BREAKING NEWS: Movies

Beyond Fest 2020: The Fuck Covid Edition Features World Premieres of THE WOLF OF SNOW HOLLOW, ARCHENEMY, And FREAKY

Fri, 18 Sep 2020 17:00:00 +0000

Where there is a will there is a way. The resurgance of the drive-in cinema has been a blessing for the industry still struggling under the current pandemic and film festivals are no exception. Normally a combination of ticketed and free screenings Beyond Fest in the past has boasted a massive program appealing to all types of genre cinema fans. Though the event this year may be scaled back to a week of double and triple-bill screenings at the Mission Tiki Drive-in Beyond Fest's The Fuck Covid Edtion has many must-see films, including three world premieres. Christopher Landon's Blumhouse horror flick Freaky, Adam Egypt Mortimer's Archenemy and Jim Cummings' The Wolf of Snow Hollow will all be making their bow at Beyond Fest this...

[Read the whole post on screenanarchy.com...]

Original Dune Director Has Seen The Trailer For The New Adaptation, And Of Course Has Thoughts

Fri, 18 Sep 2020 16:45:58 +0000

The first man who tried to turn Dune into a movie has thoughts on what he's seen in the new attempt.

VANGUARD Trailer: Jackie Chan, Stanley Tong, Fast and Furious Gold

Fri, 18 Sep 2020 16:27:30 +0000

Optimistically scheduled to open in cinemas on 30 September in Asia, Vanguard sees director Stanley Tong teaming again with Jackie Chan for an action-adventure that looks like it happily walks the line between ridiculous and outrageously entertaining. Per the official synopsis: "Vanguard is an internationally-renowned and privately-owned venture high-tech security agency founded by Tang Huanting (Jackie Chan). Their client, Qin Guoli, alerted the U.S. intelligence agencies of his boss, Massym, as the leader of an aggressive military group in the Middle East. "Maasym is then assassinated by the U.S. government and his son, Omar, ordered to have Qin captured. Vanguard members Lei Zhenyu (Yang Yang), Zhang Haixuan (Ai Lun) and Miya (Mu Qimiya) are sent on a mission to rescue Qin and to protect his...

[Read the whole post on screenanarchy.com...]

Twitch Is Removing Its Widely Hated Midroll Ads After Concluding Test

Fri, 18 Sep 2020 16:26:42 +0000

After receiving an immense amount of backlash following the implementation of random midroll ads, Twitch has concluded the testing period and removed "new ad experience." Twitch implemented these ads as a test and presented them as positive for creators, but the community quickly showed that they were not in favor of this greedy malpractice.

Twitch posted an official help blog and on Twitter on September 14 announcing the implementation of random midroll ads. These ads would play for select viewers who had not experienced an ad break for an extended period of time. These ads did not affect the entire stream, only target viewers. Twitch attempted to sugarcoat the experience by highlighting the fact that the ads would directly support the streamer. Regardless, many people in the community, including some of Twitch's largest streamers, voiced their disgust with the new ad testing.

Three days into the new ad experience and Twitch has already announced that the testing phase is over and that it has been listening to the community. Twitch responded to Twitter user and Twitch partner Bryonato stating that viewers would no longer see midroll ads and that it had gone through the feedback of the original tweet, UserVoice, and other avenues of criticism. The host of Twitch News Live, Zach Busey, pointed out in his own series of tweets that Twitch's attention to feedback proves that it is listening to the community's feedback. He also stated that the "remove midroll ads" is the highest voted suggestion on Twitch's UserVoice.

As Bussey stated, three days is a rather short time for a testing period, and it proves that Twitch is listening to its community. Clips of streamers having their viewing experience ruined by the automated ads started to surface, and the community's voice could be heard on many different platforms. With this much noise coming from the internet it would be impossible not to hear it. However, Twitch is notorious for making simple-minded mistakes, so this likely won't be the last fans hear from Twitch's disappointed user base.

The Twitch midroll ads should have been an idea that died at the drawing board. Of course, Amazon being the mega-corporation that it is couldn't pass up on a chance to make an extra buck. It won't be too long until Twitch implements another cash-grab tactic that upsets its streamers, but hopefully, it won't interrupt a user's viewing experience.

Next: Burger King Sneakily Gets Streamers To Plug Its Food

Sources: Twitch, Zach Bussey

‘True Mothers’ Review: Naomi Kawase’s Heartbreaking Parenting Saga Goes on Way Too Long

Fri, 18 Sep 2020 16:20:37 +0000

TIFF: A nearly two-and-a-half-hour running time threatens the emotional impact of Kawase's latest, which nevertheless shimmers with beauty and melancholy.

For a ‘Good Time,’ Here Are the 12 Best Robert Pattinson Performances Ranked

Fri, 18 Sep 2020 16:17:47 +0000

Here's what I imagine it's like being Robert Pattinson's agent: An auteur calls you, says "I want your client to —" and then you stop them immediately and scream, "Yes, he'll do it," and then they say, "Are you sure? It's pretty weird," and then you stop them again and scream, "Just send us the call sheet already!" Born in London in 1986, the actor first made a global-scale splash as the tragically-fated Cedric Diggory in Harry Potter and the Goblet of Fire, before utterly dominating the cultural conversation in the Twilight franchise as …

Why Geoffrey Cox's A Man for All Seasons clip sends Brexit Britain a potent message

Fri, 18 Sep 2020 16:17:01 +0000

Tory ex-attorney general is an odd bedfellow for communist playwright Robert Bolt. Yet both believe in the value of the law

It is fascinating to find Sir Geoffrey Cox, the former attorney general, posting on Twitter a scene from Robert Bolt’s A Man for All Seasons to affirm his belief in the sanctity of the law. Since Bolt was a one-time communist, an active supporter of CND and a dramatist who wrote a hagiographic portrait of Lenin in State of Revolution, he and Cox make strange bedfellows. Yet, although Bolt was ready to defy the law in pursuit of a cause like nuclear disarmament, he still saw it, in his own words, as “the essence of organised society”.

pic.twitter.com/wwNjpFFvC1

Every James Bond Opening Title Sequence, Ranked

Fri, 18 Sep 2020 16:16:22 +0000

The name’s Bond. Bondathon. With 24 official James Bond films to conquer before No Time To Die hits theaters (someday!), Bond fan Anna Swanson and Bond newbie Meg Shields are diving deep on 007. With shaken martinis and beluga caviar in hand, the Double Take duo is making their way through the Bond corpus by era, so hang up your hats and pay attention. This time, they’ve set their scopes on ranking the James Bond opening title sequences.

What do all the James Bond films have in common? There are the obvious motifs: gadgets, girls, guns, and of course, the man himself. But aside from these qualities — which all exist in Ian Fleming’s source material — there’s one uniquely cinematic aspect that prevails in all twenty-four films: the opening title sequence. For nearly six decades, these flashy montages have set the stage, introducing us to the film about to unfold. Some of them have complimented the best films in the franchise, others have been the best thing about the more lackluster entries. But, whether they’re masterpieces or For Your Eyes Only, every opening title sequence is integral to what makes a Bond film a Bond film.

Despite the films ranging across almost sixty years, there have only been a small handful of title designers. The most prolific of these is Maurice Binder, who was thirty-seven when he titled Dr. No. He was hired on the merits of his titles for Stanley Donen’s The Grass is Greener and would produce a grand total of fourteen titles for the franchise between 1962 and 1989. The two exceptions during this time were title designs created by American graphic designer Robert Brownjohn, who pioneered some early effects in From Russia With Love and Goldfinger. Since 1995, the titles have been exclusively created by music video and commercial director Daniel Kleinman, with the sole exception of Quantum of Solace. The 2008 film’s titles were completed by the graphic design company MK12, frequent collaborators of its director, Marc Forster.

When ranking these opening title sequences, we took a melange of overlapping factors into account. First, the visuals; from the glorious neon accents of A View to a Kill to the sultry front-projection of From Russia With Love. Next, we took the title songs into consideration: the sultry lounge ballads, hair-raising belters, and out and out pop hits. Next, we factored in whether the sequence’s “whole deal” was representative of the film that it introduced — if it set up and vibed with the unique espionage escapade to follow. Finally, and only in unprecedented instances of a tie, we factored in the preceding cold open, which range from straight-faced character introductions to dropping primary antagonists down chimneys.

This ranking would not be possible without Art of the Title’s exemplary coverage of James Bond opening sequences. After you make your way through this ranking, we encourage you to peruse their site at length. And with that: line up your martinis and whip out your caviar. It’s time to praise, condemn, and rank the opening title sequences of the Bond franchise.

24. For Your Eyes Only (1981)

Main Tite designed by Maurice Binder

I have no proof that they play Sheena Easton’s “For Your Eyes Only” in hell, but who needs proof when you have ears? I’m only half kidding. But not really. For Your Eyes Only holds the unique distinction of being the only Bond title sequence to feature the theme song performer within the actual sequence itself. And there’s a reason it’s the only one. Much like the cold open (wherein Bond visits his wife’s grave and drops Blofeld down a chimney), the opening credits have fuck all to do with the film itself. And other than Binder’s infatuation with Easton’s striking face, conceptually it’s a bit confusing and music video-y. This sequence is in contempt of court for being the worst thing a Bond sequence can be: boring. (Meg Shields)

23. Spectre (2015)

Main Tite designed by Daniel Kleinman

These titles upset me more than any poorly aged moment from the Connery films. For starters, there’s the forgettable song and the overly literal imagery that drags this down to unfortunate depths. But more than that, these titles also struggle with the central problem of Spectre: there’s no individual identity. We have images from the prior Craig films included as references to seemingly inform us that this film is about something, but what that something is or what makes it distinct or interesting? That’s unclear. One thing that is clear is that this franchise owes an apology to octopi everywhere. (Anna Swanson)

22. Moonraker (1979)

Main Tite designed by Maurice Binder

There isn’t a theme song that Shirley Bassey isn’t capable of nailing, and Moonraker gets points for the beauty of her voice and Binder’s choice to match its smokey cool quality with some hazy, cloudy imagery. There are some gorgeous aesthetics at play here. But the twirling and bouncing female silhouettes feel a little too much like a lite version of The Spy Who Loved Me. If it ain’t broke, it doesn’t necessarily have to be fixed, but this sequence proves that lightning doesn’t strike twice. What is stunningly captivating about one film’s titles can’t always be replicated and instead comes off as a little dull and derivative. For a film that exists because it can capitalize on its space theme, the opening titles are surprisingly lacking in space images. There are a few shots of the Moon and Earth, and one of a woman seemingly flying through the air, but when the entire galaxy was potentially at play, Moonraker is unfortunately weighed down by this sequence. (Anna Swanson)

21. Dr. No (1962)

Main Tite designed by Maurice Binder
Animation by Bond, Trevor Bond. (Sorry, I couldn’t help myself.)

Although James Bond’s first cinematic outing with Eon Productions has many virtues, its main appeal is as a kind of “fertile crescent” for the tropes, aesthetic, and vibe of the whole franchise. Fittingly, the film’s opening sequence contains the kernels of a prototypical Bond theme, but in true Dr. No fashion, it’s all…a little off. Dr. No’s title sequence is probably the least Bond-y of all the titles. The minimalist graphic design of dovetailing shapes and silhouettes are far more elusive and subtle than its bombastically abstract peers. Adding to the off-ness, Dr. No’s sequence features three entirely different pieces of music, among them Monty Norman’s famous “James Bond Theme” (Dr. No is only one of two title sequences to feature the theme in the sequence itself). However, undeniably, the basics of a Bond title sequence are there, from the colorful female forms to the now-iconic gun barrel opener, a fortuitous last-minute pitch by Binder. All told: this is a very modernist and intellectual sequence. It’s clean, to the point, but like the film itself, a little restrained and tentative. (Meg Shields)

20. You Only Live Twice (1967)

Main Tite designed by Maurice Binder

This credits sequence doesn’t reinvent the wheel, but maybe it doesn’t need to. You Only Live Twice pulls its aesthetic from the film’s elevator pitch: Japan and volcanoes. Fires are smoldering, lava is flowing, and women are both stereotyped and silhouetted. Problematic? Yes. On brand for Bond? Definitely. The title song from Nancy Sinatra is slow and melodic, and the credits sequence keeps the pace, which is to say this sequence takes a leisurely stroll through its imagery. If you don’t like it, it comes across as sluggish. If you’re on board, then it’s meditative. Either way, there’s nothing truly extraordinary happening here, but I admit that I fall into the camp of enjoying the volcanic explosions. Team meditative. (Anna Swanson)

19. Octopussy (1983)

Main Tite designed by Maurice Binder

Octopussy’s title sequence is the “hey can I copy your homework” of Bond title sequences. Binder departs from his usual format and steals fan-favorite flourish from Robert Brownjohn. Namely: projecting images onto female bodies. Only Binder uses (hold your breath) lasers. Do lasers have any narrative relevance to Octopussy? Nope. Oh well, at least it looks cool. Oh, what’s that? It actually looks terrible? They hadn’t really cracked detailed laser-tech yet in 1983? There are a couple of moments when the cookie-cutter laser shapes cut through clouds of smoke, which creates some cool light-scattering for the tried-and-true silhouettes to somersault in front of. But here’s the thing: we have yet another sequence with very thin connective tissue to the film it introduces. Octopussy is the movie where Bond goes to the circus. Surely that’s a fertile conceptual playground that could lead to some compelling and relevant visuals? Instead, we got one of the safest Bond title sequences out there with a (Mike Myers voice) frickin’ laser. It’s fine. Rita Coolidge’s camp bop “All Time High” deserved better. (Meg Shields)

18. On Her Majesty’s Secret Service (1969)

Main Tite designed by Maurice Binder

Like the movie itself, the title sequence for On Her Majesty’s Secret Service is a little weird and certainly polarizing. It falls in line with the first act’s need to remind everyone watching that, yes, this is a Bond movie… no, Connery is not in it… please don’t walk out and ask for a refund, we promise this is still James Bond, he’s just different. A highlight reel from the prior five films is displayed while the horns from John Barry’s score blast. It’s a touch idiosyncratic and the rest of the visuals are rather understated, allowing much of the heavy lifting to fall on the song itself. Thankfully, the ultimate saving grace is just how great the theme is. The score for this film is undeniably magnificent and this opener is a rip-roaring instrumental thrill, and the song carries the somewhat uninventive aesthetics as well as anything could. (Anna Swanson)

17. Thunderball (1965)

Main Tite designed by Maurice Binder

You gotta respect honesty in advertising. Thunderball is the wettest Bond film, so it only makes sense that its opening title sequence would be equally aquatic. Thunderball’s credits take place in a sub-nautical disco; an effervescent, technicolor acid trip with groovily warped text to match. Should you think too hard about all the men pointing harpoons at the silhouetted bathing beauties? Nah. What does “strikes like Thunderball” mean? It doesn’t matter. It’s a transfixing sequence; in small part, one suspects, because the premise for its visuals actually makes a bit of sense. Figures swim across the screen through jets of color-shifting bubbles and wayward currents; they dive, flip, and tread, and it’s a sight to behold. Also, look. Tom Jones is a lot. But Bond films are a lot. In this era, he’s up against the diva Shirley Bassey, and he holds his own. Man damn near fainted after that nine-second final high belt: respect! (Meg Shields)

16. Tomorrow Never Dies (1997)

Main Tite designed by Daniel Kleinman

These cyber-inspired opening titles are a little weird, but they certainly gel with the central tech-focused premise of the film. Sheryl Crow’s song has more of a classic feel that could have clashed with the visuals, but instead, it conveys a melding of sensibilities: the history of Bond and the modern world he finds himself in. It’s also got the classic images of girls and guns, but with some x-ray-centric and cyber twists. It’s the old and the new meeting one another. It’s a little odd, but it works. (Anna Swanson)

15. The Living Daylights (1987)

Main Tite designed by Maurice Binder

A perfectly respectable sequence that reads like someone skimming a James Bond Wikipedia entry, The Living Daylights’ sequence has guns, girls, cars, gadgets, and hooch. Binder’s back at it again with the water distortions and the mattes. It’s enjoyable, familiar, and far less bombastic than Binder’s previous work on A View to a Kill. The pivot in the palette from neon to intersecting primaries is emblematic of the Bond reset this film represents: a new Bond may have taken up tenure, but this is still Bond. Nothing to worry about. A-ha comes out swinging with a rather pop-y theme, more of its time than timeless, but enjoyable nonetheless. (Meg Shields)

14. The World Is Not Enough (1999)

Main Tite designed by Daniel Kleinman

With rainbow oil spills, thrusting rigs, and women covered in nothing but tar, this is certainly one of the more thematically aggressive Bond title sequences. We’re still ankle-deep in slippery ’90s CGI. But if you look past the rubbery sheen — and the occasional frame over-crowded with…lighting reference balls? — there’s a lot to be admired. Like Garbage’s theme song, a slinky belter that matches the textured, viscous visuals of the title sequence. The throwback to the Moore-era cold open transition into the title sequence is also a treat. The world may not be enough, but as far as the Brosnan title sequences are concerned, this’ll do just fine. (Meg Shields)

13. The Man with the Golden Gun (1974)

Main Tite designed by Maurice Binder

The beauty of this title sequence is that just when you think the reflective water imagery is all you’re gonna get and the pop tone has mellowed out, it gets sparkly and bright, showcasing a woman gyrating against what can only be described as a glitter fire. Before this explosion, the aesthetic is ripples on water, recalling the distortion of the credits in From Russia With Love, and needless to say, this counts as a win. And of course, because Binder knows what we want to see, there’s plenty of shots of the titular golden gun. They set it up, he knocked it down. (Anna Swanson)

12. Die Another Day (2002)

Die Another Day Opening Titles Life After Lockup season 3 event, Tony tries to convince Angela that he's a changed man. After a tense exchange about their rocky marriage, Angela reveals that she never filed the marriage license and the two aren't even legally married. The new episode "Up in Flames" will air on September 18.

From the beginning, Tony and Angela's Love After Lockup relationship has been fraught with trust issues, cheating, and clashing. It looks like this fight might be the last straw for Angela. In the clip, Tony tries to smooth things over with her. starting the conversation calmly. "I don't know what to say...I'm sorry," he said. Angela's patience is clearly running thin, though. She lights up a cigarette and fires back at him with, "Don't you want more out of life than hotel rooms, prostitutes...it's almost like you're more in love with your addiction than you're in love with yourself or with me."

Tony tells Angela that he's a new man who has learned his lesson. Angela yells back at him, "What the hell has changed?" He explains that he's been sitting in a hotel room by himself for the last four months, apparently regretting his infidelity. While Angela insists, "I don't believe you, and I don't think I ever will," Tony makes another desperate attempt to fix the relationship. Being away from her, he explains, "was way worse than prison." "I had to lose you to realize what a piece of s**t I was, and when I lost the best thing that had ever happened to me, I've really really got my head on straight," he added. Those sentiments didn't seem to mean much to (supposed) wife, Angela. At the end of the clip, she drops a bombshell. Angela divulges that she never filed the marriage license and admits "we're not even officially married." Watch the WeTV clip below:

Tony and Angela had a tumultuous relationship from the start. Angela, a mental health counselor, admits to having an affinity for prisoners and found Tony (10 years her junior) through a Facebook page called Prison Inmate Penpals World International. After developing an online relationship, the couple planned to meet up when Tony got released. Angela, however, ended up waiting outside of a bus stop when he never left the prison as expected. Though they went through lots of Love After Lockup trials and tribulations, the two decided to tie the knot in fall 2019.

The unpredictability of Tony and Angela's relationship means that their Love After Lockup romance could go in any direction. It's not surprising that the pair are butting heads, but it will be interesting to see whether Angela has truly had enough this time. Perhaps she had a feeling that the marriage wouldn't last and this kept her from filing the marriage license. They've spent years working on their relationship, so hopefully Tony really has changed for the better.

Next: Love After Lock Up: Where Are They Now – Marcelino & Brittany Santiago

The newest episode of the four-part Life After Lockup special event will air on Friday, September 18 at 9pm ET on WE TV.

Source: WeTV via YouTube

Super Mario Sunshine: How To Unlock Corona Mountain | Screen Rant

Fri, 18 Sep 2020 16:15:08 +0000

Corona Mountain is the final level of Super Mario Sunshine. This guide will help players unlock it. Super Mario Sunshine has Mario exploring Isle Delfino, a tropical paradise with relaxing beaches, haunted hotels, and metal harbors. Mario, Peach, and Toad friends head on a tropical vacation for a bit of rest and relaxation. This vacation is cut short when Mario is convicted of a crime he did not commit. Mario is now tasked with cleaning up the island with his new friend, FLUDD. Along the way, Mario can collect up to 120 Shine Sprites, the island's power source. To complete the game, the player will need to take down the final boss in Corona Mountain. This guide will help players unlock this final area in the game.

Super Mario Sunshine is back in the spotlight with the recent Super Mario 3D All-Stars announcement. In this collection, players can find Mario's biggest 3D adventures from the past, Super Mario 64, Super Mario Sunshine, and Super Mario Galaxy. Although, Super Mario Galaxy 2 is completely absent from this collection. The collection will also only be available for a limited-time, being discontinued and removed from store shelves at the end of March 2021. Here's how players can unlock the gate to Corona Mountain.

Unlike Super Mario 64, the game doesn't give the player clear instructions on how to open the pathway to the final boss. To do it, the player will need to complete every Shadow Mario episode in each level. This means the player will need to reach episode 7 for all of the main levels in the game. Once this happens, Mario will return to Delfino Plaza to find that it has flooded. The pathway to Corona Mountain will be open. This is the final location of the game, littered with several blue coins to collect and the final boss to challenge. It is also one of the hardest levels in the game.

Super Mario Sunshine is a bit flawed when it comes to its mechanics and gameplay. For example, a certain Shine Sprite requires that the player collects every Red Coin inside of a flying pachinko machine. There's no real way to control yourself while you're in the air, leaving a lot of the gameplay in this section up to chance. It can be frustrating but satisfying when the mission is completed. There are a few Shine Sprites like that in the game. Regardless, the collection is worth it for Super Mario Sunshine alone. Everything else is just a bonus at this point.

More: Shigeru Miyamoto Offers Mario Life Advice On His 35th Anniversary

Super Mario Sunshine is available now on the Nintendo Gamecube. Super Mario 3D All-Stars will be available on September, 18th 2020.

After We Collided: does this shock hit point the way to cinema's future?

Fri, 18 Sep 2020 16:11:25 +0000

Ignored by critics, barely marketed and released in just 47 cinemas, the YA romance has eclipsed X-Men at the UK box office and even ran Tenet close. What’s its secret?

Its success has been hailed as “extraordinary” – not least because no one saw it coming. The YA romance After We Collided has next to no marketing budget and zero reviews – and has taken more than £1m after just two weeks in the UK. A few weeks ago, it wasn’t even in line for theatrical release. As the box office struggles in the pandemic, the industry has sat up to take note of this grassroots success. It is “completely unprecedented”, says Delphine Lievens, a senior box office analyst at Gower Street. “To do that based on no marketing – it’s a really impressive result.”

After We Collided is the follow-up to last year’s After; both are adapted from the “new adult” novel series by the US author Anna Todd. They follow the up-and-down relationship of college students Tessa (played by Josephine Langford) and Hardin (Hero Fiennes Tiffin – Joseph and Ralph’s nephew). Tessa is a headstrong and bookish young woman with parallels – the film insists – to Elizabeth Bennet. Hardin, meanwhile, is a bad-boy Brit whose eminent unsuitability is signposted by his many Ramones tees. Naturally, “Hessa” can’t keep away from each other, as much as their parents, love rivals and life circumstances conspire to keep them apart. Cue maudlin electro-pop.

Rayman Creator Michel Ancel Exits Gaming Industry To Pursue New Passion

Fri, 18 Sep 2020 16:10:58 +0000

Legendary developer and Ubisoft creator Michel Ancel, who created classic franchises such as Rayman and Beyond Good & Evil is quitting the video game industry to run his own wildlife sanctuary. The designer has spent 30 years in the industry and been associated with the French publisher for more than 20 of them.

Ancel has been a major figure in the world of gaming for three decades. As well as creating one of the most memorable mascots in the industry in the form of Rayman, he also worked at independent studios and helped direct other successful series. His current major project was Beyond Good & Evil 2, a sequel to the cult 2003 game. Ubisoft made a surprise announcement that the game was in development in 2017 but has been unusually quiet about its progress in recent times. However, the company has confirmed that the sequel will not release in 2020, which might be explained by Ancel's departure from the company.

Michel Ancel has announced that he is leaving Ubisoft and quitting the video game industry after 30 years. Speaking in an Instagram post today, the designer claimed that this was to allow him to follow his second passion in life and set up a wildlife sanctuary in Montpellier. Best known for creating the Rayman and Beyond Good & Evil series, the developer explained that his new project "takes place in the real world and consists in a wildlife open sanctuary dedicated to education, nature lovers and wild animals."

Meanwhile, Ubisoft has responded to Ancel's departure in a statement to GameIndustryBiz. The company thanked the designer for his work over the last 30 years and "the incredible creative vision he has brought to Ubisoft over the course of his career, and wish him all the best for this new venture." Ubisoft also moved to reassure fans that Beyond Good & Evil 2 is still in development and on course for its scheduled release, saying:

"The teams at Ubisoft Montpellier are currently focusing on the main stages of production, aligned with the vision set out by Michel. They will have more to share with their community of fans in the months to come."

Beyond Good & Evil 2 is not the only project that Ancel was involved in. He announced in 2014 that he had helped set up Wild Sheep Studio to develop a new game called WiLD. According to the dev, this is a survival game set in pre-historic times that would be exclusive to the PlayStation 4. Despite a lack of news from Wild Sheep Studio, the game's publisher Sony still has the game listed on the official PlayStation website, suggesting it is still in the works.

Michel Ancel's announcement comes as a major surprise. There had been no indication that he was about to leave Ubisoft nevermind quit the gaming industry altogether. While the designer may not be a household name, he has had a big impact over the last 30 years and his presence will no doubt be missed at Ubisoft. Exactly what position this leaves games like Beyond Good & Evil 2 and WiLD in is uncertain at this time but fans will have to hope that his teams were given plenty of warning about the departure and could prepare accordingly.

Next: Ubisoft & Sheepedia Cancel Mug After Hilarious Manufacturing Error

Sources: Michel Ancel, GameIndustryBiz

The Mandalorian: Why Mando Works With Rebels In Season 2

Fri, 18 Sep 2020 16:10:32 +0000

The Mandalorian season 2 trailer suggests that Mando could team up with the old Rebel Alliance, now the New Republic. A pair of scenes revealed in the trailer show two X-Wing Starfighters (with the split-engine design from Star Wars: The Force Awakens) flanking the Razor Crest in space, and then chasing the Mandalorian’s ship through the sky of an unknown planet. While there’s a chance these fighters have hostile intent toward Mando and Baby Yoda, there are no shots fired, and the scene in space could be a kind of escort. Either way, there’s a high chance Din Djarin may have to align himself temporarily with the New Republic, and a few main reasons why.

While The Mandalorian takes place about five years after Return of the Jedi, the New Republic hasn’t made much of an appearance so far. Mainly this is because the show takes place primarily in the Outer Rim of the galaxy, where the old Alliance has less of a presence (though there is a particularly good X-Wing scene in season 1). With Din’s season 2 journey sending him on a hunt for the Jedi, he’ll inevitably come into contact with the Republic more directly this time around. Since both parties are enemies of Moff Gideon and the remaining Imperial forces, a team-up would make sense.

The Mandalorian season 2 trailer, narrated by the Armorer's words from the end of season 1, suggests that Din’s search for the Child’s home will also be a search for the Jedi. This makes sense, given Baby Yoda's Force-sensitivity, and it will likely mean some run-ins with the New Republic. While it is highly unlikely that Luke Skywalker will make an appearance in The Mandalorian, there are still canonical Jedi whose whereabouts during the show are unknown, most notably, Star Wars: Rebels’ Ezra Bridger, and The Clone Wars’ Ahsoka Tano. It’s been heavily rumored that Ahsoka will appear in season 2, played by Rosario Dawson. Ezra and Ahsoka both have close ties to the Alliance, and while their whereabouts during the original trilogy are unknown, any search for them would likely bring Mando into contact with the former Rebels.

It’s also possible that Mando could temporarily join forces with the New Republic to battle against Moff Gideon and his ragtag army of Stormtroopers. Gideon will likely play a more active role in the second season, and Din may have to make some new alliances of his own in order to protect the Child. Since the New Republic is likely actively hunting Gideon, cooperation with Din could be beneficial to both parties.

Of course, even if Mando does work with the New Republic in season 2, the partnership would likely be tenuous at best. It’s doubtful that Mando trusts the “good guys” more than he trusts anyone else, especially considering that he’s attacked New Republic ships in the past. Plus, Baby Yoda’s very nature, mysterious to many, would naturally be of significant interest to Luke and Leia, and Din is unlikely to freely give up the Child to anyone, for any reason.

While appearances from notable Rebel characters like Luke, Leia and Han are unlikely given the necessary recasts, cameos from more recent Alliance-affiliated characters like Ahsoka, Ezra and fellow Mandalorian Sabine Wren would be exciting to see in season 2. Moff Gideon's possession of the Darksaber in particular is an interesting link to Sabine, who wielded the weapon herself before giving it Bo-Katan Kryze. It's likely that Gideon obtained the Darksaber during the Purge of Mandalore, which would certainly give Sabine reason enough to make an appearance. Both she and Ahsoka were last seen in canon leaving the rebellion to search for Ezra after the liberation of Lothal. Whoever Din and the Child meet on their journey in The Mandalorian season 2, the former Rebels are likely to play a significant role.

Next: The Mandalorian: Why No One In The Galaxy Knows About The Jedi

Why Magic: the Gathering's Innistrad Needs Its Own D&D Book

Fri, 18 Sep 2020 16:09:31 +0000

Magic: the Gathering and Dungeons and Dragons have always shared fans, but these days they are getting more linked than ever. With books like the Mythic Odysseys of Theros and the Guildmasters Guide to Ravnica out and allowing Dungeons and Dragons players to explore the planes of Magic: the Gathering, it's natural for players to start wondering where the next book will be hosted.

Some Magic: the Gathering planes have received short Dungeons and Dragon's packages called "A Planeswalker's Guide To:." These guides have offered some small options for players who want to explore famous locations from Magic: the Gathering, but they haven't offered enough content for hungry dungeon masters, nor are they available for official Dungeons and Dragons Adventurers League play.

One of the planes that got a "Planeswalker's Guide To:" was Innistrad, a gothic horror plane that is a favorite among Magic: the Gathering players, but that small booklet isn't enough. Innistrad has the depth and content to fill a full book that will offer amazing options to Dungeons and Dragons players.

Previous editions of Dungeons and Dragons had a huge amount of templates, and races that players could use to build their unique characters, and quite a few of these were undead or monstrous creatures from classic horror that players could take control of. A campaign set in Innistrad would be the perfect place to implement interesting races that are missing from the 5th edition of Dungeons & Dragons, like vampiric thralls or revenants. These undead races could even be implemented as part of the new Dungeons and Dragons race changes that are coming out with Tasha's Cauldron of Everything.

Additionally, this would allow for official rules regarding werewolves and implementing lycanthropy in player characters. Despite the fact that lycanthropy is a curse, playing a werewolf is something that players could use both inside and outside of Innistrad campaigns. The gothic horror plane is the perfect place to explore these player character options and add them to the repertoire of awesome features that dungeon masters can use in their games, similarly to the classes in Dungeons and Dragons: Mythic Odysseys of Theros.

One of the most popular and best campaign books for Dungeons and Dragons 5e is the Curse of Strahd. Players have fallen in love with the enigmatic vampire and the opportunity to play D&D in a setting that is different from classic high fantasy. A book on the plane of Innistrad has the opportunity to expand the options for players to build characters for a world of noble vampires, ravenous zombies, and deadly werewolves. Right now the best option for players is the land of Barovia, which is dominated by the presence of Strahd, meaning that it's hard to separate the setting from the campaign that it was built for.

That said, Innistrad does have awesome story hooks for players to engage with from the original Magic: the Gathering story, whether it's the gothic horror of Avacyn's absence, or the Lovecraftian aura of Emrakul's arrival. Innistrad has incredible storylines for Dungeons and Dragons players to use if they want them, but unlike Barovia, Innistrad isn't directly tied to a single story. If the players don't want to play through Avacyn's return, or Emrakul's arrival, they could easily run a homebrew campaign on the plane of Innistrad.

In Dungeons and Dragons 5e, it's easy to run out of undead monsters for the players to fight if the dungeon master is only using the monster manual. Though there are several variations of ghosts, zombies, skeletons, and more, over the course of a campaign the players are going to run out of undead to hunt. A sourcebook focused on Innistrad is the perfect way to remedy a lack of undead, as the plane is thriving with dozens of variants, many of which appear on iconic Magic: the Gathering cards. Additionally, many of the creatures on Innistrad are already separated by different classifications; for example, Skags are zombies that have been cobbled together by 'Stitchers' and are infinitely modular.

No matter what happens with Magic: the Gathering's upcoming Dungeons and Dragons set, it's clear that Wizards of the Coast is considering more crossover between the two properties, and as they do, adding Innistrad to the list of books would be an incredible asset to players and dungeon masters alike. Innistrad isn't the only Magic: the Gathering plane that deserves a spotlight, but it should be one of the first featured.

Next: Magic the Gathering: Zendikar Rising - Everything You Need To Know

Jennifer Garner Had A Great Response When Asked Whether She's Pregnant

Fri, 18 Sep 2020 16:08:48 +0000

The Camping and Love, Simon star went ahead and answered that one.

Why Tatiana Maslany Is Marvel's Perfect She-Hulk | Screen Rant

Fri, 18 Sep 2020 16:08:30 +0000

Marvel fans have cause to celebrate with the news that Tatiana Maslany will be playing She-Hulk in the upcoming Disney+ series; here’s why Maslany is the perfect actor for the job. She-Hulk, also known as Jennifer Walters, is Bruce Banner’s cousin who receives Hulk powers after an emergency blood transfusion following an accident. Disney+ announced its plans for a She-Hulk series in 2019, and though little is known about the plot, the She-Hulk comic library spans 40 years, meaning Marvel has plenty of options. Production will be inevitably delayed by COVID-19, but this new bit of casting news has sparked excitement among fans and renewed buzz about the highly anticipated series.

Director Kat Coiro is also joining the She-Hulk team, and is known for her work on It’s Always Sunny in Philadelphia, Dead to Me, and Brooklyn Nine-Nine., while Rick and Morty scribe Jessica Gao is set to serve as head writer. Tatiana Maslany is best known for her work in the series Orphan Black, in which she plays over a dozen clones, making up a hefty percentage of the show’s leading cast and earning an Emmy award for her work. Her other roles cover a diverse range, from theatre to television, and include a small arc on comedy series Parks and Rec, the multimedia Broadway play Network, biopic Stronger, and, most recently, crime drama series Perry Mason. Here’s why Maslany is the perfect person to play Marvel’s She-Hulk.

Maslany has proven over the course of her career that she is an acting powerhouse; she is a chameleon in Orphan Black, seamlessly playing multiple characters with distinct mannerisms, voices, and body language. She will undoubtedly deliver a magnetic and lived-in performance as She-Hulk, which will cater well to the many sides of the character, not least of which is the dynamic between Jennifer Walters and her alter ego. While some She-Hulk storylines from the comics are more lighthearted, others take a much more serious tone. Maslany has proven that her comedy chops are just as strong as her dramatic ones with several hilarious moments from Orphan Black to contrast her more serious roles both in that series and in films like Stronger, which portrays a real-life tragedy. This means she can easily play both sides of the character brilliantly.

Orphan Black has also prepared Maslany for the technical challenges that may come with a role like She-Hulk. In behind-the-scenes videos and interviews, fans have had the opportunity to learn a lot about how Orphan Black was made, and how scenes featuring multiple clones were filmed and assembled. Often executing highly choreographed blocking, working with green screens, and performing with her acting double Kathryn Alexandre, Maslany has a demonstrable talent for maintaining the stakes of her performance in technically demanding conditions. She-Hulk will likely employ different methods, but Maslany will certainly be able to apply her skills to a process like motion capture, the use of special effects makeup, or any other technical procedure the show may choose to employ.

Finally, in addition to her immense talent and skill as an actor, Maslany brings with her a loyal fanbase and a frankly delightful personality. Fans of Maslany’s other projects who may not have had an initial interest in She-Hulk may gravitate towards the series due to her involvement, and her performance could lead to critical acclaim. In interviews, she is consistently engaged in discussions about her work, supportive of her enthusiastic fanbase, and genuinely friendly with her cast mates. Already having been welcomed by Hulk actor Mark Ruffalo, who fans hope will appear in She-Hulk, Tatiana Maslany will undoubtedly fit into the Marvel family with ease as an exciting new part of Phase 4.

Next: Every Upcoming Marvel Studios Disney+ TV Show

Empire Of Sin Releases On PC And Consoles In December

Fri, 18 Sep 2020 16:03:03 +0000

The upcoming Empire of Sin, a new game by Romero Games and Paradox Interactive, is being released this December on PC, Nintendo Switch, PlayStation 4 and Xbox One. Romero Games is an independent video game development studio, run by husband and wife duo Brenda and John Romero. After working together on several games, the Romeros set up Romero Games in 2015.

In that time, the studio has released two titles, Dangerous Dave in the Deserted Pirate's Hideout and Gunman Taco Truck. The latter is a reboot of John Romero’s mobile game from the late 1980s that focuses on collecting gems across varying level backdrops. Gunman Taco Truck – which is currently available on Steam and mobile platforms – is a 2D single-player game in which the goal is to get your Taco Truck across the post-apocalyptic United States to the safe havens of Canada. Once there, players can get their taco business up, running, and ready to thrive.

Empire of Sin is the third game to be released by the couple. After first being presented at Nintendo’s Direct presentation at E3 in 2019, it was originally set to be released in the second quarter of 2020. After Romero Games announced its decision to delay the release to fine-tune elements of the game, it is now set to launch on December 1, 2020, and it will release for PC, Nintendo Switch, PlayStation 4, and Xbox One.

Mafia games seem to be all the rage nowadays. Empire of Sin, however, is set in Chicago during the prohibition era of the 1920s and 1930s, players take control of one of several mob bosses. The objective – to gain control of Chicago. Compared as a successor to 1999’s Mob Rule, the gameplay is in the style of a tactical role-playing game, combining the elements of traditional role-playing video games with that of a tactical game. Players must use logic and cunning to work their way up the criminal ladder. This is done by enlisting underlings to your criminal empire. And, obviously, this would not be a criminal empire without some sordid businesses to take control of.

Brothels, casinos, illicit breweries and speakeasies can all be obtained by the player to extend their influence in the city. Of course, Empire of Sin players will be expected to deal with rival gangs and the strong hand of the law during gameplay. Alliances can be formed with rival gangs (even if only for the short term), alcohol can be used as currency and combat is used to secure new businesses into your empire. Think Bugsy Malone meets Peaky Blinders.

Next: Life Is Strange Dontnod's Twin Mirror Releases This December

Empire of Sin arrives for Nintendo Switch, PC, PS4, and Xbox One on December 1, 2020.

Source: Paradox Interactive - YouTube

James Bond: No Time To Die release date delay to 2021 ‘would be CATASTROPHIC’

Fri, 18 Sep 2020 16:01:49 +0000

JAMES BOND movie No Time To Die's hypothetical release date delay to 2021 "would be catastrophic" for all the studios involved, says a Bond insider.

Harley Quinn Season 3 Greenlit at HBO Max!

Fri, 18 Sep 2020 16:01:27 +0000

Harley Quinn renewed for a third season at HBO Max

Three months after the Harley Quinn series concluded its 13-episode second season last June, HBO Max has decided to renew Justin Halpern, Patrick Schumacker and Dean Lorey’s popular adult-animated series for a third season. In a recent interview with Comic Book, Halpern and Schumacker have confirmed that the series might make its return in late 2021.

“That would be the earliest I could see,” Halpern. “I mean, maybe not, I don’t know… I think Jen Coyle, our head of animation could probably answer that a lot better.”

“We were aiming for late 2021 all the way back in like the spring when there was first an inkling that a season three could be a reality,” Schumacker added. “These conversations that were happening that were sort of well above our pay grade have been going… it had been very extensive.”

The series’ move from DC Universe to HBO Max comes as no surprise as fans have been anticipating this for quite some time. This renewal also comes with Warner Bros. official announcement that DC Universe will no longer be offering scripted original shows as it is set to be rebranded as a sole premium comic book service that will be called as DC Universe Infinite.

The titular crazy beloved villain will be voiced by Big Bang Theory‘s Kaley Cuoco. The voice cast also includes Lake Bell (Children’s Hospital) as Poison Ivy, Alan Tudyk (Rogue One: A Star Wars Story) as Joker, Ron Funches (Powerless) as King Shark, JB Smoove (Curb Your Enthusiasm) as Frank the Plant, Jason Alexander (Seinfeld) as Sy Borgman, Wanda Sykes (Black-ish) as Queen of Fables, Giancarlo Esposito (Breaking Bad) as Lex Luthor, Natalie Morales (Bojack Horseman), Jim Rash (Mike Tyson Mysteries) as Riddler, Diedrich Bader (Veep) as Batman, Tony Hale (Arrested Development, Veep) as Dr. Psycho, Chris Meloni (Happy!) as Commissioner Gordon, Rahul Kohli (iZombie) as Scarecrow, Sanaa Lathan (The Twilight Zone) as Catwoman, Vanessa Marshall as Wonder Woman and Jacob Tremblay as Robin.

The series will follow Harley Quinn‘s adventures after her break with the Joker. The story will focus on Harley along with Poison Ivy and other DC castoffs as they try to help each other in order to earn a seat at the biggest table in villainy: the Legion of the Doom. The first season ended on an exciting cliffhanger, with the story for the second chapter still being kept under wraps.

Cuoco is also an executive producer on the series through her Yes, Norman Productions alongside Justin Halpern, Patrick Schumacker, and Dean Lorey.

The post Harley Quinn Season 3 Greenlit at HBO Max! appeared first on ComingSoon.net.

‘Rifkin’s Festival’ Review: Woody Allen Makes Fun of Film History in Strange Self-Reflective Comedy

Fri, 18 Sep 2020 16:00:50 +0000

Despite fun turns from Wallace Shawn and Gina Gershon, Allen's latest trifle is a bizarre, muddled comedy.

Mulan: Why The Songs Should Have Been Included (& Why They Shouldn't Have)

Fri, 18 Sep 2020 16:00:47 +0000

Due to the COVID-19 pandemic, Disney recently released their hotly-anticipated (and sometimes not so hotly) Mulan remake on Disney+. While the movie was great in its own right, it's very different from Disney's animated movie from the '90s, being based more on the original Chinese legend, unlike some of the other shot-for-shot remakes that Disney has been releasing as of late.

One of the biggest points of contention with the remake is the lack of songs present in the original film, with the live-action version only featuring instrumentals here and there. Today, we're going to be going over reasons why the film should have included the songs, and why they were right to be excluded.

10 Should: To Honor The Original

The original Mulan is one of Disney's strongest animated offerings, and this is due, in part, to its songs. Many of the film's standout moments come from the soundtrack, such as I'll Make a Man out of You and Reflection. Couldn't these songs have been included in some way to honor the original movie while still giving the live-action remake its own identity?

9 Shouldn't Have: It's A Different Movie

To put it simply, this version of Mulan is its own. It's not as much of a remake as some of Disney's other recent offerings. It tells an original story that differs greatly from its animated ancestor. Certain story beats just don't make sense to include the songs. It wouldn't have felt right for the songs to be inserted into somewhere they don't belong.

8 Should: They're Simply Iconic

As mentioned previously, the original Mulan movie has some iconic songs, with two of the standouts being I'll Make a Man out of You and Reflection. Those two songs are some of the strongest in Disney's entire catalog. They're nothing short of iconic.

It just doesn't seem quite fair that all of the other Disney remakes got to retain their songs while Mulan was the only one that lost out. Not having updated versions of the classics really is a shame.

7 Shouldn't Have: It's Serious

As mentioned earlier, Mulan 2020 is a very different movie from the original, it's got a much darker tone than the light-hearted animated version. There's not as much of a place for the songs in the war-centric movie that is the live-action Mulan. There's barely even jokes to speak of, so songs are simply out of the question.

6 Should: They Could Have Been Altered

Perhaps the original songs could have been altered in a way to fit the live-action movie, though. Perhaps, rather than directly singing them, the songs could have been overlayed over other footage. This would allow the songs to integrate a bit more seamlessly into the film, and not feel as out of place as they would if the actors and actresses were singing them. This method would allow for the best of both worlds.

5 Shouldn't Have: Way Too Jarring

Even so, most of the original film's songs are too upbeat to even be included over footage. The only song that really could have been salvaged in this manner would be Reflection, as it is more of a downbeat ballad that fits the tone that the movie is going for. Some of the higher-tempo tracks would have felt out of place even with the above method used.

4 Should: Share Some Identity With The Original Movie

As previously noted, both versions of Mulan are very different films, to the point that sometimes they don't feel like they share the same identity in any way. Including all or some of the songs would have been a great way to bridge this gap.

The movies could still have very different plots from one another, but share in the songs that helped make the original such an iconic movie. This would have helped tie them together beautifully.

3 Shouldn't Have: There Wasn't A Place For Them

When it really comes down to it, there just wasn't a place in the live-action version of Mulan for the original's soundtrack. They're all great tracks, and arguably, Reflection should have been able to sneak its way into the film. But it didn't, and that makes sense. Mulan 2020 is a war movie more than anything, and including songs just wouldn't have felt right in most scenarios.

2 Should: Mulan's Actress Is A Singer

One final point in the songs' favor is that Mulan's actress, Liu Yifei, has a singing career in China. She knows what she's doing when it comes to singing. While no one dislikes Christina Aguilera's version of Reflection, would it have hurt to, at the very least, have Liu Yifei sing the song in the credits? That would have been enough for most fans. But alas, it was not meant to be.

1 Shouldn't Have: The Instrumentals Are Perfect

One point in the live-action film's direction is the fact that at certain moments instrumentals that allude to the original movie's soundtrack are included, most notably, Reflection. If the songs couldn't be included, this is the next best thing that fans could have gotten. The instrumentals are used in beautiful ways, and they're a joy to hear.

NEXT: Mulan: 10 Best Quotes From The Original Animated Film

This Famous ‘Star Wars’ Poster Was Created in Just 36 Hours

Fri, 18 Sep 2020 16:00:17 +0000

Erik Sharkey and Kevin Burke love movie posters so much that they’ve both made movies about them. Erik directed a film about legendary poster artist Drew Struzan titled Drew: The Man Behind the Poster, while Kevin directed 24×36: A Movie About Movie Posters, which examined the birth, death, and resurrection of illustrated movie poster art. Now the two filmmakers are joining forces to make a film about one of the most famous illustrators to ever work in the science fiction and fantasy genres: Greg Hildebrandt.

If you don’t know Greg’s name, you definitely know his work. He and his brother Tim, who died in 2006, whipped up an early Star Wars poster that instantly captured the imaginations of fans around the world. That alone would be enough to put these guys into the legend category, but Greg, now 81 years old, has also had a decades-long career spanning franchises and companies like The Lord of the Rings, Harry Potter, Marvel, Magic: The Gathering, and even the Trans-Siberian Orchestra.

I spoke with Sharkey and Burke about their plans for their new documentary, and also had a long chat with Greg Hildebrandt himself about the creation of that famous Star Wars poster and much more.

It’s clear that both Sharkey and Burke are genuine fans of Hildebrandt’s work, and that passion fuels their desire to put his story on film. “You think about all of the great movie posters – the Hildebrandt brothers’ Star Wars poster or Drew Struzan’s Back to the Future poster – they get the spirit and the tone of the film in just one image,” Sharkey told me over the phone. “And then there’s just the mastery of it: the way they put paint on a canvas, the power of composition, the power of lighting. It’s not only great movie poster art, it’s just great art in general.”

But isn’t the act of illustrating sort of inherently un-cinematic? How do these guys plan to overcome that obstacle? They plan to animate some of his work to help bring it to life on the screen, but Burke has a more human answer as well. “Not only is Greg an absolutely wonderful illustrator, which allows us to lean into the magic of the worlds that he creates to create a visual sense of our own that in some ways mirrors that, even for a documentary…but also he’s a very, very compelling person with an incredibly interesting story to tell. At the end of the day for any documentary, it’s about making that human connection. Greg, for all his fame and celebrity and the otherworldly nature of his art, is still very much a human and a worldly man with a lot of interesting things to say and an incredibly interesting life story.”

Sharkey also thinks it’s “really important to tell these artists’ stories while they’re still here.” Since many of Greg’s contemporaries have passed away, he says “it’s important to get all these stories now to pass on to future generations, because Greg is a part of a tradition and an era of artists that had such an impact on illustration, our lives, and pop culture.” The directors have shot a large part of the film already – extensive interviews with Greg and other artists, seeing Greg in action at New York Comic Con, etc. – but they still have some additional editing and interviews to record, and you can follow their progress on the movie’s Facebook page.

Here are some highlights from my conversation with Greg Hildebrandt, touching on a few of the major pop culture properties he’s worked on throughout his career.

The Lord of the Rings

“I worked in an animation studio in Detroit, where I started my career, so I always think in terms of film [when doing my artwork],” Greg told me during our interview. “Movement, action, and motion. For me, most of the illustration and paintings that I’ve done, I’m not decorating a page. Which is a beautiful concept…but I feel like I’m trying to create a doorway into a real world that you can actually step into and be part of.”

You can feel that immersion in much of his work. Browsing through a selection of his illustrations, I’m struck by the sense of tactile warmth he’s able to bring to his images, as well as the striking action of the larger than life characters he captures – especially in the realm of Tolkien’s fantasies. After reading The Hobbit and The Lord of the Rings, Greg and Tim knew they wanted to work in that world in some capacity one day. He never got to meet Tolkien, who died just before they finally got the job, but in the late 1970s, they became famous for their work illustrating Tolkien calendars for Ballentine Books, which essentially turned them into rock stars in the fantasy art world.

Trans-Siberian Orchestra

Again, if this name doesn’t immediately ring a bell for you, it’s a guarantee that you’ve heard their work. Mixing classical music with rock opera, TSO is known for their albums of Christmas music. Songs like “Christmas Eve Sarajevo 12/24” and “Wizards of Winter” have been used in advertising and viral videos for years, and Greg eventually became one of the primary artists who contributed to the band’s mythos.

“I’ve never been so affected by something in that sense where it took me over,” he said of the first time he listened to Beethoven’s Last Night, the band’s third album. So inspired was he by the music that he would stay up at all hours of the night creating imagery prompted by what he heard, “with no concept or thought or feeling or belief that I would ever do anything with it, I just had to get the imagery out that I was feeling and seeing.” Greg worked on it for three months, and when he finished it, his wife and business manager Jean got in touch with TSO frontman Paul O’Neil, who had been a fan of Greg’s work since his Lord of the Rings days in the 1970s. That mutual admiration led to Paul using Greg’s work on a re-issued cover of the album, and kicked off a long working relationship that included Greg creating several album covers, program illustrations, posters, and more.

Star Wars

“That’s a fluke, that job,” he says of his most widely-known work. In the late 1970s, the brothers were working on general illustrations – which essentially meant that they took whatever gig came their way. After creating illustrations for a toilet training book, they decided they wanted to work on “something a little more romantic,” so they opened the phone book and cold-called an art studio in Manhattan that handled movie posters – and to underline how different things were at that time, the guy on the other end of the line didn’t immediately hang up on them, but instead told them to bring their portfolio over. “In those days, they did that,” Hildebrandt explains. “You could call an art director or an editor at a publishing house and have a conversation with them.”

When he and Tim arrived at the New York studio, there were paintings all over for Mel Brooks’ Young Frankenstein. As huge fans of Brooks’ work, the brothers begged to do a poster for the movie, but the editors explained that they didn’t have a budget for another poster and the current ones were being shipped to California the very next morning. Plan be damned: Greg and Tim designed a poster of their own on the train back to New Jersey, created the entire layout, took some photos for reference once they arrived at their own studio, and banged out a painting overnight with no sleep. “It didn’t get used,” Greg says, “but these guys were blown away that we came in the next morning with a painting.”

“A couple years go by, we get famous for our work on The Lord of the Rings, and a phone rings,” Greg continues. “These guys from the studio said, ‘You’ve gotta help us out. We’ve got a sci-fi film here, the film’s being released in a week and the director’s not completely satisfied with the poster he has.’” Tom Young had already created a version of the poster, but they told the brothers that George Lucas wanted a new poster to have “this basic set-up, but he wants it more comic book-y.”

Left with only that vague direction, they decided that meant “stronger color, higher contrast,” and that the ships should be “a little sexier.” The studio needed the work as fast as possible, so the guys worked for 36 straight hours to finish the picture. “They were flabbergasted that we did it,” Greg says, and he suggested adding a couple of other characters in the background – “like the big hairy guy. I didn’t know who he was,” Greg laughed. “These guys never saw the movie. They had no idea what it was themselves. I said, ‘What’s it about? Who’s this guy with the helmet?’ and they said, ‘I don’t know, the Man in the Iron Mask or something.’” The original agreement – which, crucially, was just a handshake agreement – was for Fox to use their image outside the theater and in newspaper ads. But it ended up as a merchandised product: on T-shirts and all sorts of other places beyond those agreed-upon bounds.

Not only that, but the Hildebrandt brothers never got the original painting back. There was no agreement that the studio would hang on to that, but “in the heat of the moment, everything was so fast,” Greg says. Six months went by, and Greg and Tim still hadn’t been paid for their work on the poster. Greg ended up suing 20th Century Fox, but Fox’s lawyers – who were presumably still stinging from realizing that they had signed merchandising rights away to George Lucas – said they would fight hard against Greg’s claim to money from reproducing their image on shirts.

Eventually, the lawyers said they would double Greg and Tim’s original price of $4,000. “I said, ‘Great!’,” Greg remembers. “Then the lawyer sent me his bill, which took up four thousand dollars and got us back to the original four thousand dollars. So Tim made two thousand off that picture, I made two thousand. Everybody assumes to this day that somehow, we as artists who did the painting became super millionaires or some god damn thing…but, it’s still there. People still recognize it.”

As for that Young Frankenstein poster the brothers painted over the course of that one frenzied night, that painting has since been lost. Greg has tried to find it, but suspects it may have been swiped from the office and simply taken home by a higher-up at the studio. But at the end of the day, he’s just thankful it served as a springboard to bigger things. “I have no idea where it is. Maybe Mel Brooks has it, I don’t know. But when people ask me who I’d like to thank about doing the Star Wars poster, I do say Mel Brooks.”

The post This Famous ‘Star Wars’ Poster Was Created in Just 36 Hours appeared first on /Film.

The Top 10 Most Popular TV Shows on Netflix Right Now

Fri, 18 Sep 2020 16:00:10 +0000

Updated September 18th Looking for the Top 10 TV Shows on Netflix now? Well, you're in the right place! Despite the streaming service launching the trending list earlier this year, which reveals what the Top 10 most popular TV shows are on a daily basis, it's not super easy to find that list on Netflix itself without digging into it a little bit. We're here to help streamline that process. A little something for everyone this week as the Top 10 offers a mix of kids shows, all-ages animation, supernatural drama, and reality TV series. Away …

How To Find (& Catch) Shiftry in Pokémon Sword & Shield

Fri, 18 Sep 2020 16:00:04 +0000

Pokémon Sword & Shield players looking for a competent Grass and Dark-type should look no further than Shiftry. This forest guardian originated in the Hoenn region and causes frigid windstorms with its leaves. Few encounter this treacherous entity, as it resides deep in ancient forests. However, their first evolved form, Seedot, are common. Ever since its inclusion in the Pokémon series, it’s always been a version exclusive; this time, it can only be found in Sword.

This Pokémon’s menacing demeanor is also seen in combat, where it overwhelms its foes with incredibly high Attack and Special Attack. On top of that, they learn moves that cover a large range of types: Rockslide, Focus Blast, Heat Wave, and more. Shiftry excels at fighting on Sunny Day teams, which are teams that utilize sunny weather conditions in battle. Not only will its powerful Solar Beam and Solar Blade moves take no turn to charge, but this Grass type’s speed is doubled in sunlight thanks to its Chlorophyll ability. For those that want this hard-hitting menace, here’s a look at where to find them in the Galar region.

Shiftry is an incredibly rare Pokémon in the Galar region, only appearing in the Dappled Grove wild area. Players can find it as a special overworld encounter, but even then, its appearance rate is incredibly low. The easier way to obtain this forest dweller is to evolve it from its pre-evolution, Nuzleaf. They are found in the same wild area but are more common in the grass on Route 5. Once caught, they must use a Leaf Stone for its evolution. Conveniently, there is one found in the western portion of Turffield, the town adjacent to Route 5. This early access to Shiftry is fantastic, as the next gym leader in Hulbury, who specializes in Water-types, is weak to Grass-type moves. In case this Leaf Stone was already used on another Pokémon, they can be continuously found at the Lake of Outrage. As only Sword players can encounter this version exclusive, Shield players must find a friend that’s willing to trade it.

Nuzleaf is relatively easy to catch, as they’re less than level 20 on Route 5. Weaken it with non-lethal moves to whittle down its health, and it should be caught fairly easily. Shiftry on the other hand are more difficult due to their higher attacking stats. They’re moveset in the wild is a bit more unpredictable, as it draws from every possible move it can learn naturally. This means they can have anything, from weak attacks like Tackle to strong ones like Leaf Blade. Bringing Pokémon with Sap Sipper will negate their Grass moves, and Fighting, Fairy and Dark types will resist their Dark attacks. There’s a chance it will have the Early Bird ability, waking it from Sleep sooner than normal. As mentioned earlier, Chlorophyll is a much better ability to have, so it may be wise to flee and find another with that trait instead.

Next: How to Find (& Catch) Sharpedo in Pokémon Sword & Shield

Pokémon Sword & Shield is available for Nintendo Switch

Beyond Fest 2020 Announces 7 Double Feature Nights at the Mission Tiki Drive-In in Los Angeles

Fri, 18 Sep 2020 16:00:01 +0000

The Mission Tiki Drive-In will be host to Beyond Fest 2020 with seven nights of double-bill movies, including three world premieres.

Jurassic World 3 Filming Is on Schedule, But There's Still Quite a Bit to Shoot

Fri, 18 Sep 2020 15:56:41 +0000

Director Colin Trevorrow has provided an upbeat update on the filming of Jurassic World: Dominion.

POLL: Which Non-DCEU Movie Characters Should Be in The Flash?

Fri, 18 Sep 2020 15:54:12 +0000

BEGIN SLIDESHOW

POLL: Which Non-DCEU Movie Characters Should Be in The Flash?

After DC confirmed that Michael Keaton and Ben Affleck will officially be reprising their respective versions of Bruce Wayne/Batman in Andy Muschietti’s The Flash, DC fans are still reeling with excitement because of casting possibilities that the Ezra Miller-led film could tap into. ComingSoon.net is asking our readers to vote on which non-DCEU movie characters should also make an appearance in the upcoming 2022 film with their original actors.

Featuring George Clooney’s 1997 Batman, Keanu Reeves’ 2005 John Constantine, Ryan Reynold’s 2011 Green Lantern and more, this roster will not only consists of characters from DC movies not connected to the current DCEU. Vote in the poll below and let us know in the comments about any we don’t have listed!

Even before Warner Bros. Pictures had launched the DCEU in 2013, fans of all ages have already enjoyed a varied selection of live-action DC films throughout the years, spanning from 1966’s Adam West-led Batman film, to 1982’s Wes Craven-directed Swamp Thing, and up until Christopher Nolan’s The Dark Knight trilogy.

That’s why, it isn’t difficult to speculate about the probability that Warner Bros. wouldn’t pass up the opportunity of utilizing other iconic characters from the DC film library, especially when The Flash producers have been very vocal abou

Pitt! Aniston! Roberts! Freeman! Was this the starriest Zoom ever?

Fri, 18 Sep 2020 15:50:42 +0000

A live-reading of 80s teen comedy Fast Times at Ridgemont High brought together an array of big names with a surprising standout

It can feel rather unsporting to turn a critical eye on the live-read fundraisers that have been cropping up since the Covid-19 pandemic banished all celebrities to their handsomely appointed homes. A guy’s got to be one of the world’s wetter blankets to dump on a charity event that aspires to little more than fostering a loose, convivial environment in which we can join famous friends as they have a good time. Fortunately, last night’s stripped-down Zoom read-through of the script for Fast Times at Ridgemont High – a special event put together by Dane Cook’s “Feeling A-Live” benefit series, with an introduction from Los Angeles Mayor Eric Garcetti explaining the good work of foundations CORE and Reform Alliance – didn’t give too much cause for harshing anyone’s buzz.

Hotel Transylvania 4 Set for 2021 Debut with Selena Gomez Returning

Fri, 18 Sep 2020 15:48:16 +0000

Hotel Transylvania 4 still set for 2021 debut with Selena Gomez to return

It has been a while since we last heard an update about Sony Pictures’ newest animated sequel Hotel Transylvania 4, and now Variety brings word that the Adam Sandler-led film is still on track for its August 6, 2021 release with Selena Gomez officially returning to reprise her role as Mavis. On top of leading the film, Gomez has now been set as an executive producer on the project.

Hotel Transylvania 4 will be directed by Jennifer Klushka and Derek Drymon from a screenplay written by franchise creator Genndy Tartakovsky, who was previously attached to helm the fourth installment after directing the first three films. The film will be executive produced by Tartakovsky and Michelle Murdocca with Alice Dewey Goldston set as a producer.

The ensemble cast for the first Hotel Transylvania films include Adam Sandler, Selena Gomez, Andy Samberg, David Spade, Molly Shannon, Steve Buscemi, Keegan-Michael Key, Asher Blinkoff, Kevin James, Fran Drescher, Kathryn Hahn, and Jim Gaffigan.

The most recent entry in the series, Hotel Transylvania 3: Summer Vacation, debuted this past summer to the tune of $167.5 million domestically, nearly matching the second film in the series. Worldwide the film brought in $528.5 million, the highest of the franchise which has brought in $1.36 billion worldwide across the three films.

The post Hotel Transylvania 4 Set for 2021 Debut with Selena Gomez Returning appeared first on ComingSoon.net.

90 Day Fiancé: Why Charlie Believes Elizabeth & Andrei Stole Chuck's Money

Fri, 18 Sep 2020 15:43:01 +0000

90 Day Fiancé: Happily Ever After? couple Elizabeth Potthast and Andrei Castravet are having their long-awaited royal Moldovan wedding and Elizabeth's brother Charlie Potthast isn't too thrilled about it. He gets drunk and ruins the moment by accusing his sister of stealing their father's money.

Many 90 Day Fiancé: Happily Ever After? fans knew that Libby and Andrei's wedding wouldn't be a peaceful one. Someone from the American family was bound to cause a scene. While Libby's parents were delighted to see the lavish wedding arrangements, her siblings were taken aback. Libby's sister Jenn was seemingly jealous, but Charlie was on a whole different level of resentment. He got drunk to the extent that he didn't have control over his body movements (remember those awkward drunken dance moves?) He then started insulting his 90 Day Fiancé brother-in-law in front of all his relatives and friends. He made rude comments like, "He might be royalty in Moldova, but he's a b*tch ass in America" and "The King of Moldova, not sh*t in America."

Now, the sneak peek of 90 Day Fiancé: Happily Ever After? suggests that the usually hotheaded Andrei Castravet acted responsibly this time, instead of picking a fight with Charlie. Chuck tells his daughter that Andrei was being "the bigger man," since he told Charlie that it wasn't the right time to fight. However, drunk Charlie isn't having it, and he calls his father "soft" because he lets his daughter and son-in-law spend his money. When Elizabeth asks her brother not to ruin her special day, Charlie says he doesn't "give a f*ck." He continues, "I'm going to protect (Chuck) And y'all aren't going to, like, steal his money." Elizabeth says, "Nobody's stealing anybody's money. This is my night, like, this is my night. Please, don't ruin it." Check out the video below:

Charlie's outrageous behavior at such a special occasion can't be justified. Still, his resentment is understandable. During a confessional, he said, "I think it was expensive. My dad has seven kids, so it's like, did you do this for every other kid? No, you didn't so, it's like, why are you doing this for him?" Moldovan native Andrei hasn't been earning since he arrived in America. So, Chuck has been taking care of his daughter's family of three. Indeed, TLC star Andrei Castravet and his wife and daughter have been living off of Chuck's money.

Moreover, the couple's Moldovan wedding was their second wedding. It was only necessary so they could get their daughter baptized. There was really no need to have such a grand wedding with live music, dancers, and singers. It seems like Andrei took advantage of Chuck, asked him for a large amount of money, and flaunted that in front of his guests. Andrei acted like it was all paid for with his own funds. While the 90 Day Fiancé couple could have gone for a low-key celebration, they decided to go all out. 90 Day Fiancé: Happily Ever After? fans can't get enough of this drama.

Next: 90 Day Fiancé: Elizabeth's IG Shows a Happy, Carefree Relationship With Andrei

Source: TLC

Will Final Fantasy 16 Have Party Members | Screen Rant

Fri, 18 Sep 2020 15:41:31 +0000

Thanks to a surprise reveal trailer, fans have their first taste of Final Fantasy XVI, the latest upcoming entry in the storied Final Fantasy franchise. FF16 is a return to high fantasy for the series, and the trailer showed off a world of gods, monsters, and nobility. However, plot and gameplay details are a still little thin. Based on the trailer, it appeared that the game's protagonist is fighting alone, and rumors suggest FF16 may be a solo adventure without typical party members.

First revealed during the PS5 Showcase, Final Fantasy 16 is being promoted as a timed PlayStation 5 exclusive. The trailer for Final Fantasy 16 mostly showed characters and vague plot details, but it also showed off what appears to be combat in the game. This combat featured the presumed protagonist taking on popular Final Fantasy enemies like a goblin, a coeurl, and even a malboro. People couldn't help but notice that, in each instance, the protagonist appears to be fighting alone.

Because of the way the combat appears, many people are speculating FF16 is a solo adventure where players control a single hero without any party members. This would be a far cry from traditional games, since every mainline Final Fantasy game typically gives players a colorful cast of playable party members. Even in games like FF15, which featured party members controlled by AI, the hero still had friends tagging along for the journey. So, will Final Fantasy 16 actually break from a tradition that's lasted over 30 years?

It's certainly possible that the FF16 trailer already showed off one party member during a combat scene, although it was easy to miss. In the footage of the hero fighting a goblin, another character can be seen running around nearby with a sword drawn. It may simply be a background character performing a general background action, but it could also be an ally. However, when watching the trailer, it's just as important to focus on what viewers DON'T see.

In the combat footage shown from FF16, there are no visible menus or HUD layouts. Even at the start of Final Fantasy 16's trailer, there's a disclaimer stating all the footage is running from a PC. So, what does all of this mean? It means Final Fantasy 16's footage was pre-rendered for the trailer, and therefore isn't the final product found in the game. Final Fantasy 16 is likely years off, which means final footage of combat would undoubtedly show at least a small menu or HUD layout on the screen. That also means party members will probably appear in the final product, too.

Much in the way that the earliest combat videos for FF15 showed Noctis, or FF7 Remake's combat initially focused on Cloud, the trailer for Final Fantasy 16 is teasing combat by using the protagonist's character model. It's certainly still possible FF16 will break with tradition and only feature one party member, but that seems highly unlikely. Even if the party members are controlled by AI, there will still probably be friends joining the hero in his journey.

Until more information is shared regarding Final Fantasy 16, fans can only speculate on the reveal trailer. More details on the game, which is releasing on the PlayStation 5, has been reported to not arrive until 2021, so Final Fantasy 16 itself may be a few years away.

Next: Every Final Fantasy Reference In The FF16 Trailer

Star Trek's Future Can Perfectly Redeem Wesley Crusher

Fri, 18 Sep 2020 15:40:31 +0000

The future of Star Trek can redeem the oft-maligned, some might say misunderstood, Wesley Crusher. Introduced in Star Trek: The Next Generation, Wil Wheaton's Wesley Crusher was the child prodigy of the Enterprise, and the son of chief medical officer, Beverly Crusher. Fan reaction to Wesley was notoriously negative, with critics citing the character's annoying personality and uncanny habit of saving the day as irksome traits. While it's fair to say that Wesley Crusher wasn't the most well-written character in Star Trek: The Next Generation, it's also true that some of the backlash derived simply from having a teenager on the bridge of the Enterprise.

Unfortunately, the criticism of Wesley as a character seeped over to Wil Wheaton himself, and the actor has spoken openly in recent years about his struggles dealing with such intense scrutiny at a young age. Since Star Trek, Wheaton has appeared as an exaggerated (hopefully) version of himself in The Big Bang Theory, a role that made light of the Wesley Crusher criticism. Expanding his profile as an actor, blogger, writer and general voice in the realm of geekdom, Wheaton has long since stepped out of Wesley's shadow, and perhaps because of this, recently expressed an interest in returning to the Star Trek fold as part of the new animated series, Star Trek: Lower Decks.

Once upon a time, the return of Wesley Crusher in Star Trek might've seemed unlikely, but Star Trek: Lower Decks provides the perfect backdrop to reintroduce the character. As Wheaton himself points out, making a comeback in animated form comes with certain practical benefits. After Wesley departed with The Traveler, he became somewhat of a mystical figure. The character made a cameo in Star Trek: Nemesis, hinting that Wesley had since joined Starfleet, but there remains a cloud of mystery over Wesley's time with the traveler, and those transcendent qualities would be better served in animation than in a more serious, grounded outlet such as Star Trek: Picard.

The irreverent comedic stylings of Star Trek: Lower Decks feel like fertile ground for a future Wesley to explore. Wil Wheaton showcased his comic chops in The Big Bang Theory, and Star Trek: Lower Decks season 1 has been packed with knowing references to wider Trek lore, along with a few meta nods for long-time fans. This lighter tone would give a returning Wesley Crusher more freedom than he was afforded in The Next Generation, and the show could even reference the Wesley criticism directly, turning the backlash into a gag in true "we can laugh about it now" fashion. Star Trek: Lower Decks has occasionally dipped into parody territory, and mocking the contemporary fan reaction to Wesley Crusher would fit the show's remit. Star Trek: Lower Decks has name-dropped The Traveler and made several references to the Q race wreaking havoc in the galaxy. A post-Traveler Wesley could perform the same function, appearing as a special guest to give Boimler and Mariner a headache before disappearing into the ether once again.

A live-action return for Wesley Crusher in Star Trek: Picard season 2 remains a welcome proposition. A Jean-Luc Picard reunion with Wesley as a fully-grown adult might afford Wil Wheaton's character a measure of redemption after his tarnished teenage stint in The Next Generation. However, the intense, darker tone of Picard's solo series doesn't fit Wesley Crusher as naturally as the colorful, ground-level world of Star Trek: Lower Decks.

There's a certain poetic similarity between Wesley Crusher and Star Trek: Lower Decks. Both triggered a decisive reaction after debuting, receiving backlash from Star Trek fans who deemed them too much of a departure for the franchise. Since premiering in August, Star Trek: Lower Decks has been heavily criticized by fans, many of whom accuse the animated series of not being "real Star Trek." Since that's a position Wesley Crusher can probably empathize with, there's surely fun to be had if ever the two collided.

More: Star Trek Gives A Massive Tribute To Chief O'Brien

90 Day Fiancé: All About Darcey Silva's Marriage To Ex Frank Bollok

Fri, 18 Sep 2020 15:36:15 +0000

90 Day Fiancé viewers have often wondered about Darcey Silva and her ex, Frank Bollok. Darcey's quest to find true love on the TLC show gave the single mom her stairway to success. As the Darcey & Stacey star date her international partners like Jesse Meester and Tom Brooks, fans became curious about her failed previous marriage. Just like her twin sister Stacey, Darcey had been married and then divorced with two children. But who’s Aniko and Aspen’s father, and where is he now? Here’s everything to know about the 90 Day Fiancé celeb’s ex-husband, Frank.

90 Day Fiancé: Before the 90 Days documented Middleton, Connecticut resident Darcey’s love life, which went downhill with every season. First, it was her online romance with Netherlands-based model Jesse exploding with a reality TV-worthy break-up that caught everyone’s attention. Soon after, it was Darcey’s nasty split with British boyfriend Tom, which resulted in him controversially asking her, “Did you put weight on?” Darcey and her twin landed their own TLC spin-off Darcey & Stacey, which currently has the House of Eleven founder falling head over heels for a younger foreign lad, Bulgarian Georgi Rusev. However, while her search for a soulmate continues, Darcey gets ample support from her teenage daughters Aniko and Aspen. Watching the girls on the show and their famous TikToks with grandpa Mike Silva made many 90 Day Fiancé fans wonder about Darcey’s ex-husband. Is Frank Bollok still in the picture?

Darcey’s ex-husband, who appears to have a Hungarian background, was first featured in the Silva sisters’ show The Twin Life’s YouTube trailer in 2010. Darcey describes Frank aka “Ruse” as a “new up-and-coming” rapper who she met in New York. Bollok shows a hint of his rapping skills in the video and later talks about recording The Twin Life soundtrack for Darcey and Stacey with Frank Lucas Jr. “Everybody wanna know how they got their own show,” raps Darcey’s ex-husband in the series. At present, Bollok, who has a bachelor’s degree in liberal arts and sciences from Hunter’s College in New York, has let go of his music career aspirations. Darcey’s ex states on LinkedIn he’s previously been employed as the showroom manager at Bob’s Discount Furniture and currently is the co-owner of The Twilight Lodge, located at Haines Falls.

As Darcey has found love again, albeit one too many times, Bollok too has moved on and remarried to start his own family. Bollok’s Facebook profile shows he married Kristell Mapelli on December 21, 2018 and currently stays in Schenectady, New York. Bollok is also soon going to extend his family, as he and his wife are expecting a baby boy, a brother for Aniko and Aspen. The couple celebrated their baby shower last week with Darcey and Bollok’s daughters present at the party. Darcey’s relationship with her ex seems to be cordial, with Bollok and his wife both close to Aniko and Aspen, as is evident in his social media posts.

Meanwhile, Darcey is experiencing a lot of love in her new romance with Georgi, from his rose oil massages to their pasta dates. The teaser for the TLC show’s next episode shows Darcey and Georgi quarantining together as she unearths a secret that could potentially risk their blossoming love life. Will Darcey be able to find success in her relationship just like her ex-husband? Or will she end up shedding tears on yet another show from the 90 Day Fiancé franchise?

Next: 90 Day Fiancé: All the Details Behind Darcey & Stacey’s Arrest

Darcey & Stacey airs Sundays at 10pm EST on TLC.

Source: 360DigitalStudios, Frank Bollok/LinkedIn, Frank Bollok/Facebook

How to Ride Turkeys in Spelunky 2 | Screen Rant

Fri, 18 Sep 2020 15:35:58 +0000

Players are able to ride Turkeys in Spelunky 2. This guide will help players learn how to ride Turkeys and explain the benefits of doing so. Spelunky 2 takes everything that was great about the original game and continues to build on it. The levels to explore are bigger than ever and even features a new dimension to explore. While on the normal playing field, players will be able to jump back into a hidden dimension. These are typically littered with treasure to collect. Along the way, players may run into a turkey. Here's how players can ride a turkey and explain the benefits of doing so.

Spelunky 2 is the textbook definition of what to do when creating a sequel to a popular game. It builds on all the mechanics from the original and just goes bigger than ever before. The game is also best experienced when playing with friends since up to 4 players can team up and explore dungeons. The game even features a deeper mystery that encourages all players to work together to solve. Players can also encounter Dogs when exploring dungeons. Getting the Dog to the end of the level is not only the right thing to do, but they also provide additional HP to the player for their kindness. Turkeys on the other hand are used as rideable mounts. Here's how players can ride them in Spelunky 2.

To ride a Turkey, the player will need to jump on it. The turkey will frantically run around for a second before tiring itself out. Now, the player can dismount than the turkey will remain in place. This is great if the player needs to open a chest or place a bomb. When riding back on the turkey, players can glide for a limited-time and also perform a double jump. Its physical attack is about the same range as the player's whip. The turkey will be essential for clearing some gaps in Spelunky 2. Make sure to keep them around when they are needed.

Spelunky 2 released earlier this September and is one of the best sequels to release this year. The game even features a side-quest where players need to hunk for a turkey and give it to Yang. Not only that, but the turkey can actually be cooked. This will provide extra life to the player. Is this something players are going to be ethically comfortable with? That's a conversation Spelunky 2 fans are going to need to have with themselves.

More: Spelunky 2 Aiming For Steam Release Soon After PS4 Launch

Spelunky 2 is available now on PlayStation 4 and PC.

Denzel Washington Recalls Getting Emotional When He Saw Chadwick Boseman At The Black Panther Premiere

Fri, 18 Sep 2020 15:35:32 +0000

Black Panther was an emotional experience for many people, including the Oscar-winning actor.

‘Misbehaviour’ Review: A Well-Intentioned but Scrambled Ode to Second Wave Feminism

Fri, 18 Sep 2020 15:31:28 +0000

There’s a lot of plot happening in Philippa Lowthorpe’s Misbehaviour. Based on the true story of the protest at the 1970 Miss World competition, screenwriters Rebecca Frayn and Gaby Chiappe work to squeeze in as much as possible about the conflicting personalities in the burgeoning Women’s Liberation Movement, the people working behind the scenes of Miss World, and the desires of the contestants themselves, particularly the black women whose participation means something different than the white contestants. Trying to cover all these stories is an admirable goal, but Misbehaviour never quite cracks it so it jumps around …

DC Universe Infinite: DC’s Digital Comic Book Service Rebranded

Fri, 18 Sep 2020 15:30:12 +0000

DC Universe Infinite: DC’s Digital Comic Book Service Rebranded

Calling all comic book fans to Explore the Multiverse! DC today announced the evolution of DC Universe into DC Universe Infinite, a premium digital comic book service set to launch on January 21, 2021. With access to more than 24,000 comic books at launch, DC Universe Infinite subscribers will also encounter digital-first comics, member access to DC fan events, as well as a steady stream of recently released comics six months after their physical versions hit store shelves. Following its initial launch, DC Universe Infinite will begin expanding globally in SUMMER 2021.

“Our fans love the platform’s robust library of comic books and, with the transformation, we will not disappoint,” said DC Publisher and Chief Creative Officer Jim Lee. “I’m excited to share that not only will DC Universe Infinite members still be able to read all of the great comics that they’ve enjoyed but new issues are debuting on the platform quicker than before, digital first exclusives are being created, and the members-only events will begin as soon as possible. There has never been a better time to be a DC fan!”

DC’s premium digital comic book platform will provide members with an expanded collection of comics and Original Graphic Novels, spanning over 80 years of the DC Multiverse. Fans can also download comics, graphic novels and originals for unlimited offline reading on their favorite smartphone or tablet. Subscribers will also have earlier access to new Digital First comics that include titles such as

Also debuting on DC Universe Infinite will be DC Universe Infinite Originals, including new comic content centered around beloved characters…stay tuned for updates!

The fan-favorite community area will be free to all registered and premium DC subscribers with a full calendar of events planned for 2021. Subscribers will not need to create a new account as their DC Universe login will transfer to DC Universe Infinite.

For DC Universe subscribers who want ongoing access to premium DC originals, the special DC Universe member offer to HBO MAX has been extended. In celebration of Batman Day and the announcement of DC Universe Infinite, a special offer for eligible subscribers to upgrade their service to include HBO Max for an additional $4.99 per month for a limited time is now available through October 30, 2020.

HBO Max will be the home for premium video content that will include new DC series, key DC classics and DC Universe originals like Young Justice Seasons 1-4, Titans Seasons 1-3, Doom Patrol Seasons 1-3, and DC’s Stargirl Season 1. Additionally, HBO Max has ordered a third season of Warner Bros. Animation’s critically acclaimed DC Universe adult animated comedy series Harley Quinn, starring Kaley Cuoco, who also served as executive producer during the first two seasons along with Justin Halpern, Patrick Schumacker, Dean Lorey, and Sam Register. Harley Quinn will be a Max Original going forward, and all three seasons of the show will be available.

DC Universe Infinite will be available online at DCUniverseInfinite.com, iOS and Android devices for $7.99 a month or $74.99 a year ($6.25 a month). On February 1, Aquaman: Deep Dives, Batman: Gotham Nights, DCeased: Hope at World’s End, Harley Quinn: Black + White + Red, Injustice: Year Zero, Shazam!: Lightning Strikes, Superman: Man of Tomorrow, Swamp Thing: New Roots and Wonder Woman 84, and many more.

2021, every DC Universe Infinite subscriber, existing members or those joining during the pre-order offer window will receive a special thank you voucher redeemable at the DC Shop subject to terms and conditions. Annual subscribers will receive a $25 voucher while monthly subscribers will receive a $10 voucher.

The post DC Universe Infinite: DC’s Digital Comic Book Service Rebranded appeared first on ComingSoon.net.

Star Wars: Galaxy’s Edge Lightsabers, Jedi Robes, Sith Artifacts & More Merch Coming to Disney’s Online Store

Fri, 18 Sep 2020 15:30:08 +0000

Since the opening of Star Wars: Galaxy’s Edge at the Disneyland and Disney World theme parks, there has been a collection of Star Wars merchandise that you can only get within the park shops. But with Disneyland still closed and Disney World not operating at full capacity, Disney theme parks aren’t selling nearly as much merchandise as they usually do, so they’re releasing some of it onto Disney’s online shop for the first time ever.

Starting later this month, ShopDisney.com will have Jedi and Sith gear from Black Spire Outfitters available for purchase, along with some Star Wars artifacts and lightsabers from Dok-Ondar’s Den of Antiquities. It’s a dream come true for Star Wars fans who either haven’t made it down to Galaxy’s Edge or are too concerned about the coronavirus pandemic to take a trip to Batuu.

StarWars.com has the news on the arrival of Star Wars Galaxy’s Edge merchandise online at ShopDisney.com starting on September 28. They don’t have a specific list of all the goods that will be available for purchase, but they do have a handful of photos which offer up some idea of what will for sale.

First up, there will be wardrobes inspired by what the Jedi and Sith wear throughout the Star Wars saga. For the Jedi, there are robes resembling what Obi-Wan Kenobi and Luke Skywalker wore in the movies, including the latter’s black outfit from Return of the Jedi. There’s also clothing that will let fans dress up like Rey. Unfortunately, none of the Sith wardrobe options were pictured, so you’ll have to wait and see what arrives online.

Even though there weren’t any Sith clothing items pictures, it looks like there will be plenty of artifacts inspired by the dark side. There are items like a bust of Darth Maul, a decorative Sith chalice, a big red crystal, a Sith journal, and more.

There will also be plenty of stuff for the kids, too. A whole line of Star Wars plush characters will be offered, including Rey, Finn, Chewbacca and Kylo Ren, as well as creatures like porgs, wampas, rathtars and even Watto. As you can see in the photos, there are also a handful of instruments kids can enjoy, as well as a little wooden music box.

But by far the best part of the Star Wars: Galaxy’s Edge merchandise will be the legacy lightsabers. These aren’t the custom lightsabers you can build at the theme park, but rather those that come directly from the Star Wars saga. Only the lightsabers of Darth Vader and Mace Windu are pictured, but there will likely be others available. These lightsabers are more on the expensive side, ranging from $109 to $149 plus tax in the park, but keep in mind that they don’t come with a blade. It’s just the hilt inside those cool cases. It’s not clear if the blade will be offered as a separate purchase like it is at the theme park.

That’s all we know about the Star Wars: Galaxy’s Edge merchandise online sale coming later this month. You’ll want to check out Disney’s shop to see what else will be available, and make sure you stock up sooner than later. Limited quantities will be available for a limited time, and this will be your best chance at surprising the Star Wars fan in your life with some unique merch that you can’t get anywhere else. Otherwise, additional shipments and other items will be headed to Star Wars Trading Post in Disney Springs at Walt Disney World Resort on September 22, and you can also pop over to the Downtown Disney District at Disneyland Resort to grab some other stuff.

One last thing: if you want to vote to determine what the next Star Wars legacy lightsaber will be, head over to the Disney Parks website to pick from the following options:

Wow, that Lord Corvax lightsaber from Vader Immortal is intricate as hell, as is the Cal Kestis option from Star Wars Jedi: Fallen Order. Offering lightsabers from Star Wars Rebels is pretty cool too, though I wish Ezra Bridger’s lightsaber was the one with the blaster handle attached to it. Anyway, cast your vote and see what happens!

The post Star Wars: Galaxy’s Edge Lightsabers, Jedi Robes, Sith Artifacts & More Merch Coming to Disney’s Online Store appeared first on /Film.

Will There Be Any More Cloverfield Movies? | Screen Rant

Fri, 18 Sep 2020 15:30:03 +0000

J.J. Abrams has teased a proper Cloverfield sequel for years, but is the movie ever actually going to happen? 2008's Cloverfield became a sleeper hit within the horror movie world, leaving fans clamoring for a continuation of the story. Spiritual sequels 10 Cloverfield Lane and The Cloverfield Paradox have been released in the meantime, but they never finished the story that was first told in the original movie.

Cloverfield follows a group of New Yorkers as they attempt to survive a monster attack on the city. The next movie in the franchise, 10 Cloverfield Lane, centers on a group of survivors riding out a simultaneous attack across the country. The Cloverfield Paradox, which is the third installment in the series, is a trippy look at the scientists who caused the very rift that unleashed the Cloverfield monster. 10 Cloverfield Lane and The Cloverfield Paradox may fill in small gaps for Cloverfield, but they function more like companion pieces than a true sequel to the original.

Given the lasting legacy of Cloverfield, it's only natural that fans have been pushing for a sequel for more than a decade. But given the unorthodox nature of the franchise on top of Abrams' recent Warner Bros. deal, it's time fans let go of that hope, as another Cloverfield movie seems very unlikely at this stage. In fact, the series is better off if a true Cloverfield series is never made — here's why.

Cloverfield isn't a franchise in the traditional sense of the word. In fact, it was never intended to be a franchise from the start. Each movie that followed Cloverfield was reworked once it was already written to fit into the existing universe. Abrams' production company, Bad Robot, acquired each respective script and tweaked them to subtly connect to Cloverfield. Abrams' reasoning for reverse engineering each of these films was none other than that he essentially just thought each film had potential to work in the Cloverfield universe.

With 10 Cloverfield Lane, Abrams got lucky that his strategy happened to work. 10 Cloverfield Lane established itself as a solid, standalone horror movie — the Cloverfield twist at the end was just a fun kicker. But The Cloverfield Paradox was too intent on reworking a movie so that it could specifically answer questions posed in Cloverfield, which didn't work out as well.

The negative response might have been the final straw in closing the door on the series for good. The varying degrees of reception among the other Cloverfield movies just goes to show that sequels in this franchise won't really work in the traditional sense. Cloverfield was a unique and complete story in itself. The horror movie left its audience with the idea that not everything is meant to be understood. The franchise's second installment understood that. The Cloverfield Paradox did not, causing it to be a failure among critics and fans alike. A true Cloverfield sequel would likely go down the same path as the movie's most recent addition — trying to answer questions better left unspoken, resulting in a clunky and confusing movie.

As each existing Cloverfield sequel was pieced together from a standalone movie, fans seem to be constantly on the lookout for the next potential Cloverfield 4 and 5. The Abrams-produced WWII zombie movie, Overlord, was constantly plagued with rumors that it would end up being a Cloverfield movie, which turned out to be inaccurate. T.J. Miller, who appeared in the original Cloverfield movie, even took to Instagram to state that the 2020 movie, Underwater, would fit into the greater Cloverfield universe. Once again, the movie proved to be a standalone feature.

This doesn't bode well for future installments of the Cloverfield series. With such persistent rumors surrounding both Overlord and Underwater, it begs the question of if these movies were initially going to be roped into the franchise, but the idea was ultimately abandoned. Perhaps this means that Abrams has creatively moved on from the Cloverfield series, despite promises of a true sequel coming one day. Or maybe he just doesn't feel the same level of fan excitement as he once did a decade ago. Whatever the reason may be, it seems as if the Cloverfield franchise has lost steam over the last few years, making a new film unlikely.

There's another significant factor at play that could prevent a true Cloverfield sequel from ever happening. J.J. Abrams' deal with Warner Bros could pose a threat to Cloverfield's future. Abrams and Bad Robot released every previous Cloverfield movie under Paramount Pictures. Under that deal, Abrams was able to release Cloverfield films however secretly and abruptly he so desired. Abrams had begun teasing a true Cloverfield sequel before the deal with Warner Bros. occurred, but now that this career shift has taken place, the rights to the Cloverfield franchise have become murky.

This new deal means that WarnerMedia has exclusive rights to all of Abrams' projects moving forward; the catch is that the Cloverfield brand may still be owned by Paramount. This means that Abrams might not have the legal rights to create new movies under the Cloverfield name, meaning that it'd be too difficult to produce a new Cloverfield sequel.

There is one way that the Cloverfield series could move forward, and that would be without J.J. Abrams and Bad Robot's involvement. If Paramount does truly own the rights to the series, this may be their only option — and that's not necessarily a bad thing. As evidenced with the Star Wars sequel trilogy, J.J. Abrams is notorious for being unable to end movies he has directed well. He's great at kicking off a story, but struggles to bring them to a satisfying conclusion. While he is only attached to the Cloverfield movies as a producer, this is still shown by the strong start with Cloverfield and 10 Cloverfield Lane and weak finale with The Cloverfield Paradox. So, the best option would be to give the series a fresh set of eyes. Even with this possibility, it's highly unlikely that a new movie will be green-lit.

The right call would be to abandon the idea of a true sequel all together. The original Cloverfield was a great standalone horror movie that took fans by surprise, and has kept them talking for over a decade. Efforts to continue the series have been a struggle, because it's not really a story that needs to be continued. Cloverfield reinvigorated the found footage genre for a new generation of horror fans. That's a strong legacy in itself, so for that reason, the franchise should be laid to rest. Leaving fans wanting more instead of turning the series into a joke is how Cloverfield deserves to be remembered.

More: What 10 Cloverfield Lane Gets Right About Life In Quarantine

The Worst Villain in Marvel's Universe is A Literal Joke

Fri, 18 Sep 2020 15:23:20 +0000

The Marvel Universe is filled with noteworthy villains as well as some of the worst. And as one of the greatest assassins, Taskmaster, treads the Bolivian Andes in search of answers, one villain will take command of a group of henchmen from every criminal organization and howl his name. A name that not even his fellow comrades can take seriously: Redshirt.

If there is one thing the MU is not short of, it's villains, because every major superhero has a rogues gallery that is ever-growing. Oftentimes, even after a villain has been defeated, they will return once more such as the Spider-Man villain Sin-Eater who's making another appearance and even becoming a better Punisher in a new Spider-Man story arc. Some Marvel villains are absolutely terrifying to the point where they shroud other villains in fear such as Galactus who's afraid of Thor's newest villain. While others are ridiculous enough to make the reader laugh-out-loud and one villain in Taskmaster #3 is ludicrous enough to make his own teammates laugh.

In Fred van Lente, Jefte Palo, Jean-Francois Beaulieu, and Dave Lanphear's Taskmaster, Marvel's most twisted teacher searches for answers in a strange Nazi village with a woman named Mercedes, a new league of henchman drifts above in what looks like a knockoff S.H.I.E.L.D. Helicarrier. Within the aircraft, a group of henchman - which includes members from every criminal organization such as Hydra, A.I.M., and Secret Empire are gathering to listen to their leader's plan on how to take out the head of all criminal organizations known simply as the Org. After the leader who's dressed all in red tells his comrades his plan, he also tells them a name he proposes for the team - which is the Minions' International Liberation Front as well as his villainous alias - Redshirt The Über-Henchman. For obvious and possibly obscure reasons, one of the Redshirt's comrades begins to laugh at the names.

One obvious reason as to why one of Redshirt's comrades begins to laugh and ridicule him after he says the names is that the acronym for Minions' International Liberation Front is M.I.L.F. The other reason may not be so obvious unless one is a fan of the original Star Trek TV series or is familiar with the red shirt stock character. A redshirt stock character is one that stereotypically dies early on in a film or TV series and the concept begins with the original Star Trek series where if a character is wearing a red shirt, then they will probably die soon. After the laughing henchman reveals to Redshirt why he's laughing, he says, "You're going to kill me now, aren't you?" And without hesitation, Redshirt beheads the henchman.

It's rather obvious that Redshirt is one of Marvel's worst villains as he can't even come up with great names for himself and for his new league of henchmen. But don't worry, the humor doesn't stop there because in Taskmaster #4 as Redshirt charges at Taskmaster with his comrades he shouts, "Follow Redshirt men! The future belongs to M.I.L.F.! Clearly, Redshirt doesn't get the joke.

More: Who Is MODOK? The Marvel Villain's Origin & Powers Explained.

DC's Harley Quinn TV Show Renewed For Season 3 At HBO Max

Fri, 18 Sep 2020 15:22:37 +0000

The animated Harley Quinn TV show has been renewed for season 3 and will air exclusively on HBO Max. When DC Universe launched a few years ago, the digital platform became the home to multiple original DC shows, both live-action and animated. One of the new shows was Harley Quinn, starring Kaley Cuoco as the voice of the incredibly popular DC anti-hero. The first two seasons were well-received, but the audience was smaller as a result of DC Universe's subscriber base.

Over the last several weeks, interest in Harley Quinn has grown tremendously thanks to the show being made available on HBO Max. The renewed interest in the series reignited conversations about the show's future, especially amid reports that HBO Max will be the home of future seasons of any prior DC Universe content. Fans continued to hold out hope that Harley Quinn would be picked up for season 3, and now it is official.

As part of the news that DC Universe is being rebranded as a comics-only service, it has been announced that HBO Max has renewed Harley Quinn for season 3. At this time, it is not confirmed when the new season of Harley Quinn will be released. HBO Max made the announcement official by sharing an image of Harley Quinn and Poison Ivy.

The swell of support for Harley Quinn to get a third season and its performance on HBO Max are likely contributing factors behind the decision to renew the show. The Suicide Squad director James Gunn was among those who took to social media to campaign for season 3 to be announced. It was recently reported that the fate of Harley Quinn depended on the ongoing budget negotiations that were interrupted by HBO Max leadership shakeups. But, now we know that new HBO Max head Casey Bloys was able to close the deal.

As for what the third season of Harley Quinn will be about, the decision to lead with a poster that teases Harley and Poison Ivy's romantic relationship is a strong indication that their budding romance will be central to what comes next. The season two finale finally saw them both admit how they felt about one another and teased that they'd be in a relationship if Harley Quinn continued. It should also be expected that some of the show's other frequent and popular characters like Kite-Man and Bane will be back, and other major DC heroes and villains will also surely appear. Even though it isn't known when season 3 of Harley Quinn will arrive, at least fans know that it is coming and can continuing rewatching the first two seasons on HBO Max.

MORE: How The Harley Quinn Season 2 Finale's Shocking Twist Redeemed Jim Gordon

Source: HBO Max

Why Bloodborne Is The Most Overrated FromSoftware Soulsborne Game

Fri, 18 Sep 2020 15:21:10 +0000

Bloodborne has been hailed as the pinnacle of FromSoftware's "Soulsborne" games ever since its release back in 2015, but the game's consistent and uniform themes bring the game down when compared to the variety displayed by the Dark Souls series. Dark Souls had a modest start with Demon's Souls on the PlayStation 3, and the game's gorgeous remaster is evidence alone that the Souls series is a juggernaut in the industry. Bloodborne is the game that helped many players finally understand what made FromSoftware's brutal titles so appealing, but it leaves out some key elements that prevent it from reaching the peak of its medieval-inspired siblings.

Bloodborne borrows the core gameplay of the Souls franchise and dresses it up in a gory, Victorian London aesthetic that gives the experience an entirely unique style. From the weaponry used to the outlandishly mutated monsters, Bloodborne is just as bleak and oppressive as the Dark Souls games, but with a brand new flavor and a much faster-paced combat system that rewards aggressive playstyles. The issue with Bloodborne isn't its core gameplay, but rather its lack of variety and customization.

Dark Souls is a game about experimentation and discovery, even down to how the game's vast amount of weapons and items may benefit each individual player. In Dark Souls, there are dozens of weapons, rings, spells, and armor sets that completely change the way players engage enemies in combat. Players who prefer using spells will typically maintain their distance and rely on picking off foes from afar, but players can also dress up in massive suits of armor and wield cartoonishly large axes so they can crush anything that moves. There are so many ways to mix and match items for different types of characters, and this is a huge part of what makes Dark Souls such an enjoyable experience - there's always the option to go through the adventure again with an alternate build that plays in a brand-new way.

This element technically exists in Bloodborne, but it's in a sad state compared to the Dark Souls titles. Without purchasing the DLC, Bloodborne players will have access to a grand total of 15 weapons, whereas Dark Souls 3 offers its players over 100 weapons. This gigantic difference in the number of options players have when designing their characters is a major reason why Bloodborne struggles to compete with Dark Souls. There are also a plethora of weapons, like the Saw Spear and the Saw Cleaver, that share many of the same moves, so not even all 15 of Bloodborne's weapons are entirely unique. Armor sets in Bloodborne also offer very minuscule differences in stats or passive abilities, so they're mostly used to simply change the look of one's avatar.

Not only does this change have a negative impact on repeat playthroughs, since players are extremely limited in terms of what their options are throughout the entire experience, but it also severely weakens the game's PVP. Fighting other players online was the second reason that Dark Souls had such enormous replay value, but because everyone wields the same few weapons with very little variety in Bloodborne, it's meta ended up being far less dynamic and engaging than even Dark Souls' mod-infested competitions. In the Dark Souls series, it was very common to duel against all kinds of creative and fun builds which helped keep the competitive scene fresh, but Bloodborne fails miserably in this department.

Even Bloodborne's iconic setting limited the creativity of the developers, and each area felt far too similar to the last. Most enemies are similar grotesque abominations, and they're mostly found in nearly-identical gothic London city-inspired locals. Dark Souls takes players through lush forests with reanimated golems, ruined cities half-buried in pools of magma and infested with demons, and a gorgeous abandoned citadel bathed in the golden glow of the setting sun above. Dark Souls may lack the consistent themes present in Bloodborne, but it allows each area to feel entirely unique instead of constantly retreading tired old ground. Bloodborne is still a solid game in its own right, but Dark Souls' ability to keep players guessing at all times is what gives it an edge over its gothic little brother.

Next: How Bloodborne On PC Can Improve From The PS4 Version

The Boys Star Hints At Homelander v Starlight Fight In Season 2

Fri, 18 Sep 2020 15:17:18 +0000

WARNING: The following contains spoilers for the first 4 episodes of The Boys season 2.

The Boys star Erin Moriarty hints at a possible fight between Homelander (Antony Starr) and Starlight coming in season two. One of the popular superhero show's lead cast members, Moriarty plays Starlight, a member of the Seven who successfully leaked a sample of Compound V to the media. However, her hesitation to kill Hughie Campbell (Jack Quaid) put Starlight on Homelander's murderous radar, and the two characters have had a tension-filled relationship ever since.

Although Starlight was successful in getting the world to find out how Vought International really made superheroes, her heroic efforts appear to have been in vain so far. Vought blamed Compound V on Madelyn Stillwell (Elisabeth Shue), and made it appear as if Stormfront (Aya Cash) had successfully killed Kimiko's (Karen Fukuhara) brother Kenji (Abraham Lim), and blamed him for the terrible slaughter of a building full of innocent people. In case things weren't already bad enough either, Starlight barely made it out of an elevator alive in episode four, after Homelander nearly killed her for disobeying his order to kill Hughie. Rather than backing down from Homelander's wrath though, the character stood up for herself, continuing her growth this season. But her growing defiance doesn't necessarily mean she's any more free from Homelander's rage.

In a recent interview with SyFy Wire, Moriarty talked in detail about Starlight's character development throughout The Boys season 2. Moriarty also teased that Homelander's relationship with his son will greatly impact the villain's mood in the new season, and that a moment of defiance from Starlight may come at a time when Homelander's mood is yet again at a low point. That, unfortunately, means fans may be in store for another tense confrontation between the two characters this season:

Homelander is the head of The Seven...Whatever he is going through has a ripple effect through all of Vought... He’s a moody dude. So, if he’s not feeling too good and he’s having a bad mood, everyone is going to feel it, especially Starlight because she’s pretty defiant and rebellious. All I will say is that he has a tumultuous relationship with this child in Season 2. At times, when that relationship is dipping and Annie is maybe in a peak of defiance, she is definitely going to feel his wrath.

Do Moriarty's comments mean that the remaining four episodes of The Boys season two could feature a Homelander versus Starlight battle? Moriarty did acknowledge later in the same interview that, "One wrong step and Homelander would kill her," further teasing the tense conflict between the two characters this season. It's also worth noting that The Boys showrunner Eric Kripke has previously said that Homelander's only weakness is psychological attacks, which means Starlight would have a hard time winning any kind of physical confrontation with Homelander. To make matters worse, Stormfront appears to be getting in Homelander's head more and more this season, and the already violent character only seems to be getting more unpredictable as a result.

No matter what, it's hard to imagine an actual fight between Homelander and Starlight going at all well for the latter character. It seems unlikely that Homelander would be killed off anytime soon, as the character has slipped quite comfortably into the show's lead villain role. There's been nothing to suggest up until this point that the show would want to get rid of a villain as dangerous as Homelander anytime soon either, especially since The Boys has already been renewed for a third season. However, The Boys is all about subverting expectations, so the future of its story is about as unpredictable as Homelander's mood. It definitely would be an empowering moment for Starlight to take on Homelander, and even more so if she managed to make it out of the battle alive. Based on Moriarty's comments too, it seems inevitable that the two characters will come to blows at some point this season, but for now, fans will have to wait and see when (and if) that possibility comes to fruition over the course of the season's remaining episodes.

Next: The Boys: Why Starlight Is A Double Agent In Season 2

Source: SyFy Wire

‘Gone Girl’: Carrie Coon Clarifies a Misconception About David Fincher

Fri, 18 Sep 2020 15:16:23 +0000

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Friday One Sheet: NOCTURNE

Fri, 18 Sep 2020 15:15:00 +0000

Yellow is the new pink. After the bold and original poster for Brandon Cronenberg's Possessor dropped, I commented on the re-appropriation of yellow from the 'Sundance Indie Dramedy' to art-house horror film space. Here is the poster for Zu Qurike's feature debut, Nocturne, which will be popping up on Amazon Prime shortly/ Design house, B O N D, has literally made the transition of the last couple years excessive use of the colour pink in key art design, explicit, and moving right to left from pink into full yellow. It is an arresting image, both because the lead character is upside-down (Question: Did the photographer take the shot upside-down, or just rotate the image, and Photoshop in that necklace afterwards?) and the curious, excessive running...

[Read the whole post on screenanarchy.com...]

The Top 10 Most Popular Movies on Netflix Right Now

Fri, 18 Sep 2020 15:13:52 +0000

Now that Netflix has unveiled its new “Top 10” feature, we have an assessment of what people are actually watching on the streaming service. Each day, the “Top 10” feature shows the most popular films and TV shows as viewed by subscribers. But if you’re looking for not only a quick rundown of the Top 10 most popular movies on Netflix, but also a little more information on what they’re about and who’s in them, we’ve got you covered. Below, we’ve assembled the current list of the most popular movies on Netflix in the U.…

Jimmy O Yang Can’t Cut It as a Stand-Up Comedian in ‘The Opening Act’ Trailer (Video)

Fri, 18 Sep 2020 15:09:56 +0000

Maybe this stand-up comedy thing just isn’t for Jimmy O. Yang. In his new comedy “The Opening Act,” the “Silicon Valley” and “Crazy Rich Asians” star learns the tough reality of life on the road as a comic.

The film directed and written by Steve Byrne and produced by Vince Vaughn and Peter Billingsley follows Yang as Will Chu, an aspiring stand-up comedian who gets the opportunity to open on the road for his hero Billy G., played with flair by Cedric the Entertainer.

“You look at the road ahead of me right now, and it’s in a cubicle selling things I don’t believe in,” Yang says in the trailer. “The only silver lining is I can’t possibly hang myself in a cubicle.”

Also Read: Jimmy O Yang on Crafting His First Stand-Up Special and Why It Isn't Just for Asian Audiences

But things get off to a rough start quickly when he can’t impress some morning radio DJs, hecklers or other drunk comedy groupies, forcing him to decide what he really wants in life.

“You bombed. You bombed hard too. Your ass should be on the TSA watchlist,” Cedric the Entertainer says in the trailer. “The thing about stand-up is you have the chance to be better today than you was yesterday.”

Byrne stacks his cast for “The Opening Act” with a cavalcade of other comics, including Ken Jeong, Alex Moffat, Neal Brennan, Debby Ryan, Bill Burr, Whitney Cummings, Jermaine Fowler, Russell Peters, Tom Segura and Iliza Shlesinger.

Yang actually recently released his first ever stand-up special on Amazon, “Good Deal,” back in May.

RLJE Films is releasing “The Opening Act” in theaters, VOD and on digital on October 16. Check out the first trailer for “The Opening Act” above.

Related stories from TheWrap:

'Crazy Rich Asians' Star Jimmy O. Yang on the 'Almost Therapeutic' Process of Writing His Memoir

Nina Dobrev, Jimmy O Yang and Charles Melton Join Netflix Rom-Com 'Love Hard'

Jimmy O Yang on Crafting His First Stand-Up Special and Why It Isn't Just for Asian Audiences

Winston Groom Dies, Forrest Gump Creator and Author Was 77

Fri, 18 Sep 2020 15:07:29 +0000

The author of the original Forrest Gump novel and its sequel Gump and Co., Winston Groom, passed away this week at the age of 77.

DC Universe Goes 'Infinite' With New Comic Subscription Service

Fri, 18 Sep 2020 15:05:07 +0000

DC Universe has been DC Comics' premier content service for fans since September of 2018, but now the service looks ready to grow and expand. In an announcement from DC Comics, DC Universe will be re-branding and will evolve into DC Universe Infinite next year, carrying an expanded library of comics, digital firsts, and more exclusives for subscribing DC fans. Not only that, but DC Universe Infinite will be made available worldwide to fans all over the globe.

DC Universe Infinite will launch January 21st, with worldwide access coming the summer of 2021. What will be the biggest differences between DC Universe and DC Universe Infinite? For starters, DCUI will be getting an expanded library of over 24,000 titles at launch, including digital-first comics, and exclusive content made especially for the site itself. New titles will be added 6 months after initial release, as opposed to the current schedule of one year as it is now with DC Universe. DCUI subscribers will also get exclusive member access to special DC fan events, as well.

According to Chief Creative Officer and head honcho Jim Lee:

“Our fans love the platform’s robust library of comic books and, with the transformation, we will not disappoint. I’m excited to share that not only will DC UNIVERSE INFINITE members still be able to read all of the great comics that they’ve enjoyed but new issues are debuting on the platform quicker than before, digital first exclusives are being created, and the members-only events will begin as soon as possible. There has never been a better time to be a DC fan!"

What does this mean for current DC Universe subscribers? Thankfully, current DCU members won't have to do anything, and their subscriptions will automatically update to DCUI when it launches next year, as DCUI will be the same price at $7.99 a month, or $74.99 a year. New and current annual subscribers will also get a $25 voucher to the DC Shop with monthly members getting a $10 voucher.

The announcement also confirms expectations that all of the DCU Original streaming series like Titans, Doom Patrol, the animated Harley Quinn series, and more will all be making the permanent transition to Warner Bros.' new streaming service HBO Max. This will also include the classic series and films that are currently on the DCU service. However, fans will get to take part in a deal where they can add HBO Max to their subscription for an additional $4.99 (for a limited time).

All in all, this seems like a smart move on DC and Warner Bros.' part. DC Universe Infinite will see a loss in its streaming content, but it will gain worldwide access with a much larger offering of comic titles with new content coming in at a much faster rate. By making DCUI more robust with its comic offerings, it's now more on par with that of Marvel Unlimited, the current counterpart to DC's content service. Not only that, but DC Comics seems determined to make DCUI unique, while still seeking to maintain the community DC Universe has built over the last two years, ensuring that members will get an exclusive DC experience that seems worthwhile to fans all over the world.

More: 10 Best Animated DC Shows and Movies on HBO Max (According to IMDb)

DC Universe Is Dropping TV Shows to Focus on Digital Comics

Fri, 18 Sep 2020 15:00:41 +0000

Good news for DC Universe fans! The app isn’t going away as many had feared, but is rebranding as DC Universe Infinite and will focus entirely on digital comics. Meanwhile, all of the DC Universe premium video content will migrate over to HBO Max, including original series Harley Quinn, Doom Patrol, and Young Justice. In fact, news also broke that Harley Quinn has been renewed for a third season to air exclusively on HBO Max. “Our fans love the platform’s robust library of comic books and, with the transformation, we will not disappoint,” said DC Publisher and Chief …