery’s ARCHIVE, and, in the continuation of a collaboration that began with SCOTT PILGRIM vs THE WORLD in 2010, Edgar Wright’s forthcoming LAST NIGHT IN SOHO.</p> <p>Steven’s music has received many accolades and been performed at iconic venues around the world including The Royal Albert Hall and The Hollywood Bowl.</p> <p>www.stevenpricemusic.com</p> SoundWorks Collection 55:14 no We chat with Composer Steven Price about the music of Netflix’s animated musical, Over the Moon and documentary feature, David Attenborough: A Life on Our Planet. We chat with Composer Steven Price about the music of Netflix’s animated musical, Over the Moon and documentary feature, David Attenborough: A Life on Our Planet. Steven Price is an Academy Award winning film composer. His unique, story-driven approach to the craft of film scoring has seen him work on some of the most innovative productions of recent years. From Alfonso Cuaron’s GRAVITY to Edgar Wright’s BABY DRIVER, Steven’s individualistic scores seek to enhance the ideas and images of great filmmakers in truly bespoke ways. Price’s diverse music reflects the wide range of movie and television projects he has been involved with. Beginning his career in the late 1990s, Price contributed to productions such as The Lord of the Rings trilogy and Batman Begins, before making his scoring debut in 2011 with Joe Cornish’s inner-city horror comedy, ATTACK THE BLOCK. Recent years have seen him compose distinctive scores for Claire McCarthy’s reimagining of Hamlet, OPHELIA, David Ayer’s SUICIDE SQUAD, and the Paramount Animation WONDER PARK. From his incorporation of original WW2 tanks in the percussion of the Brad Pitt starring FURY to the wind instrument driven score created for Tom Harper’s THE AERONAUTS, the music created for each production seeks to give each story its unique voice, the result of an experimental and collaborative process. His work in the Natural History realm, working alongside Sir David Attenborough on THE HUNT, (for which Price won a Bafta), and the Netflix Original OUR PLANET, (nominated for two score Emmys), will continue in 2022 with a new live arena spectacular, OUR PLANET LIVE IN CONCERT, the premiere for which will be held at London’s O2 Arena in January 2022. Future projects include the Netflix Animation OVER THE MOON, directed by Glen Keane, autobiographical documentary, DAVID ATTENBOROUGH – A LIFE ON OUR PLANET, Gavin Rothery’s ARCHIVE, and, in the continuation of a collaboration that began with SCOTT PILGRIM vs THE WORLD in 2010, Edgar Wright’s forthcoming LAST NIGHT IN SOHO. Steven’s music has received many accolades and been performed at iconic venues around the world including The Royal Albert Hall and The Hollywood Bowl. www.stevenpricemusic.com Alesia Hendley: AV sales engineer, multimedia journalist, and content creator https://soundgirlspod.podbean.com/e/alesia-hendley-av-sales-engineer-multimeida-journalist-and-content-creator/ SoundGirls Podcast urn:uuid:1641c849-5f5a-31f8-f8e8-03f65b50c6a1 Tue, 12 Jan 2021 14:00:00 +0000 <p>Alesia Hendley is an Audiovisual professional that found her passion at a young age as a sound engineer within her Father’s church. Now you can find her making connections within AV, Digital Signage and IT, along with executing creative ventures. As a young professional she’s finding ways to bring AV technologies, and creative visions together in the effort to leave her mark by making an impact."  Alesia is currently an associate sales engineer at access networks, a multimedia journalist, and content creator. #positAVity</p><p><a href='https://www.thesmoothfactor.com/'>https://www.thesmoothfactor.com/</a></p><p></p> <p>Alesia Hendley is an Audiovisual professional that found her passion at a young age as a sound engineer within her Father’s church. Now you can find her making connections within AV, Digital Signage and IT, along with executing creative ventures. As a young professional she’s finding ways to bring AV technologies, and creative visions together in the effort to leave her mark by making an impact."  Alesia is currently an associate sales engineer at access networks, a multimedia journalist, and content creator. #positAVity</p><p><a href='https://www.thesmoothfactor.com/'>https://www.thesmoothfactor.com/</a></p><p></p> soundgirlspod No 33:00 yes Alesia Hendley is an Audiovisual professional that found her passion at a young age as a sound engineer within her Father’s church. Now you can find her making connections within AV, Digital Signage and IT, along with executing creative ventures. As a yo... Alesia Hendley is an Audiovisual professional that found her passion at a young age as a sound engineer within her Father’s church. Now you can find her making connections within AV, Digital Signage and IT, along with executing creative ventures. As a young professional she’s finding ways to bring AV technologies, and creative visions together in the effort to leave her mark by making an impact."  Alesia is currently an associate sales engineer at access networks, a multimedia journalist, and content creator. #positAVityhttps://www.thesmoothfactor.com/ 085 Chris Bell - Production Sound Mixer and Boom Op based out of Pittsburgh, Pennsylvania https://michaelthesoundguy.com/?p=743 Location Sound Podcast urn:uuid:1f33745e-4b90-34f2-6e85-c68d6e1604b8 Tue, 12 Jan 2021 05:39:43 +0000 <p><!-- wp:cgb/block-libsyn-podcasting-gutenberg --></p> <div class="wp-block-cgb-block-libsyn-podcasting-gutenberg"> <div class="libsyn-shortcode"></div> </div> <p><!-- /wp:cgb/block-libsyn-podcasting-gutenberg --></p> <p>Chris Bell is a production sound mixer and boom op based out of Pittsburgh, Pennsylvania. He worked on the feature Unearth where he did both location sound and post sound work. Chris uses a Sound Devices 833 mixer/recorder, Lectrosonics wireless with Sanken COS-11d lavs. He also uses Sanken CS-M1 and CS-3e shotgun mics. For time code, Chris uses Ambient NanoLockits and a Denecke TS-3 slate. He also uses a modified Zuca Cart for his audio cart. <a href= "https://chrisbellsoundservices.com">https://chrisbellsoundservices.com</a></p> <p>Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.</p> <p></p> <p></p> <p>Chris Bell is a production sound mixer and boom op based out of Pittsburgh, Pennsylvania. He worked on the feature Unearth where he did both location sound and post sound work. Chris uses a Sound Devices 833 mixer/recorder, Lectrosonics wireless with Sanken COS-11d lavs. He also uses Sanken CS-M1 and CS-3e shotgun mics. For time code, Chris uses Ambient NanoLockits and a Denecke TS-3 slate. He also uses a modified Zuca Cart for his audio cart. <a href= "https://chrisbellsoundservices.com">https://chrisbellsoundservices.com</a></p> <p>Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.</p> Michael Helms and Chris Bell 35:37 clean pittsburgh,pennsylvania,timecode,sanken,nanolockit,denecke,sounddevices833,chrisbellsoundservices Chris Bell is a production sound mixer and boom op based out of Pittsburgh, Pennsylvania. He worked on the feature Unearth where he did both location sound and post sound work. Chris uses a Sound Devices 833 mixer/recorder, Lectrosonics wireless with... Chris Bell is a production sound mixer and boom op based out of Pittsburgh, Pennsylvania. He worked on the feature Unearth where he did location sound and post sound work. Chris uses a Sound Devices 833 mixer/recorder, Lectrosonics wireless with Sanken COS-11d lavs. He also uses Sanken CS-M1 and CS-3e shotgun mics. For time code, Chris uses Ambient NanoLockits and a Denecke TS-3 slate. He also uses a modified Zuca Cart for his audio cart.