HD / IOW http://feed.informer.com/digests/DLVTS8MYPZ/feeder HD / IOW Respective post owners and feed distributors Tue, 04 Jan 2022 17:42:39 +0000 Feed Informer http://feed.informer.com/ #13: Long Nights at the Round Table https://hopeanddread.libsyn.com/13-long-nights-at-the-round-table Hope and Dread urn:uuid:33900d65-6229-672d-7545-c242a46daf38 Wed, 18 May 2022 08:49:11 +0000 <p><span style="font-weight: 400;">For the final episode, hosts Charlotte Burns and Allan Schwartzman are joined by the series’ editorial advisors, Deana Haggag, Mia Locks and Jay Sanders. They’ll highlight key discoveries and plot some of the changes that have occurred during production of the programs. Where does power reside now in the art world? What does that mean for broader society? And, of course, in the middle of 2022, do our guests feel inclined toward Hope or Dread? Tune in for more.</span></p> <p>Guests: Deana Haggag, Mia Locks, Jay Sanders</p> <p>For the final episode, hosts Charlotte Burns and Allan Schwartzman are joined by the series’ editorial advisors, Deana Haggag, Mia Locks and Jay Sanders. They’ll highlight key discoveries and plot some of the changes that have occurred during production of the programs. Where does power reside now in the art world? What does that mean for broader society? And, of course, in the middle of 2022, do our guests feel inclined toward Hope or Dread? Tune in for more.</p> <p>Guests: Deana Haggag, Mia Locks, Jay Sanders</p> Allan Schwartzman & Charlotte Burns 46:43 false art,Culture,documentary For the final episode, hosts Charlotte Burns and Allan Schwartzman are joined by the series’ editorial advisors, Deana Haggag, Mia Locks and Jay Sanders. They’ll highlight key discoveries and plot some of the changes that have occurred during... #12: Are You Sitting Uncomfortably? https://hopeanddread.libsyn.com/12-are-you-sitting-uncomfortably Hope and Dread urn:uuid:a126da16-1a5d-abe3-9123-455afbc3664f Wed, 04 May 2022 08:50:47 +0000 <p><span style="font-weight: 400;">As shifts in power scramble the chessboard, how are our guests reacting to the pace of change? Our interviewees—from critics to museum directors, philanthropists to an astrologer—share their tips for dealing with discomfort. The stakes are high: tune in to hear some of the solutions. </span></p> <p><span style="font-weight: 400;">New episodes available every other Wednesday. </span></p> <p><span style="font-weight: 400;">For more, follow @artand_media on</span> <a href= "https://www.instagram.com/artand_media/"><span style= "font-weight: 400;">Instagram</span></a> <span style= "font-weight: 400;">/</span> <a href= "https://twitter.com/artand_media"><span style= "font-weight: 400;">Twitter</span></a> <span style= "font-weight: 400;">/</span> <a href= "https://www.linkedin.com/in/art-and-media-113b09224/"><span style= "font-weight: 400;">LinkedIn</span></a> <span style= "font-weight: 400;">/</span> <a href= "https://www.facebook.com/artand.schwartzmanmedia"><span style= "font-weight: 400;">Facebook</span></a></p> <p><span style="font-weight: 400;">Guests: Lulani Arquette, Maya Benton, Tim Blum, Roxane Gay, Deana Haggag, Kathy Halbreich, Phyllis Mitz, Dr. Kelli Morgan, Tiffany Sia, Hank Willis Thomas, The Rt Hon Lord Vaizey of Didcot, Hamza Walker and Amy Webb</span></p> <p>As shifts in power scramble the chessboard, how are our guests reacting to the pace of change? Our interviewees—from critics to museum directors, philanthropists to an astrologer—share their tips for dealing with discomfort. The stakes are high: tune in to hear some of the solutions. </p> <p>New episodes available every other Wednesday. </p> <p>For more, follow @artand_media on <a href= "https://www.instagram.com/artand_media/">Instagram</a> / <a href= "https://twitter.com/artand_media">Twitter</a> / <a href= "https://www.linkedin.com/in/art-and-media-113b09224/">LinkedIn</a> / <a href= "https://www.facebook.com/artand.schwartzmanmedia">Facebook</a></p> <p>Guests: Lulani Arquette, Maya Benton, Tim Blum, Roxane Gay, Deana Haggag, Kathy Halbreich, Phyllis Mitz, Dr. Kelli Morgan, Tiffany Sia, Hank Willis Thomas, The Rt Hon Lord Vaizey of Didcot, Hamza Walker and Amy Webb</p> Allan Schwartzman & Charlotte Burns 41:52 false art,culture,documentary As shifts in power scramble the chessboard, how are our guests reacting to the pace of change? Our interviewees—from critics to museum directors, philanthropists to an astrologer—share their tips for dealing with discomfort. The stakes are high:... #11: What We Talk About When We Talk About The Art Market https://hopeanddread.libsyn.com/11-what-we-talk-about-when-we-talk-about-the-art-market Hope and Dread urn:uuid:a442cb78-89ba-cac8-a636-4142e94b8386 Wed, 20 Apr 2022 08:26:32 +0000 <p><span style="font-weight: 400;">In the second of two episodes dedicated to the art market, Charlotte Burns turns to her series co-host; the richly experienced art advisor, critic and curator Allan Schwartzman, as he offers his understanding of where the market sits now—and how it may look in the future. Drawing out trends, strands, opportunities and obstacles, this program represents an intimate insight into an ever-fluctuating industry.</span></p> <p><span style="font-weight: 400;">New episodes available every other Wednesday. </span></p> <p><span style="font-weight: 400;">For more, follow @artand_media on <a href="https://www.instagram.com/artand_media/">Instagram</a> / <a href="https://twitter.com/artand_media">Twitter</a> / <a href= "https://www.linkedin.com/in/art-and-media-113b09224/">LinkedIn</a> / <a href= "https://www.facebook.com/artand.schwartzmanmedia">Facebook</a></span></p> <p>In the second of two episodes dedicated to the art market, Charlotte Burns turns to her series co-host; the richly experienced art advisor, critic and curator Allan Schwartzman, as he offers his understanding of where the market sits now—and how it may look in the future. Drawing out trends, strands, opportunities and obstacles, this program represents an intimate insight into an ever-fluctuating industry.</p> <p>New episodes available every other Wednesday. </p> <p>For more, follow @artand_media on <a href="https://www.instagram.com/artand_media/">Instagram</a> / <a href="https://twitter.com/artand_media">Twitter</a> / <a href= "https://www.linkedin.com/in/art-and-media-113b09224/">LinkedIn</a> / <a href= "https://www.facebook.com/artand.schwartzmanmedia">Facebook</a></p> Allan Schwartzman & Charlotte Burns 40:59 false art,Culture,documentary In the second of two episodes dedicated to the art market, Charlotte Burns turns to her series co-host; the richly experienced art advisor, critic and curator Allan Schwartzman, as he offers his understanding of where the market sits now—and how it... #10: The Business of Art https://hopeanddread.libsyn.com/10-the-business-of-art Hope and Dread urn:uuid:bd450ed7-3afa-0a21-ff93-7b9684525bb3 Wed, 06 Apr 2022 08:27:30 +0000 <p><span style="font-weight: 400;">In the first of two episodes dedicated to the business of art, Charlotte Burns and Allan Schwartzman trace the changing contours of an industry defined by dealmaking. Power within the art trade is held by a few key players and yet, the art market shapes the lives and livelihoods of almost everyone working in art.</span></p> <p><span style="font-weight: 400;">In an art world that likes to season the cold logic of commodities trading with the language of inclusion, passion and creation, we speak to dealers, artists and futurologists to discover how — from the local to the global, from private passions to international politics and economics—everything is touched by the market.</span></p> <p>In the first of two episodes dedicated to the business of art, Charlotte Burns and Allan Schwartzman trace the changing contours of an industry defined by dealmaking. Power within the art trade is held by a few key players and yet, the art market shapes the lives and livelihoods of almost everyone working in art.</p> <p>In an art world that likes to season the cold logic of commodities trading with the language of inclusion, passion and creation, we speak to dealers, artists and futurologists to discover how — from the local to the global, from private passions to international politics and economics—everything is touched by the market.</p> Allan Schwartzman & Charlotte Burns 47:27 false art,culture,documentary In the first of two episodes dedicated to the business of art, Charlotte Burns and Allan Schwartzman trace the changing contours of an industry defined by dealmaking. Power within the art trade is held by a few key players and yet, the art market... #9: Artists: Players or Pawns? https://hopeanddread.libsyn.com/artists-players-or-pawns Hope and Dread urn:uuid:c0c737c7-8780-8a84-a6e9-6e1535e4b91f Wed, 23 Mar 2022 08:00:42 +0000 <p><span style="font-weight: 400;">In a series dedicated to tectonic shifts in power in art, why did we wait so long to devote a show to the artists themselves? Well, we wanted to paint a picture of the landscape in which those creators now live and work - and as you’ve heard, it is</span> <em><span style= "font-weight: 400;">complex</span></em><span style= "font-weight: 400;">. In this episode we hear from artists who want to change the system with their own foundations, support networks and big ideas. These are stories of civic and artistic philanthropy that aren’t about engraving your name in granite but about changing the system—while making meaningful work. But when that big payday comes knocking, how do you stay true to your dream? Tune in to find out.</span></p> <p>In a series dedicated to tectonic shifts in power in art, why did we wait so long to devote a show to the artists themselves? Well, we wanted to paint a picture of the landscape in which those creators now live and work - and as you’ve heard, it is <em>complex</em>. In this episode we hear from artists who want to change the system with their own foundations, support networks and big ideas. These are stories of civic and artistic philanthropy that aren’t about engraving your name in granite but about changing the system—while making meaningful work. But when that big payday comes knocking, how do you stay true to your dream? Tune in to find out.</p> Allan Schwartzman & Charlotte Burns 40:02 false art,culture,documentary In a series dedicated to tectonic shifts in power in art, why did we wait so long to devote a show to the artists themselves? Well, we wanted to paint a picture of the landscape in which those creators now live and work - and as you’ve heard, it is... #8: Westward Ho! https://hopeanddread.libsyn.com/westward-ho Hope and Dread urn:uuid:5d1d3e2c-c06b-7e0b-520a-965e1aa06a27 Wed, 09 Mar 2022 09:28:06 +0000 <p>The series heads north by northwest to Portland, Oregon to uncover a surprisingly hideous history: could it be that this hipster mecca was founded as a whites-only utopia? Answer: hell, yeah. When a curator has to rub shoulders with Neo-Nazis during the installation of her exhibition, there may well be trouble built into the very fabric of the state. We speak to the broader arts community in Portland to tease out the fine threads of race, land, ownership and identity and ask - as tanks roll down city streets elsewhere - if Oregon is a warning from the past or a glimpse into the future.</p> <p>Tune in to find out. </p> <p>New episodes available every other Wednesday. </p> <p>For more, follow @artand_media on <a href= "https://shared.outlook.inky.com/link?domain=urldefense.proofpoint.com&t=eyJhbGciOiAiRVMyNTYiLCAidHlwIjogIkpXVCJ9.eJxVVMmuo0gQ_JXWO7zT-DUGL9CSNY3B2Oy22blYLAUULvbCLK3598HvNHPLJTIjlVLEnw8MggLGH79-fHTPqserLsqGoMVzEZSroOuqCAYYdB9__fiAJQZtGaAFmwSoA0sJvOeiLGhRhTEI-7bsfqdFANFXVBXvme_F_6v07XvBR4Zx3f36-XNJY5CAsgNfdVtVSV0tNG_szxf5bv7dH76hK4p9PLqFCcRfy5moqp5fsHxOb-gDLdGKEuJqISpXFD8Mw9LscJC2QfFGrMgdXupgkrLwHEEdsvBuq5NmelDhWBhf0CDmVSo-a9fmJOYLSKNtCfg65Ky12goQP2daItLsDOBR7Lk7cRxNAUwCCndWGM5JoOb3cgH2K5LvAaNTz2nJip4at5PFlbOUU1f3JRpLexvIXDqQXHlLWnVdcx3EMZPMVkVFgcTj_RSL07oX9XFje2dDn6SrEfAdIxM5SvVQjsw2S4isLkW2PLHdnk7IpkmDGqdZydItszDIxDa4-EYpu6lO-wU1SoTs2PtqZiOaM7fI7H0wgpbesUcXowzONzEaQzUkR987Dppq7k7mXT7d3dkz3CpM9udK6RUGEqmDrYwo1LPBBTVlEk9CYaLmxfkvjxKs7fVcbeBJYnJ7S83-kzYu0l4YkmpL7PwG74kqVSaQ89uXs-VbDd-kVpGl6U6YdciHvYzqzox39nWQ8mzdNifHQGYhylZ1ZTpKpSZ6wMbk2c6XerI48Wjy_fLiJNy7wnQ0yM39BBpcmiNRwfNmR2yzwhy42KbtWE5ZeGJ7pac6zmqbu9Tcz2voL9PnJjzTw9EN_bW-ee1YuvROTrR-PT_jAz-owir9jA6p3qbJ7UiP9mUvEOi6V28ZpLnJdtXjy2u06UopvWGEtDJ8todbkXoiTLBA9dfqxp9zZ49WzooBBSKk1NowEfeYSjcte-uzOMTu40a55GZeZ4-H8ILkRj7WqepixdvCKCf3lQDjQc4IVG24gUYN7_k73YPEbVPGD8_-7A5X_Gyug6ffCGq4rjM7m2Uh23GOy7ZUE3VWw-kPc-wvyqn7BIe3AnVrEWDZI7TEOGtBgB8IvMBblsRb5t-ajUj8it0bjkitiklhii819pwN9lxtDkmt9tw7iiamiZ2x9qzjIqsxC0stDy5xFpX3XegIvVJor9BgMt28I8_0M604DR4pTuqsIf3sQ9-xRpVnN56ZTlouFL5Bj1p-I7XcI3RenJTcIr4towPtA7xN5BHEcQu67n1h3iMY_A4QCsr_eNa3zfzzL2qLou4.MEUCIAH4XeAmf7lmntRKF1rJOFqLBnn-Rff9tVn8SybOzvmdAiEAgPwc8LuDf5_qf4KEEV_Q7zt8FjTqRgc3jk9LRuCpK2k"> Instagram</a> / <a href= "https://shared.outlook.inky.com/link?domain=urldefense.proofpoint.com&t=eyJhbGciOiAiRVMyNTYiLCAidHlwIjogIkpXVCJ9.eJxVVNuyojgU_ZWu83CehtMKKNpV1jSCXJSLCCL4QnGJEAwXIcila_59wnmaeUkle6-99kola__5wCAsYPLx68dH-6w6TLVx1ocNnoqwpMK2rWIYYtB-_PXjA5YYNGWICPYRohaQEJjr4ixsUIUxiLqmbH-nRQjRV1wVc8038f8iXTMTfGQY1-2vnz_JMQEPULbgq26q6lFXpM2M_fmm5-Tf3e4bSjF8ELSkE0i-iExUVc8vWD7HGRogsqMYKalIo5JiRNxDIqeZcxS9xiQCxmMWyTE0IQ8vrj4ajg81gYeJgno1r1L1WXuucNx-gePgXnXc9TlvUStpf7vG43ORhXVvQQaq4JCGMlI1rMhJKQtc6ND75-lFkOU7L40mCsukSIqQosUzsFO9uxtgxW6lwaO1i-vpRlotFLrHL_6uag_gxaRSM5RTbkWR76yEGx7fHZBs_mldoTN2OQfGp3o8M1gSzEVfEji9dGTBS4U2cpzeEt63uF1weV0x7LGAQG35_kFu9Xo2r0t7H2yZH0Pb4_JcXNEPp57WQFYUxVUJ0-kIydppkgvdA9t3qW-cng9kSING9CO8aT2hq3pTG4_JEmquZbHN8ZWD89rLKvyq2OOJ4Jyr3Y6y2VaZMoiTu2Im90nCtnIk5JKjsC4nkbNXq3J5KEyP8d8551kRN9meDvaMPjKd01zvDyOujR5N_n5IR2aZl_ppVe7Fk3UgPOEjbirC8vDWapV2hy_9cBVUcWLRZPZbfsVy-C2uznJWb50pSeBR10jVctVOl1auijbfTjw88LOuExI253Jz6ZE5rPi1f7y8T1gxk9WdjRtpfTgb9mQ7mdJ_Jjux1yUq_Yx3qdmkD2u_GVyFkxbozOlWBjfCSJ50__ZfxnhmtM62o43WfzY7q0h9FT6wxHTnyhLl_MYh6kZtQYEWx_TKbmMhGEsvLbvrZ7FLvMBiPJqdllkQSG9Is6d9neoe1vwVjHOaqySY9KdsgSpW6DfoJfr3tenDhcWWSeC7n-0Onl6BuA-pjcxp8a0TqGqwqTqYNlsX1pFj8FxjDWu8TGj1E-xmG5pX4sKyQ4jscdaAEAcIvMHszcXs9W_jxjR-J56FY9qoEloaE6XG_o3FvmdMEW3UvndB8bh9Jbeh9q974rAhi0ojD5Uki8vLOrqR31UY78jeZqZzQb5zz4zi0Pu0OuqTgUz5Du-366CLPOs76WjkUnG3N4ORW7SR-wtTVEctvy6-50YLmgDMkyQIk6QBbTsrzDsEw98hQmH5n8H1PWv--ReKf6Mi.MEQCIAhyHa16m-tfbyOT7mvq18ITZfgBGfhsKHZmNtm-t2kFAiAGbHGpYSpff3Be65y29RdhWlKV8Lo46-B-8bJ0wVAuuQ"> Twitter</a> / <a href= "https://shared.outlook.inky.com/link?domain=urldefense.proofpoint.com&t=eyJhbGciOiAiRVMyNTYiLCAidHlwIjogIkpXVCJ9.eJxVVMmSozgU_JWOOtRp7KZYvHSEY9qAMTab2ZeLg81IWCwGAYaO-feBOs2cJKXyvZdSROafD5yGBUw-fv34aJ9Vh1dtDIawwVMRlquwbasYhjhtP_768QFLnDZliGbuI0RtOkPpUheDsEEVxmnUNWX7OytCiNZxVSw1343_h3TN0uADYFy3v37-nI9J-kjLNl3XTVU96moes3B_9uRy-Xd3-KauqOP93s6T0mQ9y0RV9VzD8jku1DuadytKSKp5ULmi-GEY1guWJrBcCCtyg2c4Ha8gOsdQg0doOMqoWj6UuSNMRDRc8iq7PGvP4a77dXp9O7bw1Wf50V4xgtnKE6HYcfBckXwRU_TTgUqUbcHbmcIJRCFdZEagopkqzgynTrctoznzkXrw3TnrrFNhEbQGdy-abJQQAlUizkwluqxmwFcZxyIYMW8OLqSpDUfIJv9SHcC-7CqXhNoxq31P5JlfHeXQcvc7ax7ylF4kO9Ajs6nL8suz9ydhQkhkkWQwngcefQalbntiB2OjvrV62jw6Npjr0q3_cmxkiHHkoMsQEEL_JVZaFMfz5enWF8aT2WazdHK43LajhQPvRKQstPegmNEGqBadsDJzmxXZnnbLOQJ7vI2dQjmHijRoFlkQjeyPveT0NhNc1BPzFDl-6Sjx1MPHrjhcsPwkTNE1zcgPq8Aqpd05p2YBeDyRCSNGFn0VSDhOVsDOhZvl25mgDNmYOZqn4gtn5GSWnJ-9uUVqNqXRvFgTx5gbeNTXysnnLjqH377U6oqhg8Znr_uZUgmWcnOpmiKeuwdou-rpXw2CfUStfgHHq_Jsg5S15PihnKQSyfIORsO-wY6Oy3Ns8BsI2PAcRxb8TA78oAir7DM-ZFqTPXR293bErUCg21bRAdxxo-MpbO-_1PFGyd381J08fDYHvcj8C3xggepulc6fc3eLVu5qnxaIuGY2vY-5-1h6WdnZn8Uh8e465ZH09AXud6GHJC2xdaZ4WPYZGOfkthJgMkiAQBXNDTv04v1go_mQ0OkyufvOZ3tgPNJ2-cDYsi_TfrkrjmsiOXzvNrjDFFEYPc8Di4ySDLSf6WGxqGbPDi07hOY9Bk0a4jtK-3TxLbHkwLepYxL3iafjmFSrhBTGRKyx79LY99QpItXa9wwUj_tX4r5r32Zn471BVKp5KCYgLo1N5AqdXKh9ZO6BZhnItwKgFqfBJy-jMqlIOwcwcO23wh9p38pGNReKwNy91Vwn1dwnNP4yyrlNfGdKmzb3dEmZe5gkTdq2i8K8QzD8HSIUlv8Jte8c-udfyHCpTA.MEQCIB3zliBJc5JquZI1fIk12Fr-j4uJUI_JcaMNwERTgvSCAiAnYxsmnxx196Q60L0r8JX_T3CPE2WT7hSIJcIEc-gLJA"> LinkedIn</a> / <a href= "https://shared.outlook.inky.com/link?domain=urldefense.proofpoint.com&t=eyJhbGciOiAiRVMyNTYiLCAidHlwIjogIkpXVCJ9.eJxVVMuyokgU_JUOF65GGwEVO8KYRnkIl7ei4MbgUUBhQfEoROyYfx-4q5ndOaeyMk9VROafGQFBAePZrx-z9ok7smijrA8a8imCchG0LY5gQEA7--vHDJYENGWARmwSoBaMIzDdi7KgQZgQEHZN2f5OiwCiZYSL6c438f8mXTMRzDJCqvbXz59jG4MElC1YVg3GSYVHmQn780VPh393-2_oguEfj3ZUAvFyXBNh_FzC8jlM0AcaqwUjxXgUKheM0Pf9MgkiEE6oEbCgN2Qcg0HNQjmCJuShc9UH4-JD7cjD-IR6Jcep8qy861HdLYH6vroSeaU57y7WEuzk9eYZUrS3uQthrobiqssLUWIMXPde0BMMB00bgVZbX8DnteYQY-V0dB8UZ0Ot12XbDFTiGuwhxrSI7CTXkcpX_n27OZVqhIfGPVKMoCv9qlZMh8mweO00n2hN9GkVKDr8WtWqBS0U-igyyChOfUC2fk-NM7mv6-Yg21DjPu8PkuVQ8LG5LSrFyYye6ujsGlRnaAW0J5i9ysndx3ruunIdy9aJIGfNoFfKViPxFjoISIJvOoI_ErPQW0WZDnaKlqhGz9RKPnCcl925VZ5JUuCK2-v0Ob4hdfcTK5c7HRwvTjRcBDFRLCNpIuOWr9VY4NxncvCe4fSETFxZol6BuB6b185nmaTAQ3Rn8zYIY4GpSVYXF24gVi-jIitzuQ7QWeZlGx83t125W4-akdXJZ_XEL3XRPSr2kS-UwNGiRO6FsNcc7K0y2-TTd8WUed_nx3f7ifuXX5-vqZLy-cZsLebciI2NUTOs8-zSjaT9Rwz9aStib74ajSJqqDYRN4_3Qq9Li3Qe7VOzSRP7wL2vp61EIWur2xnkjsPV0w8jvTFYjNadzyGn9fNmbxepr8CESExnYVuQ89sWLW6LHSgQpaYuu4uOj6H00rJz58U-9h4249HsZ5U9HtIL0uzXoUp1j2j-GkY5vcUSjPuvjEKYPfYcqgX_vjF9SNlsGT_867zdF4VqDKsnzjXkHbHRiJrF36mFiLyDq5xEO_Y4kx_oGwf1OdhPZjTd0Ytlh9BYk6wBAXkg8AKTQ6nJ8d_2jWjyij2bRLSBY1oa4lNF_BtLfM_4hLRR-Z6DomFXx7d35buH0WLvLCyNPDjFWVQ6m_AmdVphvMLzLjMvDvIv98woxN6nlUH_GMiU7_B-c9-6wLP-JR2MXCruZ-5t5DZt5D5lCsqg5S71nR4taB5gypNHEMcNaNtpw7xDMPgdIBSU_4mv78T5518gUqZI.MEUCIDpgHBJPbrQGp7pjtoHeOYItYCQ5ott_ZHxZAPzUmYQaAiEA5JriHUupPj2hEgYu0KQOVnjdcu3j_zJAlnq12fPwTMg"> Facebook</a></p> <p>The series heads north by northwest to Portland, Oregon to uncover a surprisingly hideous history: could it be that this hipster mecca was founded as a whites-only utopia? Answer: hell, yeah. When a curator has to rub shoulders with Neo-Nazis during the installation of her exhibition, there may well be trouble built into the very fabric of the state. We speak to the broader arts community in Portland to tease out the fine threads of race, land, ownership and identity and ask - as tanks roll down city streets elsewhere - if Oregon is a warning from the past or a glimpse into the future.</p> <p>Tune in to find out. </p> <p>New episodes available every other Wednesday. </p> <p>For more, follow @artand_media on <a href= "https://shared.outlook.inky.com/link?domain=urldefense.proofpoint.com&t=eyJhbGciOiAiRVMyNTYiLCAidHlwIjogIkpXVCJ9.eJxVVMmuo0gQ_JXWO7zT-DUGL9CSNY3B2Oy22blYLAUULvbCLK3598HvNHPLJTIjlVLEnw8MggLGH79-fHTPqserLsqGoMVzEZSroOuqCAYYdB9__fiAJQZtGaAFmwSoA0sJvOeiLGhRhTEI-7bsfqdFANFXVBXvme_F_6v07XvBR4Zx3f36-XNJY5CAsgNfdVtVSV0tNG_szxf5bv7dH76hK4p9PLqFCcRfy5moqp5fsHxOb-gDLdGKEuJqISpXFD8Mw9LscJC2QfFGrMgdXupgkrLwHEEdsvBuq5NmelDhWBhf0CDmVSo-a9fmJOYLSKNtCfg65Ky12goQP2daItLsDOBR7Lk7cRxNAUwCCndWGM5JoOb3cgH2K5LvAaNTz2nJip4at5PFlbOUU1f3JRpLexvIXDqQXHlLWnVdcx3EMZPMVkVFgcTj_RSL07oX9XFje2dDn6SrEfAdIxM5SvVQjsw2S4isLkW2PLHdnk7IpkmDGqdZydItszDIxDa4-EYpu6lO-wU1SoTs2PtqZiOaM7fI7H0wgpbesUcXowzONzEaQzUkR987Dppq7k7mXT7d3dkz3CpM9udK6RUGEqmDrYwo1LPBBTVlEk9CYaLmxfkvjxKs7fVcbeBJYnJ7S83-kzYu0l4YkmpL7PwG74kqVSaQ89uXs-VbDd-kVpGl6U6YdciHvYzqzox39nWQ8mzdNifHQGYhylZ1ZTpKpSZ6wMbk2c6XerI48Wjy_fLiJNy7wnQ0yM39BBpcmiNRwfNmR2yzwhy42KbtWE5ZeGJ7pac6zmqbu9Tcz2voL9PnJjzTw9EN_bW-ee1YuvROTrR-PT_jAz-owir9jA6p3qbJ7UiP9mUvEOi6V28ZpLnJdtXjy2u06UopvWGEtDJ8todbkXoiTLBA9dfqxp9zZ49WzooBBSKk1NowEfeYSjcte-uzOMTu40a55GZeZ4-H8ILkRj7WqepixdvCKCf3lQDjQc4IVG24gUYN7_k73YPEbVPGD8_-7A5X_Gyug6ffCGq4rjM7m2Uh23GOy7ZUE3VWw-kPc-wvyqn7BIe3AnVrEWDZI7TEOGtBgB8IvMBblsRb5t-ajUj8it0bjkitiklhii819pwN9lxtDkmt9tw7iiamiZ2x9qzjIqsxC0stDy5xFpX3XegIvVJor9BgMt28I8_0M604DR4pTuqsIf3sQ9-xRpVnN56ZTlouFL5Bj1p-I7XcI3RenJTcIr4towPtA7xN5BHEcQu67n1h3iMY_A4QCsr_eNa3zfzzL2qLou4.MEUCIAH4XeAmf7lmntRKF1rJOFqLBnn-Rff9tVn8SybOzvmdAiEAgPwc8LuDf5_qf4KEEV_Q7zt8FjTqRgc3jk9LRuCpK2k"> Instagram</a> / <a href= "https://shared.outlook.inky.com/link?domain=urldefense.proofpoint.com&t=eyJhbGciOiAiRVMyNTYiLCAidHlwIjogIkpXVCJ9.eJxVVNuyojgU_ZWu83CehtMKKNpV1jSCXJSLCCL4QnGJEAwXIcila_59wnmaeUkle6-99kola__5wCAsYPLx68dH-6w6TLVx1ocNnoqwpMK2rWIYYtB-_PXjA5YYNGWICPYRohaQEJjr4ixsUIUxiLqmbH-nRQjRV1wVc8038f8iXTMTfGQY1-2vnz_JMQEPULbgq26q6lFXpM2M_fmm5-Tf3e4bSjF8ELSkE0i-iExUVc8vWD7HGRogsqMYKalIo5JiRNxDIqeZcxS9xiQCxmMWyTE0IQ8vrj4ajg81gYeJgno1r1L1WXuucNx-gePgXnXc9TlvUStpf7vG43ORhXVvQQaq4JCGMlI1rMhJKQtc6ND75-lFkOU7L40mCsukSIqQosUzsFO9uxtgxW6lwaO1i-vpRlotFLrHL_6uag_gxaRSM5RTbkWR76yEGx7fHZBs_mldoTN2OQfGp3o8M1gSzEVfEji9dGTBS4U2cpzeEt63uF1weV0x7LGAQG35_kFu9Xo2r0t7H2yZH0Pb4_JcXNEPp57WQFYUxVUJ0-kIydppkgvdA9t3qW-cng9kSING9CO8aT2hq3pTG4_JEmquZbHN8ZWD89rLKvyq2OOJ4Jyr3Y6y2VaZMoiTu2Im90nCtnIk5JKjsC4nkbNXq3J5KEyP8d8551kRN9meDvaMPjKd01zvDyOujR5N_n5IR2aZl_ppVe7Fk3UgPOEjbirC8vDWapV2hy_9cBVUcWLRZPZbfsVy-C2uznJWb50pSeBR10jVctVOl1auijbfTjw88LOuExI253Jz6ZE5rPi1f7y8T1gxk9WdjRtpfTgb9mQ7mdJ_Jjux1yUq_Yx3qdmkD2u_GVyFkxbozOlWBjfCSJ50__ZfxnhmtM62o43WfzY7q0h9FT6wxHTnyhLl_MYh6kZtQYEWx_TKbmMhGEsvLbvrZ7FLvMBiPJqdllkQSG9Is6d9neoe1vwVjHOaqySY9KdsgSpW6DfoJfr3tenDhcWWSeC7n-0Onl6BuA-pjcxp8a0TqGqwqTqYNlsX1pFj8FxjDWu8TGj1E-xmG5pX4sKyQ4jscdaAEAcIvMHszcXs9W_jxjR-J56FY9qoEloaE6XG_o3FvmdMEW3UvndB8bh9Jbeh9q974rAhi0ojD5Uki8vLOrqR31UY78jeZqZzQb5zz4zi0Pu0OuqTgUz5Du-366CLPOs76WjkUnG3N4ORW7SR-wtTVEctvy6-50YLmgDMkyQIk6QBbTsrzDsEw98hQmH5n8H1PWv--ReKf6Mi.MEQCIAhyHa16m-tfbyOT7mvq18ITZfgBGfhsKHZmNtm-t2kFAiAGbHGpYSpff3Be65y29RdhWlKV8Lo46-B-8bJ0wVAuuQ"> Twitter</a> / <a href= "https://shared.outlook.inky.com/link?domain=urldefense.proofpoint.com&t=eyJhbGciOiAiRVMyNTYiLCAidHlwIjogIkpXVCJ9.eJxVVMmSozgU_JWOOtRp7KZYvHSEY9qAMTab2ZeLg81IWCwGAYaO-feBOs2cJKXyvZdSROafD5yGBUw-fv34aJ9Vh1dtDIawwVMRlquwbasYhjhtP_768QFLnDZliGbuI0RtOkPpUheDsEEVxmnUNWX7OytCiNZxVSw1343_h3TN0uADYFy3v37-nI9J-kjLNl3XTVU96moes3B_9uRy-Xd3-KauqOP93s6T0mQ9y0RV9VzD8jku1DuadytKSKp5ULmi-GEY1guWJrBcCCtyg2c4Ha8gOsdQg0doOMqoWj6UuSNMRDRc8iq7PGvP4a77dXp9O7bw1Wf50V4xgtnKE6HYcfBckXwRU_TTgUqUbcHbmcIJRCFdZEagopkqzgynTrctoznzkXrw3TnrrFNhEbQGdy-abJQQAlUizkwluqxmwFcZxyIYMW8OLqSpDUfIJv9SHcC-7CqXhNoxq31P5JlfHeXQcvc7ax7ylF4kO9Ajs6nL8suz9ydhQkhkkWQwngcefQalbntiB2OjvrV62jw6Npjr0q3_cmxkiHHkoMsQEEL_JVZaFMfz5enWF8aT2WazdHK43LajhQPvRKQstPegmNEGqBadsDJzmxXZnnbLOQJ7vI2dQjmHijRoFlkQjeyPveT0NhNc1BPzFDl-6Sjx1MPHrjhcsPwkTNE1zcgPq8Aqpd05p2YBeDyRCSNGFn0VSDhOVsDOhZvl25mgDNmYOZqn4gtn5GSWnJ-9uUVqNqXRvFgTx5gbeNTXysnnLjqH377U6oqhg8Znr_uZUgmWcnOpmiKeuwdou-rpXw2CfUStfgHHq_Jsg5S15PihnKQSyfIORsO-wY6Oy3Ns8BsI2PAcRxb8TA78oAir7DM-ZFqTPXR293bErUCg21bRAdxxo-MpbO-_1PFGyd381J08fDYHvcj8C3xggepulc6fc3eLVu5qnxaIuGY2vY-5-1h6WdnZn8Uh8e465ZH09AXud6GHJC2xdaZ4WPYZGOfkthJgMkiAQBXNDTv04v1go_mQ0OkyufvOZ3tgPNJ2-cDYsi_TfrkrjmsiOXzvNrjDFFEYPc8Di4ySDLSf6WGxqGbPDi07hOY9Bk0a4jtK-3TxLbHkwLepYxL3iafjmFSrhBTGRKyx79LY99QpItXa9wwUj_tX4r5r32Zn471BVKp5KCYgLo1N5AqdXKh9ZO6BZhnItwKgFqfBJy-jMqlIOwcwcO23wh9p38pGNReKwNy91Vwn1dwnNP4yyrlNfGdKmzb3dEmZe5gkTdq2i8K8QzD8HSIUlv8Jte8c-udfyHCpTA.MEQCIB3zliBJc5JquZI1fIk12Fr-j4uJUI_JcaMNwERTgvSCAiAnYxsmnxx196Q60L0r8JX_T3CPE2WT7hSIJcIEc-gLJA"> LinkedIn</a> / <a href= "https://shared.outlook.inky.com/link?domain=urldefense.proofpoint.com&t=eyJhbGciOiAiRVMyNTYiLCAidHlwIjogIkpXVCJ9.eJxVVMuyokgU_JUOF65GGwEVO8KYRnkIl7ei4MbgUUBhQfEoROyYfx-4q5ndOaeyMk9VROafGQFBAePZrx-z9ok7smijrA8a8imCchG0LY5gQEA7--vHDJYENGWARmwSoBaMIzDdi7KgQZgQEHZN2f5OiwCiZYSL6c438f8mXTMRzDJCqvbXz59jG4MElC1YVg3GSYVHmQn780VPh393-2_oguEfj3ZUAvFyXBNh_FzC8jlM0AcaqwUjxXgUKheM0Pf9MgkiEE6oEbCgN2Qcg0HNQjmCJuShc9UH4-JD7cjD-IR6Jcep8qy861HdLYH6vroSeaU57y7WEuzk9eYZUrS3uQthrobiqssLUWIMXPde0BMMB00bgVZbX8DnteYQY-V0dB8UZ0Ot12XbDFTiGuwhxrSI7CTXkcpX_n27OZVqhIfGPVKMoCv9qlZMh8mweO00n2hN9GkVKDr8WtWqBS0U-igyyChOfUC2fk-NM7mv6-Yg21DjPu8PkuVQ8LG5LSrFyYye6ujsGlRnaAW0J5i9ysndx3ruunIdy9aJIGfNoFfKViPxFjoISIJvOoI_ErPQW0WZDnaKlqhGz9RKPnCcl925VZ5JUuCK2-v0Ob4hdfcTK5c7HRwvTjRcBDFRLCNpIuOWr9VY4NxncvCe4fSETFxZol6BuB6b185nmaTAQ3Rn8zYIY4GpSVYXF24gVi-jIitzuQ7QWeZlGx83t125W4-akdXJZ_XEL3XRPSr2kS-UwNGiRO6FsNcc7K0y2-TTd8WUed_nx3f7ifuXX5-vqZLy-cZsLebciI2NUTOs8-zSjaT9Rwz9aStib74ajSJqqDYRN4_3Qq9Li3Qe7VOzSRP7wL2vp61EIWur2xnkjsPV0w8jvTFYjNadzyGn9fNmbxepr8CESExnYVuQ89sWLW6LHSgQpaYuu4uOj6H00rJz58U-9h4249HsZ5U9HtIL0uzXoUp1j2j-GkY5vcUSjPuvjEKYPfYcqgX_vjF9SNlsGT_867zdF4VqDKsnzjXkHbHRiJrF36mFiLyDq5xEO_Y4kx_oGwf1OdhPZjTd0Ytlh9BYk6wBAXkg8AKTQ6nJ8d_2jWjyij2bRLSBY1oa4lNF_BtLfM_4hLRR-Z6DomFXx7d35buH0WLvLCyNPDjFWVQ6m_AmdVphvMLzLjMvDvIv98woxN6nlUH_GMiU7_B-c9-6wLP-JR2MXCruZ-5t5DZt5D5lCsqg5S71nR4taB5gypNHEMcNaNtpw7xDMPgdIBSU_4mv78T5518gUqZI.MEUCIDpgHBJPbrQGp7pjtoHeOYItYCQ5ott_ZHxZAPzUmYQaAiEA5JriHUupPj2hEgYu0KQOVnjdcu3j_zJAlnq12fPwTMg"> Facebook</a></p> Allan Schwartzman & Charlotte Burns 41:53 false art,culture,documentary The series heads north by northwest to Portland, Oregon to uncover a surprisingly hideous history: could it be that this hipster mecca was founded as a whites-only utopia? Answer: hell, yeah. When a curator has to rub shoulders with Neo-Nazis during... #7: Executive Session https://hopeanddread.libsyn.com/executive-session Hope and Dread urn:uuid:50cfa85c-2ae7-0103-7ee2-bbb372c1784e Wed, 23 Feb 2022 09:00:23 +0000 <p><span style="font-weight: 400;">Today you'll hear from that echelon who are</span> <em><span style= "font-weight: 400;">really</span></em> <span style= "font-weight: 400;">running America's museums: the board. This is where the real power in museums resides. We'll find out if these trustees have fully grasped the issues that museums need to tackle today. Do they have ambitious enough solutions? Who makes sure the museum sticks to its mission, or that the trustees are doing their job? After all - who governs the governors?</span></p> <p><span style="font-weight: 400;">Tune in to find out. </span></p> <p><span style="font-weight: 400;">New episodes available every other Wednesday. </span></p> <p><span style="font-weight: 400;">For more, follow @artand_media on</span> <a href= "https://www.instagram.com/artand_media/"><span style= "font-weight: 400;">Instagram</span></a> <span style= "font-weight: 400;">/</span> <a href= "https://twitter.com/artand_media"><span style= "font-weight: 400;">Twitter</span></a> <span style= "font-weight: 400;">/</span> <a href= "https://www.linkedin.com/in/art-and-media-113b09224/"><span style= "font-weight: 400;">LinkedIn</span></a> <span style= "font-weight: 400;">/</span> <a href= "https://www.facebook.com/artand.schwartzmanmedia"><span style= "font-weight: 400;">Facebook</span></a></p> <p>Today you'll hear from that echelon who are <em>really</em> running America's museums: the board. This is where the real power in museums resides. We'll find out if these trustees have fully grasped the issues that museums need to tackle today. Do they have ambitious enough solutions? Who makes sure the museum sticks to its mission, or that the trustees are doing their job? After all - who governs the governors?</p> <p>Tune in to find out. </p> <p>New episodes available every other Wednesday. </p> <p>For more, follow @artand_media on <a href= "https://www.instagram.com/artand_media/">Instagram</a> / <a href= "https://twitter.com/artand_media">Twitter</a> / <a href= "https://www.linkedin.com/in/art-and-media-113b09224/">LinkedIn</a> / <a href= "https://www.facebook.com/artand.schwartzmanmedia">Facebook</a></p> Allan Schwartzman & Charlotte Burns 40:46 false art,culture,documentary Today you'll hear from that echelon who are really running America's museums: the board. This is where the real power in museums resides. We'll find out if these trustees have fully grasped the issues that museums need to tackle today. Do they have... #6: Take Me To Your Leader https://hopeanddread.libsyn.com/take-me-to-your-leader Hope and Dread urn:uuid:edb22653-ec87-3a84-540b-5599ba54cf55 Wed, 09 Feb 2022 08:59:49 +0000 <p><span style="font-weight: 400;">Having examined the pressure mounting on institutions from the street, the public galleries and then from within - this penultimate museum-focused episode asks who’d want to run one? Hosts Charlotte Burns and Allan Schwartzman ask the director of the Met how comfortable that throne</span> <em><span style="font-weight: 400;">really</span></em> <span style= "font-weight: 400;">is. Who should run the nation’s museums? Who’d want to, amidst a world of shifting certainties?</span> <em><span style="font-weight: 400;">Hope & Dread</span></em> <span style="font-weight: 400;">has the answers.</span></p> <p>Tune in to find out.</p> <p><span style="font-weight: 400;">New episodes available every Wednesday. </span></p> <p><span style="font-weight: 400;">For more, follow @artand_media on</span> <a href= "https://www.instagram.com/artand_media/"><span style= "font-weight: 400;">Instagram</span></a> <span style= "font-weight: 400;">/</span> <a href= "https://twitter.com/artand_media"><span style= "font-weight: 400;">Twitter</span></a> <span style= "font-weight: 400;">/</span> <a href= "https://www.linkedin.com/in/art-and-media-113b09224/"><span style= "font-weight: 400;">LinkedIn</span></a> <span style= "font-weight: 400;">/</span> <a href= "https://www.facebook.com/artand.schwartzmanmedia"><span style= "font-weight: 400;">Facebook</span></a></p> <p>Having examined the pressure mounting on institutions from the street, the public galleries and then from within - this penultimate museum-focused episode asks who’d want to run one? Hosts Charlotte Burns and Allan Schwartzman ask the director of the Met how comfortable that throne <em>really</em> is. Who should run the nation’s museums? Who’d want to, amidst a world of shifting certainties? <em>Hope & Dread</em> has the answers.</p> <p>Tune in to find out.</p> <p>New episodes available every Wednesday. </p> <p>For more, follow @artand_media on <a href= "https://www.instagram.com/artand_media/">Instagram</a> / <a href= "https://twitter.com/artand_media">Twitter</a> / <a href= "https://www.linkedin.com/in/art-and-media-113b09224/">LinkedIn</a> / <a href= "https://www.facebook.com/artand.schwartzmanmedia">Facebook</a></p> Allan Schwartzman & Charlotte Burns 35:21 false art,culture,documentary Having examined the pressure mounting on institutions from the street, the public galleries and then from within - this penultimate museum-focused episode asks who’d want to run one? Hosts Charlotte Burns and Allan Schwartzman ask the director of... #5: Infernal Affairs https://hopeanddread.libsyn.com/infernal-affairs Hope and Dread urn:uuid:4fa26d7f-57e8-32b9-9250-db4cecc5e7a2 Wed, 02 Feb 2022 08:57:58 +0000 <p><span style="font-weight: 400;">We’re going behind the scenes at the museum to better understand the</span> <span style= "font-weight: 400;">recent groundswell of voices criticizing museum power structures as they exist, coming in the form of unionization efforts, artist-led activism and open letters by disgruntled staff.</span> <span style="font-weight: 400;">Are museums practicing what they preach? After all, if you can perfectly preserve a 14th-Century Persian carpet in a climate-controlled glass vitrine, shouldn't you be able to look after your staff, too? </span></p> <p><span style="font-weight: 400;">Tune in to find out. </span></p> <p><span style="font-weight: 400;">New episodes available every Wednesday. </span></p> <p><span style="font-weight: 400;">For more, follow @artand_media on</span> <a href= "https://www.instagram.com/artand_media/"><span style= "font-weight: 400;">Instagram</span></a> <span style= "font-weight: 400;">/</span> <a href= "https://twitter.com/artand_media"><span style= "font-weight: 400;">Twitter</span></a> <span style= "font-weight: 400;">/</span> <a href= "https://www.linkedin.com/in/art-and-media-113b09224/"><span style= "font-weight: 400;">LinkedIn</span></a> <span style= "font-weight: 400;">/</span> <a href= "https://www.facebook.com/artand.schwartzmanmedia"><span style= "font-weight: 400;">Facebook</span></a></p> <p>We’re going behind the scenes at the museum to better understand the recent groundswell of voices criticizing museum power structures as they exist, coming in the form of unionization efforts, artist-led activism and open letters by disgruntled staff. Are museums practicing what they preach? After all, if you can perfectly preserve a 14th-Century Persian carpet in a climate-controlled glass vitrine, shouldn't you be able to look after your staff, too? </p> <p>Tune in to find out. </p> <p>New episodes available every Wednesday. </p> <p>For more, follow @artand_media on <a href= "https://www.instagram.com/artand_media/">Instagram</a> / <a href= "https://twitter.com/artand_media">Twitter</a> / <a href= "https://www.linkedin.com/in/art-and-media-113b09224/">LinkedIn</a> / <a href= "https://www.facebook.com/artand.schwartzmanmedia">Facebook</a></p> Allan Schwartzman & Charlotte Burns 34:02 false art,culture,documentary We’re going behind the scenes at the museum to better understand the recent groundswell of voices criticizing museum power structures as they exist, coming in the form of unionization efforts, artist-led activism and open letters by disgruntled... #4: Burning Down The House? https://hopeanddread.libsyn.com/burning-down-the-house Hope and Dread urn:uuid:11efbb47-dacd-07a8-a22b-f0801e0536ee Wed, 26 Jan 2022 09:56:42 +0000 <p><span style="font-weight: 400;">Museums have become cultural battlegrounds—monuments to meaning that are struggling to contain democracy. Museums have mushroomed: from audience numbers to board members, from the value of art to the real estate that houses it, and from international interest to the size of local protests. </span></p> <p><span style="font-weight: 400;">Hosts Charlotte Burns and Allan Schwartzman will guide you through the troubled museum system over the next four episodes, beginning on the streets and working our way inside—from the galleries to the staff offices, up to the boardroom. </span></p> <p><span style="font-weight: 400;">In today’s show they ask: if the current model isn’t working - should we just build new museums? </span></p> <p><span style="font-weight: 400;">New episodes available every Wednesday. </span></p> <p><span style="font-weight: 400;">For more, follow @artand_media on</span> <a href= "https://www.instagram.com/artand_media/"><span style= "font-weight: 400;">Instagram</span></a> <span style= "font-weight: 400;">/</span> <a href= "https://twitter.com/artand_media"><span style= "font-weight: 400;">Twitter</span></a> <span style= "font-weight: 400;">/</span> <a href= "https://www.linkedin.com/in/art-and-media-113b09224/"><span style= "font-weight: 400;">LinkedIn</span></a> <span style= "font-weight: 400;">/</span> <a href= "https://www.facebook.com/artand.schwartzmanmedia"><span style= "font-weight: 400;">Facebook</span></a></p> <p>Museums have become cultural battlegrounds—monuments to meaning that are struggling to contain democracy. Museums have mushroomed: from audience numbers to board members, from the value of art to the real estate that houses it, and from international interest to the size of local protests. </p> <p>Hosts Charlotte Burns and Allan Schwartzman will guide you through the troubled museum system over the next four episodes, beginning on the streets and working our way inside—from the galleries to the staff offices, up to the boardroom. </p> <p>In today’s show they ask: if the current model isn’t working - should we just build new museums? </p> <p>New episodes available every Wednesday. </p> <p>For more, follow @artand_media on <a href= "https://www.instagram.com/artand_media/">Instagram</a> / <a href= "https://twitter.com/artand_media">Twitter</a> / <a href= "https://www.linkedin.com/in/art-and-media-113b09224/">LinkedIn</a> / <a href= "https://www.facebook.com/artand.schwartzmanmedia">Facebook</a></p> Allan Schwartzman & Charlotte Burns 39:31 false art,culture,documentary Museums have become cultural battlegrounds—monuments to meaning that are struggling to contain democracy. Museums have mushroomed: from audience numbers to board members, from the value of art to the real estate that houses it, and from... #3: Controlling Culture https://hopeanddread.libsyn.com/controlling-culture Hope and Dread urn:uuid:0bab138c-773a-d142-6913-0573a90eeda6 Tue, 21 Dec 2021 19:43:18 +0000 <p><span style="font-weight: 400;">Political arguments and cultural debates have become indivisible in recent years and this episode explores ideas around controlling culture from above. Hosts Charlotte Burns and Allan Schwartzman will hear from a British politician who says he’d return the controversial “Elgin Marbles” to Greece if he had the chance and, as China cracks down on dissenting voices with its national security law for Hong Kong, they also speak to an artist who recently left the city for fear of her safety</span><strong>.</strong> <span style= "font-weight: 400;">What happens when governments try to control culture? Tune in to find out.</span></p> <p>Political arguments and cultural debates have become indivisible in recent years and this episode explores ideas around controlling culture from above. Hosts Charlotte Burns and Allan Schwartzman will hear from a British politician who says he’d return the controversial “Elgin Marbles” to Greece if he had the chance and, as China cracks down on dissenting voices with its national security law for Hong Kong, they also speak to an artist who recently left the city for fear of her safety. What happens when governments try to control culture? Tune in to find out.</p> Allan Schwartzman & Charlotte Burns 43:42 false art,culture,documentary Political arguments and cultural debates have become indivisible in recent years and this episode explores ideas around controlling culture from above. Hosts Charlotte Burns and Allan Schwartzman will hear from a British politician who says he’d... American History, Axed https://inotherwords.libsyn.com/american-history-axed In Other Words urn:uuid:bc68b723-0f5b-d784-9818-1234dfe3d2be Wed, 15 Dec 2021 05:06:00 +0000 <div class="page" title="Page 1"> <div class="section"> <div class="layoutArea"> <div class="column"> <p>America’s public spaces have been throbbing with the sounds of loud arguments about history and identity, encapsulated by the debate over Confederate monuments. In this episode, hosts Charlotte Burns and Allan Schwartzman introduce you to artists and curators suggesting new ways of dealing with American history—taking you behind the arguments about whether statues should stay or go and offering a nuanced perspective on a haunted history.</p> </div> </div> </div> </div> <p>America’s public spaces have been throbbing with the sounds of loud arguments about history and identity, encapsulated by the debate over Confederate monuments. In this episode, hosts Charlotte Burns and Allan Schwartzman introduce you to artists and curators suggesting new ways of dealing with American history—taking you behind the arguments about whether statues should stay or go and offering a nuanced perspective on a haunted history.</p> Charlotte Burns 34:56 clean America’s public spaces have been throbbing with the sounds of loud arguments about history and identity, encapsulated by the debate over Confederate monuments. In this episode, hosts Charlotte Burns and Allan Schwartzman introduce you to artists... America’s public spaces have been throbbing with the sounds of loud arguments about history and identity, encapsulated by the debate over Confederate monuments. In this episode, hosts Charlotte Burns and Allan Schwartzman introduce you to artists and curators suggesting new ways of dealing with American history—taking you behind the arguments about whether statues should stay or go and offering a nuanced perspective on a haunted history. Introduction https://inotherwords.libsyn.com/introduction In Other Words urn:uuid:3d6a8819-f5e8-61ec-e987-25e0f6f85644 Wed, 15 Dec 2021 05:05:00 +0000 <div class="page" title="Page 1"> <div class="section"> <div class="layoutArea"> <div class="column"> <p>Introducing this new documentary series exploring power in art, hosts Charlotte Burns and Allan Schwartzman discuss the biggest challenges in the cultural world today. At a moment of epochal shifts and changing certainties, these are issues that extend well beyond the art world—from governments and human rights, to history and democracy.</p> <p>Arguments around monuments are linked to debates about museums: what they show, what they own, who they employ. Who is at the top of these institutions, who funds them and how does the market come into play? Who’s driving the wagon and who’s trying to seize the reins? And do you need to buckle up to ride out the journey?</p> </div> </div> </div> </div> <p>Introducing this new documentary series exploring power in art, hosts Charlotte Burns and Allan Schwartzman discuss the biggest challenges in the cultural world today. At a moment of epochal shifts and changing certainties, these are issues that extend well beyond the art world—from governments and human rights, to history and democracy.</p> <p>Arguments around monuments are linked to debates about museums: what they show, what they own, who they employ. Who is at the top of these institutions, who funds them and how does the market come into play? Who’s driving the wagon and who’s trying to seize the reins? And do you need to buckle up to ride out the journey?</p> Charlotte Burns 12:48 clean Introducing this new documentary series exploring power in art, hosts Charlotte Burns and Allan Schwartzman discuss the biggest challenges in the cultural world today. At a moment of epochal shifts and changing certainties, these are issues that... Introducing this new documentary series exploring power in art, hosts Charlotte Burns and Allan Schwartzman discuss the biggest challenges in the cultural world today. At a moment of epochal shifts and changing certainties, these are issues that extend well beyond the art world—from governments and human rights, to history and democracy. Arguments around monuments are linked to debates about museums: what they show, what they own, who they employ. Hope and Dread https://inotherwords.libsyn.com/hope-and-dread In Other Words urn:uuid:cfae0743-bf4a-177a-2c92-d92312f17f63 Wed, 15 Dec 2021 05:00:00 +0000 <div class="page" title="Page 1"> <div class="section"> <div class="layoutArea"> <div class="column"> <p>The series explores power in art––and how it's bound up with democracy, society and the wider world. You'll meet people who are trying to change the balance of that power, and you'll witness resistance to that change.</p> <p>You'll hear about what's been won and what's been lost with an art market explosion fueled by money, technology and shifts in taste and power. Talking to dozens of people, from artists to astrologers, museum directors and curators to philanthropists and futurists, Schwartzman and Burns get a handle on where we are, how we got here and where we're going.</p> <p>Then, ultimately, as each episode explores a different realm in culture that's undergoing seismic change, you'll have the chance to determine if we can collectively move through the feelings of dread...to hope.</p> </div> </div> </div> </div> <p>The series explores power in art––and how it's bound up with democracy, society and the wider world. You'll meet people who are trying to change the balance of that power, and you'll witness resistance to that change.</p> <p>You'll hear about what's been won and what's been lost with an art market explosion fueled by money, technology and shifts in taste and power. Talking to dozens of people, from artists to astrologers, museum directors and curators to philanthropists and futurists, Schwartzman and Burns get a handle on where we are, how we got here and where we're going.</p> <p>Then, ultimately, as each episode explores a different realm in culture that's undergoing seismic change, you'll have the chance to determine if we can collectively move through the feelings of dread...to hope.</p> Charlotte Burns 03:37 clean Tectonic Shifts in Power in Art Change is in the air, culture is in flux and the art world is facing an identity crisis. So who is creating change - and who’s resisting it? Join hosts Allan Schwartzman and Charlotte Burns as they explore power in art, and how it’s shifting. They’ll ask what’s been won, what’s been lost — and whether Growth and Progress go happily hand in hand, or if they’re another couple set to split up and sell their collection. #2: American History, Axed https://hopeanddread.libsyn.com/american-history-axed Hope and Dread urn:uuid:96d155f6-c093-d458-16a2-81591b711223 Tue, 14 Dec 2021 16:55:08 +0000 <p><span style="font-weight: 400;">America’s public spaces have been throbbing with the sounds of loud arguments about history and identity, encapsulated by the debate over Confederate monuments. In this episode, hosts Charlotte Burns and Allan Schwartzman introduce you to artists and curators suggesting new ways of dealing with American history—taking you behind the arguments about whether statues should stay or go and offering a nuanced perspective on a haunted history.</span></p> <p>America’s public spaces have been throbbing with the sounds of loud arguments about history and identity, encapsulated by the debate over Confederate monuments. In this episode, hosts Charlotte Burns and Allan Schwartzman introduce you to artists and curators suggesting new ways of dealing with American history—taking you behind the arguments about whether statues should stay or go and offering a nuanced perspective on a haunted history.</p> Allan Schwartzman & Charlotte Burns 34:56 false art,culture,documentary America’s public spaces have been throbbing with the sounds of loud arguments about history and identity, encapsulated by the debate over Confederate monuments. In this episode, hosts Charlotte Burns and Allan Schwartzman introduce you to artists... #1: Introducing Hope & Dread https://hopeanddread.libsyn.com/introducing-hope-dread Hope and Dread urn:uuid:07135a30-2953-8d2d-bd4d-8f4e40ebe6a8 Tue, 14 Dec 2021 16:53:21 +0000 <p><span style="font-weight: 400;">Introducing this new documentary series exploring power in art, hosts Charlotte Burns and Allan Schwartzman discuss the biggest challenges in the cultural world today. At a moment of epochal shifts and changing certainties, these are issues that extend well beyond the art world—from governments and human rights, to history and democracy.</span></p> <p><span style="font-weight: 400;">Arguments around monuments are linked to debates about museums: what they show, what they own, who they employ. Who is at the top of these institutions, who funds them and how does the market come into play? Who’s driving the wagon and who’s trying to seize the reins? And do</span> <em><span style="font-weight: 400;">you</span></em> <span style= "font-weight: 400;">need to buckle up to ride out the journey?</span></p> <p>Introducing this new documentary series exploring power in art, hosts Charlotte Burns and Allan Schwartzman discuss the biggest challenges in the cultural world today. At a moment of epochal shifts and changing certainties, these are issues that extend well beyond the art world—from governments and human rights, to history and democracy.</p> <p>Arguments around monuments are linked to debates about museums: what they show, what they own, who they employ. Who is at the top of these institutions, who funds them and how does the market come into play? Who’s driving the wagon and who’s trying to seize the reins? And do <em>you</em> need to buckle up to ride out the journey?</p> Allan Schwartzman & Charlotte Burns 12:48 false art,culture,documentary Introducing this new documentary series exploring power in art, hosts Charlotte Burns and Allan Schwartzman discuss the biggest challenges in the cultural world today. At a moment of epochal shifts and changing certainties, these are issues that... #79: Collaboration is the antidote to the poison https://inotherwords.libsyn.com/79-collaboration-is-the-antidote-to-the-poison In Other Words urn:uuid:41fc0d50-f271-3ac2-afb8-c87a76cc7f1b Wed, 29 Apr 2020 08:00:00 +0000 <p>From acts of solidarity to new business models, many in the art world are teaming up during this pandemic to bolster the system and rethink its infrastructure. Joining us for today’s show are guests including financial journalist Felix Salmon; gallerists Sadie Coles of Sadie Coles HQ and Vanessa Carlos of Carlos/Ishikawa; artist Doron Langberg; culture and politics writer Marisa Mazria Katz; and nonprofit executives Carolyn Ramo of Artadia and Deana Haggag of United States Artists.</p> <p>“We are all protecting our small castle or encampment and promoting our own content,” says Sadie Coles. “But actually, if you start reaching out to people, it is all about dialogue— and things develop from there.”</p> <p>For more, tune in today.</p> <p>Transcript: <a href= "https://www.artagencypartners.com/transcript-79-covid-19-second-podcast/"> https://www.artagencypartners.com/transcript-79-covid-19-second-podcast/</a></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> <p>From acts of solidarity to new business models, many in the art world are teaming up during this pandemic to bolster the system and rethink its infrastructure. Joining us for today’s show are guests including financial journalist Felix Salmon; gallerists Sadie Coles of Sadie Coles HQ and Vanessa Carlos of Carlos/Ishikawa; artist Doron Langberg; culture and politics writer Marisa Mazria Katz; and nonprofit executives Carolyn Ramo of Artadia and Deana Haggag of United States Artists.</p> <p>“We are all protecting our small castle or encampment and promoting our own content,” says Sadie Coles. “But actually, if you start reaching out to people, it is all about dialogue— and things develop from there.”</p> <p>For more, tune in today.</p> <p>Transcript: <a href= "https://www.artagencypartners.com/transcript-79-covid-19-second-podcast/"> https://www.artagencypartners.com/transcript-79-covid-19-second-podcast/</a></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> Charlotte Burns 33:59 clean Art World Collaborations From acts of solidarity to new business models, many in the art world are teaming up during this pandemic to bolster the system and rethink its infrastructure. Joining us for today’s show are guests including financial journalist Felix Salmon; gallerists Sadie Coles of Sadie Coles HQ and Vanessa Carlos of Carlos/Ishikawa; artist Doron Langberg; culture and politics writer Marisa Mazria Katz; and nonprofit executives Carolyn Ramo of Artadia and Deana Haggag of United States Artists. #78: Covid-19 is Exposing the Fault Lines https://inotherwords.libsyn.com/78-covid-19-is-exposing-the-fault-lines In Other Words urn:uuid:87df6dd4-d4a2-cb7a-15c6-71ee95b80a94 Fri, 10 Apr 2020 08:00:00 +0000 <p>Will Covid-19—which is so far spreading unevenly in the US, hitting low-income or black communities the hardest—exacerbate the inequities in the art world? In our 78th episode, host Charlotte Burns and Allan Schwartzman (co-founder of AAP and a chairman of Sotheby’s) discuss the impact of the coronavirus pandemic. Can art itself provide solace during this period of grief and fear? And how will the art world and its market make it through?</p> <p>Tune in.</p> <p>Transcript: <a href= "https://www.artagencypartners.com/transcript-78-will-the-art-world-remain-resilient/"> https://www.artagencypartners.com/transcript-78-will-the-art-world-remain-resilient/</a></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> <p>Will Covid-19—which is so far spreading unevenly in the US, hitting low-income or black communities the hardest—exacerbate the inequities in the art world? In our 78th episode, host Charlotte Burns and Allan Schwartzman (co-founder of AAP and a chairman of Sotheby’s) discuss the impact of the coronavirus pandemic. Can art itself provide solace during this period of grief and fear? And how will the art world and its market make it through?</p> <p>Tune in.</p> <p>Transcript: <a href= "https://www.artagencypartners.com/transcript-78-will-the-art-world-remain-resilient/"> https://www.artagencypartners.com/transcript-78-will-the-art-world-remain-resilient/</a></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> Charlotte Burns 34:36 clean Quarantine Check-In Will Covid-19—which is so far spreading unevenly in the US, hitting low-income or black communities the hardest—exacerbate the inequities in the art world? In our 78th episode, host Charlotte Burns and Allan Schwartzman (co-founder of AAP and a chairman of Sotheby’s) discuss the impact of the coronavirus pandemic. Can art itself provide solace during this period of grief and fear? And how will the art world and its market make it through? Tune in. #77: "Art is About Freedom,” with Gallerist Sadie Coles https://inotherwords.libsyn.com/77-art-is-about-freedom-with-gallerist-sadie-coles In Other Words urn:uuid:fc3aec0d-4428-8c1a-36fb-00c6f30f572e Fri, 20 Mar 2020 08:00:00 +0000 <p>“Art is about ideas, transgression and transformation," says gallerist Sadie Coles, who founded her eponymous gallery, Sadie Coles HQ, in London's Mayfair neighborhood in 1997, and now has two spaces in the UK capital. "And art needs freedom."</p> <p>In this wide-ranging podcast, recorded in London earlier in the year with host Charlotte Burns, Coles talks about everything from the nature of being an art dealer, to the sense of anxiety that has shaped both the market and art in this still-young century—and about the time she moonlighted to as a theatre critic to review a play starring Madonna as a ruthless art world operator.</p> <p>Coles talks about changes in the gallery system. “Artists now have more power, and I think that's a healthy thing", she says. “The rules, whatever they may be, are in flux right now."</p> <p>To hear more, tune in today.</p> <p>Transcript: <strong><a href= "https://www.artagencypartners.com/transcript-75-flux-and-freedom-with-sadie-coles/"> https://www.artagencypartners.com/transcript-75-flux-and-freedom-with-sadie-coles/</a></strong></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> <p>“Art is about ideas, transgression and transformation," says gallerist Sadie Coles, who founded her eponymous gallery, Sadie Coles HQ, in London's Mayfair neighborhood in 1997, and now has two spaces in the UK capital. "And art needs freedom."</p> <p>In this wide-ranging podcast, recorded in London earlier in the year with host Charlotte Burns, Coles talks about everything from the nature of being an art dealer, to the sense of anxiety that has shaped both the market and art in this still-young century—and about the time she moonlighted to as a theatre critic to review a play starring Madonna as a ruthless art world operator.</p> <p>Coles talks about changes in the gallery system. “Artists now have more power, and I think that's a healthy thing", she says. “The rules, whatever they may be, are in flux right now."</p> <p>To hear more, tune in today.</p> <p>Transcript: <a href= "https://www.artagencypartners.com/transcript-75-flux-and-freedom-with-sadie-coles/"> https://www.artagencypartners.com/transcript-75-flux-and-freedom-with-sadie-coles/</a></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> Charlotte Burns 34:52 clean Gallerist Sadie Coles “Art is about ideas, transgression and transformation," says gallerist Sadie Coles, who founded her eponymous gallery Sadie Coles HQ in London's Mayfair neighborhood in 1997, and now has two spaces in the UK capital. "And art needs freedom." In this wide-ranging podcast, recorded in London earlier in the year with host Charlotte Burns, Coles talks about everything from the nature of being an art dealer, to the sense of anxiety that has shaped both the market and art in this still-young century. #76: The Magical Maureen Paley https://inotherwords.libsyn.com/76-the-magical-maureen-paley In Other Words urn:uuid:ac10bddc-69f1-e5b1-a596-fdb01e5c6da7 Thu, 12 Mar 2020 06:00:00 +0000 <p>Maureen Paley—a native New Yorker who was recently named one of the <em>Evening Standard's</em> most influential Londoners—has been called a "true pioneer of the East End" for her part in turning the neighborhood into a hub for art and culture.</p> <p>She opened her gallery in 1984 and “it still remains alive and very vital," she tells host Charlotte Burns. "People like to think of art now as related to commerce and business, but I always saw it that it was related to a type of magic."</p> <p>To hear more, tune in today.</p> <p>Transcript: <strong><a href= "https://www.artagencypartners.com/transcript-75-maureen-paley/">https://www.artagencypartners.com/transcript-75-maureen-paley/</a></strong></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> <p>Maureen Paley—a native New Yorker who was recently named one of the <em>Evening Standard's</em> most influential Londoners—has been called a "true pioneer of the East End" for her part in turning the neighborhood into a hub for art and culture.</p> <p>She opened her gallery in 1984 and “it still remains alive and very vital," she tells host Charlotte Burns. "People like to think of art now as related to commerce and business, but I always saw it that it was related to a type of magic."</p> <p>To hear more, tune in today.</p> <p>Transcript: <a href= "https://www.artagencypartners.com/transcript-75-maureen-paley/">https://www.artagencypartners.com/transcript-75-maureen-paley/</a></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> Charlotte Burns 34:48 clean Maureen Paley—a native New Yorker who was recently named one of the Evening Standard's most influential Londoners—has been called a "true pioneer of the East End" for her part in turning the neighborhood into a hub for art and culture.... Maureen Paley—a native New Yorker who was recently named one of the Evening Standard's most influential Londoners—has been called a "true pioneer of the East End" for her part in turning the neighborhood into a hub for art and culture. She opened her gallery in 1984 and “it still remains alive and very vital," she tells host Charlotte Burns. "People like to think of art now as related to commerce and business, but I always saw it that it was related to a type of magic." To hear more, tune in tod #75: Art and Politics with Stuart Shave and Sarah McCrory https://inotherwords.libsyn.com/75-art-and-politics-with-stuart-shave-and-sarah-mccrory In Other Words urn:uuid:56e693dd-8a0b-1fe3-1a9b-be47267677af Fri, 28 Feb 2020 08:00:00 +0000 <p>This lively conversation with Stuart Shave and Sarah McCrory was recorded in London shortly before the UK exited Europe at the end of January. McCrory (inaugural director of the Goldsmiths Centre for Contemporary Art in London, which opened in 2018) and Shave (founder of Stuart Shave Modern Art gallery in London) talk to host Charlotte Burns about a range of topics, from ”Google curating” to the environmental crisis; from the #MeToo movement to the cultural climate within the UK. The British art world has always been “in constant revival and renewal," McCrory says. “But I do worry about how we keep it a place for artists, and how we keep it a place for culture."</p> <p>To hear more, tune in today.</p> <p>Transcript: <a href= "https://www.artagencypartners.com/transcript-76-stuart-and-sarah/"> https://www.artagencypartners.com/transcript-76-stuart-and-sarah/</a></p> <p>This lively conversation with Stuart Shave and Sarah McCrory was recorded in London shortly before the UK exited Europe at the end of January. McCrory (inaugural director of the Goldsmiths Centre for Contemporary Art in London, which opened in 2018) and Shave (founder of Stuart Shave Modern Art gallery in London) talk to host Charlotte Burns about a range of topics, from ”Google curating” to the environmental crisis; from the #MeToo movement to the cultural climate within the UK. The British art world has always been “in constant revival and renewal," McCrory says. “But I do worry about how we keep it a place for artists, and how we keep it a place for culture."</p> <p>To hear more, tune in today.</p> <p>Transcript: <a href= "https://www.artagencypartners.com/transcript-76-stuart-and-sarah/"> https://www.artagencypartners.com/transcript-76-stuart-and-sarah/</a></p> Charlotte Burns 38:57 clean Stuart Shave and Sarah McCrory This lively conversation with Stuart Shave and Sarah McCrory was recorded in London shortly before the UK exited Europe at the end of January. McCrory (inaugural director of the Goldsmiths Centre for Contemporary Art in London, which opened in 2018) and Shave (founder of Stuart Shave Modern Art gallery in London) talk to host Charlotte Burns about a range of topics, from ”Google curating” to the environmental crisis; from the #MeToo movement to the cultural climate within the UK. #74: On the Ground in L.A. https://inotherwords.libsyn.com/74-on-the-ground-in-la In Other Words urn:uuid:2526a902-f6af-873e-22ee-d952e7d9acfa Fri, 14 Feb 2020 01:22:31 +0000 <p>Tune in for this behind-the-scenes talk between host Charlotte Burns and journalist Jori Finkel on the rise of the L.A. art scene. A California correspondent for <em>The New York Times</em> and <em>The Art Newspaper</em>, as well as author of the book <a href= "https://www.amazon.com/Speaks-Me-that-Inspires-Artists/dp/3791356593" data-saferedirecturl= "https://www.google.com/url?q=https://www.amazon.com/Speaks-Me-that-Inspires-Artists/dp/3791356593&source=gmail&ust=1581716140948000&usg=AFQjCNEOjUuNARMj1DRSORxuk7Ry7IMoCw"><em>It Speaks to Me: Art That Inspires Artists</em></a>, Finkel talks about the artists who make the city unique and the real reason why it's become a major arts hub—and it predates Frieze L.A., the second edition of which is being staged this week.</p> <p>This wide-ranging conversation covers topics from motherhood as "the last taboo in the art market" to why women artists aren't given more "blockbuster" shows, to the ethics of reporting on the art world. For this and much more, download the show today. </p> <p>Transcript: <a href= "https://www.artagencypartners.com/transcript-74-jori-finkel/" data-saferedirecturl= "https://www.google.com/url?q=https://www.artagencypartners.com/transcript-74-jori-finkel/&source=gmail&ust=1581716140948000&usg=AFQjCNE3_InStedALdn5SO1IXVjXoBoymQ">https://www.artagencypartners.com/transcript-74-jori-finkel/</a></p> <p>"In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> <p>Tune in for this behind-the-scenes talk between host Charlotte Burns and journalist Jori Finkel on the rise of the L.A. art scene. A California correspondent for <em>The New York Times</em> and <em>The Art Newspaper</em>, as well as author of the book <a href= "https://www.amazon.com/Speaks-Me-that-Inspires-Artists/dp/3791356593" data-saferedirecturl= "https://www.google.com/url?q=https://www.amazon.com/Speaks-Me-that-Inspires-Artists/dp/3791356593&source=gmail&ust=1581716140948000&usg=AFQjCNEOjUuNARMj1DRSORxuk7Ry7IMoCw"><em>It Speaks to Me: Art That Inspires Artists</em></a>, Finkel talks about the artists who make the city unique and the real reason why it's become a major arts hub—and it predates Frieze L.A., the second edition of which is being staged this week.</p> <p>This wide-ranging conversation covers topics from motherhood as "the last taboo in the art market" to why women artists aren't given more "blockbuster" shows, to the ethics of reporting on the art world. For this and much more, download the show today. </p> <p>Transcript: <a href= "https://www.artagencypartners.com/transcript-74-jori-finkel/" data-saferedirecturl= "https://www.google.com/url?q=https://www.artagencypartners.com/transcript-74-jori-finkel/&source=gmail&ust=1581716140948000&usg=AFQjCNE3_InStedALdn5SO1IXVjXoBoymQ">https://www.artagencypartners.com/transcript-74-jori-finkel/</a></p> <p>"In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> Charlotte Burns 43:01 clean Talking To Jori Finkel Tune in for this behind-the-scenes talk between host Charlotte Burns and journalist Jori Finkel on the rise of the L.A. art scene. A California correspondent for The New York Times and The Art Newspaper, as well as author of the book It Speaks to Me: Art That Inspires Artists, Finkel talks about the artists who make the city unique and the real reason why it's become a major arts hub—and it predates Frieze L.A., the second edition of which is being staged this week. #73: A Year of Protests and Profound Change: 2019 in Review https://inotherwords.libsyn.com/73-a-year-of-protests-and-profound-change-2019-in-review In Other Words urn:uuid:09c0c807-5dad-0cb3-030c-4fd170358686 Sat, 28 Dec 2019 05:00:00 +0000 <p>2019 was a year of protests and profound change. We look back on what happened, what our guests talked about and what our listeners most responded to. Tune in to hear Ian Alteveer (the Aaron I. Fleischman curator of Modern and contemporary art at the Metropolitan Museum), Julia Halperin (the executive editor of <em>artnet News</em>) and host Charlotte Burns review the year—and to hear snippets from our 2019 shows featuring museum directors Nicholas Serota (formerly Tate and now the head of Arts Council England), and Max Hollein (the Metropolitan Museum of Art); <em>The New York Times</em> co-chief art critic Roberta Smith; artists Catherine Opie, Mickalene Thomas, Derrick Adams and Nari Ward; architect David Adjaye; Ford Foundation president Darren Walker, and more.</p> <p>Transcript: <a href= "https://www.artagencypartners.com/transcript-74-looking-back-at-2019/"> https://www.artagencypartners.com/transcript-74-looking-back-at-2019/</a></p> <p>"In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> <p>2019 was a year of protests and profound change. We look back on what happened, what our guests talked about and what our listeners most responded to. Tune in to hear Ian Alteveer (the Aaron I. Fleischman curator of Modern and contemporary art at the Metropolitan Museum), Julia Halperin (the executive editor of <em>artnet News</em>) and host Charlotte Burns review the year—and to hear snippets from our 2019 shows featuring museum directors Nicholas Serota (formerly Tate and now the head of Arts Council England), and Max Hollein (the Metropolitan Museum of Art); <em>The New York Times</em> co-chief art critic Roberta Smith; artists Catherine Opie, Mickalene Thomas, Derrick Adams and Nari Ward; architect David Adjaye; Ford Foundation president Darren Walker, and more.</p> <p>Transcript: <a href= "https://www.artagencypartners.com/transcript-74-looking-back-at-2019/"> https://www.artagencypartners.com/transcript-74-looking-back-at-2019/</a></p> <p>"In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> Charlotte Burns 57:12 clean What A Year! 2019 was a year of protests and profound change. We look back on what happened, what our guests talked about and what our listeners most responded to. Tune in to hear Ian Alteveer (the Aaron I. Fleischman curator of Modern and contemporary art at the Metropolitan Museum), Julia Halperin (the executive editor of artnet News) and host Charlotte Burns review the year—and to hear snippets from our 2019 shows featuring leading museum directors, artists and critics. #72: Entrepreneurialism, Technology and the Masterpieces of Tomorrow https://inotherwords.libsyn.com/72-entrepreneurialism-technology-and-the-masterpieces-of-tomorrow In Other Words urn:uuid:43383528-adf6-8674-e59e-7753eb38663b Thu, 05 Dec 2019 09:00:00 +0000 <p>Recorded live in Napa Valley at the Kramlich Residence—which was built by architects Herzog & De Meuron—this wide-ranging discussion about collecting and supporting art is with guests Pamela and Dick Kramlich, two of the world’s foremost patrons of video, new media and time-based art; Stuart Comer, chief curator of media and performance at the Museum of Modern Art in New York; and artist Richard Mosse, together with host Charlotte Burns.</p> <p>"We've got to buy masterpieces," Pamela says on today's episode, "or what I think will be the masterpieces of the future, and take care of them."</p> <p>Transcript: <a href= "https://www.artagencypartners.com/transcript-70-o-be-led-by-the-art-the-founders-of-the-kramlich-collection-with-momas-stuart-comer/" data-saferedirecturl= "https://www.google.com/url?q=https://www.artagencypartners.com/transcript-70-o-be-led-by-the-art-the-founders-of-the-kramlich-collection-with-momas-stuart-comer/&source=gmail&ust=1575595501505000&usg=AFQjCNHNL3Cfbp-5A0iJL4ZE442Sge1SqQ">https://www.artagencypartners.com/transcript-70-o-be-led-by-the-art-the-founders-of-the-kramlich-collection-with-momas-stuart-comer/</a></p> <p>"In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> <p>Recorded live in Napa Valley at the Kramlich Residence—which was built by architects Herzog & De Meuron—this wide-ranging discussion about collecting and supporting art is with guests Pamela and Dick Kramlich, two of the world’s foremost patrons of video, new media and time-based art; Stuart Comer, chief curator of media and performance at the Museum of Modern Art in New York; and artist Richard Mosse, together with host Charlotte Burns.</p> <p>"We've got to buy masterpieces," Pamela says on today's episode, "or what I think will be the masterpieces of the future, and take care of them."</p> <p>Transcript: <a href= "https://www.artagencypartners.com/transcript-70-o-be-led-by-the-art-the-founders-of-the-kramlich-collection-with-momas-stuart-comer/" data-saferedirecturl= "https://www.google.com/url?q=https://www.artagencypartners.com/transcript-70-o-be-led-by-the-art-the-founders-of-the-kramlich-collection-with-momas-stuart-comer/&source=gmail&ust=1575595501505000&usg=AFQjCNHNL3Cfbp-5A0iJL4ZE442Sge1SqQ">https://www.artagencypartners.com/transcript-70-o-be-led-by-the-art-the-founders-of-the-kramlich-collection-with-momas-stuart-comer/</a></p> <p>"In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> Charlotte Burns 42:50 clean The Masterpieces of Tomorrow Recorded live in Napa Valley at the Kramlich Residence—which was built by architects Herzog & De Meuron—this wide ranging discussion about collecting and supporting art is with guests Pamela and Dick Kramlich, two of the world’s foremost patrons of video, new media and time-based art; Stuart Comer, chief curator of media and performance at the Museum of Modern Art in New York; and artist Richard Mosse, together with host Charlotte Burns. "We've got to buy masterpieces," Pamela says on today's episo #71: Auction Talk with Nick, Allan and Charlotte https://inotherwords.libsyn.com/71-auction-talk-with-nick-allan-and-charlotte In Other Words urn:uuid:19339f9c-2428-05bb-2a29-190e64fa9b2f Fri, 22 Nov 2019 07:00:00 +0000 <p>Today’s podcast covers the top takeaways from the recent auction week in New York—and what this means for the market. Nicholas Maclean (of the London and New York dealership Eykyn Maclean) and Allan Schwartzman (co-founder of AAP) join host Charlotte Burns (editor of <em>In Other Words)</em> for our biannual auction edition.</p> <p>For more, tune in today.</p> <p>Transcript: <a href= "https://www.artagencypartners.com/transcript-71-auction-talk-with-allan-schwartzman-and-nicholas-maclean/" data-saferedirecturl= "https://www.google.com/url?q=https://www.artagencypartners.com/transcript-71-auction-talk-with-allan-schwartzman-and-nicholas-maclean/&source=gmail&ust=1574367885554000&usg=AFQjCNHAdyvDhiyxv0zVEjWISu-Ehc84Dw">https://www.artagencypartners.com/transcript-71-auction-talk-with-allan-schwartzman-and-nicholas-maclean/</a></p> <p>"In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm</p> <p>Today’s podcast covers the top takeaways from the recent auction week in New York—and what this means for the market. Nicholas Maclean (of the London and New York dealership Eykyn Maclean) and Allan Schwartzman (co-founder of AAP) join host Charlotte Burns (editor of <em>In Other Words)</em> for our biannual auction edition.</p> <p>For more, tune in today.</p> <p>Transcript: <a href= "https://www.artagencypartners.com/transcript-71-auction-talk-with-allan-schwartzman-and-nicholas-maclean/" data-saferedirecturl= "https://www.google.com/url?q=https://www.artagencypartners.com/transcript-71-auction-talk-with-allan-schwartzman-and-nicholas-maclean/&source=gmail&ust=1574367885554000&usg=AFQjCNHAdyvDhiyxv0zVEjWISu-Ehc84Dw">https://www.artagencypartners.com/transcript-71-auction-talk-with-allan-schwartzman-and-nicholas-maclean/</a></p> <p>"In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm</p> Charlotte Burns 43:17 clean Auction Talk with Nick, Allan and Charlotte Today’s podcast covers the top takeaways from the recent auction week in New York—and what this means for the market. Nicholas Maclean (of the London and New York dealership Eykyn Maclean) and Allan Schwartzman (co-founder of AAP) join host Charlotte Burns (editor of In Other Words) for our biannual auction edition. Transcript: https://www.artagencypartners.com/transcript-71-auction-talk-with-allan-schwartzman-and-nicholas-maclean/ "In Other Words” is produced by Audiation.fm #70: Investigating America with Artist Catherine Opie https://inotherwords.libsyn.com/70-investigating-america-with-artist-catherine-opie In Other Words urn:uuid:62006546-6bca-4c05-799b-09882b846bf5 Thu, 14 Nov 2019 09:00:00 +0000 <p>Tune in for this wide-ranging discussion with artist Catherine Opie, a tenured professor at the University of California, Los Angeles, whose internationally-exhibited art investigates the boom and bust of American life and the subtleties of human identity.</p> <p>The artist—who famously carved the word “pervert” on her chest in 1994 as part of a work tackling the AIDS crisis and challenging ideas of deviancy—finds tenderness within stereotypes.</p> <p>Opie discusses what it means to be radical today, and the importance of building communities that can bridge divisions within society, whether finding unity within museum boards or philosophy within the S&M community.</p> <p>She talks to our host Charlotte Burns about her own success as an artist and her recognition of gender disparity within the art world, and the importance of representation. Opie tells us about her influences and talks about the shifting impact of social media on photography as an art form. She discusses her dream project and her optimism about the art world: “There's shitty books, there's shitty movies, there's shitty art,” she says. “And then there's all the pearls in-between that actually move people.”</p> <p>Transcript: <a href= "https://www.artagencypartners.com/transcript-73-catherine-opie/">https://www.artagencypartners.com/transcript-73-catherine-opie/</a></p> <p>"In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> <p>Tune in for this wide-ranging discussion with artist Catherine Opie, a tenured professor at the University of California, Los Angeles, whose internationally-exhibited art investigates the boom and bust of American life and the subtleties of human identity.</p> <p>The artist—who famously carved the word “pervert” on her chest in 1994 as part of a work tackling the AIDS crisis and challenging ideas of deviancy—finds tenderness within stereotypes.</p> <p>Opie discusses what it means to be radical today, and the importance of building communities that can bridge divisions within society, whether finding unity within museum boards or philosophy within the S&M community.</p> <p>She talks to our host Charlotte Burns about her own success as an artist and her recognition of gender disparity within the art world, and the importance of representation. Opie tells us about her influences and talks about the shifting impact of social media on photography as an art form. She discusses her dream project and her optimism about the art world: “There's shitty books, there's shitty movies, there's shitty art,” she says. “And then there's all the pearls in-between that actually move people.”</p> <p>Transcript: <a href= "https://www.artagencypartners.com/transcript-73-catherine-opie/">https://www.artagencypartners.com/transcript-73-catherine-opie/</a></p> <p>"In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> Charlotte Burns 52:01 yes Artist Catherine Opie Enjoy a wide-ranging discussion with artist Catherine Opie, a tenured professor at the University of California, Los Angeles, whose internationally-exhibited art investigates the boom and bust of American life and the subtleties of human identity. The artist—who famously carved the word “pervert” on her chest in 1994 as part of a work tackling the AIDS crisis and challenging ideas of deviancy—finds tenderness within stereotypes. Opie discusses the importance of building communities to bridge divisi #69: Talking Power with Ford Foundation President Darren Walker and Artist Teresita Fernández https://inotherwords.libsyn.com/69-talking-power-with-ford-foundation-president-darren-walker-and-artist-teresita-fernndez In Other Words urn:uuid:e51245d2-81d1-7804-0286-416098b07049 Fri, 01 Nov 2019 13:56:32 +0000 <p>#69: Talking Power with Ford Foundation President Darren Walker and Artist Teresita Fernández</p> <p>Ford Foundation president Darren Walker and MacArthur “genius” artist Teresita Fernández already had a long history of collaboration before coming together for this discussion with host Charlotte Burns about social justice, leadership, art, beauty—and power.</p> <p>“The truth is that equity is not given. Power is not given. The history of power is always that it is taken,” Fernández says. “If you want your table to be diverse and inclusive, somebody’s going to have to get up.”</p> <p>To hear more, tune in today.</p> <p>Transcript: <a href= "https://www.artagencypartners.com/transcript-69-darren-walker-and-teresita-fernandez/" data-saferedirecturl= "https://www.google.com/url?q=https://www.artagencypartners.com/transcript-69-darren-walker-and-teresita-fernandez/&source=gmail&ust=1572702575967000&usg=AFQjCNEmjQeJ1wO0EJWpDvvE672jLAid2w">https://www.artagencypartners.com/transcript-69-darren-walker-and-teresita-fernandez/</a></p> <p>"In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> <p>#69: Talking Power with Ford Foundation President Darren Walker and Artist Teresita Fernández</p> <p>Ford Foundation president Darren Walker and MacArthur “genius” artist Teresita Fernández already had a long history of collaboration before coming together for this discussion with host Charlotte Burns about social justice, leadership, art, beauty—and power.</p> <p>“The truth is that equity is not given. Power is not given. The history of power is always that it is taken,” Fernández says. “If you want your table to be diverse and inclusive, somebody’s going to have to get up.”</p> <p>To hear more, tune in today.</p> <p>Transcript: <a href= "https://www.artagencypartners.com/transcript-69-darren-walker-and-teresita-fernandez/" data-saferedirecturl= "https://www.google.com/url?q=https://www.artagencypartners.com/transcript-69-darren-walker-and-teresita-fernandez/&source=gmail&ust=1572702575967000&usg=AFQjCNEmjQeJ1wO0EJWpDvvE672jLAid2w">https://www.artagencypartners.com/transcript-69-darren-walker-and-teresita-fernandez/</a></p> <p>"In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> Charlotte Burns 42:48 clean Ford Foundation President Darren Walker and Artist Teresita Fernández Ford Foundation president Darren Walker and MacArthur “genius” artist Teresita Fernández already had a long history of collaboration before coming together for this discussion with host Charlotte Burns about social justice, leadership, art, beauty—and power. “The truth is that equity is not given. Power is not given. The history of power is always that it is taken,” Fernández says. “If you want your table to be diverse and inclusive, somebody’s going to have to get up.” #68: Our First Impressions of the New MoMA https://inotherwords.libsyn.com/68-our-first-impressions-of-the-new-moma In Other Words urn:uuid:4d02c1dd-17c9-045e-06e0-bafa7d0be8bd Wed, 23 Oct 2019 08:00:00 +0000 <p>The Museum of Modern Art reopens this month after a $450m expansion that has added more than 47,000 sq. ft and many new galleries that tell a different story of modern and contemporary art.</p> <p> In this podcast, AAP co-founder Allan Schwartzman and <em>In Other Words</em> host Charlotte Burns review the radical rehang of the permanent collection.</p> <p> Transcript: https://www.artagencypartners.com/transcript-68-live-review-from-the-new-moma/</p> <p>"In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> <p>The Museum of Modern Art reopens this month after a $450m expansion that has added more than 47,000 sq. ft and many new galleries that tell a different story of modern and contemporary art.</p> <p> In this podcast, AAP co-founder Allan Schwartzman and <em>In Other Words</em> host Charlotte Burns review the radical rehang of the permanent collection.</p> <p> Transcript: https://www.artagencypartners.com/transcript-68-live-review-from-the-new-moma/</p> <p>"In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> Charlotte Burns 37:20 clean Touring the New MoMA The Museum of Modern Art reopens this month after a $450m expansion adding more than 47,000 sq. ft and many new galleries that tell a different story of modern and contemporary art. In this podcast, AAP co-founder Allan Schwartzman and In Other Words host Charlotte Burns review the radical rehang of the permanent collection. Transcript: https://www.artagencypartners.com/transcript-68-live-review-from-the-new-moma/ In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation. #67: Designing Motherhood https://inotherwords.libsyn.com/67-designing-motherhood-0 In Other Words urn:uuid:2d484ab7-49a3-52a5-11e3-aadd036b26b1 Thu, 10 Oct 2019 06:00:00 +0000 <p>This episode answers all of the questions you never knew you had about the objects associated with motherhood, from the unexpected stories behind some of the most ubiquitous designs (did you know that the incubator was inspired by a doctor's trip to the zoo?) to the histories revealed by these objects. For example, the popularity of the baby blanket tracks with the increased industrialization of birth in America over the past 70 years.</p> <p>Joining our host Charlotte Burns are Amber Winick and Michelle Millar Fisher, the co-creators of “Designing Motherhood: A Century of Making and Unmaking Babies”, the forthcoming book and exhibition that investigate more than 100 designs that have shaped our understanding of parenthood in America over the past century.</p> <p>To hear more, tune in today.</p> <p>Transcript: <a href= "https://www.artagencypartners.com/transcript-67-designing-motherhood/" data-saferedirecturl= "https://www.google.com/url?q=https://www.artagencypartners.com/transcript-67-designing-motherhood/&source=gmail&ust=1570751543114000&usg=AFQjCNGy5ZZg1E0ZiP2OgI52U0ZCQt9uUg">https://www.artagencypartners.com/transcript-67-designing-motherhood/</a></p> <p>"In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> <p>This episode answers all of the questions you never knew you had about the objects associated with motherhood, from the unexpected stories behind some of the most ubiquitous designs (did you know that the incubator was inspired by a doctor's trip to the zoo?) to the histories revealed by these objects. For example, the popularity of the baby blanket tracks with the increased industrialization of birth in America over the past 70 years.</p> <p>Joining our host Charlotte Burns are Amber Winick and Michelle Millar Fisher, the co-creators of “Designing Motherhood: A Century of Making and Unmaking Babies”, the forthcoming book and exhibition that investigate more than 100 designs that have shaped our understanding of parenthood in America over the past century.</p> <p>To hear more, tune in today.</p> <p>Transcript: <a href= "https://www.artagencypartners.com/transcript-67-designing-motherhood/" data-saferedirecturl= "https://www.google.com/url?q=https://www.artagencypartners.com/transcript-67-designing-motherhood/&source=gmail&ust=1570751543114000&usg=AFQjCNGy5ZZg1E0ZiP2OgI52U0ZCQt9uUg">https://www.artagencypartners.com/transcript-67-designing-motherhood/</a></p> <p>"In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> Charlotte Burns 25:58 clean Designing Motherhood Tune in to hear the unexpected stories behind some of the most ubiquitous designs for mothers - did you know that the incubator was inspired by a doctor’s trip to the zoo? - and the histories revealed by these objects. For example, the popularity of the baby blanket tracks with the increased industrialization of birth in America over the past 70 years. Host Charlotte Burns welcomes Amber Winick and Michelle Millar Fisher, co-creators of “Designing Motherhood: A Century of Making and Unmaking Babies." #66: Why Gender Progress Is a Myth https://inotherwords.libsyn.com/66-why-gender-progress-is-a-myth In Other Words urn:uuid:46b20c18-fadd-d82e-2215-30475a7eeb07 Thu, 03 Oct 2019 04:30:00 +0000 <p>Only 11% of the art acquired by America’s top museums over the past decade was work made by women. And acquisitions have actually declined since 2009, according to a major new study “Women's Place in the Art World: Why Recent Advancements for Female Artists Are Largely an Illusion ” produced by <em>In Other Words</em> and <em>artnet News</em>.</p> <p>The report found that there has been no progress in museum acquisitions, and that just 14% of exhibitions were of work by female artists.</p> <p>The auction market for work by women doubled, but still only represents 2% of the global total—with just five female artists (Yayoi Kusama, Joan Mitchell, Louise Bourgeois, Georgia O'Keeffe and Agnes Martin) accounting for 40.7% of that total.</p> <p>Discussing the report with host Charlotte Burns are guests Julia Halperin (executive editor<em>, artnet News</em>), Joeonna Bellorado-Samuels (director, Jack Shainman Gallery) and William N. Goetzmann (professor and faculty director of the International Center for Finance, Yale School of Management).</p> <p>To hear more, tune in today.</p> <p>Transcript<strong>:</strong> <a href= "https://www.artagencypartners.com/transcript-66-women-data-study/"> https://www.artagencypartners.com/transcript-66-women-data-study/</a></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> <p>Only 11% of the art acquired by America’s top museums over the past decade was work made by women. And acquisitions have actually declined since 2009, according to a major new study “Women's Place in the Art World: Why Recent Advancements for Female Artists Are Largely an Illusion ” produced by <em>In Other Words</em> and <em>artnet News</em>.</p> <p>The report found that there has been no progress in museum acquisitions, and that just 14% of exhibitions were of work by female artists.</p> <p>The auction market for work by women doubled, but still only represents 2% of the global total—with just five female artists (Yayoi Kusama, Joan Mitchell, Louise Bourgeois, Georgia O'Keeffe and Agnes Martin) accounting for 40.7% of that total.</p> <p>Discussing the report with host Charlotte Burns are guests Julia Halperin (executive editor<em>, artnet News</em>), Joeonna Bellorado-Samuels (director, Jack Shainman Gallery) and William N. Goetzmann (professor and faculty director of the International Center for Finance, Yale School of Management).</p> <p>To hear more, tune in today.</p> <p>Transcript: <a href= "https://www.artagencypartners.com/transcript-66-women-data-study/"> https://www.artagencypartners.com/transcript-66-women-data-study/</a></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> Charlotte Burns 45:09 clean The Women's Art Data Study Only 11% of the art acquired by America’s top museums over the past decade was work made by women. And acquisitions have actually declined since 2009, according to a major new study “Women's Place in the Art World: Why Recent Advancements for Female Artists Are Largely an Illusion ” produced by In Other Words and artnet News. Join host Charlotte Burns and guests Julia Halperin (executive editor, artnet News), Joeonna Bellorado-Samuels (director, Jack Shainman Gallery) and William Goetzmann (Yale #65: Metropolitan Museum Director Max Hollein https://inotherwords.libsyn.com/65-metropolitan-museum-director-max-hollein In Other Words urn:uuid:c429f7a6-1830-f82c-6300-c4c04add7a08 Thu, 26 Sep 2019 08:00:00 +0000 <p>A year after taking the reins of one of the world’s largest and most important art institutions, Max Hollein joins host Charlotte Burns to discuss the future of the Metropolitan Museum.</p> <p>Hollein discusses the distinct role he believes the Met can play in terms of contemporary art, and gives an update on recently-stalled plans for a $600m Modern and contemporary wing—part of more than $1bn the museum is slated to spend on renovations and expansions.</p> <p>In a week in which the Met returned to Egypt an ancient gilded coffin that had been the centerpiece of the exhibition “Nedjemankh and His Gilded Coffin”—but which prosecutors deemed to have been looted, Hollein talks about how the Met is tackling the fraught issue of cultural repatriation. He talks about the museum as a platform for debates: from the morality of where money comes from to diversity in programing and governance.   </p> <p>For this and much more—including what success looks like to Hollein—tune in today.</p> <p>Transcript: https://www.artagencypartners.com/transcript-64-max-hollein/</p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> <p>A year after taking the reins of one of the world’s largest and most important art institutions, Max Hollein joins host Charlotte Burns to discuss the future of the Metropolitan Museum.</p> <p>Hollein discusses the distinct role he believes the Met can play in terms of contemporary art, and gives an update on recently-stalled plans for a $600m Modern and contemporary wing—part of more than $1bn the museum is slated to spend on renovations and expansions.</p> <p>In a week in which the Met returned to Egypt an ancient gilded coffin that had been the centerpiece of the exhibition “Nedjemankh and His Gilded Coffin”—but which prosecutors deemed to have been looted, Hollein talks about how the Met is tackling the fraught issue of cultural repatriation. He talks about the museum as a platform for debates: from the morality of where money comes from to diversity in programing and governance.   </p> <p>For this and much more—including what success looks like to Hollein—tune in today.</p> <p>Transcript: https://www.artagencypartners.com/transcript-64-max-hollein/</p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> Charlotte Burns 43:19 clean Met Museum's Max Hollein A year after taking the reins of one of the world’s largest and most important art institutions, Max Hollein joins host Charlotte Burns to discuss the future of the Metropolitan Museum. Hollein discusses the distinct role he believes the Met can play in terms of contemporary art, and gives an update on recently-stalled plans for a $600m Modern and contemporary wing—part of more than $1bn the museum is slated to spend on renovations and expansions. #64: Massimiliano Gioni Wants to Do Away with Quality https://inotherwords.libsyn.com/64-massimiliano-gioni-wants-to-do-away-with-quality In Other Words urn:uuid:cd37a9e0-8540-2629-1323-7866f5b9852b Thu, 12 Sep 2019 14:30:00 +0000 <p>“I realized that more interesting things happen when I could do away with notions of quality and taste,” says Massimiliano Gioni, artistic director of the New Museum in New York and director of the Trussardi Foundation in Milan.</p> <p>Gioni—who <em>The New York Times</em> called a "biennale veteran" by the time he was 38—says this thinking freed him up to stage exhibitions that moved away from treating art like “the isolated masterpiece”. He talks to host Charlotte Burns about the collapse of the alternative art, music and publishing scenes in the 1990s and about the potential of social mobility within the art world. </p> <p>Massimiliano’s latest show, “Appearance Stripped Bare: Desire and the Object in the Work of Marcel Duchamp and Jeff Koons, Evens”, is on view until 29 September at the Museo Jumex in Mexico City.</p> <p>To hear more, tune in now.</p> <p>Transcript: <a href= "https://www.artagencypartners.com/transcript-63-massimiliamo/">https://www.artagencypartners.com/transcript-63-massimiliamo/</a><strong> </strong></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> <p>Transcript: <a href= "https://www.artagencypartners.com/transcript-63-massimiliamo/">https://www.artagencypartners.com/transcript-63-massimiliamo/</a><strong> </strong></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> <p>“I realized that more interesting things happen when I could do away with notions of quality and taste,” says Massimiliano Gioni, artistic director of the New Museum in New York and director of the Trussardi Foundation in Milan.</p> <p>Gioni—who <em>The New York Times</em> called a "biennale veteran" by the time he was 38—says this thinking freed him up to stage exhibitions that moved away from treating art like “the isolated masterpiece”. He talks to host Charlotte Burns about the collapse of the alternative art, music and publishing scenes in the 1990s and about the potential of social mobility within the art world. </p> <p>Massimiliano’s latest show, “Appearance Stripped Bare: Desire and the Object in the Work of Marcel Duchamp and Jeff Koons, Evens”, is on view until 29 September at the Museo Jumex in Mexico City.</p> <p>To hear more, tune in now.</p> <p>Transcript: <a href= "https://www.artagencypartners.com/transcript-63-massimiliamo/">https://www.artagencypartners.com/transcript-63-massimiliamo/</a> </p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> <p>Transcript: <a href= "https://www.artagencypartners.com/transcript-63-massimiliamo/">https://www.artagencypartners.com/transcript-63-massimiliamo/</a> </p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> Charlotte Burns 38:20 clean “I realized that more interesting things happen when I could do away with notions of quality and taste,” says Massimiliano Gioni, artistic director of the New Museum in New York and director of the Trussardi Foundation in Milan.... “I realized that more interesting things happen when I could do away with notions of quality and taste,” says Massimiliano Gioni, artistic director of the New Museum in New York and director of the Trussardi Foundation in Milan. Gioni says this thinking freed him up to stage exhibitions that moved away from treating art like “the isolated masterpiece”. “Appearance Stripped Bare: Desire and the Object in the Work of Marcel Duchamp and Jeff Koons, Evens”, is on view at the Museo Jumex in Mexico #63: Live Panel: Says Who? Cultural Value and Validation in the 21st Century https://inotherwords.libsyn.com/63-live-panel-says-who-cultural-value-and-validation-in-the-21st-century In Other Words urn:uuid:8bf67d5a-acf5-3b76-2f5d-51cc712a5328 Thu, 15 Aug 2019 08:00:00 +0000 <p>Who gets to define culture, and who gets to create it? Who decides what's in and what's out, what's valuable and what's worthless? In a live panel discussion moderated by Charlotte Burns and organized in collaboration with Sotheby's and the Aspen Ideas Festival, our guests Roberta Smith (<em>The New York Times</em> co-chief art), Michael Govan (CEO and Wallis Annenberg Director of the Los Angeles County Museum of Art), and Derrick Adams (a visual and performance artist) examine how society forms a consensus about which objects and stories we save, and which we discard—and, ultimately, who controls culture today. </p> <p>To hear more from the live panel, tune in today.</p> <p>Transcript: <strong> <a href= "https://www.artagencypartners.com/transcript-63-live-from-aspen/">https://www.artagencypartners.com/transcript-63-live-from-aspen/</a></strong></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> <p> </p> <p>Who gets to define culture, and who gets to create it? Who decides what's in and what's out, what's valuable and what's worthless? In a live panel discussion moderated by Charlotte Burns and organized in collaboration with Sotheby's and the Aspen Ideas Festival, our guests Roberta Smith (<em>The New York Times</em> co-chief art), Michael Govan (CEO and Wallis Annenberg Director of the Los Angeles County Museum of Art), and Derrick Adams (a visual and performance artist) examine how society forms a consensus about which objects and stories we save, and which we discard—and, ultimately, who controls culture today. </p> <p>To hear more from the live panel, tune in today.</p> <p>Transcript:  <a href= "https://www.artagencypartners.com/transcript-63-live-from-aspen/">https://www.artagencypartners.com/transcript-63-live-from-aspen/</a></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> <p> </p> Charlotte Burns 45:14 clean Cultural Value and Validation in the 21st Century Who gets to define culture, and who gets to create it? Who decides what's in and what's out, what's valuable and what's worthless? In a live panel discussion moderated by Charlotte Burns and organized in collaboration with Sotheby's and the Aspen Ideas Festival, our guests Roberta Smith (The New York Times co-chief art), Michael Govan (CEO and Wallis Annenberg Director of the Los Angeles County Museum of Art), and Derrick Adams (a visual and performance artist) examine who controls culture today. #62: Live From Venice - Our Take On The Biennale https://inotherwords.libsyn.com/62-live-from-venice-our-take-on-the-biennale In Other Words urn:uuid:bc90ad5f-f951-f6cc-c23c-db0fe833368c Thu, 18 Jul 2019 08:00:00 +0000 <p>Welcome to our Venice Biennale special, which we recorded live in Italy last month. Returning to his roots as an art critic for our first ever review show, Allan Schwartzman joins host Charlotte Burns to take you on a tour through the art on view in the floating city, both in the Biennale and beyond.</p> <p>"We do live in interesting times—but do we live in times of interesting art?", Schwartzman asks at the start of the show. Tune in to find out.</p> <p><strong>Transcript</strong>: <a href= "https://www.artagencypartners.com/transcript-62-live-review-of-the-venice-biennale/" data-saferedirecturl= "https://www.google.com/url?q=https://www.artagencypartners.com/transcript-62-live-review-of-the-venice-biennale/&source=gmail&ust=1563327569025000&usg=AFQjCNGXzkCIWJmQYRy8LJs9m0oEQLVrRA">https://www.artagencypartners.com/transcript-62-live-review-of-the-venice-biennale/</a></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> <p>Welcome to our Venice Biennale special, which we recorded live in Italy last month. Returning to his roots as an art critic for our first ever review show, Allan Schwartzman joins host Charlotte Burns to take you on a tour through the art on view in the floating city, both in the Biennale and beyond.</p> <p>"We do live in interesting times—but do we live in times of interesting art?", Schwartzman asks at the start of the show. Tune in to find out.</p> <p>Transcript: <a href= "https://www.artagencypartners.com/transcript-62-live-review-of-the-venice-biennale/" data-saferedirecturl= "https://www.google.com/url?q=https://www.artagencypartners.com/transcript-62-live-review-of-the-venice-biennale/&source=gmail&ust=1563327569025000&usg=AFQjCNGXzkCIWJmQYRy8LJs9m0oEQLVrRA">https://www.artagencypartners.com/transcript-62-live-review-of-the-venice-biennale/</a></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> Charlotte Burns 32:38 no The Venice Biennale Review Welcome to our Venice Biennale special, which we recorded live in Italy last month. Returning to his roots as an art critic for our first ever review show, Allan Schwartzman joins host Charlotte Burns to take you on a tour through the art on view in the floating city, both in the Biennale and beyond. "We do live in interesting times—but do we live in times of interesting art?", Schwartzman asks at the start of the show. Tune in to find out. #61: Sir David Adjaye Takes On Nation Myths https://inotherwords.libsyn.com/61-sir-david-adjaye-takes-on-nation-myths In Other Words urn:uuid:908b1ef2-a324-af91-fd7d-b75bf083f2ff Thu, 20 Jun 2019 14:07:03 +0000 <p>Sir David Adjaye is the architect behind some of the most interesting buildings of our times, from national museums to social housing. He has described the fraught political process of designing the prize-winning National Museum of African American History and Culture, which opened in Washington, D.C. in 2016, as eight years of pain. But “these buildings are long overdue,” Adjaye says, “There’s a language they need to bring, which is about the reality rather than the fiction of nation imagery.”</p> <p>In this podcast with Amy Cappellazzo (co-founder of AAP and a chairman of Sotheby's) and host Charlotte Burns (executive editor, <em>In Other Words</em>), Adjaye—who has designed the forthcoming expansion of the Studio Museum as well as the plans for the National Cathedral of Ghana—talks about how space can change the way we think about our own histories. “We’ve all been numbed into never dealing with big questions,” he says, asking: “Then what the hell are we all doing here?”</p> <p>For this and more, tune in today.</p> <p>Transcript: <a href= "https://www.artagencypartners.com/transcript-61-remaking-the-imagination-with-architect-david-adjaye/"> https://www.artagencypartners.com/transcript-61-remaking-the-imagination-with-architect-david-adjaye/</a></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> <p>Sir David Adjaye is the architect behind some of the most interesting buildings of our times, from national museums to social housing. He has described the fraught political process of designing the prize-winning National Museum of African American History and Culture, which opened in Washington, D.C. in 2016, as eight years of pain. But “these buildings are long overdue,” Adjaye says, “There’s a language they need to bring, which is about the reality rather than the fiction of nation imagery.”</p> <p>In this podcast with Amy Cappellazzo (co-founder of AAP and a chairman of Sotheby's) and host Charlotte Burns (executive editor, <em>In Other Words</em>), Adjaye—who has designed the forthcoming expansion of the Studio Museum as well as the plans for the National Cathedral of Ghana—talks about how space can change the way we think about our own histories. “We’ve all been numbed into never dealing with big questions,” he says, asking: “Then what the hell are we all doing here?”</p> <p>For this and more, tune in today.</p> <p>Transcript: <a href= "https://www.artagencypartners.com/transcript-61-remaking-the-imagination-with-architect-david-adjaye/"> https://www.artagencypartners.com/transcript-61-remaking-the-imagination-with-architect-david-adjaye/</a></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> Charlotte Burns 35:54 clean Sir David Adjaye Sir David Adjaye is the architect behind some of the most interesting buildings of our times, from national museums to social housing. In this podcast with Amy Cappellazzo (co-founder of AAP and a chairman of Sotheby's) and host Charlotte Burns (executive editor, In Other Words), Adjaye—who has designed the forthcoming expansion of the Studio Museum as well as the plans for the National Cathedral of Ghana—talks about how space can change the way we think about our own histories. #60: David Zwirner Needs No Introduction https://inotherwords.libsyn.com/60-david-zwirner-needs-no-introduction In Other Words urn:uuid:47981358-c8cb-eedb-54fc-a9b3ea29e036 Thu, 06 Jun 2019 08:00:00 +0000 <p>“I really felt ten years ago that there was a huge opportunity for me at different levels in the art world,” says David Zwirner, whose eponymous gallery opened in New York more than 25 years ago, has since expanded to London and Hong Kong and is increasingly focusing on its online strategy. “Of course, expansion fuels expansion,” he says. “At the same time, I think there's a huge risk. There's definitely a ‘too big’ possible.”</p> <p>In conversation with Allan Schwartzman (co-founder of AAP and a chairman of Sotheby's) and our host Charlotte Burns (executive editor, <em>In Other Words</em>), Zwirner discusses the future of the business and the state of the market—and talks about what he is looking for in the next generation of artists.</p> <p>For more, tune in today.</p> <p>Transcript: <a href= "https://www.artagencypartners.com/transcript-60-david-zwirner/">https://www.artagencypartners.com/transcript-60-david-zwirner/</a></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> <p>“I really felt ten years ago that there was a huge opportunity for me at different levels in the art world,” says David Zwirner, whose eponymous gallery opened in New York more than 25 years ago, has since expanded to London and Hong Kong and is increasingly focusing on its online strategy. “Of course, expansion fuels expansion,” he says. “At the same time, I think there's a huge risk. There's definitely a ‘too big’ possible.”</p> <p>In conversation with Allan Schwartzman (co-founder of AAP and a chairman of Sotheby's) and our host Charlotte Burns (executive editor, <em>In Other Words</em>), Zwirner discusses the future of the business and the state of the market—and talks about what he is looking for in the next generation of artists.</p> <p>For more, tune in today.</p> <p>Transcript: <a href= "https://www.artagencypartners.com/transcript-60-david-zwirner/">https://www.artagencypartners.com/transcript-60-david-zwirner/</a></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> Charlotte Burns 58:21 clean David Zwirner Needs No Introduction “I really felt ten years ago that there was a huge opportunity for me at different levels in the art world,” says David Zwirner, whose eponymous gallery opened in New York more than 25 years ago, has since expanded to London and Hong Kong and is increasingly focusing on its online strategy. In conversation with Allan Schwartzman (co-founder of AAP and a chairman of Sotheby's) and our host Charlotte Burns (executive editor, In Other Words), Zwirner discusses the future of the business. #59: Andy Warhol: Sex, Death, Beauty and Disaster https://inotherwords.libsyn.com/59-andy-warhol-sex-death-beauty-and-disaster In Other Words urn:uuid:b66aa580-6c63-ae5e-d045-a21f347ed7a6 Thu, 30 May 2019 08:00:00 +0000 <p>Andy Warhol is one of the best-known—but perhaps least understood—artists of the 20th century. “Warhol shifted the paradigm. He shifted the conversation. That's why we're still grappling with him. Love him or hate him,” says Donna De Salvo, the senior curator and deputy director for International Initiatives at the Whitney Museum of American Art, who recently organized the blockbuster exhibition "Andy Warhol—From A to B and Back Again" (on show now at the San Francisco Museum of Modern Art, until 2 September).</p> <p>Beyond the glamour of the celebrity and consumerism so often associated with Warhol, there is something destabilizing about his work, says Dominique Lévy, the co-founder of Lévy Gorvy—which is showing “Warhol Women” in New York (until 15 June). “If you spend enough time in front of a Warhol painting, little by little it unnerves you,” Lévy says.</p> <p>When people fetishize the trophy of the Marilyn, they're missing a certain point of the way that Warhol is constantly disrupting,” De Salvo says: “Whether it's the off registration of the screen, through the color, through the scale, the multiplicity of images. He's not about a fixed image. He's actually quite the opposite and that gets to issues of identity.”</p> <p>Together with host Charlotte Burns, Lévy and De Salvo discuss the radical aspects of Warhol's work, discussing how much of it is still undervalued and under-appreciated—particularly drawings from the 1950s and works from the 1970s and 1980s. “He reinvents himself and becomes more and more conceptual, and more and more relevant,” Lévy says.</p> <p>“His project ends because he dies,” De Salvo says: "He was just getting going again." Ultimately, she says, Warhol “reflected these twin American desires, which are at odds: our desire to innovate and our desire to conform.”</p> <p>For this and more, tune in today.</p> <p>Transcript: <a href= "https://www.artagencypartners.com/transcript-60-warhols-women/">https://www.artagencypartners.com/transcript-60-warhols-women/</a></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> <p>Andy Warhol is one of the best-known—but perhaps least understood—artists of the 20th century. “Warhol shifted the paradigm. He shifted the conversation. That's why we're still grappling with him. Love him or hate him,” says Donna De Salvo, the senior curator and deputy director for International Initiatives at the Whitney Museum of American Art, who recently organized the blockbuster exhibition "Andy Warhol—From A to B and Back Again" (on show now at the San Francisco Museum of Modern Art, until 2 September).</p> <p>Beyond the glamour of the celebrity and consumerism so often associated with Warhol, there is something destabilizing about his work, says Dominique Lévy, the co-founder of Lévy Gorvy—which is showing “Warhol Women” in New York (until 15 June). “If you spend enough time in front of a Warhol painting, little by little it unnerves you,” Lévy says.</p> <p>When people fetishize the trophy of the Marilyn, they're missing a certain point of the way that Warhol is constantly disrupting,” De Salvo says: “Whether it's the off registration of the screen, through the color, through the scale, the multiplicity of images. He's not about a fixed image. He's actually quite the opposite and that gets to issues of identity.”</p> <p>Together with host Charlotte Burns, Lévy and De Salvo discuss the radical aspects of Warhol's work, discussing how much of it is still undervalued and under-appreciated—particularly drawings from the 1950s and works from the 1970s and 1980s. “He reinvents himself and becomes more and more conceptual, and more and more relevant,” Lévy says.</p> <p>“His project ends because he dies,” De Salvo says: "He was just getting going again." Ultimately, she says, Warhol “reflected these twin American desires, which are at odds: our desire to innovate and our desire to conform.”</p> <p>For this and more, tune in today.</p> <p>Transcript: <a href= "https://www.artagencypartners.com/transcript-60-warhols-women/">https://www.artagencypartners.com/transcript-60-warhols-women/</a></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> Charlotte Burns 51:42 no Andy Warhol Andy Warhol is one of the best-known—but perhaps least understood—artists of the 20th century. “Warhol shifted the paradigm. He shifted the conversation. That's why we're still grappling with him. Love him or hate him,” says Donna De Salvo, the senior curator and deputy director for International Initiatives at the Whitney Museum of American Art, who recently organized the blockbuster exhibition "Andy Warhol—From A to B and Back Again" (on show at the San Francisco Museum of Modern Art, until 2 S #58: Reshaping Culture https://inotherwords.libsyn.com/58-reshaping-culture In Other Words urn:uuid:eeeec967-cb80-9421-1d5b-25c8a8b7dd19 Thu, 16 May 2019 10:00:00 +0000 <p>Today’s podcast is a lively one, taking in authorship and authority, productivity and capital in conversation with Alistair Hudson (director of The Whitworth and Manchester Galleries), Bernadine Bröcker Wieder (CEO and co-founder of the Vastari Group, a platform connecting museums, private collectors and other exhibition organizers) and our host Charlotte Burns.</p> <p>Taking different approaches, Hudson and Bröcker Wieder are both interested in what a more equitable art world would look like and both are invested in community and collaboration. </p> <p>The dialogue on democracy, community, tech and collaboration closes with a call for openness. “I see a big role for institutions reclaiming this territory of culture,” Hudson says: “How we shape and create our culture as being above and beyond politics and economics.”</p> <p>Tune in today for more.</p> <p>Transcript<strong>:</strong> <a href= "https://www.artagencypartners.com/transcript-55-bernadine-and-alistair/" data-saferedirecturl= "https://www.google.com/url?q=https://www.artagencypartners.com/transcript-55-bernadine-and-alistair/&source=gmail&ust=1557958290755000&usg=AFQjCNFys7u2jzPju1Bey7jXQHuupq-ppw">https://www.artagencypartners.com/transcript-55-bernadine-and-alistair/</a></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> <p>Today’s podcast is a lively one, taking in authorship and authority, productivity and capital in conversation with Alistair Hudson (director of The Whitworth and Manchester Galleries), Bernadine Bröcker Wieder (CEO and co-founder of the Vastari Group, a platform connecting museums, private collectors and other exhibition organizers) and our host Charlotte Burns.</p> <p>Taking different approaches, Hudson and Bröcker Wieder are both interested in what a more equitable art world would look like and both are invested in community and collaboration. </p> <p>The dialogue on democracy, community, tech and collaboration closes with a call for openness. “I see a big role for institutions reclaiming this territory of culture,” Hudson says: “How we shape and create our culture as being above and beyond politics and economics.”</p> <p>Tune in today for more.</p> <p>Transcript: <a href= "https://www.artagencypartners.com/transcript-55-bernadine-and-alistair/" data-saferedirecturl= "https://www.google.com/url?q=https://www.artagencypartners.com/transcript-55-bernadine-and-alistair/&source=gmail&ust=1557958290755000&usg=AFQjCNFys7u2jzPju1Bey7jXQHuupq-ppw">https://www.artagencypartners.com/transcript-55-bernadine-and-alistair/</a></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> Charlotte Burns 41:30 clean Reshaping Culture Today’s podcast is a lively one, taking in authorship and authority, productivity and capital in conversation with Alistair Hudson (director of The Whitworth and Manchester Galleries), Bernadine Bröcker Wieder (CEO and co-founder of the Vastari Group, a platform connecting museums, private collectors and other exhibition organizers) and our host Charlotte Burns. Hudson and Bröcker Wieder are interested a more equitable art world and both are invested in community and collaboration.  #57: Then and Now: Paula Cooper Gallery https://inotherwords.libsyn.com/57-then-and-now-paula-cooper-gallery In Other Words urn:uuid:0496d505-eccb-2813-8bb1-c9ade8f38764 Thu, 25 Apr 2019 18:48:15 +0000 <p>Paula Cooper Gallery has survived and thrived in a mercurial art world for more than five decades. On today’s show, the legendary dealer talks about the history and future of her gallery together with Steven Henry, who has been the gallery director for more than two decades, Allan Schwartzman, co-founder of Art Agency, Partners, and host Charlotte Burns.</p> <p>Known for her eye, Cooper has represented some of the most important international contemporary artists of the past half-century. “Artists will give her the best shows, the best work,” says Henry. The gallery has remained a leader of the pack throughout the past 50 years, despite seismic shifts in the art world and market. Nowadays, “it’s this huge international money world,” says Cooper, who also discusses new styles of collecting and the impact of politics on the art world.</p> <p>She also talks about the future: “I really have to think about not being here, now at this point," she says. Ultimately, the legacy of the gallery will be the artists it has supported, she says: “The gallery will be forgotten. It’s the artists who survive.”</p> <p>For this and more, tune in today to <em>In Other Words</em>.</p> <p>Transcript: <a href= "https://www.artagencypartners.com/transcript-58-paula-cooper-and-steve-henry/"> https://www.artagencypartners.com/transcript-58-paula-cooper-and-steve-henry/</a></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> <p>Paula Cooper Gallery has survived and thrived in a mercurial art world for more than five decades. On today’s show, the legendary dealer talks about the history and future of her gallery together with Steven Henry, who has been the gallery director for more than two decades, Allan Schwartzman, co-founder of Art Agency, Partners, and host Charlotte Burns.</p> <p>Known for her eye, Cooper has represented some of the most important international contemporary artists of the past half-century. “Artists will give her the best shows, the best work,” says Henry. The gallery has remained a leader of the pack throughout the past 50 years, despite seismic shifts in the art world and market. Nowadays, “it’s this huge international money world,” says Cooper, who also discusses new styles of collecting and the impact of politics on the art world.</p> <p>She also talks about the future: “I really have to think about not being here, now at this point," she says. Ultimately, the legacy of the gallery will be the artists it has supported, she says: “The gallery will be forgotten. It’s the artists who survive.”</p> <p>For this and more, tune in today to <em>In Other Words</em>.</p> <p>Transcript: <a href= "https://www.artagencypartners.com/transcript-58-paula-cooper-and-steve-henry/"> https://www.artagencypartners.com/transcript-58-paula-cooper-and-steve-henry/</a></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> Charlotte Burns 39:22 clean Paula Cooper Paula Cooper Gallery has survived and thrived in a mercurial art world for more than five decades. On today’s show, the legendary dealer talks about the history and future of her gallery together with Steven Henry, who has been the gallery director for more than two decades, Allan Schwartzman, co-founder of Art Agency, Partners, and host Charlotte Burns. Known for her eye, Cooper has represented some of the most important international contemporary artists of the past half-century. #56: Power, Purpose and Privilege with Artists Nari Ward and Derrick Adams https://inotherwords.libsyn.com/56-power-purpose-and-privilege-with-artists-nari-ward-and-derrick-adams In Other Words urn:uuid:cd75852b-f543-53a5-912c-60d156ad59a8 Thu, 11 Apr 2019 08:00:00 +0000 <p>“As an artist I feel like it’s my role to bring that moment of history—that moment of doubt, frustration, of fear—into the present,” says Nari Ward in conversation with fellow artist Derrick Adams on this episode of <em>In Other Words</em>.</p> <p>Ward is the subject of a major retrospective at the New Museum (“Nari Ward: We The People” until 26 May)—which spans 25 years of his work and has been heralded as “persistent and liberating” by <em>The New York Times. </em>The sculptor—who has been called an accumulation artist for his often large-scale work involving discarded material—has lived and worked in Harlem since the beginning of his career and uses the neighborhood as source and inspiration.</p> <p>Art is the perfect medium for exploring such complicated subjects as gentrification, power and the AIDS crisis, Ward says: “It should challenge, consume, maybe even disrupt—and then it should also figure out, because it is art. It is artifice. It is a safe space to consider those different moments.”Adams is the subject of two concurrent exhibitions on show in New York right now (“Derrick Adams: Interior Life” at Luxembourg & Dayan and “Derrick Adams: New Icons” at Mary Boone Gallery). “I thought that successful art was about penetrating the world with images that you want people to see,” he says to host Charlotte Burns. “I want to give viewers other options of looking at black American culture”, he says, especially the normalcy of “what people were doing as a break.”</p> <p>Together, Ward and Adams discuss all the big stuff: from God and spirituality in art, to the power and purpose of making art. They talk real estate and repression, and discuss the power of imagination and moral compassion. </p> <p>Tune in to <em>In Other Words</em> today for this and much more.</p> <p>Transcript:</p> <p><a href= "https://www.artagencypartners.com/transcript-56-nari-ward-and-derrick-adams/"> https://www.artagencypartners.com/transcript-56-nari-ward-and-derrick-adams/</a></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> <p>“As an artist I feel like it’s my role to bring that moment of history—that moment of doubt, frustration, of fear—into the present,” says Nari Ward in conversation with fellow artist Derrick Adams on this episode of <em>In Other Words</em>.</p> <p>Ward is the subject of a major retrospective at the New Museum (“Nari Ward: We The People” until 26 May)—which spans 25 years of his work and has been heralded as “persistent and liberating” by <em>The New York Times. </em>The sculptor—who has been called an accumulation artist for his often large-scale work involving discarded material—has lived and worked in Harlem since the beginning of his career and uses the neighborhood as source and inspiration.</p> <p>Art is the perfect medium for exploring such complicated subjects as gentrification, power and the AIDS crisis, Ward says: “It should challenge, consume, maybe even disrupt—and then it should also figure out, because it is art. It is artifice. It is a safe space to consider those different moments.”Adams is the subject of two concurrent exhibitions on show in New York right now (“Derrick Adams: Interior Life” at Luxembourg & Dayan and “Derrick Adams: New Icons” at Mary Boone Gallery). “I thought that successful art was about penetrating the world with images that you want people to see,” he says to host Charlotte Burns. “I want to give viewers other options of looking at black American culture”, he says, especially the normalcy of “what people were doing as a break.”</p> <p>Together, Ward and Adams discuss all the big stuff: from God and spirituality in art, to the power and purpose of making art. They talk real estate and repression, and discuss the power of imagination and moral compassion. </p> <p>Tune in to <em>In Other Words</em> today for this and much more.</p> <p>Transcript:</p> <p><a href= "https://www.artagencypartners.com/transcript-56-nari-ward-and-derrick-adams/"> https://www.artagencypartners.com/transcript-56-nari-ward-and-derrick-adams/</a></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> Charlotte Burns 01:24:28 clean Artists Nari Ward and Derrick Adams “As an artist I feel like it’s my role to bring that moment of history—that moment of doubt, frustration, of fear—into the present,” says Nari Ward in conversation with fellow artist Derrick Adams on this episode of In Other Words. Ward is the subject of a major retrospective at the New Museum (“Nari Ward: We The People” until 26 May) and Adams is the subject of two exhibitions in New York right now (“Derrick Adams: Interior Life” at Luxembourg & Dayan and “Derrick Adams: New Icons” at #55: Who Gets to Be American? https://inotherwords.libsyn.com/55-who-gets-to-be-american In Other Words urn:uuid:6b9dad20-96e5-3894-d6ba-d27ee9121cdd Thu, 28 Mar 2019 06:00:00 +0000 <p> </p> <p>Our world and the ways in which we perceive and understand it are both shaped and reflected by art. This is especially true when it comes to nations and the stories they tell of themselves. Focusing on American identity, this podcast was recorded during a live panel discussion between Lauren Haynes (curator of contemporary art at Crystal Bridges Museum of American Art in Bentonville, Arkansas), Paul Anthony Smith (artist), Antwaun Sargent (critic) and host Charlotte Burns at The Armory Show in New York earlier this month.</p> <p>From the question of whether there are “American” artists today to what it means to consider oneself American; from representation within museums to how morality is dealt with in US culture, our guests ask how institutions, and the art world at large, are working to foster a more expansive narrative.</p> <p>Tune in today to hear more.</p> <p>Transcript: <a href= "https://www.artagencypartners.com/transcript-55-armory/" data-saferedirecturl= "https://www.google.com/url?q=https://www.artagencypartners.com/transcript-55-armory/&source=gmail&ust=1553783455172000&usg=AFQjCNF1jSiaBNu0eiqnmgymOJbRBDKWTA">https://www.artagencypartners.com/transcript-55-armory/</a></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> <p> </p> <p>Our world and the ways in which we perceive and understand it are both shaped and reflected by art. This is especially true when it comes to nations and the stories they tell of themselves. Focusing on American identity, this podcast was recorded during a live panel discussion between Lauren Haynes (curator of contemporary art at Crystal Bridges Museum of American Art in Bentonville, Arkansas), Paul Anthony Smith (artist), Antwaun Sargent (critic) and host Charlotte Burns at The Armory Show in New York earlier this month.</p> <p>From the question of whether there are “American” artists today to what it means to consider oneself American; from representation within museums to how morality is dealt with in US culture, our guests ask how institutions, and the art world at large, are working to foster a more expansive narrative.</p> <p>Tune in today to hear more.</p> <p>Transcript: <a href= "https://www.artagencypartners.com/transcript-55-armory/" data-saferedirecturl= "https://www.google.com/url?q=https://www.artagencypartners.com/transcript-55-armory/&source=gmail&ust=1553783455172000&usg=AFQjCNF1jSiaBNu0eiqnmgymOJbRBDKWTA">https://www.artagencypartners.com/transcript-55-armory/</a></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> Charlotte Burns 44:27 clean Live From The Armory Show in NYC Our world and the ways in which we perceive and understand it are both shaped and reflected by art. This is especially true when it comes to nations and the stories they tell of themselves. Focusing on American identity, this podcast was recorded during a live panel discussion between Lauren Haynes (curator of contemporary art at Crystal Bridges Museum of American Art in Bentonville, Arkansas), Paul Anthony Smith (artist), Antwaun Sargent (critic) and host Charlotte Burns at The Armory Show in New York. #54: Artist Ian Cheng: "The best art is like a Trojan horse" https://inotherwords.libsyn.com/54-artist-ian-cheng-the-best-art-is-like-a-trojan-horse In Other Words urn:uuid:b2acc4e9-d10f-5cd7-849f-cf069cddd718 Thu, 14 Mar 2019 08:00:00 +0000 <p>Ian Cheng wants to change the way you think. “I really want to make art that taps into some part of a viewer’s neurology and gets them into a different state,” Cheng says to host Charlotte Burns during this <em>In Other Words</em> podcast. The wide-ranging conversation covers topics from the freedom afforded humans by AI, to the genius of <em>The Real Housewives</em> television show.</p> <p>Cheng creates art with a nervous system: his practice often involves computer simulations that resemble video games—albeit ones that play themselves. His current exhibition “BOB: Bag of Beliefs” centers around an AI lifeform whose evolution is shaped by viewers who can make offerings—both poisonous and benign—to BOB via an app. Cheng has created his own form of art; a work that is mesmerizing and surprisingly moving (at Barbara Gladstone Gallery, New York until 23 March).</p> <p>“It’s a funny time we live in,” says Cheng, who studied both cognitive science and art. He wants his work to tap into our limbic systems (“the most easily triggered and exploitable” part of the brain) with the goal of making us “feel safe enough to be explorative, to be open-minded, to be conscientious”.</p> <p>Following in the footsteps of artists and storytellers across the centuries, Cheng is spinning tales that might better help us understand our world, using cutting-edge technology to do so.</p> <p><strong>Transcript</strong>: <a href= "https://www.artagencypartners.com/transcript-ian-chengs-guide-to-worlding/" data-saferedirecturl= "https://www.google.com/url?q=https://www.artagencypartners.com/transcript-ian-chengs-guide-to-worlding/&source=gmail&ust=1552591313421000&usg=AFQjCNEypYRZAtepCFXMWDP4K-V5OnbLxQ">https://www.artagencypartners.com/transcript-ian-chengs-guide-to-worlding/</a></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> <p>Ian Cheng wants to change the way you think. “I really want to make art that taps into some part of a viewer’s neurology and gets them into a different state,” Cheng says to host Charlotte Burns during this <em>In Other Words</em> podcast. The wide-ranging conversation covers topics from the freedom afforded humans by AI, to the genius of <em>The Real Housewives</em> television show.</p> <p>Cheng creates art with a nervous system: his practice often involves computer simulations that resemble video games—albeit ones that play themselves. His current exhibition “BOB: Bag of Beliefs” centers around an AI lifeform whose evolution is shaped by viewers who can make offerings—both poisonous and benign—to BOB via an app. Cheng has created his own form of art; a work that is mesmerizing and surprisingly moving (at Barbara Gladstone Gallery, New York until 23 March).</p> <p>“It’s a funny time we live in,” says Cheng, who studied both cognitive science and art. He wants his work to tap into our limbic systems (“the most easily triggered and exploitable” part of the brain) with the goal of making us “feel safe enough to be explorative, to be open-minded, to be conscientious”.</p> <p>Following in the footsteps of artists and storytellers across the centuries, Cheng is spinning tales that might better help us understand our world, using cutting-edge technology to do so.</p> <p>Transcript: <a href= "https://www.artagencypartners.com/transcript-ian-chengs-guide-to-worlding/" data-saferedirecturl= "https://www.google.com/url?q=https://www.artagencypartners.com/transcript-ian-chengs-guide-to-worlding/&source=gmail&ust=1552591313421000&usg=AFQjCNEypYRZAtepCFXMWDP4K-V5OnbLxQ">https://www.artagencypartners.com/transcript-ian-chengs-guide-to-worlding/</a></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> Charlotte Burns 48:21 clean Artist Ian Cheng Ian Cheng wants to change the way you think. “I really want to make art that taps into some part of a viewer’s neurology and gets them into a different state,” Cheng says to host Charlotte Burns during this In Other Words podcast. The wide-ranging conversation covers topics from the freedom afforded humans by AI, to the genius of The Real Housewives television show. Cheng creates art with a nervous system: his practice often involves computer simulations that resemble video games that play themsel #53: The "Daft Punk of Contemporary Painting”: Artist Mickalene Thomas https://inotherwords.libsyn.com/53-the-daft-punk-of-contemporary-painting-artist-mickalene-thomas In Other Words urn:uuid:0a5fcf45-4101-0b2c-3f53-6b4209c969b9 Thu, 28 Feb 2019 11:00:00 +0000 <p>In the words of the<em> <a href= "https://www.latimes.com/">Los Angeles Times</a></em>, the artist Mickalene Thomas “is to contemporary painting what Daft Punk is to music: acclaimed as one of the more original remix artists working today.” Her genre-busting work takes many forms, and grapples with bodies and their desires, with power, equity and identity. In today’s episode, she talks about community and collaboration—both essential to her practice—in a conversation with her partner and muse, the art consultant Racquel Chevremont, the cultural critic Antwaun Sargent and Charlotte Burns, the host of <em>In Other Words.</em></p> <p>Thomas and Chevremont recently launched “<a href= "https://deuxfemmesnoires.tumblr.com/">Deux Femme Noires</a>”, an organization focused on mentoring emerging artists of color. “The more of us that come up, the better," Chevremont says "We want the room to be filled with us.” </p> <p>Thomas was studying to be a lawyer when a chance encounter with the photographs of <a href="http://carriemaeweems.net/">Carrie Mae Weems</a> inspired her to change direction and become an artist herself. <em>“</em>Whatever that power is, or mystery one may feel when they’re excited by or inspired by particular art—I knew that’s what I wanted to do with images," Thomas says. "And I knew I wanted to create that space for others.”</p> <p>Tune in for more from the artist, the muse and the writer in today's episode.</p> <p>Transcript: <a href= "http://www.artagencypartners.com/transcript-community-collaboration-and-sisterhood-with-mickalene-thomas-racquel-chevremont-and-antwaun-sargent-on-creating-change/"> http://www.artagencypartners.com/transcript-community-collaboration-and-sisterhood-with-mickalene-thomas-racquel-chevremont-and-antwaun-sargent-on-creating-change/</a></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> <p>In the words of the<em> <a href= "https://www.latimes.com/">Los Angeles Times</a></em>, the artist Mickalene Thomas “is to contemporary painting what Daft Punk is to music: acclaimed as one of the more original remix artists working today.” Her genre-busting work takes many forms, and grapples with bodies and their desires, with power, equity and identity. In today’s episode, she talks about community and collaboration—both essential to her practice—in a conversation with her partner and muse, the art consultant Racquel Chevremont, the cultural critic Antwaun Sargent and Charlotte Burns, the host of <em>In Other Words.</em></p> <p>Thomas and Chevremont recently launched “<a href= "https://deuxfemmesnoires.tumblr.com/">Deux Femme Noires</a>”, an organization focused on mentoring emerging artists of color. “The more of us that come up, the better," Chevremont says "We want the room to be filled with us.” </p> <p>Thomas was studying to be a lawyer when a chance encounter with the photographs of <a href="http://carriemaeweems.net/">Carrie Mae Weems</a> inspired her to change direction and become an artist herself. <em>“</em>Whatever that power is, or mystery one may feel when they’re excited by or inspired by particular art—I knew that’s what I wanted to do with images," Thomas says. "And I knew I wanted to create that space for others.”</p> <p>Tune in for more from the artist, the muse and the writer in today's episode.</p> <p>Transcript: <a href= "http://www.artagencypartners.com/transcript-community-collaboration-and-sisterhood-with-mickalene-thomas-racquel-chevremont-and-antwaun-sargent-on-creating-change/"> http://www.artagencypartners.com/transcript-community-collaboration-and-sisterhood-with-mickalene-thomas-racquel-chevremont-and-antwaun-sargent-on-creating-change/</a></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> Charlotte Burns 49:06 clean Artist Mickalene Thomas In the words of the Los Angeles Times, the artist Mickalene Thomas “is to contemporary painting what Daft Punk is to music: acclaimed as one of the more original remix artists working today.” Her genre-busting work takes many forms, and grapples with bodies and their desires, with power, equity and identity. Today she talks about community and collaboration with her partner and muse, the art consultant Racquel Chevremont, the cultural critic Antwaun Sargent and Charlotte Burns, the host of In Other Wo #52: In Other Words Live in LA: Expanding the Canon https://inotherwords.libsyn.com/52-in-other-words-live-in-la-expanding-the-canon In Other Words urn:uuid:ff51a820-a3cb-c9ba-89ae-01f7fab108db Fri, 22 Feb 2019 10:00:00 +0000 <p>Produced in partnership with Frieze Los Angeles, this live recording is a conversation with major Californian institutional leaders <strong>Naima J. Keith</strong> (Deputy Director, California African American Museum), <strong>Michael Govan</strong> (CEO and Wallis Annenberg Director, Los Angeles County Museum of Art), <strong>Andrew Perchuk</strong>, (Deputy Director, Getty Research Institute), <strong>Megan Steinman </strong>(Director, The Underground Museum), moderated by our host Charlotte Burns.</p> <p>Taking as a starting point the research published by <em>In Other Words</em> and <em>artnet News</em>, which examined the representation of African American artists in US museums and the international market, our panelists talk about the ways in which they are working to broaden the canon, and think specifically about local communities. </p> <p>Transcript: <a href= "http://www.artagencypartners.com/transcript-frieze-la/">http://www.artagencypartners.com/transcript-frieze-la/</a></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> <p>Produced in partnership with Frieze Los Angeles, this live recording is a conversation with major Californian institutional leaders Naima J. Keith (Deputy Director, California African American Museum), Michael Govan (CEO and Wallis Annenberg Director, Los Angeles County Museum of Art), Andrew Perchuk, (Deputy Director, Getty Research Institute), Megan Steinman (Director, The Underground Museum), moderated by our host Charlotte Burns.</p> <p>Taking as a starting point the research published by <em>In Other Words</em> and <em>artnet News</em>, which examined the representation of African American artists in US museums and the international market, our panelists talk about the ways in which they are working to broaden the canon, and think specifically about local communities. </p> <p>Transcript: <a href= "http://www.artagencypartners.com/transcript-frieze-la/">http://www.artagencypartners.com/transcript-frieze-la/</a></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> Charlotte Burns 53:31 clean Expanding The Canon Produced in partnership with Frieze Los Angeles, this live recording is a conversation with major Californian institutional leaders Naima J. Keith (Deputy Director, California African American Museum), Michael Govan (CEO and Wallis Annenberg Director, Los Angeles County Museum of Art), Andrew Perchuk, (Deputy Director, Getty Research Institute), Megan Steinman (Director, The Underground Museum), moderated by our host Charlotte Burns. #51: Sir Nicholas Serota: "We All Want To Know What It Means To Be Alive Today" https://inotherwords.libsyn.com/51-sir-nicholas-serota-we-all-want-to-know-what-it-means-to-be-alive-today In Other Words urn:uuid:58d09587-6fbf-7a39-911b-25a0202e6260 Thu, 14 Feb 2019 05:00:00 +0000 <p>The man credited with reinventing the museum and changing British culture, Sir Nicholas Serota joins us for a special extended episode of <em>In Other Words</em>.</p> <p>Now Chair of Arts Council England, Serota was the director of Tate for 28 years. More than anybody else, he helped shift attitudes in Britain, making the country more comfortable with contemporary art while he oversaw the growth of Tate both physically and in terms of reputation and ambition. Once a small institution, Tate became a phenomenon and the best attended museum of Modern art in the world.</p> <p>Serota began his career in the 1980s during a period in which the country’s politics were isolationist and there was a “certain paranoia about continental Europe and artists from Europe”. By the early 2000s, the country had become more international and open, and the arts were flourishing as London established itself as a creative and economic hub.</p> <p>Recorded on the day of a historic defeat in the government’s “meaningful vote” on Brexit, Serota discusses the current climate with our host Charlotte Burns: “Some things don’t change. And human nature is one of those. People feel challenged by difference.”</p> <p>While he himself is “always regarded as being right in the center of the establishment… I still have a sense of what it means to be an outsider,” Serota says. “I will continue to believe that international exchange of all kinds is valuable.”</p> <p>He discusses running one of the world’s largest museums—including why he never left for an American museum—and talks about the challenges facing institutional leaders today: “Whatever the difficulties were in the late ‘80s, it’s become even more difficult to run these big institutions now than it was then.”</p> <p>For this, and much more, tune in now.</p> <p>Transcript: <a href= "http://www.artagencypartners.com/transcript-nicholas-serota/">http://www.artagencypartners.com/transcript-nicholas-serota/</a></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> <p>The man credited with reinventing the museum and changing British culture, Sir Nicholas Serota joins us for a special extended episode of <em>In Other Words</em>.</p> <p>Now Chair of Arts Council England, Serota was the director of Tate for 28 years. More than anybody else, he helped shift attitudes in Britain, making the country more comfortable with contemporary art while he oversaw the growth of Tate both physically and in terms of reputation and ambition. Once a small institution, Tate became a phenomenon and the best attended museum of Modern art in the world.</p> <p>Serota began his career in the 1980s during a period in which the country’s politics were isolationist and there was a “certain paranoia about continental Europe and artists from Europe”. By the early 2000s, the country had become more international and open, and the arts were flourishing as London established itself as a creative and economic hub.</p> <p>Recorded on the day of a historic defeat in the government’s “meaningful vote” on Brexit, Serota discusses the current climate with our host Charlotte Burns: “Some things don’t change. And human nature is one of those. People feel challenged by difference.”</p> <p>While he himself is “always regarded as being right in the center of the establishment… I still have a sense of what it means to be an outsider,” Serota says. “I will continue to believe that international exchange of all kinds is valuable.”</p> <p>He discusses running one of the world’s largest museums—including why he never left for an American museum—and talks about the challenges facing institutional leaders today: “Whatever the difficulties were in the late ‘80s, it’s become even more difficult to run these big institutions now than it was then.”</p> <p>For this, and much more, tune in now.</p> <p>Transcript: <a href= "http://www.artagencypartners.com/transcript-nicholas-serota/">http://www.artagencypartners.com/transcript-nicholas-serota/</a></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> Charlotte Burns 51:18 clean Sir Nicholas Serota on What It Means To Be Alive Today The man credited with reinventing the museum and changing British culture, Sir Nicholas Serota joins us for a special extended episode of In Other Words. Now Chair of Arts Council England, Serota was the director of Tate for 28 years. More than anybody else, he helped shift attitudes in Britain, making the country more comfortable with contemporary art while he oversaw the growth of Tate both physically and in terms of reputation and ambition. #50: Expectations and Epiphanies with NPG Director Nicholas Cullinan https://inotherwords.libsyn.com/episode-50-expectations-and-epiphanies-with-npg-director-nicholas-cullinan In Other Words urn:uuid:f9296a94-e5aa-eaca-3557-f16d1e59eee2 Thu, 31 Jan 2019 06:00:00 +0000 <p>From ticketing scandals and the implications of Brexit, to a major £35m museum renovation, this episode of <em>In Other Words</em> features a frank conversation with Nicholas Cullinan, the director of London’s National Portrait Gallery, on a broad range of topics.</p> <p>Cullinan discusses a recent attendance crisis at the museum, when faulty counters reported that visitor figures had fallen by 35% between 2017 and 2018. While the numbers were proven to be wildly inaccurate, the museum was blasted in the media, which suggested its contemporary program was out of touch with the public. In this episode, Cullinan counters some of the criticism: “Basically, you’re saying that we and possibly other British museums shouldn’t program contemporary artists or women artists if they don’t reach a huge audience. I disagree with that fundamentally.”</p> <p>Cullinan talks to host Charlotte Burns about the implications of judging a museum’s success solely on attendance, a metric that is “both helpful and vital but should not be the only thing,” he says. “The key thing—in a way, the only thing that matters—is the integrity and the quality with which you do those projects. If we were doing exhibitions that we didn’t believe in, or were bad or shoddy or slapdash, that would be a concern.” </p> <p>Although the museum’s “entire remit is to serve the public”, it is 70% privately funded. Cullinan, who has worked within both American and British museums, talks about issues of funding in each country and ways to be innovative.</p> <p>Recorded in London during a moment of acute political uncertainty, Cullinan discusses what it is like to manage a national museum in times of turmoil.  “I will really fight for the things I believe in and support them. I wouldn’t just abandon the ship,” he says. </p> <p>“You have to have the courage of your conviction. Things are changing around us rapidly and radically, and people have very opposing views. But what we represent, and what we should communicate, is both a timeless and very positive message about British identity,” he says. “It’s very important to hold on to that. So, in a way, we’re doubling down right now.”</p> <p>Transcript: http://www.artagencypartners.com/transcript-popular-or-populist-a-conversation-with-nicholas-cullinan/</p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> <p>From ticketing scandals and the implications of Brexit, to a major £35m museum renovation, this episode of <em>In Other Words</em> features a frank conversation with Nicholas Cullinan, the director of London’s National Portrait Gallery, on a broad range of topics.</p> <p>Cullinan discusses a recent attendance crisis at the museum, when faulty counters reported that visitor figures had fallen by 35% between 2017 and 2018. While the numbers were proven to be wildly inaccurate, the museum was blasted in the media, which suggested its contemporary program was out of touch with the public. In this episode, Cullinan counters some of the criticism: “Basically, you’re saying that we and possibly other British museums shouldn’t program contemporary artists or women artists if they don’t reach a huge audience. I disagree with that fundamentally.”</p> <p>Cullinan talks to host Charlotte Burns about the implications of judging a museum’s success solely on attendance, a metric that is “both helpful and vital but should not be the only thing,” he says. “The key thing—in a way, the only thing that matters—is the integrity and the quality with which you do those projects. If we were doing exhibitions that we didn’t believe in, or were bad or shoddy or slapdash, that would be a concern.” </p> <p>Although the museum’s “entire remit is to serve the public”, it is 70% privately funded. Cullinan, who has worked within both American and British museums, talks about issues of funding in each country and ways to be innovative.</p> <p>Recorded in London during a moment of acute political uncertainty, Cullinan discusses what it is like to manage a national museum in times of turmoil.  “I will really fight for the things I believe in and support them. I wouldn’t just abandon the ship,” he says. </p> <p>“You have to have the courage of your conviction. Things are changing around us rapidly and radically, and people have very opposing views. But what we represent, and what we should communicate, is both a timeless and very positive message about British identity,” he says. “It’s very important to hold on to that. So, in a way, we’re doubling down right now.”</p> <p>Transcript: http://www.artagencypartners.com/transcript-popular-or-populist-a-conversation-with-nicholas-cullinan/</p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> Charlotte Burns 39:06 clean From ticketing scandals and the implications of Brexit, to a major £35m museum renovation, this episode of In Other Words features a frank conversation with Nicholas Cullinan, the director of London’s National Portrait Gallery, on a... From ticketing scandals and the implications of Brexit, to a major £35m museum renovation, this episode of In Other Words features a frank conversation with Nicholas Cullinan, the director of London’s National Portrait Gallery, on a broad range of topics. Cullinan talks to host Charlotte Burns about judging a museum’s success solely on attendance, among many other topics. “The key thing—in a way, the only thing that matters—is the integrity and the quality with which you do those projects." #49: Artist Laurie Simmons “I don’t want to be a second generation anything" https://inotherwords.libsyn.com/episode-49-magical-thinking-with-artist-laurie-simmons In Other Words urn:uuid:7927c46a-b2df-000c-d5c5-ffd95809a421 Thu, 17 Jan 2019 12:08:34 +0000 <p>“Being an artist was a great excuse for anything you wanted to do that was ‘different’,” says the artist, photographer and filmmaker Laurie Simmons, whose work is the subject of a major retrospective survey on show now at the Modern Art Museum of Fort Worth (until 27 January).</p> <p>In this episode, she talks to host Charlotte Burns about everything from Internet culture to egalitarian art and the concept of magical thinking. Simmons’s tableaus, which are often created with dolls, explore memory, sexuality and artifice and she discusses what it was (and is) like working in a male-dominated industry.</p> <p>Transcript: <a href= "http://www.artagencypartners.com/podcast/laurie-simmons/">http://www.artagencypartners.com/transcript-laurie-simmons/</a></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> <p>“Being an artist was a great excuse for anything you wanted to do that was ‘different’,” says the artist, photographer and filmmaker Laurie Simmons, whose work is the subject of a major retrospective survey on show now at the Modern Art Museum of Fort Worth (until 27 January).</p> <p>In this episode, she talks to host Charlotte Burns about everything from Internet culture to egalitarian art and the concept of magical thinking. Simmons’s tableaus, which are often created with dolls, explore memory, sexuality and artifice and she discusses what it was (and is) like working in a male-dominated industry.</p> <p>Transcript: <a href= "http://www.artagencypartners.com/podcast/laurie-simmons/">http://www.artagencypartners.com/transcript-laurie-simmons/</a></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> Charlotte Burns 41:22 clean Artist Laurie Simmons “Being an artist was a great excuse for anything you wanted to do that was ‘different’,” says the artist, photographer and filmmaker Laurie Simmons, whose work is the subject of a major retrospective survey on show now at the Modern Art Museum of Fort Worth (until 27 January). In this episode, she talks to host Charlotte Burns about everything from Internet culture to egalitarian art and the concept of magical thinking. #48: The Best of 2018 https://inotherwords.libsyn.com/episode-48-the-best-of-2018 In Other Words urn:uuid:b1c4559e-a4eb-f184-1870-8b7e723f4aec Thu, 03 Jan 2019 11:00:00 +0000 <p>What were the hot topics of 2018? Host Charlotte Burns looks back on the year in this special episode, breaking down key moments in conversation with Julia Halperin (executive editor of artnet News).<br /> <br /> The broadening of the canon across markets and museums—from African American artists to outliers, from women artists to conspiracists—was a major topic for In Other Words guests last year.<br /> <br /> Another key area of focus was the future of the museum, with topics from deaccessioning to digital swarming discussed by institutional leaders in their appearances on the show, including Glenn Lowry (director, MoMA), Richard Armstrong (director, Solomon R. Guggenheim Museum and Foundation), Jessica Morgan (director, Dia Art Foundation), Michael Govan (CEO and Wallis Annenberg director, LACMA), Doryun Chong (deputy director and chief curator, M+ ), Budi Tek (founder, Yuz Museum and Foundation) and Lisa Phillips (director, New Museum of Contemporary Art).<br /> <br /> And the most popular topic of 2018? Art criticism. Roberta Smith (co-chief art critic of the New York Times) and Jerry Saltz (New York magazine’s senior art critic) talked about their writing and audiences, as well as the best art being made today.<br /> <br /> Tune in to toast the year.</p> <p>Transcript: <a href= "http://www.artagencypartners.com/podcast/podcast-highlights-from-2018/"> http://www.artagencypartners.com/podcast/podcast-highlights-from-2018/</a></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> <p>What were the hot topics of 2018? Host Charlotte Burns looks back on the year in this special episode, breaking down key moments in conversation with Julia Halperin (executive editor of artnet News). The broadening of the canon across markets and museums—from African American artists to outliers, from women artists to conspiracists—was a major topic for In Other Words guests last year. Another key area of focus was the future of the museum, with topics from deaccessioning to digital swarming discussed by institutional leaders in their appearances on the show, including Glenn Lowry (director, MoMA), Richard Armstrong (director, Solomon R. Guggenheim Museum and Foundation), Jessica Morgan (director, Dia Art Foundation), Michael Govan (CEO and Wallis Annenberg director, LACMA), Doryun Chong (deputy director and chief curator, M+ ), Budi Tek (founder, Yuz Museum and Foundation) and Lisa Phillips (director, New Museum of Contemporary Art). And the most popular topic of 2018? Art criticism. Roberta Smith (co-chief art critic of the New York Times) and Jerry Saltz (New York magazine’s senior art critic) talked about their writing and audiences, as well as the best art being made today. Tune in to toast the year.</p> <p>Transcript: <a href= "http://www.artagencypartners.com/podcast/podcast-highlights-from-2018/"> http://www.artagencypartners.com/podcast/podcast-highlights-from-2018/</a></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> Charlotte Burns 42:31 clean The Best of 2018 What were the hot topics of 2018? Host Charlotte Burns looks back on the year in this special episode, breaking down key moments in conversation with Julia Halperin (executive editor of artnet News). The broadening of the canon across markets and museums—from African American artists to outliers, from women artists to conspiracists—was a major topic for In Other Words guests last year. Another key area of focus was the future of the museum, with topics from deaccessioning to digital swarming. #47: Jerry Comes Alive https://inotherwords.libsyn.com/episode-47-jerry-comes-alive In Other Words urn:uuid:1e0c5095-0d69-debc-857d-0b3d5c68010c Thu, 27 Dec 2018 12:00:00 +0000 <p>For this special live recording from Washington, D.C., we were invited to interview Jerry Saltz, the senior art critic at <em>New York </em>magazine, in front of an audience as part of the “Critics in Conversation” talks program organized by the Hirshhorn National Museum of Modern Art.</p> <p>Jerry has previously appeared as a guest on <em>In Other Words</em>—an intimate and introspective conversation in which he talked to our host Charlotte Burns about his life and work. He brought a different energy to this live recording, bouncing from topics as varied as politics to Led Zeppelin to Medieval art—and back again.</p> <p>Saltz—who won a Pulitzer Prize earlier this year for his article “My Life As A Failed Artist”—talks about how he “wanted to change the structure of criticism, which felt exclusive to me. I couldn't get in. I didn't go to the right schools”, and dispenses advice for writers, artists and art-lovers alike: “First of all believe and trust yourself, for God's sake! For two minutes! Is that so hard? Put down the urge to be smart. Put down the urge to be right.”</p> <p>Transcript: <a href= "http://www.artagencypartners.com/podcast/live-podcast-critics-in-conversation-with-jerry-saltz/"> http://www.artagencypartners.com/podcast/live-podcast-critics-in-conversation-with-jerry-saltz/</a></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> <p>For this special live recording from Washington, D.C., we were invited to interview Jerry Saltz, the senior art critic at <em>New York </em>magazine, in front of an audience as part of the “Critics in Conversation” talks program organized by the Hirshhorn National Museum of Modern Art.</p> <p>Jerry has previously appeared as a guest on <em>In Other Words</em>—an intimate and introspective conversation in which he talked to our host Charlotte Burns about his life and work. He brought a different energy to this live recording, bouncing from topics as varied as politics to Led Zeppelin to Medieval art—and back again.</p> <p>Saltz—who won a Pulitzer Prize earlier this year for his article “My Life As A Failed Artist”—talks about how he “wanted to change the structure of criticism, which felt exclusive to me. I couldn't get in. I didn't go to the right schools”, and dispenses advice for writers, artists and art-lovers alike: “First of all believe and trust yourself, for God's sake! For two minutes! Is that so hard? Put down the urge to be smart. Put down the urge to be right.”</p> <p>Transcript: <a href= "http://www.artagencypartners.com/podcast/live-podcast-critics-in-conversation-with-jerry-saltz/"> http://www.artagencypartners.com/podcast/live-podcast-critics-in-conversation-with-jerry-saltz/</a></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> Charlotte Burns 01:01:40 clean Jerry Saltz Live For this special live recording from Washington, D.C., we were invited to interview Jerry Saltz, the senior art critic at New York magazine, in front of an audience as part of the “Critics in Conversation” talks program organized by the Hirshhorn National Museum of Modern Art. Jerry has previously appeared as a guest on In Other Words—an intimate and introspective conversation in which he talked to our host Charlotte Burns about his life and work. An exhilarating listen! #46: Art and Power with New Museum Director Lisa Phillips https://inotherwords.libsyn.com/episode-46-art-and-power-with-new-museum-director-lisa-phillips In Other Words urn:uuid:c49ba498-1a14-5965-e93b-4b97fb4703d2 Thu, 13 Dec 2018 12:00:00 +0000 <p>Named “the most powerful woman in the New York art world” by The New York Times, Lisa Phillips has been the director of the New Museum of Contemporary Art since 1999. On today’s show, she talks about the future of the museum—from the current $85m capital campaign to the ways in which Phillips sees the institution moving beyond bricks and mortar—with host Charlotte Burns (executive editor, In Other Words) and Allan Schwartzman (co-founder of AAP and Sotheby’s chairman)—who was a founding staff member at the New Museum, hired as a curator aged 19.</p> <p>Founded in 1977, the museum recently celebrated its 40th anniversary. Phillips and Schwartzman discuss the “spirit of the new” in art, and talk about power—what it means, who has it and how it might better be redefined. Phillips, who was formerly a curator at the Whitney Museum of American Art, discusses the forces that are shaping museums—such as technology and shifting demographics—and how to respond to them.</p> <p>Transcript: <a href= "http://www.artagencypartners.com/podcast/lisa-phillips/">http://www.artagencypartners.com/podcast/<strong>lisa-phillips</strong>/</a></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> <p>Named “the most powerful woman in the New York art world” by The New York Times, Lisa Phillips has been the director of the New Museum of Contemporary Art since 1999. On today’s show, she talks about the future of the museum—from the current $85m capital campaign to the ways in which Phillips sees the institution moving beyond bricks and mortar—with host Charlotte Burns (executive editor, In Other Words) and Allan Schwartzman (co-founder of AAP and Sotheby’s chairman)—who was a founding staff member at the New Museum, hired as a curator aged 19.</p> <p>Founded in 1977, the museum recently celebrated its 40th anniversary. Phillips and Schwartzman discuss the “spirit of the new” in art, and talk about power—what it means, who has it and how it might better be redefined. Phillips, who was formerly a curator at the Whitney Museum of American Art, discusses the forces that are shaping museums—such as technology and shifting demographics—and how to respond to them.</p> <p>Transcript: <a href= "http://www.artagencypartners.com/podcast/lisa-phillips/">http://www.artagencypartners.com/podcast/lisa-phillips/</a></p> <p>“In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.</p> Charlotte Burns 38:30 clean New Museum Director Lisa Phillips Named “the most powerful woman in the New York art world” by The New York Times, Lisa Phillips has been the director of the New Museum of Contemporary Art since 1999. On today’s show, she talks about the future of the museum—from the current $85m capital campaign to the ways in which Phillips sees the institution moving beyond bricks and mortar—with host Charlotte Burns (executive editor, In Other Words) and Allan Schwartzman (co-founder of AAP and Sotheby’s chairman).