Print News Feed for Blog http://feed.informer.com/digests/DILB7FVK07/feeder Print News Feed for Blog Respective post owners and feed distributors Wed, 07 May 2014 03:01:10 +0000 Feed Informer http://feed.informer.com/ Coming! Soon! To A Screen Near You! http://www.printmag.com/steven-brower/coming-soon-to-a-screen-near-you-bynwr/ Print News urn:uuid:77f78eb1-c190-b637-9c64-cdfb0c666ce6 Thu, 20 Sep 2018 04:42:32 +0000 <p>This summer Danish film director Nicolas Winding Refn, known for such films as “Bleeder,” “Valhalla Rising,” “Fear X,” and “The Neon Demon,” launched the site &#8220;byNWR,&#8221; which celebrates long forgotten exploitation films of the 1960s and 1970s. Restored films such as “The Nest of the Cuckoo Birds (1965)” and &#8220;Shanty Tramp (1967)&#8221; are not the only raison d’etre for the site, as they serve as a starting point for collaboration [&#8230;]</p> <p>The post <a rel="nofollow" href="http://www.printmag.com/steven-brower/coming-soon-to-a-screen-near-you-bynwr/">Coming! Soon! To A Screen Near You!</a> appeared first on <a rel="nofollow" href="http://www.printmag.com">Print Magazine</a>.</p> <p>This summer Danish film director Nicolas Winding Refn, known for such films as “Bleeder,” “Valhalla Rising,” “Fear X,” and “The Neon Demon,” launched the site &#8220;<a href="http://byNWR.com">byNWR</a>,&#8221; which celebrates long forgotten exploitation films of the 1960s and 1970s. Restored films such as “The Nest of the Cuckoo Birds (1965)” and &#8220;Shanty Tramp (1967)&#8221; are not the only raison d’etre for the site, as they serve as a starting point for collaboration between myriad artists of all disciplines, both current and posthumous.</p> <p><img class="alignnone size-medium wp-image-551859" src="http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-09-01-at-12.51.59-AM-450x285.png" alt="" width="450" height="285" srcset="http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-09-01-at-12.51.59-AM-450x285.png 450w, http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-09-01-at-12.51.59-AM-600x380.png 600w, http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-09-01-at-12.51.59-AM.png 1135w" sizes="(max-width: 450px) 100vw, 450px" /></p> <p><img class="alignnone size-medium wp-image-551860" src="http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-09-01-at-12.52.42-AM-450x287.png" alt="" width="450" height="287" srcset="http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-09-01-at-12.52.42-AM-450x287.png 450w, http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-09-01-at-12.52.42-AM-600x382.png 600w, http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-09-01-at-12.52.42-AM.png 1134w" sizes="(max-width: 450px) 100vw, 450px" /></p> <h3>A Mystical Process</h3> <p>According to first up guest editor and editorial director, biographer and journalist Jimmy McDonough, “We let the guest editor for the volume pick the contributors—with input from our team, if need be.&nbsp; The guest editor has the vision and we help realize it. The trick is picking that editor, which is the most elusive piece of the puzzle. I wish I could tell you how that works, but I&#8217;m not sure myself. It&#8217;s a mysterious, downright mystical process.” Other guest editors includes author and critic Bob Mehr.</p> <p><img class="alignnone size-medium wp-image-551861" src="http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-08-24-at-1.06.42-PM-450x310.png" alt="" width="450" height="310" srcset="http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-08-24-at-1.06.42-PM-450x310.png 450w, http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-08-24-at-1.06.42-PM-600x413.png 600w, http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-08-24-at-1.06.42-PM.png 1061w" sizes="(max-width: 450px) 100vw, 450px" /></p> <div id="attachment_551862" style="width: 356px" class="wp-caption alignnone"><img class="size-medium wp-image-551862" src="http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-08-24-at-1.05.43-PM-346x450.png" alt="" width="346" height="450" srcset="http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-08-24-at-1.05.43-PM-346x450.png 346w, http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-08-24-at-1.05.43-PM.png 451w" sizes="(max-width: 346px) 100vw, 346px" /><p class="wp-caption-text">Art by Bert Williams</p></div> <p>Collaborative examples include the work of graphic novelist Tim Lane; a short story by Molly Scott; an exhibit of the legendary suits of Nudie Cohn (AKA Nuta Kotlyarenko); an interview with the front-woman of the band Demolition Doll Rods, Margaret Doll Rod;&nbsp; a biography of Frankie Miller, “The Greatest Country Singer You Never Heard”; author David K. Frasier writing about Florida murder, and much more. Bert Williams, the star of “Nest” gets a particularly deep treatment, with an extensive biography and a gallery of his artwork. There are also copious restoration details on each of the fully-restored films.</p> <div id="attachment_551863" style="width: 460px" class="wp-caption alignnone"><img class="wp-image-551863 size-medium" src="http://wwwcdn.printmag.com/wp-content/uploads/HotTrampILoveYouSo_NathanSchiff-450x246.jpg" alt="" width="450" height="246" srcset="http://wwwcdn.printmag.com/wp-content/uploads/HotTrampILoveYouSo_NathanSchiff-450x246.jpg 450w, http://wwwcdn.printmag.com/wp-content/uploads/HotTrampILoveYouSo_NathanSchiff-600x328.jpg 600w, http://wwwcdn.printmag.com/wp-content/uploads/HotTrampILoveYouSo_NathanSchiff.jpg 1278w" sizes="(max-width: 450px) 100vw, 450px" /><p class="wp-caption-text">Photo courtesy of Nathan Schiff</p></div> <div id="attachment_551864" style="width: 393px" class="wp-caption alignnone"><img class="wp-image-551864 size-medium" src="http://wwwcdn.printmag.com/wp-content/uploads/LukeMoberlyFromTheSwamps_StephenThrower-383x450.jpg" alt="" width="383" height="450" srcset="http://wwwcdn.printmag.com/wp-content/uploads/LukeMoberlyFromTheSwamps_StephenThrower-383x450.jpg 383w, http://wwwcdn.printmag.com/wp-content/uploads/LukeMoberlyFromTheSwamps_StephenThrower-510x600.jpg 510w" sizes="(max-width: 383px) 100vw, 383px" /><p class="wp-caption-text">Art courtesy of Stephen Thrower</p></div> <h3>Cultural Expressway</h3> <p>Refn describes the site as “an unadulterated cultural expressway of the arts” that will “create a modern idea of what cinema will become.” According to their mission statement, “byNWR shares Nicolas Winding Refn’s passion for the rare, the forgotten and the unknown, breathing new life into the culturally intriguing and influential. Quarterly volumes of content divide into three monthly chapters, each featuring a fully-restored film.”</p> <div id="attachment_551865" style="width: 460px" class="wp-caption alignnone"><img class="wp-image-551865 size-medium" src="http://wwwcdn.printmag.com/wp-content/uploads/TheSagaOfMargaretDollrod_TheDemolitionDollrods_JimmyMcDonough_CREDIT_Joe-S-450x356.jpg" alt="" width="450" height="356" srcset="http://wwwcdn.printmag.com/wp-content/uploads/TheSagaOfMargaretDollrod_TheDemolitionDollrods_JimmyMcDonough_CREDIT_Joe-S-450x356.jpg 450w, http://wwwcdn.printmag.com/wp-content/uploads/TheSagaOfMargaretDollrod_TheDemolitionDollrods_JimmyMcDonough_CREDIT_Joe-S-600x474.jpg 600w" sizes="(max-width: 450px) 100vw, 450px" /><p class="wp-caption-text">The Saga Of Margaret Dollrod: The Demolition Dollrods. Courtesy of Jimmy McDonough. Photo credit: Joe S.</p></div> <div id="attachment_551866" style="width: 460px" class="wp-caption alignnone"><img class="wp-image-551866 size-medium" src="http://wwwcdn.printmag.com/wp-content/uploads/WhoTheHellIsCurtisHarrington_TrevorJohnston_CREDIT_JasonNgai-450x253.jpg" alt="" width="450" height="253"><p class="wp-caption-text">Art: Jason Ngai</p></div> <div id="attachment_551878" style="width: 460px" class="wp-caption alignnone"><img class="size-medium wp-image-551878" src="http://wwwcdn.printmag.com/wp-content/uploads/GreetingsFromAppalachia_NickPinkerton_CREDIT_JasonNgai-450x264.jpg" alt="" width="450" height="264" srcset="http://wwwcdn.printmag.com/wp-content/uploads/GreetingsFromAppalachia_NickPinkerton_CREDIT_JasonNgai-450x264.jpg 450w, http://wwwcdn.printmag.com/wp-content/uploads/GreetingsFromAppalachia_NickPinkerton_CREDIT_JasonNgai-600x352.jpg 600w" sizes="(max-width: 450px) 100vw, 450px" /><p class="wp-caption-text">Art: Jason Ngai</p></div> <p>First up was “Regional Renegades: Exploitation Gems from the Southern USA.” This was followed by this month’s chapter, “Missing Links”, comprised of “Night Tide” from 1963 (Dennis Hopper’s first starring role), “If Footmen Tire You, What Will Horses Do? (1971)” and “Spring Night, Summer Night (1967)”; to be followed by “Hillbillies, Hustlers and Fallen Idols.” All of this is provided free of charge. &nbsp;Not only are these films streaming on the site, but also special screenings at venues around the globe are planned. The site is handsomely designed by the UK’s BUREAU Agency.</p> <p>Stay tuned for coming attractions and bring the popcorn.</p> <div id="attachment_551867" style="width: 331px" class="wp-caption alignnone"><img class="wp-image-551867 size-medium" src="http://wwwcdn.printmag.com/wp-content/uploads/b_girl_2_150-321x450.jpg" alt="" width="321" height="450" srcset="http://wwwcdn.printmag.com/wp-content/uploads/b_girl_2_150-321x450.jpg 321w, http://wwwcdn.printmag.com/wp-content/uploads/b_girl_2_150-428x600.jpg 428w, http://wwwcdn.printmag.com/wp-content/uploads/b_girl_2_150.jpg 1180w" sizes="(max-width: 321px) 100vw, 321px" /><p class="wp-caption-text">&#8220;B-Girl&#8221; by Tim Lane, an graphic short story and accompanying motion graphic that appears in conjunction with the restored film &#8220;Shanty Tramp.&#8221;</p></div> <div id="attachment_551879" style="width: 345px" class="wp-caption alignnone"><img class="size-medium wp-image-551879" src="http://wwwcdn.printmag.com/wp-content/uploads/b_girl_1_150-335x450.jpg" alt="" width="335" height="450" srcset="http://wwwcdn.printmag.com/wp-content/uploads/b_girl_1_150-335x450.jpg 335w, http://wwwcdn.printmag.com/wp-content/uploads/b_girl_1_150-447x600.jpg 447w, http://wwwcdn.printmag.com/wp-content/uploads/b_girl_1_150.jpg 1224w" sizes="(max-width: 335px) 100vw, 335px" /><p class="wp-caption-text">Art: Tim Lane</p></div> <p>&nbsp;</p> <p><span id="more-551858"></span></p> <p><em>Special thanks to Jimmy McDonough, Jules Hammond and Tim Lane</em></p> <p>The post <a rel="nofollow" href="http://www.printmag.com/steven-brower/coming-soon-to-a-screen-near-you-bynwr/">Coming! Soon! To A Screen Near You!</a> appeared first on <a rel="nofollow" href="http://www.printmag.com">Print Magazine</a>.</p> Steven Brower cinema design inspiration design thinking exploitation films Film graphic novels inspiration Jason Ngai Jimmy McDonough Nicolas Winding Refn streaming films The Demolition Dollrods Tim Lane website design Steven Brower Fujifilm develops “Personalized Select” & “Personalized Layout” technology. http://www.fujifilm.com/news/n180920.html Print Companies - News urn:uuid:ad4a836f-8a1c-f962-083d-a9fdf492fb2b Thu, 20 Sep 2018 04:00:00 +0000 The Print Show confirms NEC return for 2019 http://www.printmonthly.co.uk/NewsStory.aspx?i=6963 Print News urn:uuid:2f53306b-4550-8902-003f-9bc9d1566ad6 Wed, 19 Sep 2018 16:51:43 +0000 Organisers of The Print Show have today (Wednesday) confirmed that the event will return to the NEC in Birmingham next year. Inspiring profit opportunities http://www.printmonthly.co.uk/NewsStory.aspx?i=6964 Print News urn:uuid:5ae582fa-2db5-67bc-7994-3eaf2aa86e2d Wed, 19 Sep 2018 16:51:42 +0000 The Print Show 2018 is well underway on the second day of the event, with visitors making their way through the door into the hall where a number of major exhibitors are aiming to inspire. Renz eyes further sales after opening day deal http://www.printmonthly.co.uk/NewsStory.aspx?i=6962 Print News urn:uuid:ccb87f4a-7189-6ad5-6fad-6f305f8ca920 Wed, 19 Sep 2018 10:17:39 +0000 Finishing specialist Renz has said it expects to complete further sales over the next two days at The Print Show 2018 after signing off on a deal during day one of the event. Imperial College Healthcare NHS Trust Engages Xerox to Digitise Patient Medical Records https://news.xerox.co.uk/news/imperial-college-healthcare-nhs-trust-engages-xerox-to-digitise-patient-medical-records Print Companies - News urn:uuid:b959022d-e6bb-60ab-b7ab-454027e5c4c2 Wed, 19 Sep 2018 10:03:00 +0000 UXBRIDGE, U.K., September 19th, 2018 – Imperial College Healthcare NHS Trust has selected Xerox to digitise over a million paper-based patient records. With medical information directly accessible at the point of care, clinicians can now assess and treat...<div class="feedflare"> <a href="http://rss.xerox.com/~ff/xerox-uk-news?a=A1_gkgOJ1Ig:4wIpssrcF9o:yIl2AUoC8zA"><img src="http://feeds.feedburner.com/~ff/xerox-uk-news?d=yIl2AUoC8zA" border="0"></img></a> <a href="http://rss.xerox.com/~ff/xerox-uk-news?a=A1_gkgOJ1Ig:4wIpssrcF9o:dnMXMwOfBR0"><img src="http://feeds.feedburner.com/~ff/xerox-uk-news?d=dnMXMwOfBR0" border="0"></img></a> <a href="http://rss.xerox.com/~ff/xerox-uk-news?a=A1_gkgOJ1Ig:4wIpssrcF9o:F7zBnMyn0Lo"><img src="http://feeds.feedburner.com/~ff/xerox-uk-news?i=A1_gkgOJ1Ig:4wIpssrcF9o:F7zBnMyn0Lo" border="0"></img></a> <a href="http://rss.xerox.com/~ff/xerox-uk-news?a=A1_gkgOJ1Ig:4wIpssrcF9o:V_sGLiPBpWU"><img src="http://feeds.feedburner.com/~ff/xerox-uk-news?i=A1_gkgOJ1Ig:4wIpssrcF9o:V_sGLiPBpWU" border="0"></img></a> <a href="http://rss.xerox.com/~ff/xerox-uk-news?a=A1_gkgOJ1Ig:4wIpssrcF9o:qj6IDK7rITs"><img src="http://feeds.feedburner.com/~ff/xerox-uk-news?d=qj6IDK7rITs" border="0"></img></a> <a href="http://rss.xerox.com/~ff/xerox-uk-news?a=A1_gkgOJ1Ig:4wIpssrcF9o:gIN9vFwOqvQ"><img src="http://feeds.feedburner.com/~ff/xerox-uk-news?i=A1_gkgOJ1Ig:4wIpssrcF9o:gIN9vFwOqvQ" border="0"></img></a> </div><img src="http://feeds.feedburner.com/~r/xerox-uk-news/~4/A1_gkgOJ1Ig" height="1" width="1" alt=""/> <![CDATA[<p>UXBRIDGE, U.K., September 19<sup>th</sup>, 2018 &ndash; <a href="https://www.imperial.nhs.uk/">Imperial College Healthcare NHS Trust</a> has selected <a href="https://www.xerox.co.uk/">Xerox</a> to digitise over a million paper-based patient records. With medical information directly accessible at the point of care, clinicians can now assess and treat patients more quickly and effectively.</p> <p>The five-year agreement for <a href="https://www.xerox.co.uk/en-gb/services/workflow-automation/health-records-management">Xerox&rsquo;s Health Records Automation (HRA) solution</a> will convert the Trust&rsquo;s paper-based records into electronic format, making all patient-related information available in the Trust&rsquo;s electronic patient records system. This will enable better visibility into patient care history and improve patient safety. The Trust has had an electronic health records system for several years but clinical staff still regularly need access to old paper records.</p> <p>With all patient records now managed and stored, securely and efficiently online, the Xerox solution will help release precious space that can be used for patient care.</p> <p>&ldquo;Better patient care is at the very heart of every digital transformation project the Trust undertakes,&rdquo; said Kevin Jarrold, chief information officer at Imperial College Healthcare NHS Trust. &ldquo;Our aim is that staff and patients can easily and securely access, update, analyse and share information to provide the best patient care. Digitising paper records with Xerox will make an important contribution to this.&rdquo;</p> <p>The deal expands the partnership between the two organisations as the Trust already uses the <a href="https://www.imperial.nhs.uk/about-us/news/trust-moves-towards-paperless-communication-with-patients">Xerox&rsquo;s hybrid mail service</a> to provide patients with the option to receive appointment notifications via email or post, increasing convenience for patients and reducing costs for the Trust.</p> <p>&ldquo;We&rsquo;re looking forward to continuing to support Imperial College Healthcare NHS Trust on its paper to digital journey,&rdquo; said Jonathan Elliott, director and general manager, public sector, Xerox. &ldquo;Not only will our solution free up time previously spent on paper administration, allowing clinicians to focus their attention on providing the best patient care, but it will also deliver cost savings and release space in the Trust&rsquo;s buildings that can be used for patient care.&rdquo;</p> <p><strong>About Xerox</strong></p> <p>Xerox Corporation is a <a href="https://na01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fwww.office.xerox.com%2Fdigital-printing-equipment%2Fenus.html&amp;data=02%7C01%7Cefletcher%40we-worldwide.com%7Cfc82f0c77f714c0137b808d601264e01%7C3ed60ab455674971a5341a5f0f7cc7f5%7C0%7C0%7C636697661390488704&amp;sdata=RA1In2W8wH7vL624nu2nDfo4qYaUxipBlK%2B%2FBQnQut0%3D&amp;reserved=0">technology</a> leader that innovates the way the world <a href="https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fyoutu.be%2Fv2_6dwPJ8xc&amp;data=02%7C01%7Cefletcher%40we-worldwide.com%7Cfc82f0c77f714c0137b808d601264e01%7C3ed60ab455674971a5341a5f0f7cc7f5%7C0%7C0%7C636697661390488704&amp;sdata=kO5JDNODlm9WGsVvWOYFsYKadIAawscGu7k7XuWVdz4%3D&amp;reserved=0">communicates, connects and works</a>. We understand what&rsquo;s at the heart of sharing information &ndash; and all of the forms it can take. We embrace the integration of paper and digital, the increasing requirement for mobility, and the need for seamless integration between work and personal worlds. Every day, our innovative print technologies and intelligent work solutions help people communicate and work better.&nbsp;Discover more at <a href="https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.xerox.com%2F&amp;data=02%7C01%7Cefletcher%40we-worldwide.com%7Cfc82f0c77f714c0137b808d601264e01%7C3ed60ab455674971a5341a5f0f7cc7f5%7C0%7C0%7C636697661390488704&amp;sdata=trbliubY0M4OObdzyag4cUY0uQk1D9V%2BwClhBN%2BdIjg%3D&amp;reserved=0">www.xerox.com</a> and follow us on Twitter at <a href="https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Ftwitter.com%2FXerox&amp;data=02%7C01%7Cefletcher%40we-worldwide.com%7Cfc82f0c77f714c0137b808d601264e01%7C3ed60ab455674971a5341a5f0f7cc7f5%7C0%7C0%7C636697661390488704&amp;sdata=0fg3mUK8EdfM0jowKokJVAfF7Qn1EftZsDo9rcvA3vU%3D&amp;reserved=0">@Xerox</a>.</p> <p align="center">-XXX-</p> <p><strong>Xerox Media Contact:</strong></p> <p>Sonia Panchal, Xerox</p> <p><span class="baec5a81-e4d6-4674-97f3-e9220f0136c1" style="white-space: nowrap;">+44 (0)1895 842877<a href="#" style="margin: 0px; border: currentColor; left: 0px; top: 0px; width: 16px; height: 16px; right: 0px; bottom: 0px; overflow: hidden; vertical-align: middle; float: none; display: inline; white-space: nowrap; position: static !important;" title="Call: +44 (0)1895 842877"><img src="data:image/png;base64,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" style="margin: 0px; border: currentColor; left: 0px; top: 0px; width: 16px; height: 16px; right: 0px; bottom: 0px; overflow: hidden; vertical-align: middle; float: none; display: inline; white-space: nowrap; position: static !important;" title="Call: +44 (0)1895 842877" /></a></span></p> <p><a href="mailto:Sonia.panchal@xerox.com">Sonia.panchal@xerox.com</a></p> <p><strong>Imperial College Healthcare NHS Trust Media Contact:</strong></p> <p>Julia Smith, Imperial College Healthcare NHS Trust &nbsp;</p> <p>020 3313 3005</p> <p><a href="mailto:Julia.Smith14@nhs.net">Julia.Smith14@nhs.net</a></p> <p><strong>Note:</strong> To receive RSS news feeds, visit <a href="https://www.news.xerox.com/">https://www.news.xerox.com</a>. For open commentary, industry perspectives and views visit <a href="http://twitter.com/xerox">http://twitter.com/xerox</a>, <a href="http://www.linkedin.com/company/xerox">http://www.linkedin.com/company/xerox</a>, <a href="http://connect.blogs.xerox.com/">http://connect.blogs.xerox.com</a>, <a href="http://www.facebook.com/XeroxCorp">http://www.facebook.com/XeroxCorp</a>, <a href="http://www.youtube.com/XeroxCorp">http://www.youtube.com/XeroxCorp</a>.</p> ]]> Digitalization Customers New Durst doubles Leach’s print capacity at Huddersfield https://www.imagereportsmag.co.uk/news/9446-new-durst-doubles-leach-s-print-capacity-at-huddersfield Print News urn:uuid:89eb38b2-1859-0ad1-d1bb-3fa61d99c455 Wed, 19 Sep 2018 07:24:25 +0000 Leach has doubled the print capacity of its 30,000m2 Huddersfield site with a new Durst Rhotex 325. News Articles N3 Display Graphics makes an impact with pop art print https://www.imagereportsmag.co.uk/news/9445-n3-display-graphics-makes-an-impact-with-pop-art-print Print News urn:uuid:85249525-1d8d-5e1e-3681-c239a217dbcd Wed, 19 Sep 2018 07:22:58 +0000 N3 Display Graphics has produced a super-sized version of Roy Lichtenstein's iconic pop art painting Whaam! for its building in Bristol, UK, to show-off its wall art print capability. News Articles Landscapes by Glaser http://www.printmag.com/daily-heller/landscapes-by-glaser/ Print News urn:uuid:e853fe6a-4ae0-dd41-261f-207c8047c316 Wed, 19 Sep 2018 05:29:25 +0000 <p>When one thinks of Milton Glaser, many media, graphic and drawing styles come to mind. But most of us do not think of landscapes. Start thinking!</p> <p>The post <a rel="nofollow" href="http://www.printmag.com/daily-heller/landscapes-by-glaser/">Landscapes by Glaser</a> appeared first on <a rel="nofollow" href="http://www.printmag.com">Print Magazine</a>.</p> <p>When one thinks of Milton Glaser, many media, graphic and drawing styles come to mind. But most of us do not think of landscapes. Start thinking! The Edward Hopper House Museum &amp; Study Center has opened an exhibition from September 7 &#8211; November 4, 2018 of landscape prints that he has been doing for a number of years.</p> <p>The opportunity to exhibit in Edward Hopper’s home is apt. The employ of light is a shared interest among other aspects of the natural world. The exhibition has drawn other similarities both overt and subtle between the two artists, including the influence of time spent in Europe as young men, the resulting decision of each to turn toward a different artistic medium, and a mutual love for the Hudson Valley.</p> <p><a href="http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-09-13-at-9.28.05-AM.jpg"><img class="aligncenter size-full wp-image-552051" src="http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-09-13-at-9.28.05-AM.jpg" alt="" width="1632" height="822" srcset="http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-09-13-at-9.28.05-AM.jpg 1632w, http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-09-13-at-9.28.05-AM-450x227.jpg 450w, http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-09-13-at-9.28.05-AM-600x302.jpg 600w" sizes="(max-width: 1632px) 100vw, 1632px" /></a><br /> &#8220;The exhibition at Edward Hopper House will feature numerous landscape explorations influenced by the late monotypes of Edgar Degas, which are also reminiscent of Hopper’s early paintings. In each case, Glaser begins with a drawing – in black and white or color – made from both memory and observation, notes the museum. &#8220;He then uses a range of digital processes to layer a variety of patterns on top of and below the image, effectively creating a virtual lithographic press. This procedure, which enables him to discern and control the slightest changes in color, has resulted in a series of new works by Glaser that offer an at-once-familiar but unique perspective on the natural beauty of the Hudson Valley.&#8221;</p> <p>An exhibition poster and special edition post card books designed by Milton Glaser will be available for sale at Edward Hopper House.<a href="http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-09-13-at-9.27.48-AM.jpg"><img class="aligncenter size-full wp-image-552052" src="http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-09-13-at-9.27.48-AM.jpg" alt="" width="1644" height="2498" srcset="http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-09-13-at-9.27.48-AM.jpg 1644w, http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-09-13-at-9.27.48-AM-296x450.jpg 296w, http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-09-13-at-9.27.48-AM-395x600.jpg 395w" sizes="(max-width: 1644px) 100vw, 1644px" /></a></p> <p>The post <a rel="nofollow" href="http://www.printmag.com/daily-heller/landscapes-by-glaser/">Landscapes by Glaser</a> appeared first on <a rel="nofollow" href="http://www.printmag.com">Print Magazine</a>.</p> Daily Heller Steven Heller Landscapes Milton Glaser Steven Heller Colourfast in UK first with Keyline at Print Show http://www.printmonthly.co.uk/NewsStory.aspx?i=6960 Print News urn:uuid:da92b1b3-b838-3181-dd5f-2c015b0ecf78 Tue, 18 Sep 2018 16:33:33 +0000 Colourfast Financial has become the first print company in the UK to commit to Keyline MIS technology, signing off on a deal today (Tuesday) at The Print Show in Birmingham. The Print Show 2018 opens with a flourish http://www.printmonthly.co.uk/NewsStory.aspx?i=6958 Print News urn:uuid:8239feb6-4523-8daf-222e-f5edad01c331 Tue, 18 Sep 2018 16:33:33 +0000 The Print Show 2018 opened this morning (Tuesday) at the NEC in Birmingham, with visitors greeted by the great and good from across the print industry. Pushing boundaries with latex at The Print Show http://www.printmonthly.co.uk/NewsStory.aspx?i=6961 Print News urn:uuid:8238ee29-dd66-61b4-9241-dcf8ad0659d7 Tue, 18 Sep 2018 16:33:32 +0000 HP brings its Latex R Series to The Print Show in a UK first, following its initial unveiling at Fespa. Books, Bills and Direct Mail Printing Now More Productive and Profitable with the Brenva HD Production Press https://news.xerox.co.uk/news/books-bills-and-direct-mail-printing-now-more-productive-and-profitable-with-the-brenva-hd-production-press Print Companies - News urn:uuid:a0e72b45-6b48-779a-9948-16d3c0ab08e6 Tue, 18 Sep 2018 10:20:00 +0000 UXBRIDGE, UK, Sept. 18, 2018 – With the demand for colour inkjet pages expected to grow more than five-fold through 20221, print providers need more productivity and flexibility from their inkjet devices to capture that growth. To respond to the demand,...<div class="feedflare"> <a href="http://rss.xerox.com/~ff/xerox-uk-news?a=H4gR8PYCB74:GColbVziupg:yIl2AUoC8zA"><img src="http://feeds.feedburner.com/~ff/xerox-uk-news?d=yIl2AUoC8zA" border="0"></img></a> <a href="http://rss.xerox.com/~ff/xerox-uk-news?a=H4gR8PYCB74:GColbVziupg:dnMXMwOfBR0"><img src="http://feeds.feedburner.com/~ff/xerox-uk-news?d=dnMXMwOfBR0" border="0"></img></a> <a href="http://rss.xerox.com/~ff/xerox-uk-news?a=H4gR8PYCB74:GColbVziupg:F7zBnMyn0Lo"><img src="http://feeds.feedburner.com/~ff/xerox-uk-news?i=H4gR8PYCB74:GColbVziupg:F7zBnMyn0Lo" border="0"></img></a> <a href="http://rss.xerox.com/~ff/xerox-uk-news?a=H4gR8PYCB74:GColbVziupg:V_sGLiPBpWU"><img src="http://feeds.feedburner.com/~ff/xerox-uk-news?i=H4gR8PYCB74:GColbVziupg:V_sGLiPBpWU" border="0"></img></a> <a href="http://rss.xerox.com/~ff/xerox-uk-news?a=H4gR8PYCB74:GColbVziupg:qj6IDK7rITs"><img src="http://feeds.feedburner.com/~ff/xerox-uk-news?d=qj6IDK7rITs" border="0"></img></a> <a href="http://rss.xerox.com/~ff/xerox-uk-news?a=H4gR8PYCB74:GColbVziupg:gIN9vFwOqvQ"><img src="http://feeds.feedburner.com/~ff/xerox-uk-news?i=H4gR8PYCB74:GColbVziupg:gIN9vFwOqvQ" border="0"></img></a> </div><img src="http://feeds.feedburner.com/~r/xerox-uk-news/~4/H4gR8PYCB74" height="1" width="1" alt=""/> <![CDATA[<p>UXBRIDGE, UK, Sept. 18, 2018 &ndash; With the demand for colour inkjet pages expected to grow more than five-fold through 2022<a name="_Hlk522618852"><sup>1</sup></a>, print providers need more productivity and flexibility from their inkjet devices to capture that growth. To respond to the demand, Xerox has increased output capacity for the <a href="https://www.xerox.co.uk/digital-printing/digital-printing-press/colour-printing/brenva-hd/engb.html">Xerox Brenva<sup>&reg;</sup> HD Production Press by 40 percent</a>, expanded stock choices and added a roll feed capability for continuous operation.</p> <p><strong>Productivity Boost&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </strong></p> <p>With the new duplex speed kit, Brenva HD&rsquo;s output speed increases from 197 to 275 A4 pages per minute, allowing print providers to take advantage of the inkjet value proposition, high quality and high output for key application areas.</p> <p>&ldquo;Print speed, workflow efficiency and production costs are among the top decision drivers for print providers considering inkjet,&rdquo; said Marco Boer, vice president, IT Strategies. &ldquo;The Brenva HD speed upgrade means print providers can get more valuable jobs out the door faster, especially in key application growth areas such as transactional and direct mail.&rdquo;</p> <p>Brenva HD&rsquo;s increased output also creates new ways to print more jobs faster. The new kit increases productivity by speeding up duplex (two-sided) printing, which is essential for books and manuals, as well as many transactional jobs.&nbsp; Depending on the sheet size used, print providers can now achieve up to 300 A4 size impressions per minute with the Brenva HD Press.</p> <p><strong>Production Flexibility</strong></p> <p>Working with technology partner, Tecnau, Xerox now offers the <a href="https://www.tecnau.com/product/sheetfeeder-bv/">Tecnau SheetFeeder&trade; BV roll feed system</a> for up to nine hours of non-stop cut sheet paper feeding. Brenva HD is the first sheet-fed inkjet press to offer a roll feed option, enabling print shops to produce longer run jobs without frequent paper tray restocking.</p> <p>The book, transactional and direct mail segments are all expected to have double digit compound annual growth rates in production inkjet pages by 2022<sup>1</sup>. With Brenva HD&rsquo;s increased output and new roll feed capabilities, print providers can grow profitability by reducing run costs and increasing capacity.</p> <p><strong>More Applications, More Profit</strong></p> <p>To give print providers even more opportunities to produce new applications, Brenva HD can now print on heavier weight stocks up to 270 gsm. A wider range of applications such as postcards, ID cards, and other jobs that utilise thicker, heavier media can now be produced quickly and efficiently on the Brenva HD.</p> <p>&ldquo;We&rsquo;re continually looking for ways to drive new business efficiencies and opportunities for our customers, and our upgrades for Brenva HD were designed with those key elements in mind,&rdquo; said Ragni Mehta, vice president and general manager, Cut Sheet Business, Xerox. &ldquo;Our customers can now focus on maximising their business potential and growing revenue by taking on more print jobs, regardless of run length.&rdquo;</p> <p>The Brenva HD Production Press with the duplex speed kit and Tecnau SheetFeeder BV roll feed system will be on display at Xerox booth #1621 at <a href="https://www.xerox.com/en-gb/digital-printing/print-18-chicago">PRINT 2018</a>.</p> <p><strong>Availability</strong></p> <p>The Brenva HD speed kit will be available for order taking beginning September 17. The kit will be available for both new equipment and as an upgrade to existing machines.</p> <p><sup>1</sup> IT Strategies&rsquo; The Production Cut-Sheet Inkjet Market, July 2018</p> <p><iframe allowfullscreen="" frameborder="0" height="280" src="//www.youtube.com/embed/Mqvh6myoLMY" width="480"></iframe></p> <p><strong>About Xerox</strong><br /> Xerox Corporation is a <a href="http://www.office.xerox.com/digital-printing-equipment/engb.html">technology</a> leader that innovates the way the world communicates, connects and works. We understand what&rsquo;s at the heart of sharing information &ndash; and all of the forms it can take. We embrace the integration of paper and digital, the increasing requirement for mobility, and the need for seamless integration between work and personal worlds. Every day, our innovative print technologies and intelligent work solutions help people communicate and work better.&nbsp;Discover more at <u>www.xerox.co.uk</u> and follow us on Twitter at <a href="https://twitter.com/Xerox">@Xerox</a>.</p> <p align="center">-XXX-</p> <p><strong>Media Contacts:</strong></p> <p>Sonia Panchal, Xerox</p> <p><span class="baec5a81-e4d6-4674-97f3-e9220f0136c1" style="white-space: nowrap;">+44 (0)1895 842877<a href="#" style="margin: 0px; border: currentColor; border-image: none; left: 0px; top: 0px; width: 16px; height: 16px; right: 0px; bottom: 0px; overflow: hidden; vertical-align: middle; float: none; display: inline; white-space: nowrap; position: static !important;" title="Call: +44 (0)1895 842877"><img src="data:image/png;base64,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" style="margin: 0px; border: currentColor; border-image: none; left: 0px; top: 0px; width: 16px; height: 16px; right: 0px; bottom: 0px; overflow: hidden; vertical-align: middle; float: none; display: inline; white-space: nowrap; position: static !important;" title="Call: +44 (0)1895 842877" /></a></span></p> <p><a href="mailto:Sonia.panchal@xerox.com">Sonia.panchal@xerox.com</a></p> <p><strong>Note:</strong> To receive RSS news feeds, visit <a href="https://news.xerox.co.uk/">https://news.xerox.co.uk/</a>. For open commentary, industry perspectives and views, visit <a href="https://twitter.com/XeroxUK">https://twitter.com/XeroxUK</a>, <a href="https://www.xerox.co.uk/en-gb/blogs">https://www.xerox.co.uk/en-gb/blogs</a>, <a href="http://www.facebook.com/XeroxCorp">http://www.facebook.com/XeroxCorp</a>, <a href="https://www.instagram.com/xerox/">https://www.instagram.com/xerox/</a>, <a href="http://www.linkedin.com/company/xerox">http://www.linkedin.com/company/xerox</a>, <a href="http://www.youtube.com/XeroxCorp">http://www.youtube.com/XeroxCorp</a>.</p> <p>Xerox<sup>&reg;</sup> and Xerox and Design<sup>&reg;</sup> and Brenva<sup>&reg;</sup> are trademarks of Xerox in the United Kingdom.</p> <p>&nbsp;</p> <p>&nbsp;</p> ]]> Printing When Branding Was Just Logos . . . http://www.printmag.com/design-trends-2/branding-logos-history/ Print News urn:uuid:b38bac87-b849-19d6-f77c-7cb6a5be9b29 Tue, 18 Sep 2018 05:25:11 +0000 <p>Don't you pine for the days when branding was just simply and irresistibly...logo-based? Well, leap into the nostalgia with these.</p> <p>The post <a rel="nofollow" href="http://www.printmag.com/design-trends-2/branding-logos-history/">When Branding Was Just Logos . . .</a> appeared first on <a rel="nofollow" href="http://www.printmag.com">Print Magazine</a>.</p> <p>And logos were trademarks, simple images or complex designs that relied solely on the printer&#8217;s artistic talent to sketch and the engraver&#8217;s skill to make reproductions. These were not just anonymous illustrators but highly capable crafts persons who could transform the Spirit of 76 into a seal, or make a hotel luck majestic, or render the letters GE into possibly (along with Coca Cola) the longest lasting, virtually unchanged American trademark.</p> <p>Logos or marks were not strategized, refined or refreshed. Branding was not a verb or a noun. It was the initial stages of commercial art prior to the introduction of graphic design, when advertising agencies and printers collaborated on making business graphics, which evolved into corporate identity, often using the product package itself as the identifier.</p> <p>It wasn&#8217;t that it was any easier to create effective graphics in late nineteenth and early twentieth centuries, but it was a process that involved less &#8220;stakeholders&#8221; with their host of taboos and restrictions. These below were complex, but don&#8217;t you just love the inherent simplicity? Ahhhhhh.</p> <h3>Branding Logos of the Past</h3> <p><a href="http://wwwcdn.printmag.com/wp-content/uploads/french-letters137-1.jpg"><img class="aligncenter size-full wp-image-552009" src="http://wwwcdn.printmag.com/wp-content/uploads/french-letters137-1.jpg" alt="" width="1271" height="1642" srcset="http://wwwcdn.printmag.com/wp-content/uploads/french-letters137-1.jpg 1271w, http://wwwcdn.printmag.com/wp-content/uploads/french-letters137-1-348x450.jpg 348w, http://wwwcdn.printmag.com/wp-content/uploads/french-letters137-1-464x600.jpg 464w" sizes="(max-width: 1271px) 100vw, 1271px" /></a> <a href="http://wwwcdn.printmag.com/wp-content/uploads/french-letters138-1.jpg"><img class="aligncenter size-full wp-image-552010" src="http://wwwcdn.printmag.com/wp-content/uploads/french-letters138-1.jpg" alt="" width="973" height="551" srcset="http://wwwcdn.printmag.com/wp-content/uploads/french-letters138-1.jpg 973w, http://wwwcdn.printmag.com/wp-content/uploads/french-letters138-1-450x255.jpg 450w, http://wwwcdn.printmag.com/wp-content/uploads/french-letters138-1-600x340.jpg 600w" sizes="(max-width: 973px) 100vw, 973px" /></a></p> <p>The post <a rel="nofollow" href="http://www.printmag.com/design-trends-2/branding-logos-history/">When Branding Was Just Logos . . .</a> appeared first on <a rel="nofollow" href="http://www.printmag.com">Print Magazine</a>.</p> Advertising Daily Heller Design Trends History Illustration Design Logo Design Examples & Advice Print Design Steven Heller Typography Steven Heller Pulp Fiction Facts: the Secret Origin of Comic Books http://www.printmag.com/comics-and-animation/pulp-fiction-secret-origin-comic-books/ Print News urn:uuid:e1cb3242-7b48-8595-90f3-5ad15d912ae4 Tue, 18 Sep 2018 04:51:21 +0000 <p>The secret origin of pulp fiction comic books? All we can say is top secret -- and introduce you to military intelligence officer Malcolm Wheeler-Nicholson.</p> <p>The post <a rel="nofollow" href="http://www.printmag.com/comics-and-animation/pulp-fiction-secret-origin-comic-books/">Pulp Fiction Facts: the Secret Origin of Comic Books</a> appeared first on <a rel="nofollow" href="http://www.printmag.com">Print Magazine</a>.</p> <p>If you’re a fan of Golden Age comic book stories with plenty of action thrills, you should know about the military intelligence officer Malcolm Wheeler-Nicholson. Here’s how Jim Steranko, Silver Age superstar artist on <em>Captain America</em> and <em>Nick Fury</em>, describes him: “He adventured around the globe, from hunting Mexican revolutionary Pancho Villa with famed General John Pershing to fighting with Cossack warriors across Russia during WWI. &#8230; As one of the youngest cavalry members serving his country, Wheeler-Nicholson faced enemies from the Philippines to Siberia.” This character could have been the star of his own comics during those early, anything-goes 1930s and ’40s, or the hero of numerous 1920s and ’30s pulp fiction tales. And in a way, he was both.</p> <div id="attachment_551612" style="width: 810px" class="wp-caption aligncenter"><a href="http://wwwcdn.printmag.com/wp-content/uploads/MWN_ActionComics.jpg"><img class="size-full wp-image-551612" src="http://wwwcdn.printmag.com/wp-content/uploads/MWN_ActionComics.jpg" alt="" width="800" height="1083" srcset="http://wwwcdn.printmag.com/wp-content/uploads/MWN_ActionComics.jpg 800w, http://wwwcdn.printmag.com/wp-content/uploads/MWN_ActionComics-332x450.jpg 332w, http://wwwcdn.printmag.com/wp-content/uploads/MWN_ActionComics-443x600.jpg 443w" sizes="(max-width: 800px) 100vw, 800px" /></a><p class="wp-caption-text">Leo O’Mealia: Action Comics #2 cover, 1938</p></div> <p><span style="color: #808080;"><em><strong>“O’Mealia’s artwork in the comics is sophisticated and full of action. &#8230; His cover art for </strong></em><strong>Action Comics</strong><em><strong> not only tells an action-packed story without a word spoken but is also one of the most sophisticated and beautiful covers of all time.”</strong></em></span></p> <p style="text-align: center;"><em><strong>•</strong></em></p> <p>Malcolm Wheeler-Nicholson was a real-life Army Major. He was one of the pulp field’s top writers during those glory days. He was one of the very first comic book publishers to feature all-original stories. And oh, yes: he was the founder of what is now the DC Comics empire. That in itself is another true-life drama filled with daring-do and dastardly skullduggery. As Steranko puts it: “Ironically, his most dangerous foes were those who worked alongside him, whom he trusted, who betrayed him with masked guile and hollow promises, who railroaded him into bankruptcy.”</p> <p>Steranko’s comments are part of his foreword to <a href="https://www.amazon.com/gp/product/1613451644"><em>DC Comics Before Superman: Major Malcolm Wheeler-Nicholson&#8217;s Pulp Comics</em></a>. This book, just released, reprints many of the comics stories that the Major had repurposed from his original pulp prose. And as the author, granddaughter <a href="http://majormalcolmwheelernicholson.com/">Nicky Wheeler-Nicholson</a>, declares, “Pulps were the foundation of comics.”</p> <div id="attachment_551618" style="width: 810px" class="wp-caption aligncenter"><a href="http://wwwcdn.printmag.com/wp-content/uploads/MWN_GMen.jpg"><img class="size-full wp-image-551618" src="http://wwwcdn.printmag.com/wp-content/uploads/MWN_GMen.jpg" alt="" width="800" height="1150" srcset="http://wwwcdn.printmag.com/wp-content/uploads/MWN_GMen.jpg 800w, http://wwwcdn.printmag.com/wp-content/uploads/MWN_GMen-313x450.jpg 313w, http://wwwcdn.printmag.com/wp-content/uploads/MWN_GMen-417x600.jpg 417w" sizes="(max-width: 800px) 100vw, 800px" /></a><p class="wp-caption-text">G-Men Detective Stories (containing a Wheeler-Nicholson story) cover, 1940</p></div> <p><span style="color: #808080;"><em><strong>Pulp fiction helped to form the structure of comics. The stories that are well-written move along briskly and are visual and cinematic. </strong></em></span></p> <p style="text-align: center;"><span style="color: #808080;"><em><strong>•</strong></em></span></p> <p>Most of the first comics publishers came from a background in pulps, but as salesmen. The Major was the only one with the kind of creative background that greatly enhanced his understanding of genre fiction and story structure. It also gave him empathy for his artists and writers, as he crusaded for their financial equality and ownership rights. Nicky’s text provides background details as seen through her eyes and research. They’re interspersed throughout the book, which primarily displays the Major’s seldom-seen comics, drawn by a variety of artists including Jerry Siegel and Joe Schuster, whose careers he was instrumental in launching.</p> <p>A few weeks ago I interviewed Nicky about her own comic book connections, which had its roots in her friendship with Howard Cruse, the pioneering founding editor of <em>Gay Comix</em> and creator of the breakthrough&nbsp;<a href="https://www.amazon.com/Stuck-Rubber-Baby-Howard-Cruse/dp/1401227139"><em>Stuck Rubber Baby</em></a> graphic novel. Cruse&#8217;s handsome, stippled profile of the Major adorns one of the book&#8217;s front pages.</p> <div id="attachment_551619" style="width: 810px" class="wp-caption aligncenter"><a href="http://wwwcdn.printmag.com/wp-content/uploads/MWN_HowardCruse.jpg"><img class="size-full wp-image-551619" src="http://wwwcdn.printmag.com/wp-content/uploads/MWN_HowardCruse.jpg" alt="" width="800" height="964" srcset="http://wwwcdn.printmag.com/wp-content/uploads/MWN_HowardCruse.jpg 800w, http://wwwcdn.printmag.com/wp-content/uploads/MWN_HowardCruse-373x450.jpg 373w, http://wwwcdn.printmag.com/wp-content/uploads/MWN_HowardCruse-498x600.jpg 498w" sizes="(max-width: 800px) 100vw, 800px" /></a><p class="wp-caption-text">Howard Cruse: portrait of Major Malcolm Wheeler-Nicholson, 2008</p></div> <p><strong>Michael Dooley: <em>How did your interest in comics develop?</em></strong></p> <p><strong>Nicky Wheeler-Nicholson:</strong> I’ve always loved comics from the time I was a child. I was addicted to the Sunday comics page, particularly <em>Pogo</em> and <em>Little Orphan Annie</em>, along with <em>Dick Tracy</em> and <em>Prince Valiant</em>. And I’m of an age to have the classic drugstore spinner rack memories of comics with my favorites – <em>Nancy, Little Lulu, Wonder Woman,</em> and of course, <em>Superman</em>. And like many people who hit college in the late 1960s, I loved and followed underground comix. Howard Cruse and I were both theatre majors at Birmingham-Southern College in Birmingham, Alabama. Howard has been a tremendous artistic influence in my life. When I moved to New York City in 1976 I followed Howard’s comics in the <em>Village Voice</em> but that was the extent of my interest in comics for quite some time.</p> <p>Around 1997 I began to earnestly research my grandfather’s life and work. I came into it through the adventure pulps he wrote. As a writer myself, the pulps made an immediate connection to me. I was somewhat intimidated by the comics aspect of his life and work. It seemed overwhelming: the history, the sheer volume of comics that occurred after his period, the undoing of sixty years of the entrenched stories of my grandfather, the historians and dedicated fans who do not suffer fools. It took a while for me to brave jumping into that vast ocean. When Malcolm Wheeler-Nicholson was inducted into the Eisner Hall of Fame in 2008 and I came to San Diego Comic-Con for the first time, I met several people who opened the door for me into the world of comics. This led to working with TwoMorrows Publishing to produce its 2009 <a href="http://twomorrows.com/index.php?main_page=product_info&amp;products_id=792"><em>Alter Ego</em></a> edition about my grandfather.</p> <div id="attachment_551611" style="width: 810px" class="wp-caption aligncenter"><a href="http://wwwcdn.printmag.com/wp-content/uploads/AlterEgo.jpg"><img class="size-full wp-image-551611" src="http://wwwcdn.printmag.com/wp-content/uploads/AlterEgo.jpg" alt="" width="800" height="533" srcset="http://wwwcdn.printmag.com/wp-content/uploads/AlterEgo.jpg 800w, http://wwwcdn.printmag.com/wp-content/uploads/AlterEgo-450x300.jpg 450w, http://wwwcdn.printmag.com/wp-content/uploads/AlterEgo-600x400.jpg 600w" sizes="(max-width: 800px) 100vw, 800px" /></a><p class="wp-caption-text">Alter Ego cover and a page with the Major&#8217;s comic strip adaptation of Alexandre Dumas&#8217;s The Three Musketeers, drawn by Nick Afonsky</p></div> <p>I went to MOCCA in Manhattan in 2009 and was exposed to the vibrant indie comic scene, and heard Al Feldstein, Gahan Wilson, and Jules Feiffer talk about comics. I went to New York Comic Con and met Jim Steranko. I fell in love with all the people and the work and found myself immersed in comics. I researched the history, read comics new and old, began to go to more comics conventions, give talks and appear on panels, and write articles.</p> <p>I’m fortunate that my name opens some doors and feel I have a responsibility to my grandfather’s legacy to honor his name by being meticulous in my research and doing whatever I can within my limitations to promote the artists and writers from the past and those working now. Because I began my creative life in theatre, and then went into publishing, the comics community and industry was a natural progression, and I feel at home within it.</p> <div id="attachment_551620" style="width: 810px" class="wp-caption aligncenter"><a href="http://wwwcdn.printmag.com/wp-content/uploads/MWN_NewFun.jpg"><img class="size-full wp-image-551620" src="http://wwwcdn.printmag.com/wp-content/uploads/MWN_NewFun.jpg" alt="" width="800" height="1194" srcset="http://wwwcdn.printmag.com/wp-content/uploads/MWN_NewFun.jpg 800w, http://wwwcdn.printmag.com/wp-content/uploads/MWN_NewFun-302x450.jpg 302w, http://wwwcdn.printmag.com/wp-content/uploads/MWN_NewFun-402x600.jpg 402w" sizes="(max-width: 800px) 100vw, 800px" /></a><p class="wp-caption-text">Joseph Clemens Gretter: New Fun #3 cover, 1935</p></div> <p><span style="color: #808080;"><em><strong>“In 1935 my grandfather, Major Malcolm Wheeler-Nicholson, was one of the first publishers to produce comics with original art and scripts, beginning with </strong></em><strong>New Fun</strong><em><strong>.”</strong></em></span></p> <p style="text-align: center;"><em><strong>•</strong></em></p> <p><strong>Dooley: <em>And how did you acquire your appreciation for art?</em></strong></p> <p><strong>Wheeler-Nicholson:</strong> I’ve always wanted to be an artist but don’t have the skills. My mother exposed me to art by taking me to museums. The art books in our house ranged from Peter Arno’s work in <em>The New Yorker</em> to 16th-century Japanese woodblock prints. Art, music, writing, and literature was a significant part of my life.</p> <p>In college, I took a number of art classes and learned how to look at art and discuss it. My first job out of college was with the Birmingham Museum of Art, as an art history lecturer. Luckily, as a drama major, I quickly learned how to make art interesting to bored high school students. This is one of the great benefits of a liberal arts education: having an understanding of art and a way to communicate about art. Of course, it might just stem from the DNA.</p> <div id="attachment_551622" style="width: 810px" class="wp-caption aligncenter"><a href="http://wwwcdn.printmag.com/wp-content/uploads/MWN_SpicyStories.jpg"><img class="size-full wp-image-551622" src="http://wwwcdn.printmag.com/wp-content/uploads/MWN_SpicyStories.jpg" alt="" width="800" height="1154" srcset="http://wwwcdn.printmag.com/wp-content/uploads/MWN_SpicyStories.jpg 800w, http://wwwcdn.printmag.com/wp-content/uploads/MWN_SpicyStories-312x450.jpg 312w, http://wwwcdn.printmag.com/wp-content/uploads/MWN_SpicyStories-416x600.jpg 416w" sizes="(max-width: 800px) 100vw, 800px" /></a><p class="wp-caption-text">H.J. Ward: Spicy Mystery Stories cover, 1937</p></div> <p><span style="color: #808080;"><strong><em>“Without Wheeler-Nicholson’s vision of original art and scripts and his ability to recognize talent and encourage the artists and writers to be their best, [DC Comics publishers Harry] Donenfeld and [Jack] Liebowitz would be known today as the publishers of spicy pulps and the owners of parking lots.”</em></strong></span></p> <p style="text-align: center;"><em><strong>•</strong></em></p> <p><strong>Dooley: <em>Okay, so what future Wheeler-Nicholson adventures can we look forward to?</em></strong></p> <p><strong>Wheeler-Nicholson:</strong> I’m working on the Major’s complete biography, which I’d like to have out by 2020. And there are a couple of other book projects in the planning stages, which will be announced soon.</p> <p>I went to Cuba in 2016 and connected with a professor who teaches about comics and a publisher of comics. Periodically I send American comics to them, which aren’t easy for them to get. And when the stars align with the gods of the postal connections between our two countries I get packages of Cuban comics. I’d love to be able to collaborate with them.</p> <p>I was in my late thirties when I went back to university and got a Master’s degree in the Divine Feminine in Classical Greek Mythology and Theatre; thus my love of Wonder Woman. My dream is to be able to do an animated piece with vase paintings expressing the Greek myths.</p> <p style="text-align: center;"><em><strong>•</strong></em></p> <div id="attachment_551623" style="width: 1210px" class="wp-caption aligncenter"><a href="http://wwwcdn.printmag.com/wp-content/uploads/MWN_WaltKelly.jpg" target="_blank" rel="noopener"><img class="wp-image-551623 size-full" src="http://wwwcdn.printmag.com/wp-content/uploads/MWN_WaltKelly.jpg" alt="" width="1200" height="861" srcset="http://wwwcdn.printmag.com/wp-content/uploads/MWN_WaltKelly.jpg 1200w, http://wwwcdn.printmag.com/wp-content/uploads/MWN_WaltKelly-450x323.jpg 450w, http://wwwcdn.printmag.com/wp-content/uploads/MWN_WaltKelly-600x431.jpg 600w" sizes="(max-width: 1200px) 100vw, 1200px" /></a><p class="wp-caption-text">Walt Kelly: “Gulliver’s Travels” spread (from New Fun), 1936 (click to enlarge)</p></div> <p><span style="color: #808080;"><em><strong>“The 22-year-old Walt Kelly appeared in </strong></em><strong>New Comics&nbsp;</strong><em><strong>#1 with his rendition of a classic, ‘Gulliver’s Travels.’ His drawings are intricate, with strong definition hinting at his later development.”</strong></em></span></p> <p style="text-align: center;"><em><strong>•</strong></em></p> <div id="attachment_551616" style="width: 810px" class="wp-caption aligncenter"><a href="http://wwwcdn.printmag.com/wp-content/uploads/MWN_FederalMen.jpg"><img class="size-full wp-image-551616" src="http://wwwcdn.printmag.com/wp-content/uploads/MWN_FederalMen.jpg" alt="" width="800" height="1137" srcset="http://wwwcdn.printmag.com/wp-content/uploads/MWN_FederalMen.jpg 800w, http://wwwcdn.printmag.com/wp-content/uploads/MWN_FederalMen-317x450.jpg 317w, http://wwwcdn.printmag.com/wp-content/uploads/MWN_FederalMen-422x600.jpg 422w" sizes="(max-width: 800px) 100vw, 800px" /></a><p class="wp-caption-text">Joe Shuster (Jerry Siegel, script): “Federal Men” page, 1937 (note the character &#8220;Jor-L&#8221;)</p></div> <p><span style="color: #808080;"><em><strong>“Jerry Siegel was submitting the Superman story in many different places in the attempt to get it published. &#8230; Many people in the burgeoning and close-knit industry knew about the comic, and several had turned it down. There was only one person in that publishing arena who believed in Superman from the very beginning: Major Malcolm Wheeler-Nicholson. &#8230; Jerry Siegel would later remark, ‘And so, b</strong></em><em><strong>ecause Nicholson had not tossed away the wrapping paper sketches, Joe and I broke into print.’”</strong></em></span></p> <p style="text-align: center;"><em><strong>•</strong></em></p> <div id="attachment_551617" style="width: 810px" class="wp-caption aligncenter"><a href="http://wwwcdn.printmag.com/wp-content/uploads/MWN_FoeBorgias.jpg"><img class="size-full wp-image-551617" src="http://wwwcdn.printmag.com/wp-content/uploads/MWN_FoeBorgias.jpg" alt="" width="800" height="1160" srcset="http://wwwcdn.printmag.com/wp-content/uploads/MWN_FoeBorgias.jpg 800w, http://wwwcdn.printmag.com/wp-content/uploads/MWN_FoeBorgias-310x450.jpg 310w, http://wwwcdn.printmag.com/wp-content/uploads/MWN_FoeBorgias-414x600.jpg 414w" sizes="(max-width: 800px) 100vw, 800px" /></a><p class="wp-caption-text">Sven Elven (Malcolm Wheeler-Nicholson, script): “Foe of the Borgias” splash page (from New Adventure), 1937</p></div> <p><span style="color: #808080;"><em><strong>“The choice of artists to illustrate scripts shows keen editorial decisions on Wheeler-Nicholson’s part. Artist Sven Elven’s finely drawn and elegant illustrations fit well with the theme of ‘Foe of the Borgias.’”</strong></em></span></p> <p style="text-align: center;"><em><strong>•</strong></em></p> <div id="attachment_551653" style="width: 1610px" class="wp-caption aligncenter"><a href="http://wwwcdn.printmag.com/wp-content/uploads/MWN_BloodPearls2.jpg" target="_blank" rel="noopener"><img class="wp-image-551653 size-full" src="http://wwwcdn.printmag.com/wp-content/uploads/MWN_BloodPearls2.jpg" alt="" width="1600" height="1138" srcset="http://wwwcdn.printmag.com/wp-content/uploads/MWN_BloodPearls2.jpg 1600w, http://wwwcdn.printmag.com/wp-content/uploads/MWN_BloodPearls2-450x320.jpg 450w, http://wwwcdn.printmag.com/wp-content/uploads/MWN_BloodPearls2-600x427.jpg 600w" sizes="(max-width: 1600px) 100vw, 1600px" /></a><p class="wp-caption-text">Munson (“PAD”) Paddock (Malcolm Wheeler-Nicholson, script): “Blood Pearls” spread (from New Comics and New Adventure Comics), 1936-37 (click to enlarge)</p></div> <p><span style="color: #808080;"><em><strong>“The </strong></em><strong>Black Pearls</strong><em><strong> story is grounded in the Major’s experiences in the Philippines where he was stationed in 1915, commanding a troop of buffalo soldiers. &#8230; In a surprise twist ending, the protagonist proves to be a noble man who is Chinese, and goes against the usual stereotyping portrayal of the period.”</strong></em></span></p> <p style="text-align: center;"><em><strong>•</strong></em></p> <div id="attachment_551615" style="width: 810px" class="wp-caption aligncenter"><a href="http://wwwcdn.printmag.com/wp-content/uploads/MWN_FangGow.jpg"><img class="size-full wp-image-551615" src="http://wwwcdn.printmag.com/wp-content/uploads/MWN_FangGow.jpg" alt="" width="800" height="1173" srcset="http://wwwcdn.printmag.com/wp-content/uploads/MWN_FangGow.jpg 800w, http://wwwcdn.printmag.com/wp-content/uploads/MWN_FangGow-307x450.jpg 307w, http://wwwcdn.printmag.com/wp-content/uploads/MWN_FangGow-409x600.jpg 409w" sizes="(max-width: 800px) 100vw, 800px" /></a><p class="wp-caption-text">Leo O’Mealia (Malcolm Wheeler-Nicholson, script): “Barry O&#8217;Neill and Fang Gow of China” page (from New Fun), 1936-37</p></div> <p><span style="color: #808080;"><em><strong>“The strong-jawed O’Neill is often called ‘the first action hero in DC Comics.’ It was based on a pulp story written by Wheeler-Nicholson. &#8230; In what can be seen as equal opportunity stereotyping, just about every foreigner in the comic is portrayed stereotypically.”</strong></em></span></p> <p style="text-align: center;"><em><strong>•</strong></em></p> <div id="attachment_551614" style="width: 810px" class="wp-caption aligncenter"><a href="http://wwwcdn.printmag.com/wp-content/uploads/MWN_BlueGod.jpg"><img class="size-full wp-image-551614" src="http://wwwcdn.printmag.com/wp-content/uploads/MWN_BlueGod.jpg" alt="" width="800" height="1171" srcset="http://wwwcdn.printmag.com/wp-content/uploads/MWN_BlueGod.jpg 800w, http://wwwcdn.printmag.com/wp-content/uploads/MWN_BlueGod-307x450.jpg 307w, http://wwwcdn.printmag.com/wp-content/uploads/MWN_BlueGod-410x600.jpg 410w" sizes="(max-width: 800px) 100vw, 800px" /></a><p class="wp-caption-text">Munson (“PAD”) Paddock (Malcolm Wheeler-Nicholson, script): “The Monastery of the Blue God” page (from New Adventure), 1937-38</p></div> <p><span style="color: #808080;"><em><strong>&#8220;</strong></em><strong>The Monastery of the Blue God</strong><em><strong> was originally a pulp story. It is one of the Major’s pulps that has thinly disguised biographical details. Even though the plot is classic pulp adventure with exotic locales, spies, evil German villains, and treasures hidden in temples on the edge of Tibet, the story is grounded in Wheeler-Nicholson’s own experiences in these places.”</strong></em></span></p> <p style="text-align: center;"><em><strong>•</strong></em></p> <div id="attachment_551621" style="width: 810px" class="wp-caption aligncenter"><a href="http://wwwcdn.printmag.com/wp-content/uploads/MWN_plane.jpg"><img class="size-full wp-image-551621" src="http://wwwcdn.printmag.com/wp-content/uploads/MWN_plane.jpg" alt="" width="800" height="1079" srcset="http://wwwcdn.printmag.com/wp-content/uploads/MWN_plane.jpg 800w, http://wwwcdn.printmag.com/wp-content/uploads/MWN_plane-334x450.jpg 334w, http://wwwcdn.printmag.com/wp-content/uploads/MWN_plane-445x600.jpg 445w" sizes="(max-width: 800px) 100vw, 800px" /></a><p class="wp-caption-text">Leo O’Mealia (Malcolm Wheeler-Nicholson, script): “Bob Merritt and His Flying Pals” panel (from New Fun), 1935-36</p></div> <p><span style="color: #808080;"><em><strong>“Wheeler-Nicholson studied military history and strategy and often employed these elements in his pulps. This carried over in the Bob Merritt comic with the military organization, strategy, and ne</strong></em><em><strong>cessity of air fights of </strong></em><strong>Bob Merritt and his Flying Pals</strong><em><strong>.”</strong></em></span></p> <p style="text-align: center;"><em><strong>•</strong></em></p> <div id="attachment_551654" style="width: 810px" class="wp-caption al Comics & Animation Design Designer Interviews History Illustration Design Michael Dooley action Action Comics adventure art artists biography Captain America cartoons China comic books comic strips Comic-Con comics creativity DC Comics golden age Howard Cruse illustration interview Jerry Siegel Jim Steranko Joe Shuster Malcolm Wheeler-Nicholson military New Comics Nick Fury Nicky Wheeler-Nicholson Pogo publishing Pulp Comics pulp fiction pulp magazines San Diego Silver Age Superman TwoMorrows Publishing underground comix vintage comic books Walt Kelly Wonder Woman writers Michael Dooley Flexible packaging handed a timely boost by Tesa http://www.printmonthly.co.uk/NewsStory.aspx?i=6955 Print News urn:uuid:3329cfc7-d0ee-724f-4e44-0838f0843144 Mon, 17 Sep 2018 16:53:13 +0000 Tesa has moved to address growing demand in the flexible packaging market by introducing its new Softprint TP-X FLEX-Design, which it says will help deliver “lean production processes and maximised efficiency” on the shop floor. Printers urged to ‘keep tabs’ on customer finances http://www.printmonthly.co.uk/NewsStory.aspx?i=6957 Print News urn:uuid:8c4019b9-0f9e-ffc9-6f38-6d59ee960548 Mon, 17 Sep 2018 14:57:25 +0000 ICSM Credit has issued a warning to businesses across the print industry, urging them to regularly monitor the state of their customers’ finances to avoid being hit themselves. Mimaki and Hybrid ensure an Indian summer http://www.printmonthly.co.uk/NewsStory.aspx?i=6956 Print News urn:uuid:d39a672c-0727-d216-69ed-96c4f78d18e3 Mon, 17 Sep 2018 14:57:25 +0000 Hybrid Services, the exclusive distributor for Mimaki in the UK and Ireland, has extended its special ‘Heatwave’ summer promotion with the addition of three sets of inks for those that purchase any Mimaki Tx300P-1800 direct-to-textile printer. manroland Goss Group Focuses on Customer-Oriented Solutions at Print 2018 https://www.manroland-web.com/en/newsroom/5009/manroland-goss-web-systems-focuses-on-customer-oriented-solutions-at-print-2018 Print Companies - News urn:uuid:876e73f7-2790-930a-0d67-70c5dd4bb175 Mon, 17 Sep 2018 12:18:12 +0000 <p>Der Beitrag <a rel="nofollow" href="https://www.manroland-web.com/en/newsroom/5009/manroland-goss-web-systems-focuses-on-customer-oriented-solutions-at-print-2018">manroland Goss Group Focuses on Customer-Oriented Solutions at Print 2018</a> erschien zuerst auf <a rel="nofollow" href="https://www.manroland-web.com/en">manroland web systems GmbH</a>.</p> <div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-8"><div class="vc_column-inner "><div class="wpb_wrapper"> <div class="wpb_text_column wpb_content_element "> <div class="wpb_wrapper"> <h2>The newly-merged company will share commitment to united excellence in web-fed printing, mailroom, &amp; finishing solutions with clear global advantages</h2> <p><strong>With a joint reputation as leaders in web-fed printing, the recently combined manroland Goss web systems, the merged company of manroland web systems and Goss International, will be exhibiting at Print 2018 Booth #841 in Chicago from September 30 to October 2, 2018. While there, the mission of manroland Goss Group to serve the market will be communicated to the industry, with the company’s promise to deliver even greater value to stakeholders, equipment owners, and global print markets.</strong></p> <p>The increase in global presence and stability for the manroland Goss Group as a unified business entity has allowed the company to focus directly on the needs of customers. The combination of complementary competencies and joint use of the broad portfolio of equipment and patents opens the doors for creative innovations and developments in packaging, automation, process digitization, and e-commerce.</p> <p><strong>System Solutions</strong></p> <p>Highly automated press and post-press equipment create sustainable success for today’s print operations. To insure the most effective levels of quality and waste reduction for customers, the manroland Goss Group is continuing to focus on the development and manufacturing of printing systems which support existing production needs and open the doors of possibility for new business models. System solutions from manroland Goss are supported by certified pre-owned solutions as well as existing press relocations.</p> <p><strong>Engineered Solutions</strong></p> <p>Throughout the portfolio of the manroland Goss Group, engineering breakthroughs continue to be a central point of concentration. The focus on utilizing the combined expertise of the team of talented engineers provides mechanical, automation, and closed-loop solutions for all types and all brands of web presses. Innovatively engineered components and system improvements answers the direct need from customers to develop more powerful production centers within existing pressrooms.</p> <p><strong>Service Solutions</strong></p> <p>With its increased presence of international service hubs spanning the globe, the manroland Goss merger has created an even tighter net of comprehensive support for its customers. The motivation to continue to develop services is to provide the highest level of excellence through accurate and efficient service, competitive pricing for parts and labor, comprehensive remote tools and TeleSupport, and service agreements to increase uptime on a 24/365 basis.</p> <p><strong>E-Commerce Solutions</strong></p> <p>The MARKET-X trading platform offers existing and new customers an opportunity to provide a “One-Stop-Shopping” experience to users. Utilizing existing online STORE technology, the platform has expanded as a base for partner companies to provide parts and components to their customers in the printing sector via a tested and successful e-commerce solution. MARKET-X provides a marketplace for all suppliers to the industry, turning efficient logistics into a game changer.</p> <p>The team at the manroland Goss Group is ready to take your questions and share insights on how the company’s solutions can add value to any pressroom at Booth #841 during Print 2018.</p> </div> </div> </div></div></div><div class="wpb_column vc_column_container vc_col-sm-4"><div class="vc_column-inner "><div class="wpb_wrapper"> <div class="wpb_single_image wpb_content_element vc_align_left"> <figure class="wpb_wrapper vc_figure"> <div class="vc_single_image-wrapper vc_box_border_grey"><img width="410" height="51" src="https://www.manroland-web.com/en/wp-content/uploads/sites/4/2018/09/EmailBanner_Print-410x51.jpg" class="vc_single_image-img attachment-medium" alt="" srcset="https://www.manroland-web.com/en/wp-content/uploads/sites/4/2018/09/EmailBanner_Print-410x51.jpg 410w, https://www.manroland-web.com/en/wp-content/uploads/sites/4/2018/09/EmailBanner_Print-250x31.jpg 250w, https://www.manroland-web.com/en/wp-content/uploads/sites/4/2018/09/EmailBanner_Print.jpg 600w" sizes="(max-width: 410px) 100vw, 410px" /></div> </figure> </div> </div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="colorRow wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner "><div class="wpb_wrapper"><div class="col-md-4 colorCol colorColGreen default"></p> <h3>Download:</h3> <p><a href="https://www.manroland-web.com/en/wp-content/uploads/sites/4/2018/09/004_MGWS-Print2018_Press-Release_E-3.pdf">Press Release | PDF</a></div></div></div></div></div> <p>Der Beitrag <a rel="nofollow" href="https://www.manroland-web.com/en/newsroom/5009/manroland-goss-web-systems-focuses-on-customer-oriented-solutions-at-print-2018">manroland Goss Group Focuses on Customer-Oriented Solutions at Print 2018</a> erschien zuerst auf <a rel="nofollow" href="https://www.manroland-web.com/en">manroland web systems GmbH</a>.</p> Newsroom Press Release manroland web systems PSPs warned to keep an eye on customers’ finances https://www.imagereportsmag.co.uk/news/9444-psps-warned-to-keep-an-eye-on-customers-finances Print News urn:uuid:964a3f38-a013-fdd4-7cc0-4e246eec3225 Mon, 17 Sep 2018 12:11:09 +0000 Companies in the print sector are being warned by credit referencing company ICSM Credit to regularly monitor the state of their customers’ finances. News Articles Taylor Bloxham receives prestigious colour quality certification https://www.imagereportsmag.co.uk/news/9443-taylor-bloxham-receives-prestigious-colour-quality-certification Print News urn:uuid:798a90ce-36e5-6230-a435-a5cd82ad35e4 Mon, 17 Sep 2018 12:09:55 +0000 The Taylor Bloxham Group is celebrating being the first print company in the world to receive certification for print colour quality at professional level from a UKAS accredited certification body. The BPIF Colour Quality Management Scheme certification for ISO12647: 2013 - awarded by Print and Media Certification - follows a multi-million pound programme of investment in premises and equipment. The group is now laying the groundwork for further ISO12647 certifications across its operations. News Articles The Print Show prepares for record exhibition http://www.printmonthly.co.uk/NewsStory.aspx?i=6954 Print News urn:uuid:0bdab5eb-6076-a295-17a3-0c37bf2c9e82 Mon, 17 Sep 2018 10:31:40 +0000 The Print Show 2018 will open tomorrow (Tuesday) at the NEC in Birmingham, with visitors to be greeted by more exhibitors than ever before. I [Heart] Astronauts http://www.printmag.com/daily-heller/i-heart-astronauts/ Print News urn:uuid:0cc4236d-601e-9655-6f83-cacf02ae14f1 Mon, 17 Sep 2018 05:22:11 +0000 <p>From 1960 through 1963 I was president of The Astronaut Fan Club. I was also founder and its only member. You might say it was a front for getting as much NASA swag as possible. Don&#8217;t get me wrong, the astronauts were my heroes. We lived in the era of heroes and it was for that reason I wanted (and still possess) every iota of paper ephemera I could absorb. [&#8230;]</p> <p>The post <a rel="nofollow" href="http://www.printmag.com/daily-heller/i-heart-astronauts/">I [Heart] Astronauts</a> appeared first on <a rel="nofollow" href="http://www.printmag.com">Print Magazine</a>.</p> <p>From 1960 through 1963 I was president of The Astronaut Fan Club. I was also founder and its only member.</p> <p>You might say it was a front for getting as much NASA swag as possible. Don&#8217;t get me wrong, the astronauts were my heroes. We lived in the era of heroes and it was for that reason I wanted (and still possess) every iota of paper ephemera I could absorb.</p> <p>My strategy was simple. I typed letters everyday, seven days a week, to each and every NASA employee, Mercury, Gemini and Apollo astronaut and X-14 pilot asking them for autographed photos and whatever else they could spare. I was so persistent that Chuck Yeager, the famed test pilot and breaker of the sound barrier asked me to stop writing him.</p> <p>The Mercury astronauts were more generous (or at least less annoyed by my mail-stalking). They would send &#8220;personal&#8221; letters and mostly stock photos. But Gus Grissom one of the Project Mercury Seven and the first astronaut to die when a fire consumed his&nbsp; Apollo command module, sent me an actual signature.</p> <p>To look at this low impact design and illustration from the Sixties takes me back to when things were simple. I admire the NASA worm logo designed by Danne and Blackburn for symbolically bringing the space program into the space age, but this comic book or Flash Gordon graphic simplicity evoked an innocence that we&#8217;ll never see again.</p> <p>Should NASA have returned to the &#8220;meatball&#8221; logo? No! There is no going back to the moment when Alan Shepard went into space took Freedom Seven up into space for a 15 minute sub-orbital flight. It is also a shame that as a nation we are looking too much at our collective navels than into the far reaches of space for our moral compass.</p> <p>This NASA swag is not a monument to design but it is a record of when heroics were valued and leaders were respected because they were heroes,</p> <p><a href="http://wwwcdn.printmag.com/wp-content/uploads/nasa016.jpg"><img class="aligncenter size-full wp-image-551904" src="http://wwwcdn.printmag.com/wp-content/uploads/nasa016.jpg" alt="" width="1524" height="1144" srcset="http://wwwcdn.printmag.com/wp-content/uploads/nasa016.jpg 1524w, http://wwwcdn.printmag.com/wp-content/uploads/nasa016-450x338.jpg 450w, http://wwwcdn.printmag.com/wp-content/uploads/nasa016-600x450.jpg 600w" sizes="(max-width: 1524px) 100vw, 1524px" /></a></p> <p><a href="http://wwwcdn.printmag.com/wp-content/uploads/nasa001.jpg"><img class="aligncenter size-full wp-image-551889" src="http://wwwcdn.printmag.com/wp-content/uploads/nasa001.jpg" alt="" width="2408" height="735" srcset="http://wwwcdn.printmag.com/wp-content/uploads/nasa001.jpg 2408w, http://wwwcdn.printmag.com/wp-content/uploads/nasa001-450x137.jpg 450w, http://wwwcdn.printmag.com/wp-content/uploads/nasa001-600x183.jpg 600w" sizes="(max-width: 2408px) 100vw, 2408px" /></a> <a href="http://wwwcdn.printmag.com/wp-content/uploads/nasa002.jpg"><img class="aligncenter size-full wp-image-551890" src="http://wwwcdn.printmag.com/wp-content/uploads/nasa002.jpg" alt="" width="520" height="672" srcset="http://wwwcdn.printmag.com/wp-content/uploads/nasa002.jpg 520w, http://wwwcdn.printmag.com/wp-content/uploads/nasa002-348x450.jpg 348w, http://wwwcdn.printmag.com/wp-content/uploads/nasa002-464x600.jpg 464w" sizes="(max-width: 520px) 100vw, 520px" /></a> <a href="http://wwwcdn.printmag.com/wp-content/uploads/nasa003.jpg"><img class="aligncenter size-full wp-image-551891" src="http://wwwcdn.printmag.com/wp-content/uploads/nasa003.jpg" alt="" width="508" height="672" srcset="http://wwwcdn.printmag.com/wp-content/uploads/nasa003.jpg 508w, http://wwwcdn.printmag.com/wp-content/uploads/nasa003-340x450.jpg 340w, http://wwwcdn.printmag.com/wp-content/uploads/nasa003-454x600.jpg 454w" sizes="(max-width: 508px) 100vw, 508px" /></a> <a href="http://wwwcdn.printmag.com/wp-content/uploads/nasa004.jpg"><img class="aligncenter size-full wp-image-551892" src="http://wwwcdn.printmag.com/wp-content/uploads/nasa004.jpg" alt="" width="508" height="672" srcset="http://wwwcdn.printmag.com/wp-content/uploads/nasa004.jpg 508w, http://wwwcdn.printmag.com/wp-content/uploads/nasa004-340x450.jpg 340w, http://wwwcdn.printmag.com/wp-content/uploads/nasa004-454x600.jpg 454w" sizes="(max-width: 508px) 100vw, 508px" /></a> <a href="http://wwwcdn.printmag.com/wp-content/uploads/nasa005.jpg"><img class="aligncenter size-full wp-image-551893" src="http://wwwcdn.printmag.com/wp-content/uploads/nasa005.jpg" alt="" width="508" height="672" srcset="http://wwwcdn.printmag.com/wp-content/uploads/nasa005.jpg 508w, http://wwwcdn.printmag.com/wp-content/uploads/nasa005-340x450.jpg 340w, http://wwwcdn.printmag.com/wp-content/uploads/nasa005-454x600.jpg 454w" sizes="(max-width: 508px) 100vw, 508px" /></a> <a href="http://wwwcdn.printmag.com/wp-content/uploads/nasa006.jpg"><img class="aligncenter size-full wp-image-551894" src="http://wwwcdn.printmag.com/wp-content/uploads/nasa006.jpg" alt="" width="508" height="672" srcset="http://wwwcdn.printmag.com/wp-content/uploads/nasa006.jpg 508w, http://wwwcdn.printmag.com/wp-content/uploads/nasa006-340x450.jpg 340w, http://wwwcdn.printmag.com/wp-content/uploads/nasa006-454x600.jpg 454w" sizes="(max-width: 508px) 100vw, 508px" /></a> <a href="http://wwwcdn.printmag.com/wp-content/uploads/nasa007.jpg"><img class="aligncenter size-full wp-image-551895" src="http://wwwcdn.printmag.com/wp-content/uploads/nasa007.jpg" alt="" width="508" height="672" srcset="http://wwwcdn.printmag.com/wp-content/uploads/nasa007.jpg 508w, http://wwwcdn.printmag.com/wp-content/uploads/nasa007-340x450.jpg 340w, http://wwwcdn.printmag.com/wp-content/uploads/nasa007-454x600.jpg 454w" sizes="(max-width: 508px) 100vw, 508px" /></a> <a href="http://wwwcdn.printmag.com/wp-content/uploads/nasa008.jpg"><img class="aligncenter size-full wp-image-551896" src="http://wwwcdn.printmag.com/wp-content/uploads/nasa008.jpg" alt="" width="508" height="672" srcset="http://wwwcdn.printmag.com/wp-content/uploads/nasa008.jpg 508w, http://wwwcdn.printmag.com/wp-content/uploads/nasa008-340x450.jpg 340w, http://wwwcdn.printmag.com/wp-content/uploads/nasa008-454x600.jpg 454w" sizes="(max-width: 508px) 100vw, 508px" /></a> <a href="http://wwwcdn.printmag.com/wp-content/uploads/nasa009.jpg"><img class="aligncenter size-full wp-image-551897" src="http://wwwcdn.printmag.com/wp-content/uploads/nasa009.jpg" alt="" width="508" height="672" srcset="http://wwwcdn.printmag.com/wp-content/uploads/nasa009.jpg 508w, http://wwwcdn.printmag.com/wp-content/uploads/nasa009-340x450.jpg 340w, http://wwwcdn.printmag.com/wp-content/uploads/nasa009-454x600.jpg 454w" sizes="(max-width: 508px) 100vw, 508px" /></a> <a href="http://wwwcdn.printmag.com/wp-content/uploads/nasa010.jpg"><img class="aligncenter size-full wp-image-551898" src="http://wwwcdn.printmag.com/wp-content/uploads/nasa010.jpg" alt="" width="508" height="672" srcset="http://wwwcdn.printmag.com/wp-content/uploads/nasa010.jpg 508w, http://wwwcdn.printmag.com/wp-content/uploads/nasa010-340x450.jpg 340w, http://wwwcdn.printmag.com/wp-content/uploads/nasa010-454x600.jpg 454w" sizes="(max-width: 508px) 100vw, 508px" /></a> <a href="http://wwwcdn.printmag.com/wp-content/uploads/nasa011.jpg"><img class="aligncenter size-full wp-image-551899" src="http://wwwcdn.printmag.com/wp-content/uploads/nasa011.jpg" alt="" width="508" height="672" srcset="http://wwwcdn.printmag.com/wp-content/uploads/nasa011.jpg 508w, http://wwwcdn.printmag.com/wp-content/uploads/nasa011-340x450.jpg 340w, http://wwwcdn.printmag.com/wp-content/uploads/nasa011-454x600.jpg 454w" sizes="(max-width: 508px) 100vw, 508px" /></a> <a href="http://wwwcdn.printmag.com/wp-content/uploads/nasa012.jpg"><img class="aligncenter size-full wp-image-551900" src="http://wwwcdn.printmag.com/wp-content/uploads/nasa012.jpg" alt="" width="508" height="672" srcset="http://wwwcdn.printmag.com/wp-content/uploads/nasa012.jpg 508w, http://wwwcdn.printmag.com/wp-content/uploads/nasa012-340x450.jpg 340w, http://wwwcdn.printmag.com/wp-content/uploads/nasa012-454x600.jpg 454w" sizes="(max-width: 508px) 100vw, 508px" /></a> <a href="http://wwwcdn.printmag.com/wp-content/uploads/nasa013.jpg"><img class="aligncenter size-full wp-image-551901" src="http://wwwcdn.printmag.com/wp-content/uploads/nasa013.jpg" alt="" width="508" height="672" srcset="http://wwwcdn.printmag.com/wp-content/uploads/nasa013.jpg 508w, http://wwwcdn.printmag.com/wp-content/uploads/nasa013-340x450.jpg 340w, http://wwwcdn.printmag.com/wp-content/uploads/nasa013-454x600.jpg 454w" sizes="(max-width: 508px) 100vw, 508px" /></a> <a href="http://wwwcdn.printmag.com/wp-content/uploads/nasa014.jpg"><img class="aligncenter size-full wp-image-551902" src="http://wwwcdn.printmag.com/wp-content/uploads/nasa014.jpg" alt="" width="495" height="650" srcset="http://wwwcdn.printmag.com/wp-content/uploads/nasa014.jpg 495w, http://wwwcdn.printmag.com/wp-content/uploads/nasa014-343x450.jpg 343w, http://wwwcdn.printmag.com/wp-content/uploads/nasa014-457x600.jpg 457w" sizes="(max-width: 495px) 100vw, 495px" /></a> <a href="http://wwwcdn.printmag.com/wp-content/uploads/nasa015.jpg"><img class="aligncenter size-full wp-image-551903" src="http://wwwcdn.printmag.com/wp-content/uploads/nasa015.jpg" alt="" width="495" height="650" srcset="http://wwwcdn.printmag.com/wp-content/uploads/nasa015.jpg 495w, http://wwwcdn.printmag.com/wp-content/uploads/nasa015-343x450.jpg 343w, http://wwwcdn.printmag.com/wp-content/uploads/nasa015-457x600.jpg 457w" sizes="(max-width: 495px) 100vw, 495px" /></a> <a href="http://wwwcdn.printmag.com/wp-content/uploads/nasa018.jpg"><img class="aligncenter size-full wp-image-551906" src="http://wwwcdn.printmag.com/wp-content/uploads/nasa018.jpg" alt="" width="879" height="1350" srcset="http://wwwcdn.printmag.com/wp-content/uploads/nasa018.jpg 879w, http://wwwcdn.printmag.com/wp-content/uploads/nasa018-293x450.jpg 293w, http://wwwcdn.printmag.com/wp-content/uploads/nasa018-391x600.jpg 391w" sizes="(max-width: 879px) 100vw, 879px" /></a> <a href="http://wwwcdn.printmag.com/wp-content/uploads/nasa019.jpg"><img class="aligncenter size-full wp-image-551907" src="http://wwwcdn.printmag.com/wp-content/uploads/nasa019.jpg" alt="" width="879" height="1350" srcset="http://wwwcdn.printmag.com/wp-content/uploads/nasa019.jpg 879w, http://wwwcdn.printmag.com/wp-content/uploads/nasa019-293x450.jpg 293w, http://wwwcdn.printmag.com/wp-content/uploads/nasa019-391x600.jpg 391w" sizes="(max-width: 879px) 100vw, 879px" /></a> <a href="http://wwwcdn.printmag.com/wp-content/uploads/nasa020.jpg"><img class="aligncenter size-full wp-image-551908" src="http://wwwcdn.printmag.com/wp-content/uploads/nasa020.jpg" alt="" width="1132" height="445" srcset="http://wwwcdn.printmag.com/wp-content/uploads/nasa020.jpg 1132w, http://wwwcdn.printmag.com/wp-content/uploads/nasa020-450x177.jpg 450w, http://wwwcdn.printmag.com/wp-content/uploads/nasa020-600x236.jpg 600w" sizes="(max-width: 1132px) 100vw, 1132px" /></a> <a href="http://wwwcdn.printmag.com/wp-content/uploads/nasa021.jpg"><img class="aligncenter size-full wp-image-551909" src="http://wwwcdn.printmag.com/wp-content/uploads/nasa021.jpg" alt="" width="1191" height="1526" srcset="http://wwwcdn.printmag.com/wp-content/uploads/nasa021.jpg 1191w, http://wwwcdn.printmag.com/wp-content/uploads/nasa021-351x450.jpg 351w, http://wwwcdn.printmag.com/wp-content/uploads/nasa021-468x600.jpg 468w" sizes="(max-width: 1191px) 100vw, 1191px" /></a> <a href="http://wwwcdn.printmag.com/wp-content/uploads/nasa022.jpg"><img class="aligncenter size-full wp-image-551910" src="http://wwwcdn.printmag.com/wp-content/uploads/nasa022.jpg" alt="" width="1410" height="1115" srcset="http://wwwcdn.printmag.com/wp-content/uploads/nasa022.jpg 1410w, http://wwwcdn.printmag.com/wp-content/uploads/nasa022-450x356.jpg 450w, http://wwwcdn.printmag.com/wp-content/uploads/nasa022-600x474.jpg 600w" sizes="(max-width: 1410px) 100vw, 1410px" /></a> <a href="http://wwwcdn.printmag.com/wp-content/uploads/nasa023.jpg"><img class="aligncenter size-full wp-image-551911" src="http://wwwcdn.printmag.com/wp-content/uploads/nasa023.jpg" alt="" width="1410" height="1705" srcset="http://wwwcdn.printmag.com/wp-content/uploads/nasa023.jpg 1410w, http://wwwcdn.printmag.com/wp-content/uploads/nasa023-372x450.jpg 372w, http://wwwcdn.printmag.com/wp-content/uploads/nasa023-496x600.jpg 496w" sizes="(max-width: 1410px) 100vw, 1410px" /></a> <a href="http://wwwcdn.printmag.com/wp-content/uploads/nasa024.jpg"><img class="aligncenter size-full wp-image-551912" src="http://wwwcdn.printmag.com/wp-content/uploads/nasa024.jpg" alt="" width="1410" height="1705" srcset="http://wwwcdn.printmag.com/wp-content/uploads/nasa024.jpg 1410w, http://wwwcdn.printmag.com/wp-content/uploads/nasa024-372x450.jpg 372w, http://wwwcdn.printmag.com/wp-content/uploads/nasa024-496x600.jpg 496w" sizes="(max-width: 1410px) 100vw, 1410px" /></a></p> <p>The post <a rel="nofollow" href="http://www.printmag.com/daily-heller/i-heart-astronauts/">I [Heart] Astronauts</a> appeared first on <a rel="nofollow" href="http://www.printmag.com">Print Magazine</a>.</p> Daily Heller Illustration Design Socially Responsible Design Steven Heller Astronauts Meatball NASA Steven Heller 10 Illustrators You Need to Follow on Instagram http://www.printmag.com/design-inspiration/10-illustrators-you-need-to-follow-on-instagram/ Print News urn:uuid:2648fd6b-86c0-f6f5-d362-c944765828ac Mon, 17 Sep 2018 04:08:39 +0000 <p>From South Korea to Canada and Montenegro, here is a new cutting-edge crop of designers you need to follow on Instagram.</p> <p>The post <a rel="nofollow" href="http://www.printmag.com/design-inspiration/10-illustrators-you-need-to-follow-on-instagram/">10 Illustrators You Need to Follow on Instagram</a> appeared first on <a rel="nofollow" href="http://www.printmag.com">Print Magazine</a>.</p> <p style="font-weight: 400;">From South Korea to Canada and Montenegro, here is a new cutting-edge crop of designers you need to follow on Instagram. Here are our top ten illustrators you need to follow this fall for daily inspiration, comics or just for sheer inspiration. Hopefully, they’ll help you spark some ideas.</p> <div id="attachment_551881" style="width: 610px" class="wp-caption aligncenter"><img class="size-large wp-image-551881" src="http://wwwcdn.printmag.com/wp-content/uploads/Illustrator_Elise-Gravel-600x600.jpg" alt="Instagram Courtesy Elise Gravel" width="600" height="600" srcset="http://wwwcdn.printmag.com/wp-content/uploads/Illustrator_Elise-Gravel-600x600.jpg 600w, http://wwwcdn.printmag.com/wp-content/uploads/Illustrator_Elise-Gravel-150x150.jpg 150w, http://wwwcdn.printmag.com/wp-content/uploads/Illustrator_Elise-Gravel-450x450.jpg 450w, http://wwwcdn.printmag.com/wp-content/uploads/Illustrator_Elise-Gravel-50x50.jpg 50w, http://wwwcdn.printmag.com/wp-content/uploads/Illustrator_Elise-Gravel-113x113.jpg 113w, http://wwwcdn.printmag.com/wp-content/uploads/Illustrator_Elise-Gravel.jpg 800w" sizes="(max-width: 600px) 100vw, 600px" /><p class="wp-caption-text">Courtesy Elise Gravel</p></div> <h3 style="font-weight: 400;"><strong>Elise Gravel</strong></h3> <p style="font-weight: 400;">A comical author and illustrator who makes funny books for kids, this is where you can find doe-eyed pigeons, cartoons of whales, gawking crows and cute street scenes of Japan through the eyes of one quirky illustrator who has really found their own style.</p> <p style="font-weight: 400;"><a href="https://www.instagram.com/elise_gravel/" data-saferedirecturl="https://www.google.com/url?hl=en&amp;q=https://www.instagram.com/elise_gravel/&amp;source=gmail&amp;ust=1535891927822000&amp;usg=AFQjCNFGmLEKSMuV3yRT6kTClPC8zGkteg">https://www.instagram.com/elise_gravel/</a></p> <p style="font-weight: 400;"><a href="https://www.instagram.com/p/BmdsatzF7-E/" data-saferedirecturl="https://www.google.com/url?hl=en&amp;q=https://www.instagram.com/p/BmdsatzF7-E/&amp;source=gmail&amp;ust=1535891927822000&amp;usg=AFQjCNEGZkDM79v6HjesFK8HD6mKViMjFQ">https://www.instagram.com/p/BmdsatzF7-E/</a></p> <h3 style="font-weight: 400;"><strong>Association of Illustrators</strong></h3> <p style="font-weight: 400;">This account is a wild card because they&#8217;re always posting pics of illustrators plucked from their membership. As a side note, the Association of Illustrators helps with best business practice, pricing, copyright and contracts, as well as portfolio advice. Check them out!</p> <p style="font-weight: 400;"><a href="https://www.instagram.com/theaoi/" data-saferedirecturl="https://www.google.com/url?hl=en&amp;q=https://www.instagram.com/theaoi/&amp;source=gmail&amp;ust=1535891927822000&amp;usg=AFQjCNHypELu2e-eWs5wFN5VeT6a-ZuPiw">https://www.instagram.com/theaoi/</a></p> <p style="font-weight: 400;"><a href="https://www.instagram.com/p/BmgDcB9Hw9q/" data-saferedirecturl="https://www.google.com/url?hl=en&amp;q=https://www.instagram.com/p/BmgDcB9Hw9q/&amp;source=gmail&amp;ust=1535891927822000&amp;usg=AFQjCNHsRaJQgVK2a1xefs3_qMSzqSTtGQ">https://www.instagram.com/p/BmgDcB9Hw9q/</a></p> <h3 style="font-weight: 400;"><strong>Ryan Snook</strong></h3> <p style="font-weight: 400;">This Canadian illustrator brings together comics with photography and a wicked sense of humor to his editorial design, there&#8217;s also something retro about his characters that&#8217;s a throwback to&nbsp; old Disney flicks.&nbsp;</p> <p style="font-weight: 400;"><a href="https://www.instagram.com/ryansnook/" data-saferedirecturl="https://www.google.com/url?hl=en&amp;q=https://www.instagram.com/ryansnook/&amp;source=gmail&amp;ust=1535891927822000&amp;usg=AFQjCNFaqHJMQidgdOOtRPnFkeBsbui_Jg">https://www.instagram.com/ryansnook/</a></p> <p style="font-weight: 400;"><a href="https://www.instagram.com/p/BhwOtf-jsVb/" data-saferedirecturl="https://www.google.com/url?hl=en&amp;q=https://www.instagram.com/p/BhwOtf-jsVb/&amp;source=gmail&amp;ust=1535891927822000&amp;usg=AFQjCNHJ_kIlpA772_pl30rx27fI8xhqYQ">https://www.instagram.com/p/BhwOtf-jsVb/</a></p> <h3 style="font-weight: 400;"><strong>Mariano Pascual</strong></h3> <p style="font-weight: 400;">This designer, illustrator and visual artist from Argentina is based in Barcelona, and creates grid-based design work that is a throwback to the 1980s. Not to be missed!&nbsp;&nbsp;</p> <p style="font-weight: 400;"><a href="https://www.instagram.com/mariano_pascual/" data-saferedirecturl="https://www.google.com/url?hl=en&amp;q=https://www.instagram.com/mariano_pascual/&amp;source=gmail&amp;ust=1535891927822000&amp;usg=AFQjCNGCreL_XV2bxHDLX_H9xtZG7QYqrw">https://www.instagram.com/mariano_pascual/</a></p> <p style="font-weight: 400;"><a href="https://www.instagram.com/p/BmiRLkUlO7r/" data-saferedirecturl="https://www.google.com/url?hl=en&amp;q=https://www.instagram.com/p/BmiRLkUlO7r/&amp;source=gmail&amp;ust=1535891927822000&amp;usg=AFQjCNEG4LioS-GdVs_TCc3cpjwcCYxRGA">https://www.instagram.com/p/BmiRLkUlO7r/</a></p> <h3 style="font-weight: 400;"><strong>KR</strong></h3> <p style="font-weight: 400;">KR is a tattoo artist in Seoul, South Korea, who creates minimal, illustrative designs for tattoos, from interpretations of Alice in Wonderland to comics with short captions of text.</p> <p style="font-weight: 400;"><a href="https://www.instagram.com/m_tendo/" data-saferedirecturl="https://www.google.com/url?hl=en&amp;q=https://www.instagram.com/m_tendo/&amp;source=gmail&amp;ust=1535891927822000&amp;usg=AFQjCNH8Zgr5spuqWwynfg_jVtP7_gh5Pg">https://www.instagram.com/m_tendo/</a>&nbsp;&nbsp;</p> <p style="font-weight: 400;"><a href="https://www.instagram.com/p/BmDgwXDB2M9/" data-saferedirecturl="https://www.google.com/url?hl=en&amp;q=https://www.instagram.com/p/BmDgwXDB2M9/&amp;source=gmail&amp;ust=1535891927822000&amp;usg=AFQjCNEGd1Xj9ClwURczgith2nR0G76m7A">https://www.instagram.com/p/BmDgwXDB2M9/</a></p> <h3 style="font-weight: 400;"><strong>Ellen Jewett</strong></h3> <p style="font-weight: 400;">This stunning artist and sculptor creates lifelike animals that run the gamut. From intricate drawing to feather-based sculptures of realistic-looking birds and sea creatures, this account is not to be missed for design inspiration.</p> <p style="font-weight: 400;"><a href="https://www.instagram.com/ellenjewett/" data-saferedirecturl="https://www.google.com/url?hl=en&amp;q=https://www.instagram.com/ellenjewett/&amp;source=gmail&amp;ust=1535891927822000&amp;usg=AFQjCNHN1VT6aAwSsofF6vqOVibE0QokXQ">https://www.instagram.com/ellenjewett/</a></p> <p style="font-weight: 400;"><a href="https://www.instagram.com/p/BlZVn-dHQ8j/?taken-by=ellenjewett" data-saferedirecturl="https://www.google.com/url?hl=en&amp;q=https://www.instagram.com/p/BlZVn-dHQ8j/?taken-by%3Dellenjewett&amp;source=gmail&amp;ust=1535891927822000&amp;usg=AFQjCNH_OJbJN22hTbR3DsM5b1VzKA8VjA">https://www.instagram.com/p/BlZVn-dHQ8j/</a></p> <h3 style="font-weight: 400;"><strong>Josefine Svärd</strong></h3> <p style="font-weight: 400;">This Swedish designer and illustrator creates black ink illustrations which are often encased in a strange shape on the page &#8211; like a diamond or a circle. She specializes in nightscapes and nature, most of which takes us back to another time.</p> <p style="font-weight: 400;"><a href="https://www.instagram.com/wildwither/" data-saferedirecturl="https://www.google.com/url?hl=en&amp;q=https://www.instagram.com/wildwither/&amp;source=gmail&amp;ust=1535891927822000&amp;usg=AFQjCNEkt0L5Yu3PZm5dPBiC6VarBy5kZA">https://www.instagram.com/wildwither/</a></p> <p style="font-weight: 400;"><a href="https://www.instagram.com/p/BnA6pfoj6kL/" data-saferedirecturl="https://www.google.com/url?hl=en&amp;q=https://www.instagram.com/p/BnA6pfoj6kL/&amp;source=gmail&amp;ust=1535891927822000&amp;usg=AFQjCNEjT7SQJw_8MFrIcnHqvpem-gXQvg">https://www.instagram.com/p/BnA6pfoj6kL/</a></p> <h3 style="font-weight: 400;"><strong>Custom by Sophy</strong></h3> <p style="font-weight: 400;">This Swedish artist has a self-proclaimed &#8220;fetish for decay, forests and literature.&#8221; Her black and white ink works are very Narnia, in a way, and have many fantastical elements like masks, wings and otherworldly creatures.</p> <p style="font-weight: 400;"><a href="https://www.instagram.com/custombysophy/" data-saferedirecturl="https://www.google.com/url?hl=en&amp;q=https://www.instagram.com/custombysophy/&amp;source=gmail&amp;ust=1535891927822000&amp;usg=AFQjCNHaVpS2yqx0yaUWx2cApxa97UFNsQ">https://www.instagram.com/custombysophy/</a></p> <p style="font-weight: 400;"><a href="https://www.instagram.com/p/Bm1KB1JBjKC/" data-saferedirecturl="https://www.google.com/url?hl=en&amp;q=https://www.instagram.com/p/Bm1KB1JBjKC/&amp;source=gmail&amp;ust=1535891927822000&amp;usg=AFQjCNEDmw755fZNFDwXzy38gzzWCfSQZw">https://www.instagram.com/p/Bm1KB1JBjKC/</a></p> <h3 style="font-weight: 400;"><strong>Eli Klemmeck</strong></h3> <p style="font-weight: 400;">This self-proclaimed illustrator “from the mountains” is known for creating black and white drawings of a skull character set in spooky Halloween-type settings like haunted houses, graveyards and with zombies under a full moon. Fun and with quotes that make you think, like &#8220;Peace of mind is hard to find nowadays.&#8221;</p> <p style="font-weight: 400;"><a href="https://www.instagram.com/neomlei/" data-saferedirecturl="https://www.google.com/url?hl=en&amp;q=https://www.instagram.com/neomlei/&amp;source=gmail&amp;ust=1535891927822000&amp;usg=AFQjCNFubl_JWpKI19IiBFjyK3Dt7x3cJw">https://www.instagram.com/neomlei/</a>&nbsp;&nbsp;</p> <p style="font-weight: 400;"><a href="https://www.instagram.com/p/BnDRbZmn0hH/" data-saferedirecturl="https://www.google.com/url?hl=en&amp;q=https://www.instagram.com/p/BnDRbZmn0hH/&amp;source=gmail&amp;ust=1535891927822000&amp;usg=AFQjCNHeermqqvfay7LatpHgFtcCAsp_oA">https://www.instagram.com/p/BnDRbZmn0hH/</a></p> <h3 style="font-weight: 400;"><strong>Zombijana Bones</strong></h3> <p style="font-weight: 400;">This Montenegro-born artist and illustrator (whose real name is Andrijana Vešović) creates charming comic vignettes (often with pastel palettes) that tap into the everyday life of the illustrator, from creative block to pizza cravings.</p> <p style="font-weight: 400;"><a href="https://www.instagram.com/zombijana/" data-saferedirecturl="https://www.google.com/url?hl=en&amp;q=https://www.instagram.com/zombijana/&amp;source=gmail&amp;ust=1535891927822000&amp;usg=AFQjCNFzT6VqIjAtzNSS3DdEf8mSha4kIg">https://www.instagram.com/zombijana/</a></p> <p style="font-weight: 400;"><a href="https://www.instagram.com/p/BnDuy69FZNS/" data-saferedirecturl="https://www.google.com/url?hl=en&amp;q=https://www.instagram.com/p/BnDuy69FZNS/&amp;source=gmail&amp;ust=1535891927822000&amp;usg=AFQjCNHlpMNCkrwjjGiPsaDOImVvdVLijw">https://www.instagram.com/p/BnDuy69FZNS/</a></p> <p>The post <a rel="nofollow" href="http://www.printmag.com/design-inspiration/10-illustrators-you-need-to-follow-on-instagram/">10 Illustrators You Need to Follow on Instagram</a> appeared first on <a rel="nofollow" href="http://www.printmag.com">Print Magazine</a>.</p> Design Inspiration instagram Nadja Sayej Howard Mead http://www.printmonthly.co.uk/NewsStory.aspx?i=6953 Print News urn:uuid:f3586214-4927-0703-2117-805c85a32c3c Sat, 15 Sep 2018 21:33:02 +0000 Jo Golding talks to Howard Mead, sales director of C&T Channel Matrix, who began in the industry at a young age, and how the sector is a hidden gem because of the passionate people who run it Brett Newman http://www.printmonthly.co.uk/NewsStory.aspx?i=6952 Print News urn:uuid:9409a2e0-5c88-70bc-4e5c-72d92f255bc3 Sat, 15 Sep 2018 21:33:02 +0000 Jo Golding speaks to Brett Newman, chief operations manager at Hybrid Services, about working in the print industry and how Mimaki’s reputation for innovation was behind his latest move Ultragraph http://www.printmonthly.co.uk/NewsStory.aspx?i=6951 Print News urn:uuid:78c20a14-b701-1dee-72f7-008fb51f22a7 Sat, 15 Sep 2018 21:33:02 +0000 Genevieve Lewis speaks to Nick Jones, managing director of Ultragraph, on taking on the role at only 24 and how moving into packaging and carton printing will cement the company’s future DIS flexes its muscle with Virgin Active contract https://www.imagereportsmag.co.uk/news/9441-dis-flexes-its-muscle-with-virgin-active-contract Print News urn:uuid:f1f76b78-9b6c-80f3-9109-4f8a8aa01b2f Sat, 15 Sep 2018 11:34:40 +0000 Wolverhampton-based DIS has won its biggest ever contract - with Virgin active - helping it move from its existing £2.5m turnover to £5m annual sales by 2021. The company, which has become the official supplier of graphics and signage for all of Virgin’s 46 gyms and health clubs across the UK, is currently recruiting four more people to its team of 18 to help it manage the volume of work created by the contract. News Articles Hybrid Services announces the launch of the Mimaki TS55-1800 https://www.imagereportsmag.co.uk/news/9440-hybrid-services-announces-the-launch-of-the-mimaki-ts55-1800 Print News urn:uuid:b04ca1b8-e2a7-4dcb-0337-c7e18b9a9d50 Sat, 15 Sep 2018 11:33:23 +0000 New from Mimaki is the TS55-1800 - a digital heat transfer sublimation printer designed to bring high-end features to entry- and mid-level markets. News Articles CSL Digital gets new UK sales manager https://www.imagereportsmag.co.uk/news/9439-csl-digital-gets-new-uk-sales-manager Print News urn:uuid:c470e57c-1272-013f-4388-f053a970238c Sat, 15 Sep 2018 11:32:48 +0000 Wide-format printing supplies distributor CSL Digital has appointed Nigel Briggs UK national sales manager. He moves from Fujifilm’s graphic systems division where he was dealer sales manager. News Articles Guandong introduces new printable flooring materials https://www.imagereportsmag.co.uk/news/9438-guandong-introduces-new-printable-flooring-materials Print News urn:uuid:4a0e0b51-0721-9a1d-769d-2bd5805b1d96 Sat, 15 Sep 2018 11:31:23 +0000 Guandong has added new floor graphic media to its range, including materials that can be applied to rugs and carpets. These include print&walk for short-life communications for events and promotions through to Mak Flooring which has non-slip surface (R13) making it suitable for stairs, wet pavements and humid surfaces. The materials are available in a sample folder. News Articles New owner for Kall Kwik Farnham https://www.imagereportsmag.co.uk/news/9437-new-owner-for-kall-kwik-farnham Print News urn:uuid:5ef81b5e-f46a-33ed-cde0-676ba7f79af9 Sat, 15 Sep 2018 11:30:05 +0000 Apogee sales account manager Bill Clayton was so impressed by customer Kall Kwik Farnham that he has bought the business. News Articles Memjet appoints new senior vice president of EMEA https://www.imagereportsmag.co.uk/news/9436-memjet-appoints-new-senior-vice-president-of-emea Print News urn:uuid:821549bb-7407-293b-a77b-f9fbaf50cb01 Sat, 15 Sep 2018 11:28:14 +0000 Arnaud Linquette has joined Memjet as senior vice president of Europe, the Middle East and Africa (EMEA). His remit is to define and implement Memjet’s strategy to increase awareness and adoption of its printing technology in the region. News Articles Weekend Heller: Wrapping With Type http://www.printmag.com/branding/identify/weekend-heller-wrapping-with-type/ Print News urn:uuid:8de26061-4f83-1c93-73e7-fc2332031cd0 Sat, 15 Sep 2018 05:41:55 +0000 <p>There is a dearth of typeface wrapping papers out there but this holiday season can be different if you reach for these!</p> <p>The post <a rel="nofollow" href="http://www.printmag.com/branding/identify/weekend-heller-wrapping-with-type/">Weekend Heller: Wrapping With Type</a> appeared first on <a rel="nofollow" href="http://www.printmag.com">Print Magazine</a>.</p> <p><em><a href="https://www.amazon.com/Type-Wrap-Sheets-Wrapping-Paper/dp/0500420807">Type Wrap</a></em> conceived by me and Rick Landers with design by Landers is the answer to the typeface wrapping paper drought. Yes, friends there has been a shortage of wrapping and hang tags that focus specifically on beautiful typefaces. This portfolio of 10 different wrappings and tags solves the problem while providing a wide range of classy and classic faces. Perfect for the holidays to come and for just any gift giving occasion. It also makes a great gift as a beautiful artifact to compliment <a href="https://www.amazon.com/Type-Deck-Index-Steven-Heller/dp/0500420793/ref=pd_lpo_sbs_14_t_0?_encoding=UTF8&amp;psc=1&amp;refRID=4GM4PRRH3HX31B0M0CAM&amp;dpID=418b2iAbjBL&amp;preST=_SX218_BO1,204,203,200_QL40_&amp;dpSrc=detail"><em>Type Deck</em></a>. <a href="http://wwwcdn.printmag.com/wp-content/uploads/typewrap-01.png"><img class="aligncenter size-full wp-image-551994" src="http://wwwcdn.printmag.com/wp-content/uploads/typewrap-01.png" alt="" width="2560" height="1440" srcset="http://wwwcdn.printmag.com/wp-content/uploads/typewrap-01.png 2560w, http://wwwcdn.printmag.com/wp-content/uploads/typewrap-01-450x253.png 450w, http://wwwcdn.printmag.com/wp-content/uploads/typewrap-01-600x338.png 600w" sizes="(max-width: 2560px) 100vw, 2560px" /></a> <a href="http://wwwcdn.printmag.com/wp-content/uploads/typewrap-02.png"><img class="aligncenter size-full wp-image-551995" src="http://wwwcdn.printmag.com/wp-content/uploads/typewrap-02.png" alt="" width="2560" height="1440" srcset="http://wwwcdn.printmag.com/wp-content/uploads/typewrap-02.png 2560w, http://wwwcdn.printmag.com/wp-content/uploads/typewrap-02-450x253.png 450w, http://wwwcdn.printmag.com/wp-content/uploads/typewrap-02-600x338.png 600w" sizes="(max-width: 2560px) 100vw, 2560px" /></a> <a href="http://wwwcdn.printmag.com/wp-content/uploads/typewrap-03.png"><img class="aligncenter size-full wp-image-551996" src="http://wwwcdn.printmag.com/wp-content/uploads/typewrap-03.png" alt="" width="2560" height="1440" srcset="http://wwwcdn.printmag.com/wp-content/uploads/typewrap-03.png 2560w, http://wwwcdn.printmag.com/wp-content/uploads/typewrap-03-450x253.png 450w, http://wwwcdn.printmag.com/wp-content/uploads/typewrap-03-600x338.png 600w" sizes="(max-width: 2560px) 100vw, 2560px" /></a> <a href="http://wwwcdn.printmag.com/wp-content/uploads/typewrap-04.png"><img class="aligncenter size-full wp-image-551997" src="http://wwwcdn.printmag.com/wp-content/uploads/typewrap-04.png" alt="" width="2560" height="1440" srcset="http://wwwcdn.printmag.com/wp-content/uploads/typewrap-04.png 2560w, http://wwwcdn.printmag.com/wp-content/uploads/typewrap-04-450x253.png 450w, http://wwwcdn.printmag.com/wp-content/uploads/typewrap-04-600x338.png 600w" sizes="(max-width: 2560px) 100vw, 2560px" /></a> <a href="http://wwwcdn.printmag.com/wp-content/uploads/typewrap-05.png"><img class="aligncenter size-full wp-image-551998" src="http://wwwcdn.printmag.com/wp-content/uploads/typewrap-05.png" alt="" width="2560" height="1440" srcset="http://wwwcdn.printmag.com/wp-content/uploads/typewrap-05.png 2560w, http://wwwcdn.printmag.com/wp-content/uploads/typewrap-05-450x253.png 450w, http://wwwcdn.printmag.com/wp-content/uploads/typewrap-05-600x338.png 600w" sizes="(max-width: 2560px) 100vw, 2560px" /></a> <a href="http://wwwcdn.printmag.com/wp-content/uploads/typewrap-06.png"><img class="aligncenter size-full wp-image-551999" src="http://wwwcdn.printmag.com/wp-content/uploads/typewrap-06.png" alt="" width="2560" height="1440" srcset="http://wwwcdn.printmag.com/wp-content/uploads/typewrap-06.png 2560w, http://wwwcdn.printmag.com/wp-content/uploads/typewrap-06-450x253.png 450w, http://wwwcdn.printmag.com/wp-content/uploads/typewrap-06-600x338.png 600w" sizes="(max-width: 2560px) 100vw, 2560px" /></a> <a href="http://wwwcdn.printmag.com/wp-content/uploads/typewrap-07.png"><img class="aligncenter size-full wp-image-552000" src="http://wwwcdn.printmag.com/wp-content/uploads/typewrap-07.png" alt="" width="2560" height="1440" srcset="http://wwwcdn.printmag.com/wp-content/uploads/typewrap-07.png 2560w, http://wwwcdn.printmag.com/wp-content/uploads/typewrap-07-450x253.png 450w, http://wwwcdn.printmag.com/wp-content/uploads/typewrap-07-600x338.png 600w" sizes="(max-width: 2560px) 100vw, 2560px" /></a><a href="http://wwwcdn.printmag.com/wp-content/uploads/type-wrap001.jpg"><img class="aligncenter size-full wp-image-552001" src="http://wwwcdn.printmag.com/wp-content/uploads/type-wrap001.jpg" alt="" width="1479" height="2020" srcset="http://wwwcdn.printmag.com/wp-content/uploads/type-wrap001.jpg 1479w, http://wwwcdn.printmag.com/wp-content/uploads/type-wrap001-329x450.jpg 329w, http://wwwcdn.printmag.com/wp-content/uploads/type-wrap001-439x600.jpg 439w" sizes="(max-width: 1479px) 100vw, 1479px" /></a></p> <p>The post <a rel="nofollow" href="http://www.printmag.com/branding/identify/weekend-heller-wrapping-with-type/">Weekend Heller: Wrapping With Type</a> appeared first on <a rel="nofollow" href="http://www.printmag.com">Print Magazine</a>.</p> Daily Heller Identify Packaging Design Steven Heller Typography Weekend Heller Type Wrap Typeface gifts Steven Heller Top Tips for Selling Print & Finding Customers http://www.printmonthly.co.uk/NewsStory.aspx?i=6950 Print News urn:uuid:2f3f2bf7-cdca-f82f-7881-0d281422f659 Fri, 14 Sep 2018 21:45:13 +0000 Nick Devine, founder of The Print Coach, shares his top tips for selling print and finding customers following the meteoric growth of the internet IST Hot Swap drying system http://www.printmonthly.co.uk/NewsStory.aspx?i=6949 Print News urn:uuid:171a0933-7e2a-b9ad-0185-a9de7397b27e Fri, 14 Sep 2018 21:45:13 +0000 Brian Sims goes under the hood of the IST Hot Swap drying system, which straddles two technologies offering more choice to printers Key Industry Challenges http://www.printmonthly.co.uk/NewsStory.aspx?i=6948 Print News urn:uuid:a2407027-cf7b-d131-3ab0-fdb90d118623 Fri, 14 Sep 2018 21:45:13 +0000 Jo Golding listens to print’s most influential trade associations and bodies as they consider key industry challenges and the steps print companies can take to secure a successful future The Importance of Trade Shows http://www.printmonthly.co.uk/NewsStory.aspx?i=6947 Print News urn:uuid:32f5434b-b01d-6728-3e52-7947c61b6030 Fri, 14 Sep 2018 21:45:13 +0000 With the rise of The Print Show and the collapse of IPEX, Harry Mottram asks “How important are trade shows to the industry?” West Midlands firm takes centre stage http://www.printmonthly.co.uk/NewsStory.aspx?i=6946 Print News urn:uuid:94eeb31e-d79b-0f84-64e3-5157a955a7f8 Fri, 14 Sep 2018 21:45:13 +0000 It has been a difficult quarter for the mailing industry with the introduction of GDPR. But one firm in Birmingham is set for a successful year, following the investment in a brand-new premises. One Editor’s Reaction To Trump http://www.printmag.com/daily-heller/good-trouble/ Print News urn:uuid:f17f32e8-c463-c234-73de-0f8506c349d6 Fri, 14 Sep 2018 05:56:56 +0000 <p>Former editor of Dazed &#038; Confused, Rod Stanley is the editor (or El Comandante) of Good Trouble an extra large broadsheet newspaper currently in its #22 issue, which is actually only the second issue. Confused? Read the interview with Stanley and see the light of daze. Also learn why periodicals are important at this time when truth is on the edge and sanity is in the balance,</p> <p>The post <a rel="nofollow" href="http://www.printmag.com/daily-heller/good-trouble/">One Editor&#8217;s Reaction To Trump</a> appeared first on <a rel="nofollow" href="http://www.printmag.com">Print Magazine</a>.</p> <div class=""> <div>Former editor of <em>Dazed &amp; Confused</em>, Rod Stanley is the editor (or El Comandante) of <em>Good Trouble</em>, an extra large broadsheet newspaper currently in its <a href="https://www.goodtroublemag.com/home/good-trouble-magazine-issue-22">#22 issue</a>, which is actually only the second issue. Confused? Read the interview with Stanley and see the light of daze. Also learn why periodicals are important at this time when truth is on the edge and sanity is in the balance,</div> </div> <div>&nbsp;</div> <div><a href="http://wwwcdn.printmag.com/wp-content/uploads/GT22_cover01jpg.jpg"><img class="aligncenter size-full wp-image-551915" src="http://wwwcdn.printmag.com/wp-content/uploads/GT22_cover01jpg.jpg" alt="" width="1161" height="1629" srcset="http://wwwcdn.printmag.com/wp-content/uploads/GT22_cover01jpg.jpg 1161w, http://wwwcdn.printmag.com/wp-content/uploads/GT22_cover01jpg-321x450.jpg 321w, http://wwwcdn.printmag.com/wp-content/uploads/GT22_cover01jpg-428x600.jpg 428w" sizes="(max-width: 1161px) 100vw, 1161px" /></a></div> <div class=""> <div>&nbsp;</div> <div class=""><b class="">How, why and when did you launch <a href="http://goodtroublemag.com"><em>Good Trouble</em></a>?</b></div> <div class="">&nbsp;</div> <div class=""><em>Good Trouble</em> started life the day after Trump’s election in November 2016. It didn’t have that name at the time, but it was set up to be a digital-only space telling stories from the intersection of arts and culture with protest and activism. It’s always been an area of culture I’ve been interested in, and I felt that it was important to try to do something, anything, to push back at what was (and is) going on politically and socially – the triumph of lies, hate and bigotry in the US, UK, Europe and around the world. I used to be editor of <em>Dazed &amp; Confused</em> (2005-2012) but apart from some freelance writing, had not been involved in publishing for some years. With the help of friends, we grew it into a website, then I was asked to be involved with a panel and event. I promised I would make some sort of DIY zine for the event, but after discussion with my friend <a href="http://www.printmag.com/daily-heller/civilization-exists-even-now/">Richard Turley</a>, we decided to produce a one-off broadsheet newspaper, which we distributed online and received a lot of positive attention, so we have now just come back with issue two, one year later. We pivoted to print, I suppose you could say.</div> <div class="">&nbsp;</div> <div class=""><b class="">What does the title connote and what does it say about your content?</b></div> <div class="">&nbsp;</div> <div class="">I took it from this quote by the Georgia congressman and civil rights hero John Lewis: &#8220;When you see&nbsp;something that is not&nbsp;right, not fair, not just,&nbsp;you have a moral&nbsp;obligation, a mission&nbsp;and a mandate, to stand&nbsp;up, to speak up and&nbsp;speak out, and get in the&nbsp;way, get in trouble,&nbsp;good trouble,&nbsp;necessary&nbsp;trouble.” &#8220;Good trouble&#8221; is a phrase that he uses quite often to refer to the actions and protests that people sometimes have to take in order to stand up for what they believe. I felt it perfectly encapsulated everything the publication wanted to celebrate: irreverence and a spirit of rebellion, with a positive cause.</div> </div> <div>&nbsp;</div> <div><a href="http://wwwcdn.printmag.com/wp-content/uploads/GT22_cover02jpg.jpg"><img class="aligncenter size-full wp-image-551916" src="http://wwwcdn.printmag.com/wp-content/uploads/GT22_cover02jpg.jpg" alt="" width="1161" height="1629" srcset="http://wwwcdn.printmag.com/wp-content/uploads/GT22_cover02jpg.jpg 1161w, http://wwwcdn.printmag.com/wp-content/uploads/GT22_cover02jpg-321x450.jpg 321w, http://wwwcdn.printmag.com/wp-content/uploads/GT22_cover02jpg-428x600.jpg 428w" sizes="(max-width: 1161px) 100vw, 1161px" /></a></div> <div class=""> <div class="">&nbsp;</div> <div class=""><b class="">Calling this #22 suggests a long run and a certain amount of success. How do you define that success?</b></div> <div class="">&nbsp;</div> <div class="">Ah, that’s an unintended illusion, the first issue was called ‘Issue 23’ and this, our second issue, is called ‘Issue 22’. We started in the middle and now we’re counting down to something or other, I’m not sure what yet. Simply to publish a second issue in this climate, and to have people want to buy and stock it, feels like a success at the moment.</div> <div class="">&nbsp;</div> <div class=""><b class="">Interesting conceit, that. I was fooled. In any case, who are you reaching? And, more to the point, haven&#8217;t you heard that people don&#8217;t read anymore?</b></div> <div class="">&nbsp;</div> <div class="">A good question. I’ve talked a bit about the difference between ‘community’ and an ‘audience’, which someone else described with a good phrase: ‘A community doesn’t disappear when someone changes an algorithm’. So, we have a small audience but I think it’s a strong community. We pretty much sold out the first issue’s limited-run of 1000 copies, and with the help of <a href="https://www.stackmagazines.com/">Stack Magazines</a> distributing issue 2, and various other people stocking it, we have got through the lion’s share of 6000 copies of issue 2 that we printed. I can’t guarantee people are reading it, but it’s a very text-heavy format (apart from the pull-out poster artworks) and there’s a lot of stories, so I can only presume people are interested in the words, as well as the images. And we do get a lot of feedback, insights and suggestions from followers on social media and in our email – from all over the world, various age groups, all socially engaged of course.</div> </div> <div>&nbsp;</div> <div><a href="http://wwwcdn.printmag.com/wp-content/uploads/GT22_cover03jpg.jpg"><img class="aligncenter size-full wp-image-551917" src="http://wwwcdn.printmag.com/wp-content/uploads/GT22_cover03jpg.jpg" alt="" width="1161" height="1629" srcset="http://wwwcdn.printmag.com/wp-content/uploads/GT22_cover03jpg.jpg 1161w, http://wwwcdn.printmag.com/wp-content/uploads/GT22_cover03jpg-321x450.jpg 321w, http://wwwcdn.printmag.com/wp-content/uploads/GT22_cover03jpg-428x600.jpg 428w" sizes="(max-width: 1161px) 100vw, 1161px" /></a></div> <div class=""> <div class="">&nbsp;</div> <div class=""><b class="">I&#8217;ve watched (and participated) in newspapers that have reduced their sizes from grand broadsheets to tiny tabs and Berliners. Why so big?</b></div> <div class="">&nbsp;</div> <div class="">I think that’s exactly the appeal, and certainly Richard was interested to make it as big as we could and use this somewhat archaic format for our own subversive purposes. I suppose it’s because we weren’t subject to the same commercial pressures and we like to be as contrarian as possible.</div> <div class="">&nbsp;</div> <div class=""><b class="">What is your most challenging editorial concern?</b></div> <div class="">&nbsp;</div> <div class="">As a Brit living in the US, it is hard to avoid the ongoing horrors of the Trump administration. Just as an example, there are still more than 500 kids separated from their parents in US custody – more than a month after a court ordered them to be reunited. It’s horrendous. It’s simply inhumane. Its weaponized incompetence. But I try to take as wide a view as possible, and include stories from around the world and related to a variety of causes, from climate change to the refugee crisis. Though for practical and resource-related reasons, there’s an obvious skew to New York and London as dual home-bases.</div> <div class="">&nbsp;</div> <div class=""><b class="">What&#8217;s next for the paper?</b></div> </div> <div class="">&nbsp;</div> <div class="">I really want to get round to making some Good Trouble tea-towels.</div> <div>&nbsp;</div> <div><a href="http://wwwcdn.printmag.com/wp-content/uploads/GT22_cover04jpg.jpg"><img class="aligncenter size-full wp-image-551918" src="http://wwwcdn.printmag.com/wp-content/uploads/GT22_cover04jpg.jpg" alt="" width="1161" height="1629" srcset="http://wwwcdn.printmag.com/wp-content/uploads/GT22_cover04jpg.jpg 1161w, http://wwwcdn.printmag.com/wp-content/uploads/GT22_cover04jpg-321x450.jpg 321w, http://wwwcdn.printmag.com/wp-content/uploads/GT22_cover04jpg-428x600.jpg 428w" sizes="(max-width: 1161px) 100vw, 1161px" /></a><a href="http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-09-05-at-10.13.02-AM.jpg"><img class="aligncenter size-full wp-image-551920" src="http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-09-05-at-10.13.02-AM.jpg" alt="" width="2580" height="1812" srcset="http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-09-05-at-10.13.02-AM.jpg 2580w, http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-09-05-at-10.13.02-AM-450x316.jpg 450w, http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-09-05-at-10.13.02-AM-600x421.jpg 600w" sizes="(max-width: 2580px) 100vw, 2580px" /></a> <a href="http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-09-05-at-10.12.29-AM.jpg"><img class="aligncenter size-full wp-image-551921" src="http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-09-05-at-10.12.29-AM.jpg" alt="" width="2572" height="1822" srcset="http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-09-05-at-10.12.29-AM.jpg 2572w, http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-09-05-at-10.12.29-AM-450x319.jpg 450w, http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-09-05-at-10.12.29-AM-600x425.jpg 600w" sizes="(max-width: 2572px) 100vw, 2572px" /></a> <a href="http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-09-05-at-10.12.16-AM.jpg"><img class="aligncenter size-full wp-image-551922" src="http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-09-05-at-10.12.16-AM.jpg" alt="" width="2570" height="1818" srcset="http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-09-05-at-10.12.16-AM.jpg 2570w, http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-09-05-at-10.12.16-AM-450x318.jpg 450w, http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-09-05-at-10.12.16-AM-600x424.jpg 600w" sizes="(max-width: 2570px) 100vw, 2570px" /></a> <a href="http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-09-05-at-10.11.59-AM.jpg"><img class="aligncenter size-full wp-image-551923" src="http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-09-05-at-10.11.59-AM.jpg" alt="" width="2572" height="1826" srcset="http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-09-05-at-10.11.59-AM.jpg 2572w, http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-09-05-at-10.11.59-AM-450x319.jpg 450w, http://wwwcdn.printmag.com/wp-content/uploads/Screen-Shot-2018-09-05-at-10.11.59-AM-600x426.jpg 600w" sizes="(max-width: 2572px) 100vw, 2572px" /></a></div> <p>The post <a rel="nofollow" href="http://www.printmag.com/daily-heller/good-trouble/">One Editor&#8217;s Reaction To Trump</a> appeared first on <a rel="nofollow" href="http://www.printmag.com">Print Magazine</a>.</p> Daily Heller Steven Heller Typography Good Trouble Steven Heller Ten years on: memories of the 2008 crash http://www.printmonthly.co.uk/NewsStory.aspx?i=6942 Print News urn:uuid:6ab72932-6f76-5887-3f25-a63b033cee79 Thu, 13 Sep 2018 16:09:25 +0000 Ten years ago, the economy went splat. PCS targets growth with senior appointments http://www.printmonthly.co.uk/NewsStory.aspx?i=6939 Print News urn:uuid:0eb4f1a1-b5e7-9b15-cb8b-69e15ff80078 Thu, 13 Sep 2018 16:09:25 +0000 Plastic Card Services (PCS) has promoted to members of staff to senior roles as it goes in search of further growth after a record 2017-18. CreaseStream lines up new launch at The Print Show http://www.printmonthly.co.uk/NewsStory.aspx?i=6941 Print News urn:uuid:f5434983-cb57-fabf-ab36-7aa407fe94fe Thu, 13 Sep 2018 16:09:25 +0000 CreaseStream has revealed it will use this year’s edition of The Print Show as a launch platform for its new CreaseStream 75, a device that enables digital print companies to crease and trim wide-format banners and posters. Print Scotland blasts government contract plans http://www.printmonthly.co.uk/NewsStory.aspx?i=6940 Print News urn:uuid:757e95cc-ff94-e721-7149-f9a586fdd544 Thu, 13 Sep 2018 16:09:25 +0000 Print Scotland, the trade association for the country’s graphic communication industry, has hit out at the national government for seemingly ignoring Scottish companies when awarding major contracts. 3M responds to demand for 3D-conformable print wrap films https://www.imagereportsmag.co.uk/news/9433-3m-responds-to-demand-for-3d-conformable-print-wrap-films Print News urn:uuid:7f9c76d6-c6da-0e4a-5a3b-3c2c9ff78e07 Thu, 13 Sep 2018 10:39:16 +0000 3M’s range of IJ180mC print wrap films are all now 3D conformable. In addition, the IJ180mC-10, IJ180mC-114 and IJ180mC-120 print wrap films have 130% stretch, allowing them to conform to recesses, curved surfaces, corrugations and rivets without snapping back. News Articles Power of Print seminar attracts top speakers https://www.imagereportsmag.co.uk/news/9432-power-of-print-seminar-attracts-top-speakers Print News urn:uuid:6a3fd7a6-4207-778d-de0d-225b082e3d66 Thu, 13 Sep 2018 09:15:54 +0000 Hear from Joe Waterton, head of philanthropy for Macmillan Cancer Support, at the Power of Print seminar on 6 November where he will explain why, with the huge rise in unverified information available on the internet, print is such an important and trusted part of its communications. News Articles Mactac’s ‘Bright Young Thing’ sees work unveiled in Hackney https://www.imagereportsmag.co.uk/news/9431-mactac-s-bright-young-thing-sees-work-unveiled-in-hackney Print News urn:uuid:458880fa-0871-c1bc-2727-b01d001edce9 Thu, 13 Sep 2018 07:46:20 +0000 Linea Matei - winner of Mactac Europe’s ‘Bright Young Things Take Hackney’ graphic design competition - has seen her design unveiled at Hackney Walk in East London. News Articles UPM tops sustainability list https://www.imagereportsmag.co.uk/news/9430-upm-tops-sustainability-list Print News urn:uuid:2257bf29-cfd2-90c7-9950-96cec8cae92b Thu, 13 Sep 2018 07:45:37 +0000 UPM has been listed as the forest and paper industry leader in the in the Dow Jones European and World Sustainability Indices for 2018-2019 for the sixth time. News Articles Thomas Cole For Kids http://www.printmag.com/daily-heller/thomas-cole-for-kids/ Print News urn:uuid:5a21c0c9-35c8-0d77-3038-d0b57e2a7fe8 Thu, 13 Sep 2018 05:00:51 +0000 <p>What attracts me to Thomas Cole (February 1, 1801 – February 11, 1848) is that he was the founder of the Hudson River School, a group of American artists who sought to depict the unspoiled majesty of the American landscape around the Hudson River Valley in New York State. I love that part of the state and Cole was the first to explore this territory, taking steamboat trips up the valley [&#8230;]</p> <p>The post <a rel="nofollow" href="http://www.printmag.com/daily-heller/thomas-cole-for-kids/">Thomas Cole For Kids</a> appeared first on <a rel="nofollow" href="http://www.printmag.com">Print Magazine</a>.</p> <p>What attracts me to Thomas Cole <span class="st">(February 1, 1801 – February 11, 1848)</span> is that he was the founder of the <span class="marked_text chart-tooltip-target-top tooltip_id-hudson_river_school">Hudson River School</span>, a group of American artists who sought to depict the unspoiled majesty of the American landscape around the Hudson River Valley in New York State. I love that part of the state and Cole was the first to explore this territory, taking steamboat trips up the valley starting in the mid-1820s onwards, and his work influenced a whole generation of American artists including <a href="http://www.wamc.org/post/groundswell-olana">Frederic Edwin Church</a> (whose Olana home overlooking the Hudson is a wonder), Albert Bierstadt, and Asher Brown Durand. Hudson Talbott, who swears he did not change his name to fit his subject matter, has created a lovely volume for children (and adults), <em><a href="https://www.amazon.com/Picturing-America-Thomas-Birth-American/dp/039954867X">Picturing America</a></em>, about the renown Mr. Cole. I asked Talbott to talk about why he chose this fascinating theme for kids.</p> <p><a href="http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_cover-final.jpg"><img class="aligncenter size-full wp-image-551978" src="http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_cover-final.jpg" alt="" width="1200" height="1014" srcset="http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_cover-final.jpg 1200w, http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_cover-final-450x380.jpg 450w, http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_cover-final-600x507.jpg 600w" sizes="(max-width: 1200px) 100vw, 1200px" /></a><strong><br /> Thomas Cole is a <a href="https://commons.wikimedia.org/wiki/File:Lake_with_Dead_Trees_(Catskill),_by_Thomas_Cole.jpg">remarkable artist</a> and the Hudson River School is an important movement but why did you select him as the subject for a children’s book?<br /> </strong>I grew up in Kentucky, where every school kid knows who Stephen Foster is.We took field trips to &#8220;My Old Kentucky Home&#8221;.  I felt that the young people of the Hudson Valley  and New York state should take that same pride in Thomas Cole, and the contributions he made to American culture. It&#8217;s time that all children know what he did that makes him heroic.</p> <p><strong>The challenge of teaching children about art and artists is making them connect to the subject. How do you feel that you accomplished this?<br /> </strong>Every child starts out drawing. Some of them stick with it, like I did. For all those kids who keep their love of making art I wanted to give them a role model.<br /> <a href="http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p1.jpg"><img class="aligncenter size-full wp-image-551979" src="http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p1.jpg" alt="" width="1200" height="686" srcset="http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p1.jpg 1200w, http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p1-450x257.jpg 450w, http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p1-600x343.jpg 600w" sizes="(max-width: 1200px) 100vw, 1200px" /></a> <a href="http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p2b.jpg"><img class="aligncenter size-full wp-image-551980" src="http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p2b.jpg" alt="" width="1200" height="686" srcset="http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p2b.jpg 1200w, http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p2b-450x257.jpg 450w, http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p2b-600x343.jpg 600w" sizes="(max-width: 1200px) 100vw, 1200px" /></a> <a href="http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p3.jpg"><img class="aligncenter size-full wp-image-551981" src="http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p3.jpg" alt="" width="1200" height="686" srcset="http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p3.jpg 1200w, http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p3-450x257.jpg 450w, http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p3-600x343.jpg 600w" sizes="(max-width: 1200px) 100vw, 1200px" /></a><br /> <strong>Cole’s “Empire” has the element of magic realism. It is majestic. How do children relate to such imagery?<br /> </strong>They love the visual story-telling aspect of it. The Course of Empire was painted long before we had movies. It was serving a similar purpose: telling a story through a series of images, or to be more precise, telling a cautionary tale on an epic scale. And besides, who doesn&#8217;t love to get lost in all that drama?</p> <p><strong>You conflate Cole’s genre with a sense of environmental sensitivity, is that what you want your young readers to take away?<br /> </strong>Yes, among other things. Cole&#8217;s work transcends the limits of conventional landscape painting because he&#8217;s using it to convey a message beyond the pleasure of a pretty scene. He&#8217;s saying &#8220;as beautiful as the bucolic landscape may be, we&#8217;re in danger of losing it if we do not protect it.&#8221; When I speak of him as America&#8217;s first great painter, I don&#8217;t mean because he painted American landscapes but because his work embodies the unresolved conflict that is at the core of the American soul: we love and identify with America the Beautiful while at the same time decimating it in the course of profiteering. His message is sadly more relevant than ever.</p> <p><a href="http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p4.jpg"><img class="aligncenter size-full wp-image-551982" src="http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p4.jpg" alt="" width="1200" height="686" srcset="http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p4.jpg 1200w, http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p4-450x257.jpg 450w, http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p4-600x343.jpg 600w" sizes="(max-width: 1200px) 100vw, 1200px" /></a> <a href="http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p5.jpg"><img class="aligncenter size-full wp-image-551983" src="http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p5.jpg" alt="" width="1200" height="686" srcset="http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p5.jpg 1200w, http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p5-450x257.jpg 450w, http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p5-600x343.jpg 600w" sizes="(max-width: 1200px) 100vw, 1200px" /></a> <a href="http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p6.jpg"><img class="aligncenter size-full wp-image-551984" src="http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p6.jpg" alt="" width="1200" height="686" srcset="http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p6.jpg 1200w, http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p6-450x257.jpg 450w, http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p6-600x343.jpg 600w" sizes="(max-width: 1200px) 100vw, 1200px" /></a><strong><br /> You note that he passed early. I’m curious, since the book is for children did you gloss over his passing?<br /> </strong>I didn&#8217;t intentionally gloss over his death due to any thoughts about children not being able to deal with it. It happened quite suddenly ,as I understand and caught the nation by surprise. We don&#8217;t realize how loved and respected he was at the time. But he started the conversation about preserving the environment and that&#8217;s what I want children to take away. He exemplifies how much difference one person can make, no matter how brief his or her life.</p> <p><strong>How much did you have to learn about Cole, Church and his circle?<br /> </strong>I thought I knew a lot already when I decided to do this book. But I was quickly humbled when I discovered how little I knew. And the interesting thing is that more is surfacing about him all the time. His diary was just transcribed and we&#8217;re finding what a profoundly deep, often troubled but truly sensitive soul he was. I wish I had another book to research so I could spend more time with him.</p> <p>As for the others, well, they&#8217;re all wonderfully talented but none are as fascinating or as original as the man they were following.<br /> <strong>  </strong><br /> <strong>What’s next?</strong><br /> I have three book projects, an animation project based on a book , and a kids&#8217; musical based on another book all in the works and none of which I&#8217;m at liberty to talk about right now. But thanks for asking!</p> <p><a href="http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p8.jpg"><img class="aligncenter size-full wp-image-551985" src="http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p8.jpg" alt="" width="1200" height="686" srcset="http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p8.jpg 1200w, http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p8-450x257.jpg 450w, http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p8-600x343.jpg 600w" sizes="(max-width: 1200px) 100vw, 1200px" /></a> <a href="http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p9.jpg"><img class="aligncenter size-full wp-image-551986" src="http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p9.jpg" alt="" width="1200" height="686" srcset="http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p9.jpg 1200w, http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p9-450x257.jpg 450w, http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p9-600x343.jpg 600w" sizes="(max-width: 1200px) 100vw, 1200px" /></a> <a href="http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p11.jpg"><img class="aligncenter size-full wp-image-551987" src="http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p11.jpg" alt="" width="1200" height="686" srcset="http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p11.jpg 1200w, http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p11-450x257.jpg 450w, http://wwwcdn.printmag.com/wp-content/uploads/Picturing_America_p11-600x343.jpg 600w" sizes="(max-width: 1200px) 100vw, 1200px" /></a></p> <p>&nbsp;</p> <p>The post <a rel="nofollow" href="http://www.printmag.com/daily-heller/thomas-cole-for-kids/">Thomas Cole For Kids</a> appeared first on <a rel="nofollow" href="http://www.printmag.com">Print Magazine</a>.</p> Daily Heller Design Culture Illustration Design Steven Heller Hudson River School Thomas Cole Steven Heller Fujifilm launches new 4K-compatible broadcast lens “FUJINON UA46x13.5BERD” and “FUJINON UA70x8.7BESM” http://www.fujifilm.com/news/n180913.html Print Companies - News urn:uuid:dbb0ff29-ad0e-479f-dc14-8c4c9dd64ee0 Thu, 13 Sep 2018 05:00:00 +0000